{"id":5514,"date":"2013-03-18T10:00:35","date_gmt":"2013-03-18T09:00:35","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=5514"},"modified":"2016-11-13T19:06:41","modified_gmt":"2016-11-13T18:06:41","slug":"tomajazz-recomienda-un-dueto-historic-concerts-max-roach-cecil-taylor-soul-note-1984","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dueto-historic-concerts-max-roach-cecil-taylor-soul-note-1984\/","title":{"rendered":"Tomajazz recomienda&#8230; un dueto: <i>Historic Concerts<\/i> (Max Roach, Cecil Taylor; Soul Note, 1984)"},"content":{"rendered":"<figure id=\"attachment_5515\" aria-describedby=\"caption-attachment-5515\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-5515\" title=\"Max Roach, Cecil Taylor: Historic Concerts (Soul Note, 1984)\" alt=\"Max Roach, Cecil Taylor: Historic Concerts (Soul Note, 1984)\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts.png\" width=\"200\" height=\"200\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts.png 325w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts-300x300.png 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-5515\" class=\"wp-caption-text\">Max Roach, Cecil Taylor: Historic Concerts (Soul Note, 1984)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">A finales de la d\u00e9cada de los a\u00f1os 70 el baterista <strong>Max<\/strong> <strong>Roach<\/strong> grab\u00f3 en d\u00fao con m\u00fasicos como el pianista <strong><a title=\"Tomajazz recomienda\u2026 un disco: Streams of Consciousness (Max Roach y Abdullah Ibrahim)\" href=\"http:\/\/www.tomajazz.com\/web\/?p=1997\" target=\"_blank\">Abdullah Ibrahim<\/a><\/strong>, los saxofonistas\u00a0<strong>Anthony<\/strong> <strong>Braxton<\/strong> y<strong> Archie Shepp,\u00a0<\/strong> y el pianista <strong>Cecil<\/strong> <strong>Taylor<\/strong>.<\/p>\n<p style=\"text-align: justify;\">El 15 de diciembre de 1979 grababa con este \u00faltimo \u00a0en el McMillin Theatre de la Columbia University de Nueva York lo que se publicar\u00eda con el t\u00edtulo de <em>Historic Concerts<\/em>. Disponible en formato de doble CD, incluye una fase inicial en la que tanto <strong>Roach<\/strong> como <strong>Taylor<\/strong> hacen unos breves solos de apenas cinco minuto, antes de enlazarse en un dueto de casi ochenta.<\/p>\n<p style=\"text-align: justify;\">En este encuentro, al contrario de lo que ocurre en otras grabaciones de la \u00e9poca de <strong>Taylor<\/strong> en las que da la impresi\u00f3n de que el objetivo \u00a0es que la m\u00fasica surja de la violencia del cuerpo a cuerpo entre los m\u00fasicos\u00a0(magn\u00edficamente conseguido por otra parte, esc\u00fachese para contrastarlo grabaciones como <em>One Too Many Salty Swift and Not Goodbye<\/em>), se produce un magn\u00edfico di\u00e1logo (no exento de la necesaria tensi\u00f3n creativa) entre ambos. Como complemento se incluyen las entrevistas realizadas a ambos m\u00fasicos tras el concierto.<\/p>\n<p style=\"text-align: justify;\">M\u00fasica de primer\u00edsima categor\u00eda, el t\u00edtulo de la grabaci\u00f3n no puede ser m\u00e1s acertado.<\/p>\n<p style=\"text-align: justify;\">\u00a9 Adolphus van Tenzing, 2013<\/p>\n<p>\u00a0Max Roach, Cecil Taylor: <i>Historic Concerts<\/i> (Soul Note, 1984)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A finales de la d\u00e9cada de los a\u00f1os 70 el baterista Max Roach grab\u00f3 en d\u00fao con m\u00fasicos como el pianista Abdullah Ibrahim, los saxofonistas\u00a0Anthony Braxton y Archie Shepp,\u00a0 y el pianista Cecil Taylor. El 15 de diciembre de 1979 grababa con este \u00faltimo \u00a0en el McMillin Theatre de la<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dueto-historic-concerts-max-roach-cecil-taylor-soul-note-1984\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":5515,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[1345,5366,12651,5864,12696,13,12415,15295,1978,2230,16099,77,16100],"class_list":["entry","author-pachi","post-5514","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-1345","tag-adolphus-van-tenzing","tag-cd","tag-cecil-tayor","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-max-roach","tag-soul-note","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/roach_taylor_historic-concerts.