{"id":5031,"date":"2013-02-18T00:00:56","date_gmt":"2013-02-17T23:00:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=5031"},"modified":"2016-05-21T20:28:52","modified_gmt":"2016-05-21T18:28:52","slug":"tomajazz-recomienda-un-tema-bright-mississippi-thelonious-monk","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-bright-mississippi-thelonious-monk\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abBright Mississippi\u00bb (Thelonious Monk)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/tmmonksdream.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-5032\" alt=\"tmmonksdream\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/tmmonksdream.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/tmmonksdream.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/tmmonksdream-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/tmmonksdream-300x300.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Divertido, cargado de\u00a0<i>swing\u00a0<\/i>y buenas vibraciones; y, a la vez, complejo, anguloso, moderno pero fuertemente afincado en la tradici\u00f3n. No hay duda, se trata de Thelonious Monk. Su composici\u00f3n \u00abBright Mississippi\u00bb llenaba ocho minutos y medio del album\u00a0<i>Monk&#8217;s Dream<\/i>\u00a0(1962). Charlie Rouse, quiz\u00e1 el <em>sideman<\/em> que mejor se entendi\u00f3 con Monk, improvisa sin salirse del ambiente del tema. El l\u00edder le acompa\u00f1a con acordes histri\u00f3nicos (\u00bfpuede ser un acorde histri\u00f3nico?) y enfoca su propio solo con un desparpajo \u00fanico. Tras ellos, John Ore y Frankie Dunlop se encargan de que el ritmo no decaiga. Una variaci\u00f3n en torno a tres notas, un viaje imprescindible.<\/p>\n<p><i>Monk&#8217;s Dream<\/i>\u00a0(Thelonious Monk Quartet), Columbia 8765<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Divertido, cargado de\u00a0swing\u00a0y buenas vibraciones; y, a la vez, complejo, anguloso, moderno pero fuertemente afincado en la tradici\u00f3n. No hay duda, se trata de Thelonious Monk. Su composici\u00f3n \u00abBright Mississippi\u00bb llenaba ocho minutos y medio del album\u00a0Monk&#8217;s Dream\u00a0(1962). Charlie Rouse, quiz\u00e1 el sideman que mejor se entendi\u00f3 con Monk, improvisa<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-bright-mississippi-thelonious-monk\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":5032,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1296,1038,1273],"tags":[1326,5366,5536,1587,5538,5537,5083,5535,16099,16100],"class_list":["entry","author-pachi","post-5031","post","type-post","status-publish","format-standard","has-post-thumbnail","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1326","tag-adolphus-van-tenzing","tag-charlie-rouse","tag-columbia","tag-frankie-dunlop","tag-john-ore","tag-thelonious-monk","tag-thelonious-monk-quartet","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/tmmonksdream.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29266,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-thelonious-monk-monks-dream-55\/","url_meta":{"origin":5031,"position":0},"title":"365 razones para amar el jazz: un disco. Thelonious Monk: Monk&#8217;s Dream [55]","author":"Tomajazz","date":"24 febrero, 2017","format":false,"excerpt":"Un disco. The Thelonious Monk Quartet: Monk's Dream (Columbia, 1963) Seleccionado por Jes\u00fas Mateu Rossell\u00f3. Con Thelonious Monk, Charles Rouse, John Ore, Frank Dunlop.","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/The-Thelonious-Monk-Quartet_Monks-Dream_Columbia_1963.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32754,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-round-midnight-thelonious-monk-cootie-williams-288\/","url_meta":{"origin":5031,"position":1},"title":"365 razones para amar el jazz: un tema. &#8216;Round Midnight (Thelonious Monk, Cootie Williams) [289]","author":"Tomajazz","date":"16 octubre, 2017","format":false,"excerpt":"Un tema.\u00a0\u00a0\"\u2018Round Midnight\". M\u00fasica: Thelonious Monk & Cootie Williams Seleccionado por\u00a0Luis Escalante Ozalla Thelonious Monk:\u00a0At The Blackhawk\u00a0(Riverside, 1960) Thelonious Monk, John Ore, Billie Higgins, Joe Gordon, Charlie Rouse, Harold Land","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Thelonious_Monk_at_the_Blackhawk.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":14404,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-school-days-improvisations-on-compositions-by-thelonious-monk-steve-lacy-emanem-ed-2014\/","url_meta":{"origin":5031,"position":2},"title":"Tomajazz recomienda&#8230; un CD: School Days. Improvisations on Compositions by Thelonious Monk (Steve Lacy, Emanem, ed: 2014)","author":"Tomajazz","date":"6 octubre, 2014","format":false,"excerpt":"Entre los m\u00fasicos que a lo largo de su carrera adem\u00e1s de lograr un lenguaje propio han logrado ser considerados expertos en repertorios ajenos, Steve Lacy merece ocupar un lugar entre los m\u00e1s destacados. En el caso del saxofonista el desarrollo de su carrera adem\u00e1s de mostrarnos una voz y\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Steve Lacy_School Days_Emanem_reed 2014","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Steve-Lacy_School-Days_Emanem_reed-2014-200x200.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29028,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-thelonious-monk-underground-john-berg-y-richard-mantel-37\/","url_meta":{"origin":5031,"position":3},"title":"365 razones para amar el jazz: una portada. Thelonious Monk: Underground (John Berg y Richard Mantel) [37]","author":"Tomajazz","date":"6 febrero, 2017","format":false,"excerpt":"Una portada de John Berg y Richard Mantel. Thelonious Monk: Underground (Columbia, 1968) Seleccionado por\u00a0Arturo Mora Rioja. Con Thelonious Monk, Charlie Rouse, Larry Gales, Ben Riley.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Underground_Columbia_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6145,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-blues-blue-monk-thelonious-monk\/","url_meta":{"origin":5031,"position":4},"title":"Tomajazz recomienda&#8230; un blues: \u00abBlue Monk\u00bb (Thelonious Monk)","author":"Adolphus van Tenzing","date":"29 abril, 2013","format":false,"excerpt":"Por\u00a0Adolphus Van Tenzing. Maestro de maestros, compositor y pianista genial, bicho raro donde los haya: Thelonious Monk es uno de los m\u00fasicos m\u00e1s originales de la historia del jazz. Tanto sus temas como su forma de tocarlos parec\u00edan infantiles, histri\u00f3nicos, deslavazados. No hace falta mirar muy por debajo de la\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Thelonious-Monk_Blue-Monk_partitura.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Thelonious-Monk_Blue-Monk_partitura.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Thelonious-Monk_Blue-Monk_partitura.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":9575,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-carmen-sings-monk-carmen-mcrae-1988\/","url_meta":{"origin":5031,"position":5},"title":"Tomajazz recomienda&#8230; un CD: Carmen Sings Monk (Carmen McRae, 1988)","author":"Tomajazz","date":"9 diciembre, 2013","format":false,"excerpt":"La recomendaci\u00f3n de esta semana bien podr\u00eda haber no tomado el nombre con que lo ha hecho, sino haber sido algo as\u00ed como \"Tomajazz recomienda un homenaje a Thelonious Monk\". En 1988, tres a\u00f1os antes de retirarse, la cantante Carmen McRae se daba en su pen\u00faltima grabaci\u00f3n un fest\u00edn monkiano.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Carmen_Sings_Monk","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/Carmen_Sings_Monk.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=5031"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5031\/revisions"}],"predecessor-version":[{"id":24326,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5031\/revisions\/24326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/5032"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=5031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=5031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=5031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}