{"id":5700,"date":"2013-04-01T00:00:56","date_gmt":"2013-03-31T22:00:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=5700"},"modified":"2016-11-13T20:10:15","modified_gmt":"2016-11-13T19:10:15","slug":"tomajazz-recomienda-un-tema-trains-steps-ahead-1986","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-trains-steps-ahead-1986\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abTrains\u00bb (Steps Ahead, 1986)"},"content":{"rendered":"<p style=\"text-align: justify\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/recomienda1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-5702\" alt=\"Steps Ahead - Magnetic\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/recomienda1.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/recomienda1.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/recomienda1-150x150.jpg 150w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Ep\u00edtome del buen <em>jazz fusion<\/em> de los a\u00f1os ochenta, este \u00abTrains\u00bb muestra al grupo Steps Ahead en el punto culminante de su carrera poco antes de su total remodelaci\u00f3n. Composici\u00f3n del vibrafonista Mike Mainieri, nos muestra a Michael Brecker en pleno uso de sus poderes sobrehumanos tanto al tenor como al EWI (Electronic Wind Instrument &#8211; instrumento de viento electr\u00f3nico). Al final del tema, sobre la dulce melod\u00eda repetitiva, el invitado Hiram Bullock aborda un solo efectista y efectivo sobre el acompa\u00f1amiento r\u00edtmico de Chuck Loeb. Victor Bailey al bajo y Peter Erskine a la bater\u00eda completan una formaci\u00f3n de lujo para una interpretaci\u00f3n m\u00edtica.<\/p>\n<p>Steps Ahead &#8211; <em>Magnetic<\/em> (Elektra\/Asylum 960 441.1)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ep\u00edtome del buen jazz fusion de los a\u00f1os ochenta, este \u00abTrains\u00bb muestra al grupo Steps Ahead en el punto culminante de su carrera poco antes de su total remodelaci\u00f3n. Composici\u00f3n del vibrafonista Mike Mainieri, nos muestra a Michael Brecker en pleno uso de sus poderes sobrehumanos tanto al tenor como<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-trains-steps-ahead-1986\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1038,1273],"tags":[294,1810,6029,764,2003,1118,2238,16099,16100,6028,5027],"class_list":["entry","author-adolphus-van-tenzing","post-5700","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-chuck-loeb","tag-hiram-bullock","tag-magnetic","tag-michael-brecker","tag-mike-mainieri","tag-peter-erskine","tag-steps-ahead","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-trains","tag-victor-bailey"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":17669,"url":"https:\/\/tomajazz.com\/web\/the-swiss-youth-jazz-orchestra-future-steps-shanti-records-2014\/","url_meta":{"origin":5700,"position":0},"title":"The Swiss Youth Jazz Orchestra: Future Steps (Shanti Records, 2014)","author":"Tomajazz","date":"20 marzo, 2015","format":false,"excerpt":"The Swiss Youth Jazz Orchestra nos ofrece un concierto que se grab\u00f3 el a\u00f1o pasado en el Festival de Jazz de la localidad de Aarau, situada en el norte de Suiza. La banda est\u00e1 formada por trece j\u00f3venes m\u00fasicos dirigidos por Fritz Renold, saxofonista, compositor y l\u00edder de la orquesta,\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/The-Swiss-Youth-Jazz-Orchestra_Future-Steps-e1426799044673.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":29044,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-steps-ahead-modern-times-42\/","url_meta":{"origin":5700,"position":1},"title":"365 razones para amar el jazz: un disco. Steps Ahead: Modern Times [42]","author":"Tomajazz","date":"11 febrero, 2017","format":false,"excerpt":"Un disco. Steps Ahead: Modern Times (Elektra Musician, 1984) Seleccionado por\u00a0Arturo Mora Rioja. Con Eddie Gomez, Peter Erskine, Michael Brecker, Mike Mainieri, Warren Bernhardt.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Steps-Ahead_Modern-Times_Elektra-Musician_1984.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Steps-Ahead_Modern-Times_Elektra-Musician_1984.