{"id":52003,"date":"2020-09-09T12:00:52","date_gmt":"2020-09-09T10:00:52","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=52003"},"modified":"2025-01-15T18:19:18","modified_gmt":"2025-01-15T17:19:18","slug":"gary-peacock-in-memoriam","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/gary-peacock-in-memoriam\/","title":{"rendered":"Gary Peacock In Memoriam"},"content":{"rendered":"

\"\"<\/center><\/p>\n

You\u2019ve talked about approaching each playing experience as if you were a beginner. What do you mean by that?<\/strong><\/p>\n

You\u2019re always at the beginning. That\u2019s an attitude that can be understood intellectually. It\u2019s an attitude that can be conceptualized. If it becomes real, then it does change things. If you\u2019ve come close to death a few times or what you thought was death, you\u2019ve realized there\u2019s no guarantee that you\u2019re going to be alive in the next instant. So my approach to playing is the realization that there are no guarantees anywhere. So where do I want to be, what kind of state to do I want to be in when I\u2019m playing? It helped me to be really focused in a profound way and be really present.<\/p><\/blockquote>\n

Gary Peacock<\/strong> (1935-2020)<\/p>\n

Entrevista publicada en https:\/\/jazzlands.wordpress.com\/2010\/02\/11\/gary-peacock-youre-always-at-the-beginning-bass-player-magazine\/<\/a> realizada por philipb1961<\/p>\n

Fotograf\u00eda tomada en el 18\u00e8 Jazz Terrassa Festival, el d\u00eda 09 de marzo de 1999, en una actuaci\u00f3n a tr\u00edo con con Paul Bley y Paul Motian. \u00a9 .Joan Cort\u00e8s<\/strong>, 2020<\/p>\n","protected":false},"excerpt":{"rendered":"

Desde Tomajazz un peque\u00f1o homenaje a Gary Peacock con una reflexi\u00f3n del maestro del contrabajo y una fotograf\u00eda de Joan Cort\u00e8s. Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":52004,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[1038,17853,78,31927,9,15517],"tags":[6781,1041],"class_list":["entry","author-pachi","has-excerpt","post-52003","post","type-post","status-publish","format-standard","has-post-thumbnail","category-contenidos","category-joan-cortes","category-afondo","category-in-memoriam","category-perfiles","category-textos","tag-gary-peacock","tag-joan-cortes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Gry-Pcck_\u00a9JoanCortes_09mrc99_Nv-Jzz-Cv_18JzzTrrss.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=52003"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52003\/revisions"}],"predecessor-version":[{"id":52007,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52003\/revisions\/52007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/52004"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=52003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=52003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=52003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}