{"id":54926,"date":"2021-06-07T12:00:27","date_gmt":"2021-06-07T10:00:27","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=54926"},"modified":"2021-06-06T21:29:16","modified_gmt":"2021-06-06T19:29:16","slug":"stick-men-featuring-gary-husband-owari-moonjune-records-2021-grabacion-de-jazz-por-enrique-farelo","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/stick-men-featuring-gary-husband-owari-moonjune-records-2021-grabacion-de-jazz-por-enrique-farelo\/","title":{"rendered":"Stick Men Featuring Gary Husband: Owari (Moonjune Records 2021) [Grabaci\u00f3n de jazz] Por Enrique Farelo"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-54927 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020-200x200.jpg\" alt=\"Stick Men Featuring Gary Husband: Owari (Moonjune records 2020)\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El tr\u00edo de colaboraciones estelares, como el violinista David Cross o el saxofonista y flautista Mel Collins, continua su desarrollo con el teclista y percusionista Gary Husband en este <em>Owari<\/em>.<\/p>\n<p>La grabaci\u00f3n result\u00f3 ser la primera y la \u00fanica debido a la pandemia del <em>Covid-19.<\/em><\/p>\n<p>Inicialmente estaba pensado que el grupo girara por Asia durante un mes.<\/p>\n<p>El primero de los cap\u00edtulos de este <em>Owari<\/em>, es \u201cHajime (Peace)\u201d, una pieza lis\u00e9rgica y misteriosa donde se a\u00fana el <em>krautrock<\/em> y los ecos <em>pinkfloidianos<\/em> y <em>crimsonianos<\/em> abrigados por la voz de Deborah Carter Mastelotto recitando el poema \u201cPeace\u201d del letrista Pete Sinfield, que fue incluido en la obra de King Crimson, <em>In the Wake of Poseidon<\/em>.<\/p>\n<p>Otro de los temas cl\u00e1sicos de King Crimson es \u201cLarks&#8217; Tongues in Aspic, Part II\u201d, perteneciente al disco <em>Larks&#8217; Tongues in Aspic<\/em> de 1973.<\/p>\n<p>La versi\u00f3n aqu\u00ed expuesta es bastante reconocible, \u00e1cida y met\u00e1lica y con un cierto toque <em>funk<\/em> que la eleva alto para caer y volver a elevarse hasta la disoluci\u00f3n.<\/p>\n<p>\u201cCrack in the Sky\u201d navega entre la melod\u00eda y la susurrante voz de Tony Levin, los paisajes sonoros y los <em>riff <\/em>de la <em>Touch Guitars\u00ae AU8<\/em> de Markus Reuter.<\/p>\n<p>\u201cOwari\u201d combina el <em>ambient<\/em> oscuro, la tensa improvisaci\u00f3n y el <em>jazz-rock<\/em> progresivo; en \u201cProg Noir\u201d, Tony Levin aporta texturas c\u00e1lidas con su voz natural y desnuda donde es acompa\u00f1ado coralmente por el sonido envolvente de Markus Reuter, Pat Mastelotto y Gary Husband.<\/p>\n<p>En la atmosf\u00e9rica, hipn\u00f3tica e inquietante \u201cSwimming in T\u201d encontramos a Pat Mastelotto y Tony Levin como metr\u00f3nomos de un viaje incognito. Markus Reuter cercano al sonido de Robert Fripp a Gary Husband rememorando a Pink Floyd en la composici\u00f3n \u201cEchos.<\/p>\n<p>La densidad y complejidad de \u201cLevel 5\u201d (influencia de King Crimson) se ve corroborada y reflejada en otras composiciones como la minimalista \u201cHide the Trees\u201d, \u201cCusp\u201d o \u201cSchattenhaft\u201d.<\/p>\n<p>El \u00e1lbum se cierra con el <em>bonus track<\/em>: \u201cThe End of The Tour\u201d. Una pieza que en cierto modo resume lo que \u00e9ste <em>Owari<\/em>: paisajes sonoros, ambientes tensionados, oscuros y siniestros, minimalismo e improvisaci\u00f3n que dejan al margen todo lo mostrado en cortes precedentes, tales como la contundencia, los sonidos \u00e1cidos y met\u00e1licos o el sutil toque <em>funk<\/em>.<\/p>\n<p><em>Owari<\/em>, <em>the end<\/em>, el fin. Una palabra en tres idiomas. Una obra que continuar\u00e1 perdurando en el tiempo.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2021<\/p>\n<p>Stick Men <em>Featuring<\/em> Gary Husband: <em>Owari <\/em>(<em>Moonjune records<\/em> 2020)<\/p>\n<p>Tony Levin (<em>Stick<\/em> y Voz); Markus Reuter (<em>Touch Guitars\u00ae AU8<\/em>, <em>Soundscapes<\/em>, Teclados); Pat Mastelotto (Bater\u00eda y Percusi\u00f3n electr\u00f3nica y ac\u00fastica); Gary Husband (Teclados)<\/p>\n<p>\u201cHajime (Peace)\u201d, \u201cHide the Trees\u201d, \u201cCusp\u201d, \u201cLarks&#8217; Tongues in Aspic, Part II\u201d, \u201cSchattenhaft\u201d, \u201cCrack in the Sky\u201d, \u201cOwari\u201d, \u201cProg Noir\u201d, \u201cSwimming in T\u201d, \u201cLevel 5\u201d y \u201cThe End of the Tour (bonus track)\u201d.<\/p>\n<p>Grabado en directo en Blue Note Nagoya (Tokyo) el 28 Febrero de 2020.<\/p>\n<p>Publicado en 2021 por MoonJune Records.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enrique Farelo repasa la grabaci\u00f3n de Stick Men Featuring Gary Husband en directo titulada \u00abOwari\u00bb y publicada por Moonjune Records.