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Steps-Ahead_Modern-Times_Elektra-Musician_1984.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1974,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-peter-erskine-peter-erskine\/","url_meta":{"origin":5700,"position":2},"title":"Tomajazz recomienda&#8230; un CD: Peter Erskine (Peter Erskine, 1982)","author":"Adolphus van Tenzing","date":"21 marzo, 2011","format":false,"excerpt":"Tras su paso por las bandas de Stan Kenton y Maynard Ferguson en los a\u00f1os setenta, en 1982 el bater\u00eda Peter Erskine integraba el grupo Weather Report. Para grabar este su primer CD, Erskine cont\u00f3 con los que en breve ser\u00edan compa\u00f1eros suyos en Steps Ahead, otra de las grandes\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Peter-Erskine.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1977,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-life-colors-chuck-loeb-1990\/","url_meta":{"origin":5700,"position":3},"title":"Tomajazz recomienda&#8230; un CD: Life Colors (Chuck Loeb, 1990)","author":"Adolphus van Tenzing","date":"25 abril, 2011","format":false,"excerpt":"Antropolog\u00eda moderna: Life Colors es el segundo trabajo discogr\u00e1fico a nombre del guitarrista Chuck Loeb. Editado en 1990 tras su paso por Steps Ahead, es un excelente trabajo de jazz fusion que recoge la evoluci\u00f3n del estilo en la d\u00e9cada precedente y anticipa el sonido de Metro, banda que Loeb\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Chuck Loeb - Life Colors","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2004,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-smokin-in-the-pit-steps-1979\/","url_meta":{"origin":5700,"position":4},"title":"Tomajazz recomienda&#8230; un CD: Smokin&#8217; in the Pit (Steps, 1979)","author":"Adolphus van Tenzing","date":"22 junio, 2011","format":false,"excerpt":"M\u00e1s conocidos en el \u00e1mbito del jazz fusi\u00f3n como Steps Ahead, el quinteto co-liderado por el vibrafonista Mike Mainieri y el maestro del saxo tenor Michael Brecker realiz\u00f3 su debut discogr\u00e1fico con esta grabaci\u00f3n registrada en directo en Tokyo. Grabado en diciembre de 1979 y editado a nombre de Steps\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/06\/Steps-Smokin-In-The-pit.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28031,"url":"https:\/\/tomajazz.com\/web\/hdo-207-novedades-steps-ahead-ken-schaphorst-big-band-frank-kimbrough-ronny-graupe-y-un-adios-a-pirouet-podcast\/","url_meta":{"origin":5700,"position":5},"title":"HDO 207. Novedades (Steps Ahead, Ken Schaphorst Big Band, Frank Kimbrough, Ronny Graupe) y un adi\u00f3s a Pirouet [Podcast]","author":"Tomajazz","date":"9 diciembre, 2016","format":false,"excerpt":"Cuatro novedades discogr\u00e1ficas y un adi\u00f3s al sello Pirouet Records, que cesa su actividad dejando tras de s\u00ed 98 referencias.\u00a0Solstice\u00a0del pianista\u00a0Frank Kimbrough tiene el honor de ser la \u00faltima referencia del sello alem\u00e1n dirigido por\u00a0Ralph B\u00fcrklin. Unas semanas antes de esta obra, se publicaba\u00a0The White Belt\u00a0del guitarrista\u00a0Ronny Graupe. Las otras\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Steps-Ahead_Steppin-Out_JazzLine_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Steps-Ahead_Steppin-Out_JazzLine_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Steps-Ahead_Steppin-Out_JazzLine_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Steps-Ahead_Steppin-Out_JazzLine_2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Steps-Ahead_Steppin-Out_JazzLine_2016.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Steps-Ahead_Steppin-Out_JazzLine_2016.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=5700"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5700\/revisions"}],"predecessor-version":[{"id":5706,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/5700\/revisions\/5706"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=5700"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=5700"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=5700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}