{"id":51338,"date":"2020-08-03T12:00:10","date_gmt":"2020-08-03T10:00:10","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=51338"},"modified":"2020-08-02T13:31:13","modified_gmt":"2020-08-02T11:31:13","slug":"miles-davis-v-third-stream-i-la-odisea-de-la-musica-afroamericana-249-podcast-de-jazz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/miles-davis-v-third-stream-i-la-odisea-de-la-musica-afroamericana-249-podcast-de-jazz\/","title":{"rendered":"Miles Davis (V) &#8211; Third Stream (I). La Odisea de la M\u00fasica Afroamericana (249) [Podcast de Jazz]"},"content":{"rendered":"<p>Por <strong>Luis Escalante Ozalla<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em> es un programa de radio dirigido, presentado y producido por <strong>Luis Escalante Ozalla<\/strong>, autor de los libros <strong><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Nueva Orleans (1717-1917): Sexo, Raza y Jass<\/em><\/a><\/strong> y <strong><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a><\/strong>; y autor del blog <strong><a href=\"https:\/\/loslatidosdeljazz.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Los Latidos del Jazz<\/em><\/a><\/strong>.<\/p>\n<p style=\"text-align: justify;\">Con el cap\u00edtulo 249 de <em>La Odisea de la M\u00fasica Afroamericana <\/em>de\u00a0<strong>Luis Escalante Ozalla<\/strong> finaliza el repaso a la carrera de <strong>Miles Davis<\/strong> y comienza el repaso al movimiento <strong><em>Third Stream<\/em><\/strong>. Adem\u00e1s de centrarse en figuras como <strong>The Modern Jazz Quartet<\/strong>, se hace un breve repaso a este movimiento, presente de un modo u otro casi desde los mismos inicios del jazz con figuras como <strong>Paul Whiteman<\/strong>, <strong>Bix Beiberdecke <\/strong>o <strong>Duke Ellington<\/strong>.<\/p>\n<p><iframe id=\"audio_54674220\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_54674220_4_1.html?c1=ff6600\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><center><\/center><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-51339\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet.jpg\" alt=\"\" width=\"500\" height=\"500\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet-50x50.jpg 50w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p style=\"text-align: center;\">Portada de\u00a0<em>The Quartet<\/em>, con la imagen de los integrantes de la primera formaci\u00f3n de <strong>The Modern Jazz Quartet<\/strong>. Posteriormente <strong>Connie Kay<\/strong> reemplazar\u00eda a <strong>Kenny Clarke<\/strong>.<\/p>\n<p>En el programa 249 suenan:<\/p>\n<ul>\n<li style=\"text-align: justify;\">\u00abI feel fine\u00bb Curtis Stigers<\/li>\n<li style=\"text-align: justify;\">\u00abI wanted for you\u00bb Miles Davis<\/li>\n<li style=\"text-align: justify;\">\u00abTime after time\u00bb Miles Davis<\/li>\n<li style=\"text-align: justify;\">\u00abIn a mist\u00bb Bix Beiderbecke<\/li>\n<li style=\"text-align: justify;\">\u00abThe birth of the blues\u00bb Paul Whiteman<\/li>\n<li style=\"text-align: justify;\">\u00abCreole rhapsody part 2\u00bb Duke Ellington<\/li>\n<li style=\"text-align: justify;\">\u00abImpressionism\u00bb Stan Kenton<\/li>\n<li style=\"text-align: justify;\">\u00abDjango\u00bb Modern Jazz Quartet<\/li>\n<li>But not for me\u00bb Modern Jazz Quartet<\/li>\n<li>\u00abOne note samba\u00bb Modern Jazz Quartet &amp; Laurindo Almeida<\/li>\n<li>\u00abChovendo na roseira\u00bb Elis Regina &amp; Antonio Carlos Jobim<\/li>\n<\/ul>\n<p>Toda la informaci\u00f3n est\u00e1 disponible en <a href=\"https:\/\/tomajazz.com\/web\/?cat=13297\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/podcast-odisea-musica-afroamericana_sq_f1168944_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=13297<\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-29002\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg\" width=\"300\" height=\"460\" alt=\"\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017.jpg 326w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-196x300.jpg 196w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Luis-Escalante-Ozalla_Nueva-Orleans-1717-1917-Sexo-Raza-y-Jass_Amazon_Libro_2017-36x55.jpg 36w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.es\/Nueva-Orleans-1717-1917-Sexo-Raza-ebook\/dp\/B01MYBZHYQ\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1485543112&amp;sr=1-1&amp;keywords=Nueva+Orleans+%281717-1917%29%3A+Sexo%2C+Raza+y+Jass\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a>8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Con el cap\u00edtulo 249 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla finaliza el repaso a la carrera de Miles Davis y comienza el repaso al movimiento Third Stream. Adem\u00e1s de centrarse en figuras como The Modern Jazz Quartet, se hace un breve repaso a este movimiento, presente de un modo u otro casi desde los mismos inicios del jazz con figuras como Paul Whiteman, Bix Beiberdecke o Duke Ellington.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/miles-davis-v-third-stream-i-la-odisea-de-la-musica-afroamericana-249-podcast-de-jazz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":51339,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12814,17834,13297,15518,1038],"tags":[8416,13848,24771,6637,19687,24773,12817,18440,12816,2004,14626,24772,14532,10461,15912],"class_list":["entry","author-pachi","has-excerpt","post-51338","post","type-post","status-publish","format-standard","has-post-thumbnail","category-podcast","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-sonidos","category-contenidos","tag-antonio-carlos-jobim","tag-bix-beiderbecke","tag-curtis-stigers","tag-duke-ellington","tag-elis-regina","tag-elis-regina-antonio-carlos-jobim","tag-la-odisea-de-la-musica-afroamericana","tag-laurindo-almeida","tag-luis-escalante-ozalla","tag-miles-davis","tag-modern-jazz-quartet","tag-modern-jazz-quartet-laurindo-almeida","tag-paul-whiteman","tag-stan-kenton","tag-third-stream"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/The-Modern-Jazz-Quartet.