{"id":52177,"date":"2020-09-22T11:30:13","date_gmt":"2020-09-22T09:30:13","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=52177"},"modified":"2020-09-21T22:23:20","modified_gmt":"2020-09-21T20:23:20","slug":"persiguiendo-al-pajaro-articulo-de-jazz-por-carlos-lara","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/persiguiendo-al-pajaro-articulo-de-jazz-por-carlos-lara\/","title":{"rendered":"Persiguiendo al p\u00e1jaro [Art\u00edculo de jazz] Por Carlos Lara"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-52178 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Julio-Cortazar_El-perseguidor_-200x290.jpg\" alt=\"\" width=\"200\" height=\"290\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Julio-Cortazar_El-perseguidor_-200x290.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Julio-Cortazar_El-perseguidor_-413x600.jpg 413w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Julio-Cortazar_El-perseguidor_.jpg 552w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Parece que no hay nada m\u00e1s oportuno que los aniversarios de todo tipo para que nos acordemos de alguien. Cuando estos pasan se dejan de exaltar las bondades o las maldades, aunque de estas se suele hablar poco por un respeto mal entendido. Nunca lo entender\u00e9. Si hay que hablar mal de alguien se hace y punto. Pero sobre todo se resalta la obra, la huella dejada. Sea en la m\u00fasica, la literatura, en el cine u otras facetas de la vida.<\/p>\n<p>La huella de Charlie Parker es una impregnaci\u00f3n en el tiempo que nos paraliza y nos hace sentirnos vivos. Es como el rel\u00e1mpago que precede al trueno. Nos recuerda que todo est\u00e1 en la naturaleza.<\/p>\n<p>A Charlie Parker hay que recordarlo siempre, al igual que a cientos de pioneros que fueron creando pieza a pieza, escal\u00f3n a escal\u00f3n, la arquitectura sonora del jazz. De d\u00f3nde sal\u00edan la fuerza, la inspiraci\u00f3n y la aceleraci\u00f3n, cualidades que llevaron a Charlie Parker a ser el origen de un nuevo estilo, junto a Dizzy Gillespie. Un universo creativo que pon\u00eda los pelos de punta, que sali\u00f3 de Kansas City para influir en generaciones de m\u00fasicos que a partir de entonces tuvieron a Parker como su faro.<\/p>\n<p>El escritor Julio Cort\u00e1zar se inspir\u00f3 en la figura de Charlie Parker para su cuento \u201cEl Perseguidor\u201d, que se encuentra en el libro <em>Las armas secretas<\/em>. Johnny Carter un virtuoso del jazz cuya vida transcurre persiguiendo sombras, en medio de la lucidez y la autodestrucci\u00f3n. Un retrato de los \u00faltimos a\u00f1os del saxofonista. Escrito en 1959, el mismo a\u00f1o que se grab\u00f3 <em>Kind of Blue<\/em>. Casi nada.<\/p>\n<p style=\"text-align: right;\">Texto: \u00a9 <strong>Carlos Lara<\/strong>, 2020<\/p>\n<p>Ilustra el texto la portada del c\u00f3mic<em> El perseguidor\u00a0<\/em>de Julio Cort\u00e1zar con ilustraciones de Jos\u00e9 Mu\u00f1oz.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carlos Lara rememora la figura de Charlie Parker, asoci\u00e1ndola con la de Johnny Carter, la figura creada por el gran Julio Cort\u00e1zar. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/persiguiendo-al-pajaro-articulo-de-jazz-por-carlos-lara\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":52178,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15517,17849,78,15504,24822,24829,113,9,1038],"tags":[84,7079,24866,18555],"class_list":["entry","author-pachi","has-excerpt","post-52177","post","type-post","status-publish","format-standard","has-post-thumbnail","category-textos","category-carlos-lara","category-afondo","category-articulos-afondo","category-articulos","category-charlie-parker-cien-anos-de-un-genio","category-extractos","category-perfiles","category-contenidos","tag-carlos-lara","tag-charlie-parker","tag-johnny-carter","tag-julio-cortazar"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2020\/09\/Julio-Cortazar_El-perseguidor_.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":17594,"url":"https:\/\/tomajazz.com\/web\/un-dia-triste-para-todos-por-carlos-lara\/","url_meta":{"origin":52177,"position":0},"title":"Un d\u00eda triste para todos. Por Carlos Lara","author":"Tomajazz","date":"17 marzo, 2015","format":false,"excerpt":"El s\u00e1bado 14 de marzo ha sido el \u00faltimo d\u00eda que escuch\u00e9 a Cifu. Un programa dedicado a Charlie Parker. Como siempre, una grabaci\u00f3n hist\u00f3rica. De las que a \u00e9l le gustaba poner. Siempre se aprend\u00eda algo nuevo escuchando a Cifu. Sus comentarios transmit\u00edan la emoci\u00f3n de quien est\u00e1 viviendo\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Juan Claudio Cifuentes \"Cifu\" \u00a9 Sergio Cabanillas, 2015","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/02\/CIFU_3673.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28554,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-bird-lives-ross-russell-1972-11\/","url_meta":{"origin":52177,"position":1},"title":"365 razones para amar el jazz: un libro. Bird Lives (Ross Russell, 1972) [11]","author":"Tomajazz","date":"11 enero, 2017","format":false,"excerpt":"Un libro.\u00a0Bird Lives\u00a0(Ross Russell, 1972) Seleccionado por Carlos Lara Edici\u00f3n espa\u00f1ola: Bird Lives.\u00a0La biograf\u00eda de Charlie Parker\u00a0(Ediciones B.