{"id":53840,"date":"2021-02-05T12:00:46","date_gmt":"2021-02-05T11:00:46","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=53840"},"modified":"2021-02-04T23:50:40","modified_gmt":"2021-02-04T22:50:40","slug":"keith-jarrett-budapest-concert-ecm-2020-grabacion-de-jazz-por-enrique-farelo","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/keith-jarrett-budapest-concert-ecm-2020-grabacion-de-jazz-por-enrique-farelo\/","title":{"rendered":"Keith Jarrett: Budapest Concert (ECM, 2020) [Grabaci\u00f3n de jazz] Por Enrique Farelo"},"content":{"rendered":"

\"\"A finales del pasado mes de octubre de 2020, Keith Jarrett declar\u00f3 en el The New York Times<\/em>, que sufri\u00f3 un derrame cerebral en febrero de 2018, y otro en mayo de ese mismo a\u00f1o, lo que casi le descarta para volver a tocar el piano y le retira de la escena del jazz y de la m\u00fasica.<\/p>\n

Ya en 1996 una extra\u00f1a enfermedad diagnosticada como s\u00edndrome de fatiga cr\u00f3nica le puso contra las cuerdas. Tras dos a\u00f1os de retiro reapareci\u00f3 en 1998, para 20 a\u00f1os m\u00e1s tarde sufrir el mencionado derrame cerebral.<\/p>\n

Todo esto no hace sino dar un valor a\u00f1adido a \u00e9ste su \u00faltimo trabajo publicado y grabado en directo en Budapest y que lleva por t\u00edtulo Budapest Concert<\/em>.<\/p>\n

Budapest Concert<\/em> es un doble CD a piano solo, como no pod\u00eda ser de otra manera, tal como ya hiciera en el pasado con obras de profundo calado como: The K\u00f6ln Concert<\/em> o Solo Concerts<\/em>: Bregenz\/M\u00fcnchen<\/em>.<\/p>\n

Budapest Concert<\/em> fue grabado el 3 de julio de 2016 en la Sala Nacional de Conciertos B\u00e9la Bart\u00f3k en Budapest y lo integran doce improvisaciones y dos piezas \u201cIt’s A Lonesome Old Town\u201d y \u201cAnswer Me\u201d cuya autor\u00eda corre a cargo de Harry Tobias, y Charles Kisco, la primera y de Gerhard Winkler y Fred Rauch la segunda.<\/p>\n

Budapest Concert<\/em> sale al mercado despu\u00e9s de M\u00fanich<\/em> 2016<\/em> que fue grabado posteriormente el 16 de julio de 2016 con el mismo n\u00famero de improvisaciones y tres composiciones entre las que se incluye \u201cIt’s A Lonesome Old Town\u201d y \u201cAnswer me my Love\u201d e implementada por la afamada \u201cSomewhere over the Rainbow\u201d de Harold Arlen.<\/p>\n

De Keith Jarrett se pueden decir muchas cosas y todas ser\u00edan acertadas, pero de pocos se pueden decir con tanto acierto que fue desde sus inicios uno de los grandes pianistas del jazz (estilo que transcendi\u00f3 con creces) y que su obra como pianista en directo es de las m\u00e1s frescas y creativas que se pueden escuchar.<\/p>\n

Budapest Concert<\/em> vive de la improvisaci\u00f3n como esencia, combinando pasajes de en\u00e9rgica pasi\u00f3n con otros de pausada tranquilidad. Todo esto es, y ha sido posible con Keith Jarrett, un m\u00fasico, un pianista, que ejerce como m\u00e9dium a trav\u00e9s del cual pasa la m\u00fasica como una ofrenda espiritual y cuyos escorzos y sonidos guturales se sirven para la uni\u00f3n m\u00edstica entre m\u00fasico e instrumento. Piano y pianista forman la pareja indisoluble donde encontramos tanta cordura como sana locura y donde ambos hacen el amor buscando un orgasmo que parece no tener fin.<\/p>\n

Los ecos de su m\u00fasica nunca dejaran de sonar ante su aparente tristeza que se tornar\u00e1 en alegr\u00eda y conciencia del inconsciente colectivo de la M\u00fasica.<\/p>\n

\u00a9 Enrique Farelo, 2021<\/p>\n

Keith Jarrett: Budapest Concert<\/em> (ECM, 2020)<\/p>\n","protected":false},"excerpt":{"rendered":"

Enrique Farelo repasa \u00abThe Budapest Concert\u00bb, la \u00faltima grabaci\u00f3n del pianista Keith Jarrett, publicada en ECM a finales del a\u00f1o 2020. Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":53841,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15517,17848,5,1038],"tags":[1663,304,982],"class_list":["entry","author-pachi","has-excerpt","post-53840","post","type-post","status-publish","format-standard","has-post-thumbnail","category-textos","category-enrique-farelo","category-grabaciones","category-contenidos","tag-ecm","tag-enrique-farelo","tag-keith-jarrett"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/02\/Keith-Jarrett-Budapest-Concert.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":97649,"url":"https:\/\/tomajazz.com\/web\/keith-jarrett-new-vienna-ecm-2025\/","url_meta":{"origin":53840,"position":0},"title":"Keith Jarrett: New Vienna (ECM, 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 agosto, 2025","format":false,"excerpt":"New Vienna (ECM, 2025) es el t\u00edtulo de la \u00faltima grabaci\u00f3n de Keith Jarrett publicada el sello ECM. 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