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/stick-men-featuring-gary-husband-owari-moonjune-records-2021-grabacion-de-jazz-por-enrique-farelo\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":54927,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[15517,17848,5,1038],"tags":[304,9479,20430,5991,21156,21158,6223],"class_list":["entry","author-pachi","has-excerpt","post-54926","post","type-post","status-publish","format-standard","has-post-thumbnail","category-textos","category-enrique-farelo","category-grabaciones","category-contenidos","tag-enrique-farelo","tag-gary-husband","tag-markus-reuter","tag-moonjune-records","tag-pat-mastelotto","tag-stick-men","tag-tony-levin"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":103372,"url":"https:\/\/tomajazz.com\/web\/mark-wingfield-the-gathering-2024-vrsn-2026\/","url_meta":{"origin":54926,"position":0},"title":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 enero, 2026","format":false,"excerpt":"The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":56157,"url":"https:\/\/tomajazz.com\/web\/jazzx5230-stickmen-larks-tongues-in-aspic-part-ii-owari-moonjune-records-2021-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":54926,"position":1},"title":"JazzX5#230. Stickmen: \u00abLarks&#8217; Tongues in Aspic, Part II\u00bb [Owari (Moonjune Records!, 2021)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"4 agosto, 2021","format":false,"excerpt":"En JazzX5 una versi\u00f3n del cl\u00e1sico de King Crimson \"Larks'Tongues in Aspic, Part II\" por el grupo Stickmen, publicado en la grabaci\u00f3n Owari (MoonJune Records).","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":99613,"url":"https:\/\/tomajazz.com\/web\/stick-men-swimming-in-tea-2025\/","url_meta":{"origin":54926,"position":2},"title":"Stick Men: Swimming in Tea (Iapetus Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"24 septiembre, 2025","format":false,"excerpt":"Swimming in Tea (Iapetus Records, 2024) es el nuevo EP de Stick Men. Enrique Farelo repasa la grabaci\u00f3n. Con Markus Reuter, Tony Levin, Pat Mastelotto","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Stick Men: Swimming in Tea (Iapetus Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Swimming in Tea (Iapetus Records, 2024) es el nuevo EP de Stick Men. Enrique Farelo repasa la grabaci\u00f3n. Con Markus Reuter, Tony Levin, Pat Mastelotto","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":45145,"url":"https:\/\/tomajazz.com\/web\/mark-wingfield-gary-husband-tor-vale-moonjune-records-2019-grabacion\/","url_meta":{"origin":54926,"position":3},"title":"Mark Wingfield &#038; Gary Husband: Tor &#038; Vale (Moonjune Records 2019) [Grabaci\u00f3n]","author":"Tomajazz","date":"20 agosto, 2019","format":false,"excerpt":"Por\u00a0Enrique Farelo. Tor & Vale supone una obra de dualidades, dos instrumentistas con sus instrumentos, dos formas de hacer m\u00fasica, una escrita, otra improvisada (\u201cTor & Vale\u201d, \u201cShape Of Light\u201d y \u201cSilver Sky\u201d); un guitarrista (Mark Wingfield) y su guitarra plural y cu\u00e1ntica; en medio de Pat Metheny y Terje\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Mark-Wingfield-Gary-Husband_Tor-Vale.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Mark-Wingfield-Gary-Husband_Tor-Vale.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Mark-Wingfield-Gary-Husband_Tor-Vale.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":45323,"url":"https:\/\/tomajazz.com\/web\/jazzx5061-mark-wingfield-gary-husband-the-golden-thread-minipodcast\/","url_meta":{"origin":54926,"position":4},"title":"JazzX5#061. Mark Wingfield &#038; Gary Husband: The Golden Thread [Minipodcast]","author":"Tomajazz","date":"30 agosto, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz con la colaboraci\u00f3n de Enrique Farelo. \"Tiempo medio ni de los m\u00e1s largo ni de los cortos y adem\u00e1s me chifla el final del piano.\" Enrique Farelo \"The Golden Thread\". Mark Wingfield & Gary Husband: Tor & Vale (MoonJune Records) Mark Wingfield, Gary Husband Tema seleccionado por Enrique\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/JazzX5_061.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/JazzX5_061.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/JazzX5_061.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/JazzX5_061.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":50524,"url":"https:\/\/tomajazz.com\/web\/gary-husband-markus-reuter-music-of-our-times-2020-moonjune-records-2020-reed-digital-grabacion\/","url_meta":{"origin":54926,"position":5},"title":"Gary Husband &#038; Markus Reuter-Music of Our Times 2020 (MoonJune Records 2020-reed.digital) [Grabaci\u00f3n de jazz] Por Enrique Farelo","author":"Tomajazz","date":"4 mayo, 2020","format":false,"excerpt":"Enrique Farelo repasa Music of Our Times 2020 (MoonJune Records) de Gary Husband - Markus Reuter.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Gary-Husband-Markus-Reuter-Music-Of-Our-Times-20.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Gary-Husband-Markus-Reuter-Music-Of-Our-Times-20.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Gary-Husband-Markus-Reuter-Music-Of-Our-Times-20.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Gary-Husband-Markus-Reuter-Music-Of-Our-Times-20.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Gary-Husband-Markus-Reuter-Music-Of-Our-Times-20.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/54926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=54926"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/54926\/revisions"}],"predecessor-version":[{"id":54929,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/54926\/revisions\/54929"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/54927"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=54926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=54926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=54926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}