{"id":50511,"date":"2020-05-04T12:00:36","date_gmt":"2020-05-04T10:00:36","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=50511"},"modified":"2020-05-03T16:16:52","modified_gmt":"2020-05-03T14:16:52","slug":"jimmy-smith-iii-cannonball-adderley-i-la-odisea-de-la-musica-afroamericana-237-podcast-yomequedoencasa-istayathome","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jimmy-smith-iii-cannonball-adderley-i-la-odisea-de-la-musica-afroamericana-237-podcast-yomequedoencasa-istayathome\/","title":{"rendered":"Jimmy Smith (III) &#8211; Cannonball Adderley (I). La Odisea de la M\u00fasica Afroamericana (237) [Podcast]  #YoMeQuedoEnCasa \/ #IStayAtHome"},"content":{"rendered":"<p>Por <strong>Luis Escalante Ozalla<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a> y <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 237 de <em>La Odisea de la M\u00fasica Afroamericana <\/em>de\u00a0<strong>Luis Escalante Ozalla<\/strong> finaliza el repaso a la carrera del gran organista <strong>Jimmy Smith<\/strong>, y comienza la del gran <strong>Cannonball Adderley<\/strong>. Acompa\u00f1an al primero de los m\u00fasicos otros artistas de la talla de Etta James, Kenny Burrell o Nicholas Payton, mientras que el saxofonista aparece acompa\u00f1ado, entre otros, por el gran Horace Silver.<\/p>\n<p><iframe id=\"audio_50666027\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_50666027_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-29871\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg\" alt=\"\" width=\"600\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966-50x50.jpg 50w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>En el programa 237 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abFragile\u00bb Cassandra Wilson<\/li>\n<li>\u00abMy romance\u00bb Jimmy Smith &amp; Kenny Burrell<\/li>\n<li style=\"text-align: justify;\">\u00abDays of wine and roses\u00bb Jimmy Smith &amp; Nicholas Payton<\/li>\n<li style=\"text-align: justify;\">\u00abJust want to make love to you\u00bb Jimmy Smith &amp; Etta Jones<\/li>\n<li style=\"text-align: justify;\">\u00abOl&#8217; man river\u00bb Jimmy Smith<\/li>\n<li style=\"text-align: justify;\">\u00abGroovin&#8217; high\u00bb Cannonball Adderley<\/li>\n<li style=\"text-align: justify;\">\u00abHear me talking to ya\u00bb Horace Silver &amp; Cannonball Adderley<\/li>\n<li style=\"text-align: justify;\">\u00abTwo sleepy people\u00bb Cannonball Adderley &amp; Richard Hayman Orchestra<\/li>\n<li style=\"text-align: justify;\">\u00abTill there with you\u00bb Rod Stewart<\/li>\n<\/ul>\n<p>Toda la informaci\u00f3n est\u00e1 disponible en <a href=\"https:\/\/tomajazz.com\/web\/?cat=13297\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/podcast-odisea-musica-afroamericana_sq_f1168944_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a>8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La entrega 237 del programa \/ podcast La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla est\u00e1 dedicado a finalizar el repaso a la carrera de Jimmy Smith, y a comenzar el repaso de la de Cannonball Adderley. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jimmy-smith-iii-cannonball-adderley-i-la-odisea-de-la-musica-afroamericana-237-podcast-yomequedoencasa-istayathome\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":29871,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12814,17834,13297,15518,1038],"tags":[1534,24668,5017,19487,8822,24667,9161,20718,24665,24666,7037,12817,12816,8220,24669,12294],"class_list":["entry","author-pachi","has-excerpt","post-50511","post","type-post","status-publish","format-standard","has-post-thumbnail","category-podcast","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-sonidos","category-contenidos","tag-cannonball-adderley","tag-cannonball-adderley-richard-hayman-orchestra","tag-cassandra-wilson","tag-etta-jones","tag-horace-silver","tag-horace-silver-cannonball-adderley","tag-jimmy-smith","tag-jimmy-smith-etta-jones","tag-jimmy-smith-kenny-burrell","tag-jimmy-smith-nicholas-payton","tag-kenny-burrell","tag-la-odisea-de-la-musica-afroamericana","tag-luis-escalante-ozalla","tag-nicholas-payton","tag-richard-hayman-orchestra","tag-rod-stewart"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":50601,"url":"https:\/\/tomajazz.com\/web\/cannonball-adderley-ii-la-odisea-de-la-musica-afroamericana-238-podcast\/","url_meta":{"origin":50511,"position":0},"title":"Cannonball Adderley (II). La Odisea de la M\u00fasica Afroamericana (238) [Podcast]","author":"Tomajazz","date":"18 mayo, 2020","format":false,"excerpt":"Cannonball Adderley es la figura central de la entrega 238 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Cannonballl-Adderley-Bill-Evans-Quartet_Know-What-I-Mean.