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1997,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-streams-of-consciousness-max-roach-y-abdullah-ibrahim\/","url_meta":{"origin":5514,"position":0},"title":"Tomajazz recomienda\u2026 un disco: Streams of Consciousness (Max Roach y Abdullah Ibrahim)","author":"Adolphus van Tenzing","date":"3 junio, 2011","format":false,"excerpt":"A finales de los ochenta, Max Roach public\u00f3 varios discos a d\u00fao con sopladores (Shepp y Braxton) y con pianistas (Cecil Taylor y Abdullah Ibrahim), todos ellos m\u00e1s que recomendables. El d\u00fao con Ibrahim destaca por una sorprendente comprensi\u00f3n mutua entre ambos, muy diferente del \u201cenfrentamiento\u201d musical al que se\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Streams of Consciousness. Max Roach - Abdullah Ibrahim","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/06\/streamsofconsciousness.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101631,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-flashing-spirits-2025\/","url_meta":{"origin":5514,"position":1},"title":"Cecil Taylor &#8211; Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Cecil Taylor - Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":7046,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-money-jungle-duke-ellington-charles-mingus-max-roach-1962\/","url_meta":{"origin":5514,"position":2},"title":"Tomajazz recomienda&#8230; un CD: Money Jungle (Duke Ellington, Charles Mingus, Max Roach; 1962)","author":"Adolphus van Tenzing","date":"24 junio, 2013","format":false,"excerpt":"Deseo de Duke Ellington de grabar junto a Max Roach y Charles Mingus, o idea de la discogr\u00e1fica United Artists, Money Jungle reuni\u00f3 por primera y \u00fanica vez en el estudio a estos tres m\u00fasicos. Ellington fue el autor de todos los temas de la sesi\u00f3n. M\u00e1s all\u00e1 de ser\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/ellington-mingus-roach-Money-Jungle.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2042,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-nefertiti-the-beautiful-one-has-come-cecil-taylor-1962\/","url_meta":{"origin":5514,"position":3},"title":"Tomajazz recomienda&#8230; un disco: Nefertiti, The Beautiful One Has Come (Cecil Taylor, 1962)","author":"Adolphus van Tenzing","date":"23 enero, 2012","format":false,"excerpt":"Grabado en directo en noviembre de 1962 en el Cafe Montmartre de Copenhague en compa\u00f1\u00eda de sus inseparables Jimmy Lyons (saxo alto) y Sunny Murray (bater\u00eda), el doble CD Nefertiti, The Beautiful One Has Come es un magn\u00edfico punto intermedio en la carrera de Cecil Taylor. Situado a medio camino\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Cecil Taylor Nefertiti","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/01\/Cecil-Taylor-Nefertiti-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3136,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-sobre-ornette-coleman-cecil-taylor-y-sonny-rollins\/","url_meta":{"origin":5514,"position":4},"title":"Charles Mingus sobre Ornette Coleman, Cecil Taylor y Sonny Rollins","author":"Tomajazz","date":"15 diciembre, 2008","format":false,"excerpt":"\"\u00a1No me hable de Ornette Coleman! En Estados Unidos hay un mont\u00f3n de m\u00fasicos de su estilo que son incapaces de leer m\u00fasica y que tienen un enfoque especial de la misma. Coleman es un m\u00fasico que interpreta calipsos. Adem\u00e1s, es de las Antillas. No tiene nada que ver con\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/fotografias\/kuto\/jazzmingus_m.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18612,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-money-jungle-duke-ellington-charles-mingus-max-roach\/","url_meta":{"origin":5514,"position":5},"title":"La m\u00fasica de LODLMA: Money Jungle (Duke Ellington, Charles Mingus, Max Roach)","author":"Tomajazz","date":"1 junio, 2015","format":false,"excerpt":"En el tercer cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana\u00a0(LODLMA) suena... \"Caravan\" Deseo de Duke Ellington de grabar junto a Max Roach y Charles\u00a0Mingus, o idea de la discogr\u00e1fica United Artists, Money Jungle reuni\u00f3 por primera y \u00fanica vez en el estudio a estos tres m\u00fasicos. Ellington\u00a0fue el autor\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/ellington-mingus-roach-Money-Jungle.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=5514"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5514\/revisions"}],"predecessor-version":[{"id":5519,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5514\/revisions\/5519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/5515"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=5514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=5514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=5514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}