{"id":5269,"date":"2013-03-04T00:01:03","date_gmt":"2013-03-03T23:01:03","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=5269"},"modified":"2020-03-15T11:04:49","modified_gmt":"2020-03-15T10:04:49","slug":"tomajazz-recomienda-un-tema-black-nile-wayne-shorter-1964","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-black-nile-wayne-shorter-1964\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abBlack Nile\u00bb (Wayne Shorter, 1964)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-49703 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>En 1964 Wayne Shorter era una especie de Rey Midas del jazz: lo que tocaba lo convert\u00eda en oro. Fue a lo largo de ese a\u00f1o cuando el saxofonista escribi\u00f3 y grab\u00f3 <em>standards<\/em> modernos como \u00abVirgo\u00bb, \u00abJuju\u00bb, \u00abYes Or No\u00bb, \u00abWitch Hunt\u00bb, \u00abFee-Fi-Fo-Fum\u00bb, \u00abInfant Eyes\u00bb o \u00abSpeak No Evil\u00bb.<\/p>\n<p style=\"text-align: justify;\">En este \u00abBlack Nile\u00bb Shorter profundiza en sus exploraciones sobre armon\u00eda no funcional, especialmente en un puente endiablado donde la secuencia de acordes camina de maravilla a pesar de guardar poca similitud entre s\u00ed. Le acompa\u00f1an el trompetista Lee Morgan y una secci\u00f3n r\u00edtmica ideal para todo tipo de investigaciones s\u00f3nicas: la que tuvo John Coltrane a principios de los sesenta: McCoy Tyner, Reggie Workman y Elvin Jones.<\/p>\n<p style=\"text-align: justify;\">Wayne Shorter &#8211; <em>Night Dreamer<\/em>, grabado en 1964 (Blue Note 7243 8 75334 2 4)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1964 Wayne Shorter era una especie de Rey Midas del jazz: lo que tocaba lo convert\u00eda en oro. Fue a lo largo de ese a\u00f1o cuando el saxofonista escribi\u00f3 y grab\u00f3 standards modernos como \u00abVirgo\u00bb, \u00abJuju\u00bb, \u00abYes Or No\u00bb, \u00abWitch Hunt\u00bb, \u00abFee-Fi-Fo-Fum\u00bb, \u00abInfant Eyes\u00bb o \u00abSpeak No Evil\u00bb. En<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-black-nile-wayne-shorter-1964\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":49703,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,15517,1038,1273],"tags":[5661,1674,1870,5659,1983,5660,644,16099,16100,2337],"class_list":["entry","author-adolphus-van-tenzing","post-5269","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-textos","category-contenidos","category-tomajazz-recomienda","tag-black-nile","tag-elvin-jones","tag-john-coltrane","tag-lee-morgan","tag-mccoy-tyner","tag-night-dreamer","tag-reggie-workman","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wayne-shorter"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10495,"url":"https:\/\/tomajazz.com\/web\/patxi-valverde-looking-forward-ammus-records-2012\/","url_meta":{"origin":5269,"position":0},"title":"Patxi Valverde: Looking Forward (Ammus Records, 2012)","author":"Tomajazz","date":"19 febrero, 2014","format":false,"excerpt":"Looking Forward, es el primer \u00e1lbum del saxofonista Patxi Valverde, fruto de la experiencia adquirida en sus a\u00f1os de formaci\u00f3n en Holanda, pa\u00eds en el que residi\u00f3 y en el que colabor\u00f3 con grandes figuras del jazz internacional: Benny Golson, Lee Konitz, Bryan Lynch, Owen Hart Jr, Tarek Yamani, Dave\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez\u00bb","block_context":{"text":"*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez","link":"https:\/\/tomajazz.com\/web\/category\/jose-antonio-garcia-lopez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/caratula-disco-patxi-valverde.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":4370,"url":"https:\/\/tomajazz.com\/web\/paesani-dal-pozzo-mazzucco-trio-waynes-playground-abeat-records-2011\/","url_meta":{"origin":5269,"position":1},"title":"Paesani Dal Pozzo Mazzucco Trio &#8211; Wayne\u2019s Playground (Abeat Records, 2011)","author":"Tomajazz","date":"15 septiembre, 2012","format":false,"excerpt":"Comentario:\u00a0La intenci\u00f3n del tr\u00edo italiano es clara, no existe m\u00e1s liderazgo que el compartido. En cuanto a las composiciones son en su totalidad de Wayne Shorter y los arreglos del tr\u00edo. La elecci\u00f3n de dedicar el disco al gran saxofonista americano es libre y decidida y conlleva ciertos riesgos a\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2012_09\/pdpmt_wp.