{"id":58377,"date":"2021-11-05T12:00:16","date_gmt":"2021-11-05T11:00:16","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=58377"},"modified":"2021-11-16T21:17:54","modified_gmt":"2021-11-16T20:17:54","slug":"jean-pierre-jullian-quartet-naissam-jalal-trio-jean-marie-machado-laurent-dehors-sextet-festival-les-emouvantes-musiques-daujourdhui-cnrr-conservatoire-pierre-barbizet-marseill","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jean-pierre-jullian-quartet-naissam-jalal-trio-jean-marie-machado-laurent-dehors-sextet-festival-les-emouvantes-musiques-daujourdhui-cnrr-conservatoire-pierre-barbizet-marseill\/","title":{"rendered":"Jean-Pierre Jullian Quartet, Na\u00efssam Jalal Trio, Jean-Marie Machado &#038; Laurent Dehors Sextet [Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui \/ cNrr Conservatoire Pierre Barbizet, Marseille -France-.  2021-09-22\/23 (Primera Parte) [Conciertos de jazz] Por Joan Cort\u00e8s"},"content":{"rendered":"<p><a href=\"http:\/\/festival-emouvantes.fr\/\" target=\"_blank\" rel=\"noopener\"><strong>Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui<\/strong><\/a><\/p>\n<ul>\n<li><strong><u>Fecha: mi\u00e9rcoles, 22 de setiembre de 2021<\/u><\/strong><\/li>\n<li>Lugar: Salle J. Billioud, cNrr Conservatoire Pierre Barbizet (Marseille -France-)<\/li>\n<li>Grupo:<br \/>\n<strong>Jean-Pierre Jullian Quartet<br \/>\n<\/strong>Jean-Pierre Jullian, bater\u00eda y composici\u00f3n<br \/>\nGuillaume Orti, saxo alto y bar\u00edtono<br \/>\nEtienne Lecomte, flautas<br \/>\nTom Gareil, vibr\u00e1fono y marimba<\/li>\n<\/ul>\n<ul>\n<li>Lugar: Salle Henri Tomasi, cNrr Conservatoire Pierre Barbizet (Marseille -France-)<\/li>\n<li>Grupo:<br \/>\n<strong>Na\u00efssam Jalal Trio<br \/>\n<\/strong>Na\u00efssam Jalal, flauta, nay, voz y composici\u00f3n<br \/>\nLeonardo Montana, piano<br \/>\nClaude Tchamitchian, contrabajo<\/li>\n<\/ul>\n<ul>\n<li><strong><u>Fecha: jueves, 23 de setiembre de 2021<\/u><\/strong><\/li>\n<li>Lugar: cNrr Conservatoire Pierre Barbizet, salle J. Billioud (Marseille -France-)<\/li>\n<li>Grupo:<br \/>\n<strong>Jean-Marie Machado Quartet<br \/>\n<\/strong>Jean-Marie Machado, piano y composici\u00f3n<br \/>\nJean-Charles Richard, saxo soprano y bar\u00edtono<br \/>\nVincent S\u00e9gal, violonchelo<br \/>\nKeyvan Chemirani, percusi\u00f3n<\/li>\n<\/ul>\n<ul>\n<li>Lugar: cNrr Conservatoire Pierre Barbizet, Salle Henri Tomasi (Marseille -France-)<\/li>\n<li>Grupo:<br \/>\n<strong>Laurent Dehors Sextet<br \/>\n<\/strong>Laurent Dehors, saxofones, clarinetes, guimbarda, cornamusa y direcci\u00f3n musical<br \/>\nTineke Van Ingelgem, voz<br \/>\nMichel Massot, tromb\u00f3n y sousaf\u00f3n<br \/>\nGabriel Gosse, guitarras, bater\u00eda y percusi\u00f3n<br \/>\nJean-Marc Quillet, marimba, vibr\u00e1fono, xil\u00f3fon, bater\u00eda y percusi\u00f3n<br \/>\nMatthew Bourne, piano y piano preparado<\/li>\n<\/ul>\n<p><strong>Comentario\u00a0<\/strong>:<\/p>\n<p>El festival \u201cLes \u00c9mouvantes -musiques d\u2019aujourd\u2019hui-\u201d, bajo la direcci\u00f3n del contrabajista y compositor Claude Tchamitchian, se celebr\u00f3 entre 22 y 25 de setiembre en la multicultural, colorista y contradictoria Marseille.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-58378\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/01_Mrsll-Joan-Cortes_22set21.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/01_Mrsll-Joan-Cortes_22set21.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/01_Mrsll-Joan-Cortes_22set21-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/01_Mrsll-Joan-Cortes_22set21-465x310.jpg 465w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: center;\"><em>Vista a\u00e9rea de la ciudad de Marseille<\/em><\/p>\n<p>Ciudad coprotagonista de las tres novelas \u201cnoires\u201d del periodista, novelista y poeta marsell\u00e9s Jean-Claude Izzo (de madre espa\u00f1ola y padre italiano), donde el jazz deviene la banda sonora principal. Ciudad tambi\u00e9n protagonista de las dos \u00faltimas novelas, de g\u00e9nero polic\u00edaco, de la escritora parisina y profesora universitaria Dominique Manotti.