{"id":51076,"date":"2020-07-09T11:00:18","date_gmt":"2020-07-09T09:00:18","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=51076"},"modified":"2021-07-18T13:21:46","modified_gmt":"2021-07-18T11:21:46","slug":"jazz-en-espanol-emision-8-de-julio-de-2020-noticias-de-jazz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazz-en-espanol-emision-8-de-julio-de-2020-noticias-de-jazz\/","title":{"rendered":"Jazz en espa\u00f1ol. Emisi\u00f3n 8 de julio de 2020 [Noticias de jazz]"},"content":{"rendered":"<p>Por <b>Redacci\u00f3n<\/b>.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-43945\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa\u00f1ol_LogoJunio2019-3-600x249.jpg\" alt=\"\" width=\"600\" height=\"249\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa\u00f1ol_LogoJunio2019-3-600x249.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa\u00f1ol_LogoJunio2019-3-200x83.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa\u00f1ol_LogoJunio2019-3-133x55.jpg 133w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa\u00f1ol_LogoJunio2019-3.jpg 709w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<blockquote><p><i>Jazz en Espa\u00f1ol, Jazz de por aqu\u00ed, de all\u00ed y de m\u00e1s all\u00e1. Comentamos y escuchamos los laberintos del jazz en sus formas y sonidos m\u00e1s variados y diferentes \u2013aunque a veces nos salimos de foco.<\/i><\/p><\/blockquote>\n<p>En la semana del 8 de julio de 2020 en el programa de radio (y tambi\u00e9n podcast) <strong>Jazz en espa\u00f1ol<\/strong> de <strong>Juli\u00e1n Ruesga Bono<\/strong>&#8230; Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac.<\/p>\n<p style=\"text-align: right;\">\u00a9 <strong>Tomajazz<\/strong>, 2020<\/p>\n<p>Disponible en <a href=\"http:\/\/www.emartv.es\/jazz-en-espanol\/#.WhU8c7ZDmMI\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.emartv.es\/jazz-en-espanol\/#.WhU8c7ZDmMI<\/a> y <a href=\"https:\/\/www.ivoox.com\/podcast-jazz-espanol_sq_f1478867_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.ivoox.com\/podcast-jazz-espanol_sq_f1478867_1.html<\/a><\/p>\n<p><iframe id='audio_53404986' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_53404986_4_1.html?c1=ff6600\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En la semana del 8 de julio de 2020 en Jazz en espa\u00f1ol, el programa de Juli\u00e1n Ruesga Bono&#8230; Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac. Dizzy Gillespie: Swing Low, Sweet Cadillac.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazz-en-espanol-emision-8-de-julio-de-2020-noticias-de-jazz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":43945,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17858,15795,1038],"tags":[15295,603,11856,15296],"class_list":["entry","author-pachi","has-excerpt","post-51076","post","type-post","status-publish","format-standard","has-post-thumbnail","category-redaccion","category-noticias-2","category-contenidos","tag-jazz-en-espanol","tag-julian-ruesga-bono","tag-noticias","tag-noticias-de-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa\u00f1ol_LogoJunio2019-3.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2396,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxxii-swing-low-sweet-cadillac-mas-que-nada-dizzy-gillespie-1967\/","url_meta":{"origin":51076,"position":0},"title":"En &quot;La casa del Mundo&quot; (XXXII): &quot;Swing Low, Sweet Cadillac&quot; \/ &quot;Mas Que Nada&quot; (Dizzy Gillespie, 1967)","author":"Tomajazz","date":"29 febrero, 2012","format":false,"excerpt":"M\u00fasico amante del maridaje del jazz con otras m\u00fasicas desde los inicios de su carrera, Dizzy Gillespie da buena muestra de ello en varios temas de\u00a0Swing Low, Sweet Cadillac,\u00a0un CD grabado en directo en Los Angeles en 1967. Adem\u00e1s de su composici\u00f3n \"Kush\" (dedicado a Mama Africa), adaptaba un espiritual\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-cIM9rDuLcpA\/T06W_5s_TmI\/AAAAAAAAELI\/Caqe4BhJn1o\/s200\/gillespie_swing%2Blow.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":32530,"url":"https:\/\/tomajazz.com\/web\/hdo-318-mas-que-nada-y-una-de-anuncios-mj026podcast\/","url_meta":{"origin":51076,"position":1},"title":"HDO 318. Mas que nada y una de anuncios [MJ027][Podcast]","author":"Tomajazz","date":"1 octubre, 2017","format":false,"excerpt":"\"Mas que nada\", el cl\u00e1sico de\u00a0Jorge Ben\u00a0y la Bossa Nova versionado por Sergio Mendes y The Black Eyed Peas es el tema elegido por Seat para promocionar el modelo Ibiza en oto\u00f1o de 2017. En la edici\u00f3n 318 de\u00a0HDO\u00a0(que incorpora a sus contenidos el podcast\u00a0Malditos Jazztardos, que llega a su\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Dizzy-Gillespia_Swing-Low-Sweet-Cadillac_Impulse_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":40258,"url":"https:\/\/tomajazz.com\/web\/dizzy-gillespie-iii-la-odisea-de-la-musica-afroamericana-171-podcast\/","url_meta":{"origin":51076,"position":2},"title":"Dizzy Gillespie (III). La Odisea de la M\u00fasica Afroamericana (171) [Podcast]","author":"Tomajazz","date":"3 diciembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 171 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/dizzy-gillespie-dizzy-gillespies-orchestra.-vol.-1-1947-1949-1-1.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":40518,"url":"https:\/\/tomajazz.com\/web\/dizzy-gillespie-v-la-odisea-de-la-musica-afroamericana-173-podcast\/","url_meta":{"origin":51076,"position":3},"title":"Dizzy Gillespie (y V). La Odisea de la M\u00fasica Afroamericana (173) [Podcast]","author":"Tomajazz","date":"17 diciembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 173 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie-Lalo-Schifrin.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie-Lalo-Schifrin.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/12\/Dizzy-Gillespie-Lalo-Schifrin.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":27474,"url":"https:\/\/tomajazz.com\/web\/coleman-hawkins-la-odisea-de-la-musica-afroamericana-072-podcast\/","url_meta":{"origin":51076,"position":4},"title":"Coleman Hawkins (I). La Odisea de la M\u00fasica Afroamericana (072) [Podcast]","author":"Tomajazz","date":"14 noviembre, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Si la importancia de un m\u00fasico se midiese\u00a0por los m\u00fasicos con los que toc\u00f3, se llegar\u00eda a la conclusi\u00f3n de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/11\/Coleman_Hawkins_Gottlieb_03991.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":52829,"url":"https:\/\/tomajazz.com\/web\/episodio-final-de-la-odisea-de-la-musica-afroamericana-258-podcast-de-jazz-por-luis-escalante-ozalla\/","url_meta":{"origin":51076,"position":5},"title":"Episodio final de La Odisea de la M\u00fasica Afroamericana (258) [Podcast de Jazz] Por Luis Escalante Ozalla","author":"Tomajazz","date":"4 noviembre, 2020","format":false,"excerpt":"Tras cinco a\u00f1os y medio, y 258 episodios m\u00e1s tarde, La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla llega a su punto final. Desde Tomajazz el agradecimiento a Luis por esos centenares de horas de disfrute con tanta buena m\u00fasica y tantos grandes artistas.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=51076"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51076\/revisions"}],"predecessor-version":[{"id":51078,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51076\/revisions\/51078"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/43945"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=51076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=51076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=51076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}