\u00a01995). \u00a0Traducci\u00f3n: Carlos Sampayo","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ross-Russell_Bird-Lives_Ediciones-B_1989.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ross-Russell_Bird-Lives_Ediciones-B_1989.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ross-Russell_Bird-Lives_Ediciones-B_1989.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Ross-Russell_Bird-Lives_Ediciones-B_1989.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":59742,"url":"https:\/\/tomajazz.com\/web\/jon-irabagon-bird-with-streams-irabbagast-records2021-grabacion-de-jazz-por-carlos-lara\/","url_meta":{"origin":52177,"position":2},"title":"Jon Irabagon: Bird with Streams (Irabbagast Records,2021) [Grabaci\u00f3n de jazz] Por Carlos Lara","author":"Tomajazz","date":"27 diciembre, 2021","format":false,"excerpt":"Carlos Lara rese\u00f1a Jon Irabagon: Bird with Streams (Irabbagast Records,2021), la \u00faltima grabaci\u00f3n, muy peculiar, del saxofonista Jon Irabagon.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Jon Irabagon_Bird With Streams (Irabagast, 2021)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/Jon-Irabagon_Bird-With-Streams.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/Jon-Irabagon_Bird-With-Streams.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/Jon-Irabagon_Bird-With-Streams.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/Jon-Irabagon_Bird-With-Streams.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/Jon-Irabagon_Bird-With-Streams.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":63171,"url":"https:\/\/tomajazz.com\/web\/kenny-garrett-quintet-cafe-berlin-madrid-2022-04-26-concierto-de-jazz-por-carlos-lara-y-enrique-farelo\/","url_meta":{"origin":52177,"position":3},"title":"Kenny Garrett Quintet (Caf\u00e9 Berl\u00edn, Madrid. 2022-04-26) [Concierto de jazz] Por Carlos Lara y Enrique Farelo","author":"Tomajazz","date":"29 abril, 2022","format":false,"excerpt":"Carlos Lara (texto) y Enrique Farelo (im\u00e1genes), repasan la actuaci\u00f3n de Kenny Garrett Quintet en Caf\u00e9 Berl\u00edn (Madrid), el 26 de abril de 2022.","rel":"","context":"En \u00abConciertos...\u00bb","block_context":{"text":"Conciertos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/conciertos\/"},"img":{"alt_text":"Kenny Garrett Quintet (Caf\u00e9 Berl\u00edn, Madrid. 2022-04-26) [Concierto de jazz] Por Carlos Lara y Enrique Farelo","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/KENNY-GARRETT-I.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/KENNY-GARRETT-I.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/KENNY-GARRETT-I.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/KENNY-GARRETT-I.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14125,"url":"https:\/\/tomajazz.com\/web\/hank-jones-trio-have-you-met-this-jones-mps-1977-orig-2014-reed-digital\/","url_meta":{"origin":52177,"position":4},"title":"Hank Jones Trio: Have You Met This Jones? (MPS. 1977 -orig.- , 2014 -reed.digital)","author":"Tomajazz","date":"24 septiembre, 2014","format":false,"excerpt":"Entre la pl\u00e9yade de los pianistas m\u00e1s l\u00edricos y finos de la historia del jazz se encuentra Henry \u201cHank\u201d Jones, un m\u00fasico que lleg\u00f3 a grabar m\u00e1s de 60 discos a su nombre. Fue sin lugar a dudas un aut\u00e9ntico gigante del piano, adem\u00e1s de compositor, arreglista y l\u00edder de\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Hank-Jones_Have-You-Met-This-Jones_MPS_1977.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Hank-Jones_Have-You-Met-This-Jones_MPS_1977.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Hank-Jones_Have-You-Met-This-Jones_MPS_1977.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":41422,"url":"https:\/\/tomajazz.com\/web\/charlie-haden-brad-mehldau-long-ago-and-far-away-impulse-2018-grabacion\/","url_meta":{"origin":52177,"position":5},"title":"Charlie Haden &#038; Brad Mehldau: Long Ago and Far Away (Impulse!, 2018) [Grabaci\u00f3n]","author":"Tomajazz","date":"29 enero, 2019","format":false,"excerpt":"Por\u00a0Carlos Lara. Charlie Haden, del que se cumplir\u00e1n cinco a\u00f1os de su fallecimiento en el mes de julio, consideraba \u201cMy Love And I\u201d de David Raskin uno de sus temas favoritos de todos los tiempos. Por eso lo eligi\u00f3 para incluirlo en el repertorio de una actuaci\u00f3n en directo que\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Charlie-Haden_Brad-Mehldau_Long-Ago-And-Far-Away.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Charlie-Haden_Brad-Mehldau_Long-Ago-And-Far-Away.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Charlie-Haden_Brad-Mehldau_Long-Ago-And-Far-Away.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Charlie-Haden_Brad-Mehldau_Long-Ago-And-Far-Away.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Charlie-Haden_Brad-Mehldau_Long-Ago-And-Far-Away.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=52177"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52177\/revisions"}],"predecessor-version":[{"id":52181,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/52177\/revisions\/52181"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/52178"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=52177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=52177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=52177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}