<\/p>\n<p>La programaci\u00f3n inicialmente dise\u00f1ada para el a\u00f1o anterior y que por motivo de la pandemia se redujo a s\u00f3lo dos integrantes por proyecto, finalmente, en este 2021, se ha presentado tal y como estaba formulada.<\/p>\n<p style=\"text-align: center;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-58379\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/02_Mrsll-Joan-Cortes_25set21.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/02_Mrsll-Joan-Cortes_25set21.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/02_Mrsll-Joan-Cortes_25set21-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/02_Mrsll-Joan-Cortes_25set21-465x310.jpg 465w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: center;\"><em>Entrada Principal del Conservatoire Pierre Barbizet<\/em><\/p>\n<p>Ante la imposibilidad de celebrarlos en el peque\u00f1o y centenario Th\u00e9\u00e2tre des Benardines, al encontrarse en fase de remodelaci\u00f3n, se realizaron en el Conservatorio Pierre Barbizet, espacio que fue cedido por su director, el compositor y saxofonista de jazz Rapha\u00ebl Imbert,<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-58381\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/04_Salle-J.-Joan-Cortes_25set21.jpg\" alt=\"\" width=\"400\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/04_Salle-J.-Joan-Cortes_25set21.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/04_Salle-J.-Joan-Cortes_25set21-133x200.jpg 133w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/04_Salle-J.-Joan-Cortes_25set21-367x550.jpg 367w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/04_Salle-J.-Joan-Cortes_25set21-333x500.jpg 333w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><br \/>\n<\/em><\/p>\n<p style=\"text-align: center;\"><em>Salle J. Billioud con Claude Tchamitchian inaugurando el festival<\/em><\/p>\n<p>Se repartieron a dos proyectos por jornada, distribuy\u00e9ndose entre dos espacios, la sala J. Billioud, una antigua biblioteca sin libros, alta, estrecha y alargada y la sala Henri Tomasi, acondicionada como auditorio.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-58380\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Mrsll-Joan-Cortes_25set21.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Mrsll-Joan-Cortes_25set21.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Mrsll-Joan-Cortes_25set21-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Mrsll-Joan-Cortes_25set21-465x310.jpg 465w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><br \/>\n<\/em><\/p>\n<p style=\"text-align: center;\"><em>Salle Henri Tomasi con el instrumental del cuarteto Caravaggio<\/em><\/p>\n<p>El festival se inici\u00f3 con el expl\u00edcito <a href=\"https:\/\/tomajazz.com\/web\/?p=58168\" target=\"_blank\" rel=\"noopener\">\u201cChiapas-II\u201d<\/a>, del baterista y compositor Jean-Pierre Jullian, acompa\u00f1ado por dos de sus de sus c\u00f3mplices habituales en los \u00faltimos tiempos, el vibrafonista Tom Gareil y el flautista \u00c9tienne Lecomte (a su vez miembro del grupo franco\/catal\u00e1n Vrak Trio, compartido con el baterista Oriol Roca), m\u00e1s el saxofonista franc\u00e9s de origen catal\u00e1n Guillaume Orti (en la edici\u00f3n de 2019 degustamos su remarcable <a href=\"https:\/\/tomajazz.com\/web\/?p=46770\" target=\"_blank\" rel=\"noopener\">\u201c\u2026Ence\u2026\u201d<\/a>), gran admirador de la obra de Pedro Iturralde, especialmente de sus trabajos pedag\u00f3gicos.