{"id":56360,"date":"2021-08-13T10:00:19","date_gmt":"2021-08-13T08:00:19","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=56360"},"modified":"2021-08-13T09:56:48","modified_gmt":"2021-08-13T07:56:48","slug":"jazzx5239-shai-maestro-in-a-sentimental-mood-human-ecm-2021-minipodcast-por-pachi-tapiz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazzx5239-shai-maestro-in-a-sentimental-mood-human-ecm-2021-minipodcast-por-pachi-tapiz\/","title":{"rendered":"JazzX5#239. Shai Maestro: \u00abIn A Sentimental Mood\u00bb [Human (ECM, 2021)] [Minipodcast] Por Pachi Tapiz"},"content":{"rendered":"<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-54140 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human.jpg 620w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>\u00abIn A Sentimental Mood\u00bb<br \/>\n<strong>Shai Maestro<\/strong>: <em>Human<\/em> (ECM, 2021)<br \/>\nShai\u00a0Maestro, Ofri Nehemya, Jorge Roeder, Philip Dizack. Duke Ellington fue el autor del cl\u00e1sico \u00abque (se) reinterpreta de forma muy personal\u00bb.<\/p>\n<p style=\"text-align: left;\"><span style=\"text-align: right;\">\u00a9 <\/span><strong style=\"text-align: right;\">Pachi Tapiz<\/strong><span style=\"text-align: right;\">, 2021<\/span><br \/>\n<iframe id=\"audio_74039298\" style=\"width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_74039298_6_1.html\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong>JazzX5<\/strong> es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<br \/>\n<strong>JazzX5<\/strong> comenz\u00f3 su andadura el 24 de junio de 2019.<br \/>\nTodas las entregas de <strong>JazzX5<\/strong> est\u00e1n disponibles en <strong><a href=\"https:\/\/tomajazz.com\/web\/?cat=23120\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=23120<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html<\/a><\/strong>.<\/p>\n<p>Juan F. Trillo rese\u00f1\u00f3\u00a0<em>Human<\/em> en <strong><a href=\"https:\/\/tomajazz.com\/web\/?p=54139\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?p=54139<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En JazzX5 una reinterpretaci\u00f3n muy personal del cl\u00e1sico \u00abIn A Sentimental Mood\u00bb por Shai Maestro que aparece en su grabaci\u00f3n Human (ECM, 2021).<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazzx5239-shai-maestro-in-a-sentimental-mood-human-ecm-2021-minipodcast-por-pachi-tapiz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":56361,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,23120,12814,15518,1038],"tags":[6637,1663,23118,11285,25573,6953,31,25203,12818,15310,182],"class_list":["entry","author-pachi","has-excerpt","post-56360","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-jazzx5","category-podcast","category-sonidos","category-contenidos","tag-duke-ellington","tag-ecm","tag-jazzx5","tag-jorge-roeder","tag-minipodcast","tag-ofri-nehemya","tag-pachi-tapiz","tag-philip-dizack","tag-podcast","tag-podcast-de-jazz","tag-shai-maestro"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_239.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":54139,"url":"https:\/\/tomajazz.com\/web\/shai-maestro-human-el-acierto-de-anadir-una-gran-trompeta-ecm-records-2021-grabacion-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":56360,"position":0},"title":"Shai Maestro: Human. El acierto de a\u00f1adir una gran trompeta (ECM Records, 2021) [Grabaci\u00f3n de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"26 marzo, 2021","format":false,"excerpt":"Juan F. Trillo repasa la nueva grabaci\u00f3n del pianista Shai Maestro, titulada \"Human\" y editada en el sello ECM.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/03\/Shai-Maestro_Human.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":68305,"url":"https:\/\/tomajazz.com\/web\/shai-maestro-jazzebre-2022\/","url_meta":{"origin":56360,"position":1},"title":"Shai Maestro Quartet (34\u00e8me Jazz\u00e8bre \/ Th\u00e9\u00e2tre Municipal, Perpignan -France-. 2022-10-14) [IV\/VII] Por Joan Cort\u00e8s [INSTANTZZ]","author":"Tomajazz","date":"15 noviembre, 2022","format":false,"excerpt":"En INSTANTZZ contin\u00faa el especial dedicado al Festival Jazz\u00e8bre 2022 con las im\u00e1genes de la actuaci\u00f3n de Shai Maestro Quartet. Joan Cort\u00e8s es el autor de las im\u00e1genes.","rel":"","context":"En \u00abEspecial 34\u00e8me Jazz\u00e8bre 2022\u00bb","block_context":{"text":"Especial 34\u00e8me Jazz\u00e8bre 2022","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/especial-34eme-jazzebre-2022\/"},"img":{"alt_text":"En INSTANTZZ contin\u00faa el especial dedicado al Festival Jazz\u00e8bre 2022 con las im\u00e1genes de la actuaci\u00f3n de Shai Maestro Quartet. Joan Cort\u00e8s es el autor de las im\u00e1genes.