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29037,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-art-blakey-like-someone-in-love-reid-miles-40\/","url_meta":{"origin":5269,"position":2},"title":"365 razones para amar el jazz: una portada. Art Blakey: Like Someone In Love (Reid Miles) [40]","author":"Tomajazz","date":"9 febrero, 2017","format":false,"excerpt":"Una portada de Reid Miles. Art Blakey And The Jazz Messengers:\u00a0Like Someone In Love\u00a0(Blue Note, 1967) Seleccionado por\u00a0Kuto. Una foto borrosa y movida con \u00a02 rostros humanos \u00a0formando una mancha negra y borrosa sobre un fondo claro. \u00a0En la tipograf\u00eda del t\u00edtulo vemos \u00a0un poco de color. Tan sencilla como\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":6946,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-one-by-one-wayne-shorter\/","url_meta":{"origin":5269,"position":3},"title":"Tomajazz recomienda&#8230; un tema: \u00abOne By One\u00bb (Wayne Shorter)","author":"Arturo Mora","date":"17 junio, 2013","format":false,"excerpt":"Melod\u00eda bien conducida, armon\u00eda jugosa, acentos r\u00edtmicos, funciona bien en swing, en latin... \"One By One\" es una de esas composiciones redondas fruto de uno de los grandes maestros: Wayne Shorter. El de Newark no solo cre\u00f3 una pieza que aglutina la facilidad de escucha con el inter\u00e9s t\u00e9cnico; adem\u00e1s\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"art blakye jazz messengers at birdland ugetsu","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/art-blakye-jazz-messengers-at-birdland-ugetsu.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18943,"url":"https:\/\/tomajazz.com\/web\/art-blakey-blues-march-le-chant-du-monde-rec-2015-3cd\/","url_meta":{"origin":5269,"position":4},"title":"Art Blakey: Blues March (Le Chant Du Monde; Rec.2015; 3CD)","author":"Tomajazz","date":"30 junio, 2015","format":"image","excerpt":"Hablar de Art Blakey\u00a0(1919-1990) es hacerlo\u00a0de uno de los grandes m\u00fasicos de la historia del\u00a0jazz. Tanto por su papel como elemento fundamental entre los bateristas de la d\u00e9cada de los cincuenta, como por su papel esencial en el desarrollo del hard-bop tras la revoluci\u00f3n que supusieron Charlie Parker y compa\u00f1\u00eda\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Art Blakey_Blues March_Jazz Characters New Series_3CD","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Art-Blakey_Blues-March_Jazz-Characters-New-Series_3CD-200x189.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1465,"url":"https:\/\/tomajazz.com\/web\/art-blakeys-jazz-messengers-live-in-san-remo-1963\/","url_meta":{"origin":5269,"position":5},"title":"Art Blakey&#8217;s Jazz Messengers &#8211; Live In San Remo 1963","author":"Autor1","date":"20 mayo, 2011","format":false,"excerpt":"A estas alturas no hace falta insistir en la importancia de los Jazz Messengers de Art Blakey en la historia del jazz. Por esta formaci\u00f3n, activa durante unos treinta a\u00f1os y variable en cuanto a sus componentes, pasaron unos cuantos m\u00fasicos de primer orden: Jackie McLean, Lee Morgan, Wayne Shorter,\u2026","rel":"","context":"En \u00abDVD...\u00bb","block_context":{"text":"DVD...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/dvds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/blakey_san_remo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5269","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=5269"}],"version-history":[{"count":9,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5269\/revisions"}],"predecessor-version":[{"id":49705,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5269\/revisions\/49705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/49703"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=5269"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=5269"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=5269"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}