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-58382 size-full\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/05_Jn-Prr-Jln-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg\" alt=\"Jean-Pierre Jullian Quartet\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/05_Jn-Prr-Jln-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/05_Jn-Prr-Jln-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/05_Jn-Prr-Jln-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-465x310.jpg 465w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: center;\"><em>Jean-Pierre Jullian Quartet, en la salle J. Billioud<\/em><\/p>\n<p>Un proyecto original de escritura compleja, relativamente pr\u00f3ximo a los mundos de Steve Coleman, Aka Moon, Rudresh Mahantappa o Miguel Zen\u00f3n. Con una marcada querencia r\u00edtmica y angulosa, con peque\u00f1os contrapuntos mel\u00f3dicos.<\/p>\n<p>Una hora despu\u00e9s, en el auditorio, se plasm\u00f3 de forma exquisita <a href=\"https:\/\/tomajazz.com\/web\/?p=58242\" target=\"_blank\" rel=\"noopener\">\u201cQuest of the Invisible\u201d<\/a> del trio de la flautista y compositora Na\u00efssam Jalal. El enriquecimiento del directo, en relaci\u00f3n a la grabaci\u00f3n del 2019, fue exponencial. Se pudieron apreciar mucho mejor todos sus detalles, sutilezas y silencios. Mantuvieron una excelente conjunci\u00f3n. Tres puntales diferentes y a su vez complementarios, el piano casi minimalista de Leonardo Montana, el sonido amplio y musculado de Claude Tchamitchian con su contrabajo, que parece una continuaci\u00f3n natural de su cuerpo, y las l\u00edneas delicadas de las flautas de Jalal conjugadas con sus cantos, susurros o alaridos, en ocasiones simultaneadas con su instrumento. Una de las joyas del festival, donde todas las propuestas volaron a alto nivel.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-58383\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/06_Nssm-Jll-Tr-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/06_Nssm-Jll-Tr-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/06_Nssm-Jll-Tr-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/06_Nssm-Jll-Tr-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-465x310.jpg 465w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: center;\"><em>Na\u00efssam Jalal Trio, en la salle Henri Tomasi<\/em><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?p=58292\" target=\"_blank\" rel=\"noopener\">\u201cMajakka\u201d<\/a> (faro en fin\u00e9s) del cuarteto del pianista y compositor Jean-Marie Machado abri\u00f3 la segunda jornada del festival. Un trabajo cuidado, delicado y mel\u00f3dico, de din\u00e1micas sutiles, de recuerdos y nebulosas del norte europeo con cromatismos mediterr\u00e1neos y de oriente medio. En algunos pasajes disfrutamos de relativos paralelismos con el Oreg\u00f3n m\u00e1s ac\u00fastico, as\u00ed como pinceladas del John Surman m\u00e1s et\u00e9reo\/folcl\u00f3rico, evidentemente esto forma parte de la mochila que lleva el que suscribe. Trenado con el violoncelista Vicent Segal, el saxofonista Jean-Charles Richard y el percusionista Keyman Chemirani. Un exquisito trabajo camer\u00edstico grabado, en 2020, por el Label La Buissone.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-58384\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/07_Jn-Mr-Mchd-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg\" alt=\"\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/07_Jn-Mr-Mchd-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/07_Jn-Mr-Mchd-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/07_Jn-Mr-Mchd-Qrtt-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-465x310.jpg 465w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/em><\/p>\n<p style=\"text-align: center;\"><em>Jean-Marie Machado Quartet<\/em><\/p>\n<p>Con \u201c<a href=\"https:\/\/tomajazz.com\/web\/?p=58356\" target=\"_blank\" rel=\"noopener\">Une petite histoire de l\u2019op\u00e8ra, opus 2<\/a>\u201d, previo cambio de sala, se clausur\u00f3 la segunda jornada.