{"id":50955,"date":"2020-06-29T12:00:26","date_gmt":"2020-06-29T10:00:26","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=50955"},"modified":"2020-06-28T12:31:10","modified_gmt":"2020-06-28T10:31:10","slug":"lee-morgan-ii-la-odisea-de-la-musica-afroamericana-244-podcast-de-jazz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/lee-morgan-ii-la-odisea-de-la-musica-afroamericana-244-podcast-de-jazz\/","title":{"rendered":"Lee Morgan (II). La Odisea de la M\u00fasica Afroamericana (244) [Podcast de Jazz]"},"content":{"rendered":"<p>Por <strong>Luis Escalante Ozalla<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <strong><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a><\/strong> y <strong><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a><\/strong>; y autor del blog <strong><a href=\"https:\/\/loslatidosdeljazz.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Los Latidos del Jazz<\/em><\/a><\/strong>.<\/p>\n<p style=\"text-align: justify;\">En el cap\u00edtulo 244 de <em>La Odisea de la M\u00fasica Afroamericana <\/em>de\u00a0<strong>Luis Escalante Ozalla<\/strong> contin\u00faa el repaso a la carrera de\u00a0<strong>Lee Morgan<\/strong>.<\/p>\n<p><iframe id=\"audio_52732786\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_52732786_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-39248\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse.jpg\" alt=\"\" width=\"410\" height=\"410\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse.jpg 410w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse-50x50.jpg 50w\" sizes=\"auto, (max-width: 410px) 100vw, 410px\" \/><\/p>\n<p>En el programa 244 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abIn the winelight\u00bb Kurt Elling<\/li>\n<li style=\"text-align: justify;\">\u00abAlong came Betty\u00bb Art Blakey &amp; Lee Morgan<\/li>\n<li style=\"text-align: justify;\">\u00abThese are the soulful days\u00bb Lee Morgan<\/li>\n<li style=\"text-align: justify;\">\u00abSidewinder\u00bb Lee Morgan<\/li>\n<li style=\"text-align: justify;\">\u00abMorgan the pirate\u00bb Lee Morgan<\/li>\n<li style=\"text-align: justify;\">\u00abLike someone in love\u00bb Lee Morgan &amp; Art Blakey &amp; The Jazz Messengers<\/li>\n<li style=\"text-align: justify;\">\u00abWell we needn\u00b4t\u00bb Jamie Cullum<\/li>\n<\/ul>\n<p>Toda la informaci\u00f3n est\u00e1 disponible en <a href=\"https:\/\/tomajazz.com\/web\/?cat=13297\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/podcast-odisea-musica-afroamericana_sq_f1168944_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a>8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lee Morgan, el genial trompetista, es el protagonista central del cap\u00edtulo 244 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/lee-morgan-ii-la-odisea-de-la-musica-afroamericana-244-podcast-de-jazz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":39248,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12814,17834,13297,15518,1038],"tags":[1416,24750,6755,9423,271,12817,5659,24751,12816],"class_list":["entry","author-pachi","has-excerpt","post-50955","post","type-post","status-publish","format-standard","has-post-thumbnail","category-podcast","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-sonidos","category-contenidos","tag-art-blakey","tag-art-blakey-lee-morgan","tag-art-blakey-and-the-jazz-messengers","tag-jamie-cullum","tag-kurt-elling","tag-la-odisea-de-la-musica-afroamericana","tag-lee-morgan","tag-lee-morgan-art-blakey-and-the-jazz-messengers","tag-luis-escalante-ozalla"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Lee-Morgan_Live-At-The-Lighthouse.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":49233,"url":"https:\/\/tomajazz.com\/web\/hard-bop-iii-art-blakey-iii-la-odisea-de-la-musica-afroamericana-227-podcast\/","url_meta":{"origin":50955,"position":0},"title":"Hard Bop (III). Art Blakey (III). La Odisea de la M\u00fasica Afroamericana (227) [Podcast]","author":"Tomajazz","date":"24 febrero, 2020","format":false,"excerpt":"La entrega 227 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla es la tercera dedicada al Hard Bop, y es adem\u00e1s la tercera dedicada a Art Blakey & The Jazz Messengers.