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":50665,"url":"https:\/\/tomajazz.com\/web\/cannonball-adderley-y-iii-blossom-dearie-la-odisea-de-la-musica-afroamericana-239-podcast\/","url_meta":{"origin":50511,"position":1},"title":"Cannonball Adderley (y III) &#8211; Blossom Dearie (I). La Odisea de la M\u00fasica Afroamericana (239) [Podcast]","author":"Tomajazz","date":"25 mayo, 2020","format":false,"excerpt":"Cannonball Adderley y la cantante Blossom Dearie son las figuras centrales del cap\u00edtulo 239 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Blossom-Dearie.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":18422,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-003-podcast\/","url_meta":{"origin":50511,"position":2},"title":"Un camino de ida y vuelta. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 003) [Podcast]","author":"Tomajazz","date":"18 mayo, 2015","format":false,"excerpt":"El tercer cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana presenta un camino de ida y vuelta musical. En el programa se escuchan algunas de las m\u00fasicas que influyeron a los esclavos norteamericanos: la m\u00fasica tradicional europea, las m\u00fasicas militares, o la m\u00fasica tradicional norteamericana \u2013fuertemente influenciada a su vez\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/486px-Civil-War-US-Army-band.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":50370,"url":"https:\/\/tomajazz.com\/web\/hard-bop-xi-jimmy-smith-ii-la-odisea-de-la-musica-afroamericana-236-podcast-yomequedoencasa-istayathome\/","url_meta":{"origin":50511,"position":3},"title":"Hard Bop (XII). Jimmy Smith (II). La Odisea de la M\u00fasica Afroamericana (236) [Podcast]  #YoMeQuedoEnCasa \/ #IStayAtHome","author":"Tomajazz","date":"27 abril, 2020","format":false,"excerpt":"En el cap\u00edtulo 236 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla contin\u00faa el repaso a la carrera del gran organista Jimmy Smith. Y recuerda... #YoMeQuedoEnCasa #IStayAtHome","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/Jimmy-Smith_A-date-with-Jimmy-Smith.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":48239,"url":"https:\/\/tomajazz.com\/web\/bill-evans-ii-la-odisea-de-la-musica-afroamericana-220-podcast\/","url_meta":{"origin":50511,"position":4},"title":"Bill Evans (II). La Odisea de la M\u00fasica Afroamericana (220) [Podcast]","author":"Tomajazz","date":"6 enero, 2020","format":false,"excerpt":"Bill Evans es el protagonista del cap\u00edtulo 220 de la Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla. Se le puede escuchar junto a gigantes del jazz como Miles Davis, Charles Mingus o Cannonball Adderley... entre otros.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":38830,"url":"https:\/\/tomajazz.com\/web\/sarah-vaughan-i-la-odisea-de-la-musica-afroamericana-161-podcast\/","url_meta":{"origin":50511,"position":5},"title":"Sarah Vaughan (I). La Odisea de la M\u00fasica Afroamericana (161) [Podcast]","author":"Tomajazz","date":"24 septiembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el final del cap\u00edtulo 160 de\u00a0La\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/675px-Sarah_Vaughan_-_William_P._Gottlieb_-_No._1-450x600.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/50511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=50511"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/50511\/revisions"}],"predecessor-version":[{"id":50514,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/50511\/revisions\/50514"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/29871"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=50511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=50511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=50511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}