\u00a0Una propuesta con diferentes fragmentos oper\u00edsticos, entre ellos \u201cUna furtiva l\u00e1grima\u201d de Donizetti, m\u00e1s alg\u00fan original. Pasados por el tamiz del jazz, el mambo, el rock y alg\u00fan esqueje free, de aire festivo, educadamente gamberr\u00edstico, en la l\u00ednea habitual del extravertido compositor y soplador diverso -saxos, clarinetes, flautas, cornamusa, arpa de boca-, Laurent Dehors, al frente de un sexteto formado por la cantante l\u00edrica Tineke Van Ingelgem, el m\u00faltiple percusionista Jean-Marc Quillet -marimba -vibr\u00e1fono, xil\u00f3fono o bater\u00eda-, Gabriel Gosse -guitarras, bater\u00eda y percusi\u00f3n-, Michel Massot -tromb\u00f3n y sousaf\u00f3n- y el pianista Matthew Bourne. Un collage din\u00e1mico, musculado y color\u00edstico.<\/p>\n<p style=\"text-align: center;\"><em><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-58385\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/08_Lrnt-Dhrs-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg\" alt=\"\" width=\"400\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/08_Lrnt-Dhrs-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll.jpg 400w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/08_Lrnt-Dhrs-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-133x200.jpg 133w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/08_Lrnt-Dhrs-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-367x550.jpg 367w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/08_Lrnt-Dhrs-Joan-Cortes_Cnsrvt-Prr-Brbzt_Mrsll-333x500.jpg 333w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/em><\/p>\n<p style=\"text-align: center;\"><em>Laurent Dehors<\/em><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Texto y fotograf\u00edas: <\/span><span style=\"font-weight: 400;\">\u00a9 <\/span><span style=\"font-weight: 400;\"><strong>Joan Cort\u00e8s<\/strong>, 2021<\/span><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joan Cort\u00e8s repasa (texto y fotograf\u00edas) las actuaciones de Jean-Pierre Jullian Quartet, Na\u00efssam Jalal Trio, Jean-Marie Machado &#038; Laurent Dehors Sextet en el Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jean-pierre-jullian-quartet-naissam-jalal-trio-jean-marie-machado-laurent-dehors-sextet-festival-les-emouvantes-musiques-daujourdhui-cnrr-conservatoire-pierre-barbizet-marseill\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":58380,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,15517,1038],"tags":[476,8866,25974,25998,23799,25990,25999,25989,25988,7554,25972,1041,10544,17900,25995,9739,26000,25997,23481,25981,25996,25973,25991],"class_list":["entry","author-pachi","has-excerpt","post-58377","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-textos","category-contenidos","tag-claude-tchamitchian","tag-etienne-lecomte","tag-festival-les-emouvantes-musiques-daujourdhui","tag-gabriel-gosse","tag-guillaume-orti","tag-jean-charles-richard","tag-jean-marc-quillet","tag-jean-marie-machado","tag-jean-marie-machado-quartet","tag-jean-pierre-jullian","tag-jean-pierre-jullian-quartet","tag-joan-cortes","tag-keyvan-chemirani","tag-laurent-dehors","tag-laurent-dehors-sextet","tag-leonardo-montana","tag-matthew-bourne","tag-michel-massot","tag-naissam-jalal","tag-naissam-jalal-trio","tag-tineke-van-ingelgem","tag-tom-gareil","tag-vincent-segal"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Mrsll-Joan-Cortes_25set21.