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48966,"url":"https:\/\/tomajazz.com\/web\/hard-bop-i-art-blakey-i-la-odisea-de-la-musica-afroamericana-225-podcast\/","url_meta":{"origin":50955,"position":1},"title":"Hard Bop (I). Art Blakey (I). La Odisea de la M\u00fasica Afroamericana (225) [Podcast]","author":"Tomajazz","date":"10 febrero, 2020","format":false,"excerpt":"En el episodio 225 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante Ozalla realiza una introducci\u00f3n al movimiento Hard-Bop, y a uno de sus representantes principales, el baterista Art Blakey.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"Art Blakey and the Jazz Messengers Moanin' Blue Note 1958","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":49105,"url":"https:\/\/tomajazz.com\/web\/hard-bop-ii-art-blakey-ii-la-odisea-de-la-musica-afroamericana-225-podcast\/","url_meta":{"origin":50955,"position":2},"title":"Hard Bop (II). Art Blakey (II). La Odisea de la M\u00fasica Afroamericana (226) [Podcast]","author":"Tomajazz","date":"17 febrero, 2020","format":false,"excerpt":"En el cap\u00edtulo 226 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante Ozalla contin\u00faa transitando por la senda del Hard-Bop, en esta ocasi\u00f3n, nuevamente con Art Blakey.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Art-Blakeys-Jazz-Messengers-with-Thelonious-Monk.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Art-Blakeys-Jazz-Messengers-with-Thelonious-Monk.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Art-Blakeys-Jazz-Messengers-with-Thelonious-Monk.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Art-Blakeys-Jazz-Messengers-with-Thelonious-Monk.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/03\/Art-Blakeys-Jazz-Messengers-with-Thelonious-Monk.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":38495,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-i-la-odisea-de-la-musica-afroamericana-158-podcast\/","url_meta":{"origin":50955,"position":3},"title":"Thelonious Monk (I). La Odisea de la M\u00fasica Afroamericana (158) [Podcast]","author":"Tomajazz","date":"3 septiembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Con el cap\u00edtulo 158 de\u00a0La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-I.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-I.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-I.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":50868,"url":"https:\/\/tomajazz.com\/web\/donald-byrd-iii-lee-morgan-i-la-odisea-de-la-musica-afroamericana-243-podcast-de-jazz\/","url_meta":{"origin":50955,"position":4},"title":"Donald Byrd (III) &#8211; Lee Morgan (I). La Odisea de la M\u00fasica Afroamericana (243) [Podcast de Jazz]","author":"Tomajazz","date":"23 junio, 2020","format":false,"excerpt":"Los trompetistas Donald Byrd y Lee Morgan son los protagonistas del cap\u00edtulo 243 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"The Sidewinder Lee Morgan (Blue Note, 1964)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Lee-Morgan_The-Sidewinder_Blue-Note_1963.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":49359,"url":"https:\/\/tomajazz.com\/web\/hard-bop-iv-clifford-brown-la-odisea-de-la-musica-afroamericana-228-podcast\/","url_meta":{"origin":50955,"position":5},"title":"Hard Bop (IV). Clifford Brown (I). La Odisea de la M\u00fasica Afroamericana (228) [Podcast]","author":"Tomajazz","date":"2 marzo, 2020","format":false,"excerpt":"Sigue La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla con su inmersi\u00f3n en el Hard Bop. En la entrega 228 el trompetista Clifford Brown, un m\u00fasico que nos dej\u00f3 demasiado pronto, es el protagonista del programa.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Clifford-Brown-Max-Roach_Clifford-Brown-Max-Roach_EmArcy_1955.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/50955","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=50955"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/50955\/revisions"}],"predecessor-version":[{"id":50957,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/50955\/revisions\/50957"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/39248"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=50955"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=50955"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=50955"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}