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":39126,"url":"https:\/\/tomajazz.com\/web\/sarah-vaughan-iii-la-odisea-de-la-musica-afroamericana-163-podcast\/","url_meta":{"origin":51338,"position":0},"title":"Sarah Vaughan (III). La Odisea de la M\u00fasica Afroamericana (163) [Podcast]","author":"Tomajazz","date":"8 octubre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 163 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/1024px-Grand_Gala_du_Disque_populier_in_Kurhaus_te_Scheveningen_Sarah_Vaughan_Bestanddeelnr_915-6269.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/1024px-Grand_Gala_du_Disque_populier_in_Kurhaus_te_Scheveningen_Sarah_Vaughan_Bestanddeelnr_915-6269.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/1024px-Grand_Gala_du_Disque_populier_in_Kurhaus_te_Scheveningen_Sarah_Vaughan_Bestanddeelnr_915-6269.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/1024px-Grand_Gala_du_Disque_populier_in_Kurhaus_te_Scheveningen_Sarah_Vaughan_Bestanddeelnr_915-6269.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":18253,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-001\/","url_meta":{"origin":51338,"position":1},"title":"Presentaci\u00f3n. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 001) [Podcast]","author":"Tomajazz","date":"4 mayo, 2015","format":false,"excerpt":"En el primer programa de La Odisea de la M\u00fasica Afroamericana, Luis Escalante Ozalla define dos de los vectores que van a servir para dirigir un viaje musical a lo largo de m\u00e1s de un siglo de m\u00fasica. Por un lado est\u00e1 la direcci\u00f3n que marca el tiempo, con un\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Charlie_Parker_Tommy_Potter_Miles_Davis_Max_Roach_Gottlieb_06941.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Charlie_Parker_Tommy_Potter_Miles_Davis_Max_Roach_Gottlieb_06941.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Charlie_Parker_Tommy_Potter_Miles_Davis_Max_Roach_Gottlieb_06941.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31025,"url":"https:\/\/tomajazz.com\/web\/pinkard-ruby-jones-los-compositores-del-tin-pan-alley-x-la-odisea-de-la-musica-afroamericana-103-podcast\/","url_meta":{"origin":51338,"position":2},"title":"Pinkard &#8211; Ruby &#8211; Jones. Los compositores del Tin Pan Alley (X). La Odisea de la M\u00fasica Afroamericana (103) [Podcast]","author":"Tomajazz","date":"19 junio, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. Contin\u00faa en La Odisea de la M\u00fasica Afroamericana de Luis Escalante\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/MaceoPinkard_The-Famous-Standards.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/MaceoPinkard_The-Famous-Standards.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/MaceoPinkard_The-Famous-Standards.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":50139,"url":"https:\/\/tomajazz.com\/web\/hard-bop-ix-carmen-mcrae-ii-sonny-rollins-i-la-odisea-de-la-musica-afroamericana-233-podcast-yomequedoencasa-istayathome\/","url_meta":{"origin":51338,"position":3},"title":"Hard Bop (IX). Carmen McRae (II) &#8211; Sonny Rollins (I). La Odisea de la M\u00fasica Afroamericana (233) [Podcast]  #YoMeQuedoEnCasa \/ #IStayAtHome","author":"Tomajazz","date":"6 abril, 2020","format":false,"excerpt":"Como todos los lunes, una nueva entrega de La Odisea de la M\u00fasica Afroamericana, el programa de Luis Escalante Ozalla, dedicado en esta ocasi\u00f3n a la cantante Carmen McRae y al saxofonista Sonny Rollins, en la serie de programas dedicados al Hard Bop.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/Carmen-McRae_Sings-Lover-Man.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/Carmen-McRae_Sings-Lover-Man.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/Carmen-McRae_Sings-Lover-Man.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/Carmen-McRae_Sings-Lover-Man.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/Carmen-McRae_Sings-Lover-Man.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":51994,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-ii-la-odisea-de-la-musica-afroamericana-254-podcast-de-jazz\/","url_meta":{"origin":51338,"position":4},"title":"John Coltrane (II). La Odisea de la M\u00fasica Afroamericana (254) [Podcast de Jazz]","author":"Tomajazz","date":"7 septiembre, 2020","format":false,"excerpt":"John Coltrane es el protagonista del cap\u00edtulo 254 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abLa odisea de la m\u00fasica afroamericana\u00bb","block_context":{"text":"La odisea de la m\u00fasica afroamericana","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/la-odisea-de-la-musica-afroamericana\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25005,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-iv-la-odisea-de-la-musica-afroamericana-055-podcast\/","url_meta":{"origin":51338,"position":5},"title":"Ella Fitzgerald (IV). La Odisea de la M\u00fasica Afroamericana (055) [Podcast]","author":"Tomajazz","date":"20 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana llega al cuarto cap\u00edtulo dedicado a Ella Fitzgerald, The First Lady of Song. Con la cantante y su m\u00fasica como eje central, Luis Escalante va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como Kurt Weill, Joe Pass, Oscar Peterson o Antonio Carlos\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=51338"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51338\/revisions"}],"predecessor-version":[{"id":51344,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/51338\/revisions\/51344"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/51339"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=51338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=51338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=51338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}