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":58356,"url":"https:\/\/tomajazz.com\/web\/instantzz-laurent-dehors-sextet-une-petite-histoire-de-lopera-opus-2-festival-les-emouvantes-musiques-daujourdhui-salle-henri-tomasi-cnrr-conservatoir\/","url_meta":{"origin":58377,"position":0},"title":"INSTANTZZ: Laurent Dehors Sextet \u201cUne Petite Histoire de l\u2019Op\u00e9ra, opus 2\u201d [Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui- \/ Salle Henri Tomasi, cNrr Conservatoire Pierre Barbizet, Marseille -France-.  2021-09-23 (IV\/VIII)] [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Joan Cort\u00e8s","author":"Tomajazz","date":"4 noviembre, 2021","format":false,"excerpt":"Cuarta entrega del Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui en INSTANTZZ. Joan Cort\u00e8s realiz\u00f3 una galer\u00eda fotogr\u00e1fica del Laurent Dehors Sextet.","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/09_Lrnt-Dhrs-Sxtt-Joan-Cortes_Cnsrvtr-Prr-Brbzt_Ls-mvnts_Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":58168,"url":"https:\/\/tomajazz.com\/web\/instantzz-jean-pierre-jullian-quartet-chiapas-ii-festival-les-emouvantes-musiques-daujourdhui-salle-j-billioud-cnrr-conservatoire-pierre-barbizet-marseille-fr\/","url_meta":{"origin":58377,"position":1},"title":"INSTANTZZ: Jean-Pierre Jullian Quartet \u201cChiapas II\u201d [Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui \/ Salle J. Billioud, cNrr Conservatoire Pierre Barbizet, Marseille -France-.  2021-09-22 (I\/VIII)] [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Joan Cort\u00e8s","author":"Tomajazz","date":"28 octubre, 2021","format":false,"excerpt":"Comenzamos en INSTANTZZ la serie de galer\u00edas fotogr\u00e1ficas de Joan Cort\u00e8s dedicada a Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui. La primera de ellas, est\u00e1 dedicada al Jean-Pierre Jullian Quartet.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/01_Jn-Prr-Jlln-Qrtt-Joan-Cortes_22set21__Ls-mvnts_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/01_Jn-Prr-Jlln-Qrtt-Joan-Cortes_22set21__Ls-mvnts_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/01_Jn-Prr-Jlln-Qrtt-Joan-Cortes_22set21__Ls-mvnts_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":58242,"url":"https:\/\/tomajazz.com\/web\/instantzz-naissam-jalal-trio-quest-of-the-invisible-festival-les-emouvantes-musiques-daujourdhui-salle-henri-tomasi-cnrr-conservatoire-pierre-barbizet-marseill\/","url_meta":{"origin":58377,"position":2},"title":"INSTANTZZ: Na\u00efssam Jalal Trio \u201cQuest of the Invisible\u201d [Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui- \/ Salle Henri Tomasi, cNrr Conservatoire Pierre Barbizet, Marseille -France-. 2021-09-22 (II\/VIII)] [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Joan Cort\u00e8s","author":"Tomajazz","date":"30 octubre, 2021","format":false,"excerpt":"Na\u00efssam Jalal Trio es el grupo protagonista del especial de Joan Cort\u00e8s en INSTANTZZ dedicado al Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/02_Nssm-Jll-Tr-Joan-Cortes_22set21_Ls-mvnts_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/02_Nssm-Jll-Tr-Joan-Cortes_22set21_Ls-mvnts_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/02_Nssm-Jll-Tr-Joan-Cortes_22set21_Ls-mvnts_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":58292,"url":"https:\/\/tomajazz.com\/web\/instantzz-jean-marie-machado-quartet-majakka-festival-les-emouvantes-musiques-daujourdhui-cnrr-conservatoire-pierre-barbizet-salle-j-billioud-marseille-franc\/","url_meta":{"origin":58377,"position":3},"title":"INSTANTZZ: Jean-Marie Machado Quartet \u201cMajakka\u201d (Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui- \/ cNrr Conservatoire Pierre Barbizet, salle J. Billioud, Marseille -France-). 