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/12_Sh-Mstr-4t-%C2%A9Joan-Cortes_14ctb22_34Jzzbr_ThtrMncpl_Prpgnn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":50255,"url":"https:\/\/tomajazz.com\/web\/jazzx5195-omer-avital-qantar-just-like-the-river-flows-new-york-paradox-minipodcast-yomequedoencasa-istayathome\/","url_meta":{"origin":56360,"position":2},"title":"JazzX5#195. Omer Avital Qantar: Just Like the River Flows (New York Paradox) [Minipodcast] #YoMeQuedoEnCasa \/ #IStayAtHome","author":"Tomajazz","date":"18 abril, 2020","format":false,"excerpt":"En JazzX5 el tema \"Just Like the River Flows\", que aparece publicado en New York Paradox de la formaci\u00f3n Qantar del contrabajista Omer Avita. Y recuerda, ahora m\u00e1s que nunca es muy importante... #YoMeQuedoEnCasa #IStayAtHome","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/JazzX5_195.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/JazzX5_195.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/JazzX5_195.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/04\/JazzX5_195.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":57082,"url":"https:\/\/tomajazz.com\/web\/jazzx5273-marcin-wasilewski-trio-riders-on-the-storm-en-attendant-ecm-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":56360,"position":3},"title":"JazzX5#273. Marcin Wasilewski Trio: \u00abRiders On The Storm\u00bb [En attendant (ECM, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"15 septiembre, 2021","format":false,"excerpt":"En JazzX5 la versi\u00f3n del cl\u00e1sico de The Doors, \"Riders On The Storm\", que aparece en En attendant, la nueva grabaci\u00f3n en ECM del Marcin Wasilewski Trio.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_273.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_273.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_273.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_273.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":56038,"url":"https:\/\/tomajazz.com\/web\/jazzx5225-julian-lage-familiar-flower-squint-2021-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":56360,"position":4},"title":"JazzX5#225. Julian Lage: \u00abFamiliar Flower\u00bb [Squint (2021)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"30 julio, 2021","format":false,"excerpt":"El tema \"Familiar Flower\" de Squint, del guitarrista Julian Lage suena en el podcast JazzX5 de Pachi Tapiz.","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_225.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_225.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_225.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_225.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":57340,"url":"https:\/\/tomajazz.com\/web\/jazzx5285-marc-johnson-whorled-whirled-world-overpass-ecm-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":56360,"position":5},"title":"JazzX5#285. Marc Johnson: \u00abWhorled Whirled World\u00bb [Overpass (ECM, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"27 septiembre, 2021","format":false,"excerpt":"El tema \"Whorled Whirled World\" que cierra la nueva grabaci\u00f3n del contrabajista Marc Johnson en ECM, titulada Overpass, suena en el podcast JazzX5 de Pachi Tapiz.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_285_ok.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_285_ok.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_285_ok.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_285_ok.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/56360","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=56360"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/56360\/revisions"}],"predecessor-version":[{"id":56363,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/56360\/revisions\/56363"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/56361"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=56360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=56360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=56360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}