{"id":51237,"date":"2020-07-27T20:39:47","date_gmt":"2020-07-27T18:39:47","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=51237"},"modified":"2020-07-27T19:51:42","modified_gmt":"2020-07-27T17:51:42","slug":"miles-davis-iv-la-odisea-de-la-musica-afroamericana-248-podcast-de-jazz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/miles-davis-iv-la-odisea-de-la-musica-afroamericana-248-podcast-de-jazz\/","title":{"rendered":"Miles Davis (IV). La Odisea de la M\u00fasica Afroamericana (248) [Podcast de Jazz]"},"content":{"rendered":"<p>Por <strong>Luis Escalante Ozalla<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <strong><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a><\/strong> y <strong><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a><\/strong>; y autor del blog <strong><a href=\"https:\/\/loslatidosdeljazz.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Los Latidos del Jazz<\/em><\/a><\/strong>.<\/p>\n<p style=\"text-align: justify;\">La carrera de Miles Davis contin\u00faa siendo la protagonista de <em>La Odisea de la M\u00fasica Afroamericana <\/em>de\u00a0<strong>Luis Escalante Ozalla<\/strong>. En el programa 248 suenan algunos temas cl\u00e1sicos de la carrera del legendario trompetista de la d\u00e9cada de los a\u00f1os 60 del siglo XX.<\/p>\n<p><iframe id=\"audio_54385354\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_54385354_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-31077\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968-600x600.jpg\" alt=\"\" width=\"600\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg 800w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>En el programa 248 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abGlory of love\u00bb Diane Schuur &amp; B. B. King<\/li>\n<li style=\"text-align: justify;\">\u00abNefertiti\u00bb Miles Davis<\/li>\n<li style=\"text-align: justify;\">\u00abIn a silent way\u00bb Miles Davis<\/li>\n<li style=\"text-align: justify;\">\u00abBitches brew\u00bb Miles Davis<\/li>\n<li style=\"text-align: justify;\">\u00abOne by one\u00bb Miles Davis<\/li>\n<li style=\"text-align: justify;\">\u00abThe man I love\u00bb Miles Davis &amp; Thelonious Monk<\/li>\n<li style=\"text-align: justify;\">\u00abFour\u00bb Miles Davis<\/li>\n<li style=\"text-align: justify;\">\u00abSweet and lovely\u00bb Bryan Ferry<\/li>\n<\/ul>\n<p>Toda la informaci\u00f3n est\u00e1 disponible en <a href=\"https:\/\/tomajazz.com\/web\/?cat=13297\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/podcast-odisea-musica-afroamericana_sq_f1168944_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a>8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Miles Davis y su carrera en los a\u00f1os 60 es el eje en torno al que se centra el programa 248 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/miles-davis-iv-la-odisea-de-la-musica-afroamericana-248-podcast-de-jazz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":31077,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12814,17834,13297,15518,1038],"tags":[8114,19415,12855,13262,12817,12816,2004,24763,2015],"class_list":["entry","author-pachi","has-excerpt","post-51237","post","type-post","status-publish","format-standard","has-post-thumbnail","category-podcast","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-sonidos","category-contenidos","tag-b-b-king","tag-bryan-ferry","tag-diane-schuur","tag-diane-schuur-b-b-king","tag-la-odisea-de-la-musica-afroamericana","tag-luis-escalante-ozalla","tag-miles-davis","tag-miles-davis-thelonious-monk","tag-monk-thelonious"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Nefertiti_Columbia_1968.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36950,"url":"https:\/\/tomajazz.com\/web\/blues-b-b-king-blues-en-los-anos-40-y-50-y-x-la-odisea-de-la-musica-afroamericana-148-podcast\/","url_meta":{"origin":51237,"position":0},"title":"Blues: B.B.King. Blues en los a\u00f1os 40 y 50 (y X). La Odisea de la M\u00fasica Afroamericana (148) [Podcast]","author":"Tomajazz","date":"28 mayo, 2018","format":false,"excerpt":"Ir a descargar La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Con el programa 148 de La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/IMG_3511.JPG-BBKINGmarcowm.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28052,"url":"https:\/\/tomajazz.com\/web\/chick-webb-jack-teagarden-i-la-odisea-de-la-musica-afroamericana-076-podcast\/","url_meta":{"origin":51237,"position":1},"title":"Chick Webb &#8211; Jack Teagarden (I). La Odisea de la M\u00fasica Afroamericana (076) [Podcast]","author":"Tomajazz","date":"12 diciembre, 2016","format":false,"excerpt":"Chick Webb y Jack Teagarden son los protagonistas del programa n\u00famero 76 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante. Junto a ellos aparecen muchas figuras indiscutibles de la historia del jazz, aunque si hay que elegir a tres son una triada imbatible de cantantes: Bessie Smith, Ella\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Chick_Webb_1_span9.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Chick_Webb_1_span9.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Chick_Webb_1_span9.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48239,"url":"https:\/\/tomajazz.com\/web\/bill-evans-ii-la-odisea-de-la-musica-afroamericana-220-podcast\/","url_meta":{"origin":51237,"position":2},"title":"Bill Evans (II). La Odisea de la M\u00fasica Afroamericana (220) [Podcast]","author":"Tomajazz","date":"6 enero, 2020","format":false,"excerpt":"Bill Evans es el protagonista del cap\u00edtulo 220 de la Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla. Se le puede escuchar junto a gigantes del jazz como Miles Davis, Charles Mingus o Cannonball Adderley... entre otros.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Bill-Evans_Evans-In-England.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":51994,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-ii-la-odisea-de-la-musica-afroamericana-254-podcast-de-jazz\/","url_meta":{"origin":51237,"position":3},"title":"John Coltrane (II). La Odisea de la M\u00fasica Afroamericana (254) [Podcast de Jazz]","author":"Tomajazz","date":"7 septiembre, 2020","format":false,"excerpt":"John Coltrane es el protagonista del cap\u00edtulo 254 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abLa odisea de la m\u00fasica afroamericana\u00bb","block_context":{"text":"La odisea de la m\u00fasica afroamericana","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/la-odisea-de-la-musica-afroamericana\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":38613,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-ii-la-odisea-de-la-musica-afroamericana-159-podcast\/","url_meta":{"origin":51237,"position":4},"title":"Thelonious Monk (II). La Odisea de la M\u00fasica Afroamericana (159) [Podcast]","author":"Tomajazz","date":"10 septiembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Con el cap\u00edtulo 159 de\u00a0La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Thelonious-Monk-Stamp-II.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":48966,"url":"https:\/\/tomajazz.com\/web\/hard-bop-i-art-blakey-i-la-odisea-de-la-musica-afroamericana-225-podcast\/","url_meta":{"origin":51237,"position":5},"title":"Hard Bop (I). Art Blakey (I). La Odisea de la M\u00fasica Afroamericana (225) [Podcast]","author":"Tomajazz","date":"10 febrero, 2020","format":false,"excerpt":"En el episodio 225 de La Odisea de la M\u00fasica Afroamericana, Luis Escalante Ozalla realiza una introducci\u00f3n al movimiento Hard-Bop, y a uno de sus representantes principales, el baterista Art Blakey.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"Art Blakey and the Jazz Messengers Moanin' Blue Note 1958","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Art-Blakey-and-the-Jazz-Messengers_Moanin.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51237","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=51237"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51237\/revisions"}],"predecessor-version":[{"id":51239,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51237\/revisions\/51239"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/31077"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=51237"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=51237"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=51237"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}