2021-09-23 (III\/VIII)] [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Joan Cort\u00e8s","author":"Tomajazz","date":"2 noviembre, 2021","format":false,"excerpt":"Jean-Marie Machado Quartet \u201cMajakka\u201d es el grupo protagonista de la tercera entrada de INSTANTZZ dedicada al Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui (Marsella, Francia). Joan Cort\u00e8s es el autor de la galer\u00eda fotogr\u00e1fica.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/09_Jn-Mr-Mchd-Joan-Cortes_23set21_Ls-mvnts_Cnsrvtr-Prr-Brbzt-Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/09_Jn-Mr-Mchd-Joan-Cortes_23set21_Ls-mvnts_Cnsrvtr-Prr-Brbzt-Mrsll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/09_Jn-Mr-Mchd-Joan-Cortes_23set21_Ls-mvnts_Cnsrvtr-Prr-Brbzt-Mrsll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":58619,"url":"https:\/\/tomajazz.com\/web\/instantzz-francois-corneloup-jacky-molard-quartet-david-chevallier-septet-christophe-monniot-didier-ithursarry-duo-y-caravaggio-quartet-festival-les-emouvantes-musiques-daujourd\/","url_meta":{"origin":58377,"position":4},"title":"Fran\u00e7ois Corneloup &#038; Jacky Molard Quartet, David Chevallier Septet, Christophe Monniot &#038; Didier Ithursarry Duo y Caravaggio Quartet (Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui- \/ cNrr Conservatoire Pierre Barbizet, Marseille -France-.  2021-09-24\/25) (Segunda Parte) [Conciertos de jazz] Por Joan Cort\u00e8s","author":"Tomajazz","date":"17 noviembre, 2021","format":false,"excerpt":"Joan Cort\u00e8s repasa las actuaciones de Fran\u00e7ois Corneloup & Jacky Molard Quartet, David Chevalier Septet, Christophe Monniot & Didier Ithursarry en el Festival Les \u00c9mouvantes - Musiques d\u2019Aujourd\u00b4hui.","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Dvd-Chvllr-spttJoan-Cortes_Ls-mvnts_Cnsrvtr-Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Dvd-Chvllr-spttJoan-Cortes_Ls-mvnts_Cnsrvtr-Mrsll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/03_Dvd-Chvllr-spttJoan-Cortes_Ls-mvnts_Cnsrvtr-Mrsll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":58528,"url":"https:\/\/tomajazz.com\/web\/instantzz-caravaggio-quartet-tempus-fugit-festival-les-emouvantes-musiques-daujourdhui-cnrr-conservatoire-pierre-barbizet-salle-henri-tomasi-marseille-france\/","url_meta":{"origin":58377,"position":5},"title":"INSTANTZZ: Caravaggio Quartet \u201cTempus Fugit\u201d (Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui- \/ cNrr Conservatoire Pierre Barbizet, Salle Henri Tomasi, Marseille -France-). 2021-09-25 (VIII\/VIII)] [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Joan Cort\u00e8s","author":"Tomajazz","date":"13 noviembre, 2021","format":false,"excerpt":"Caravaggio Quartet es el protagonista de la octava y \u00faltima entrega de Joan Cort\u00e8s dedicada al Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui- INSTANTZZ: Caravaggio Quartet \u201cTempus Fugit\u201d (Festival Les \u00c9mouvantes -Musiques d\u2019Aujourd\u00b4hui- \/ cNrr Conservatoire Pierre Barbizet, Salle Henri Tomasi, Marseille -France-). 2021-09-25 (VIII\/VIII)]","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/11_Crvgg-Joan-Cortes_25set21_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/11_Crvgg-Joan-Cortes_25set21_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/11_Crvgg-Joan-Cortes_25set21_Cnsrvtr-Prr-Brbzt_Mrsll.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=58377"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58377\/revisions"}],"predecessor-version":[{"id":58387,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58377\/revisions\/58387"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/58380"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=58377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=58377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=58377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}