{"id":52003,"date":"2020-09-09T12:00:52","date_gmt":"2020-09-09T10:00:52","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=52003"},"modified":"2025-01-15T18:19:18","modified_gmt":"2025-01-15T17:19:18","slug":"gary-peacock-in-memoriam","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/gary-peacock-in-memoriam\/","title":{"rendered":"Gary Peacock In Memoriam"},"content":{"rendered":"

\"\"<\/center><\/p>\n

You\u2019ve talked about approaching each playing experience as if you were a beginner. What do you mean by that?<\/strong><\/p>\n

You\u2019re always at the beginning. That\u2019s an attitude that can be understood intellectually. It\u2019s an attitude that can be conceptualized. If it becomes real, then it does change things. If you\u2019ve come close to death a few times or what you thought was death, you\u2019ve realized there\u2019s no guarantee that you\u2019re going to be alive in the next instant. So my approach to playing is the realization that there are no guarantees anywhere. So where do I want to be, what kind of state to do I want to be in when I\u2019m playing? It helped me to be really focused in a profound way and be really present.<\/p><\/blockquote>\n

Gary Peacock<\/strong> (1935-2020)<\/p>\n

Entrevista publicada en https:\/\/jazzlands.wordpress.com\/2010\/02\/11\/gary-peacock-youre-always-at-the-beginning-bass-player-magazine\/<\/a> realizada por philipb1961<\/p>\n

Fotograf\u00eda tomada en el 18\u00e8 Jazz Terrassa Festival, el d\u00eda 09 de marzo de 1999, en una actuaci\u00f3n a tr\u00edo con con Paul Bley y Paul Motian. \u00a9 .Joan Cort\u00e8s<\/strong>, 2020<\/p>\n","protected":false},"excerpt":{"rendered":"

Desde Tomajazz un peque\u00f1o homenaje a Gary Peacock con una reflexi\u00f3n del maestro del contrabajo y una fotograf\u00eda de Joan Cort\u00e8s. Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":52004,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1038,17853,78,31927,9,15517],"tags":[6781,1041],"class_list":["entry","author-pachi","has-excerpt","post-52003","post","type-post","status-publish","format-standard","has-post-thumbnail","category-contenidos","category-joan-cortes","category-afondo","category-in-memoriam","category-perfiles","category-textos","tag-gary-peacock","tag-joan-cortes"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Gry-Pcck_\u00a9JoanCortes_09mrc99_Nv-Jzz-Cv_18JzzTrrss.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22993,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-the-way-up-to-maximalism-interview-by-arturo-mora\/","url_meta":{"origin":52003,"position":0},"title":"Pat Metheny: the way up to maximalism. Interview by Arturo Mora","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"XXV Festival de Jazz de Vitoria-Gasteiz, Espa\u00f1a. \u00a9 Carmen Lluss\u00e0, 2000 On mid-June 2005 the Pat Metheny Group was in the middle of the European leg of their The Way Up world tour.Arturo Mora had the chance to talk to Pat Metheny while the guitarrist was in Nice (France). Here\u2019s\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/metheny\/llussa\/pat3.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9079,"url":"https:\/\/tomajazz.com\/web\/esperanza-spalding-heading-up-in-jazz-and-beyond-by-arturo-mora-rioja\/","url_meta":{"origin":52003,"position":1},"title":"Esperanza Spalding: Heading up in jazz and beyond, by Arturo Mora Rioja","author":"Sergio Cabanillas","date":"2 diciembre, 2008","format":false,"excerpt":"Esperanza Spalding has just released Esperanza, her first record for Heads Up International, which she presented live in Madrid last September. A few hours before the show Arturo Mora had the chance to interview Esperanza at her hotel in a loose, relaxed, fun conversation. ARTURO MORA: You\u2019ve just published Esperanza,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Esperanza Spalding and Arturo Mora. Photo: Sergio Cabanillas.","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/espe_art_eng.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10299,"url":"https:\/\/tomajazz.com\/web\/adam-rogers-guitars-and-the-infinite-by-arturo-mora\/","url_meta":{"origin":52003,"position":2},"title":"Adam Rogers: Guitars And The Infinite, by Arturo Mora.","author":"Sergio Cabanillas","date":"5 febrero, 2008","format":false,"excerpt":"Adam Rogers holds a privileged position in the difficult field of jazz guitar. On November 16th 2007 he visited Madrid to perform at the Festival de Jazz de Ciudad Lineal with Chris Potter Underground. Between the soundcheck and the concert Arturo Mora had the chance to talk to him about\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Adam Rogers \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13836,"url":"https:\/\/tomajazz.com\/web\/roni-ben-hur-expanding-the-tradition-by-sergio-cabanillas-and-arturo-mora\/","url_meta":{"origin":52003,"position":3},"title":"Roni Ben-Hur: Expanding the tradition, by Sergio Cabanillas and Arturo Mora","author":"Sergio Cabanillas","date":"10 marzo, 2007","format":false,"excerpt":"Israel-born guitarist Roni Ben-Hur played three concerts and took part in a jazz seminar in Madrid (Spain) last February. A frequent sideman of pianist Barry Harris, Ben-Hur is about to release his fourth CD, Keepin' It Open (Motema) along with Ronnie Mathews, Lewis Nash, Santi DeBriano, Jeremy Pelt and Steve\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Keepin' It Open","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/keepin_it_open.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12195,"url":"https:\/\/tomajazz.com\/web\/chris-potter-the-challenge-seeker-by-arturo-mora\/","url_meta":{"origin":52003,"position":4},"title":"Chris Potter: the challenge seeker, by Arturo Mora","author":"Sergio Cabanillas","date":"20 octubre, 2007","format":false,"excerpt":"Chris Potter is one of the most talented young saxophonists in the current jazz scene. He met Arturo Mora in the hotel hall the morning before his appearance at Vitoria Jazz Festival with the Dave Holland Quintet and they talked about composing, soloing, the Dave Holland band and other topics.\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Chris Potter, Arturo Mora \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/potter_arturo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12233,"url":"https:\/\/tomajazz.com\/web\/kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz\/","url_meta":{"origin":52003,"position":5},"title":"Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz","author":"Sergio Cabanillas","date":"21 septiembre, 2007","format":false,"excerpt":"Singer and songwriter Kurt Elling has become a cultural icon in the U.S.A. The release of his latest record Nightmoves has taken him on a world tour which included a date in Madrid (July 13th 2007). Just a few hours before the concert Arturo Mora and Pablo Sanz had the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52003","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=52003"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52003\/revisions"}],"predecessor-version":[{"id":52007,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52003\/revisions\/52007"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/52004"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=52003"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=52003"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=52003"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}