{"id":58423,"date":"2021-11-07T18:39:13","date_gmt":"2021-11-07T17:39:13","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=58423"},"modified":"2021-11-07T18:39:13","modified_gmt":"2021-11-07T17:39:13","slug":"jazzx5326-stan-getz-dizzy-gillespie-sonny-stitt-dark-eyes-for-musicians-only-verve-1958-minipodcast-de-jazz-por-pachi-tapiz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazzx5326-stan-getz-dizzy-gillespie-sonny-stitt-dark-eyes-for-musicians-only-verve-1958-minipodcast-de-jazz-por-pachi-tapiz\/","title":{"rendered":"JazzX5#326. Stan Getz &#8211; Dizzy Gillespie &#8211; Sonny Stitt: \u00abDark Eyes\u00bb [For Musicians Only (Verve, 1958)] [Minipodcast de jazz] Por Pachi Tapiz"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-29886 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Stan-Getz-Dizzy-Gillespie-Sonny-Stitt_For-Musicians-Only.jpeg-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Stan-Getz-Dizzy-Gillespie-Sonny-Stitt_For-Musicians-Only.jpeg-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Stan-Getz-Dizzy-Gillespie-Sonny-Stitt_For-Musicians-Only.jpeg-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Stan-Getz-Dizzy-Gillespie-Sonny-Stitt_For-Musicians-Only.jpeg-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Stan-Getz-Dizzy-Gillespie-Sonny-Stitt_For-Musicians-Only.jpeg.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Stan-Getz-Dizzy-Gillespie-Sonny-Stitt_For-Musicians-Only.jpeg-50x50.jpg 50w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>\u00abDark Eyes\u00bb<br \/>\n<strong>Stan Getz &#8211; Dizzy Gillespie &#8211; Sonny Stitt<\/strong>: <em>For Musicians Only<\/em> (Verve, 1958)]<br \/>\nStan Getz, Dizzy Gillespie, Sonny Stitt, John Lewis, Herb Ellis, Ray Brown, Stan Levey. El tema es una melod\u00eda tradicional. La grabaci\u00f3n se realiz\u00f3 en 1956, pero no se public\u00f3 hasta 1958.<\/p>\n<p><span style=\"text-align: right;\">\u00a9 <\/span><strong style=\"text-align: right;\">Pachi Tapiz<\/strong><span style=\"text-align: right;\">, 2021<\/span><\/p>\n<p><iframe id=\"audio_77887499\" style=\"width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_77887499_6_1.html\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>JazzX5<\/strong> es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<br \/>\n<strong>JazzX5<\/strong> comenz\u00f3 su andadura el 24 de junio de 2019.<br \/>\nTodas las entregas de <strong>JazzX5<\/strong> est\u00e1n disponibles en <strong><a href=\"https:\/\/tomajazz.com\/web\/?cat=23120\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=23120<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html<\/a><\/strong>.<\/p>\n<p>En Tomajazz hemos abierto un canal de <strong>Telegram<\/strong> para que est\u00e9s al tanto, al instante, de los nuevos podcast. Puedes suscribirte en <a href=\"https:\/\/t.me\/TomajazzPodcast\" target=\"_blank\" rel=\"noopener\">https:\/\/t.me\/TomajazzPodcast<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En JazzX5 suena la versi\u00f3n de la melod\u00eda popular \u00abDark Eyes\u00bb que aparec\u00eda en For Musicians Only (Verve, 1958), grabaci\u00f3n publicada a nombre de Stan Getz, Dizzy Gillespie y Sonny Stitt. Tambi\u00e9n participaron John Lewis, Herb Ellis, Ray Brown y Stan Levey. JazzX5 es un podcast de Pachi Tapiz. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazzx5326-stan-getz-dizzy-gillespie-sonny-stitt-dark-eyes-for-musicians-only-verve-1958-minipodcast-de-jazz-por-pachi-tapiz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":58424,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23120,17847,12814,15518,1038],"tags":[1639,1801,8637,2118,2227,4785,18463],"class_list":["entry","author-pachi","has-excerpt","post-58423","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jazzx5","category-pachi-tapiz","category-podcast","category-sonidos","category-contenidos","tag-dizzy-gillespie","tag-herb-ellis","tag-john-lewis","tag-ray-brown","tag-sonny-stitt","tag-stan-getz","tag-stan-levey"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_326.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29882,"url":"https:\/\/tomajazz.com\/web\/hdo-252-especial-stan-getz-iii-encuentros-i-podcast\/","url_meta":{"origin":58423,"position":0},"title":"HDO 252. Especial Stan Getz (III). Encuentros (I) [Podcast]","author":"Tomajazz","date":"26 marzo, 2017","format":false,"excerpt":"Chamber Music By The Stan Getz Quintet (con Horace Silver, Duke Jordan o Roy Haynes); Diz And Getz y For Musicians Only (con Dizzy Gillespie, Sonny Stitt, Oscar Peterson, Max Roach o Ray Brown); Hamp & Getz (con Lionel Hampton y Shelly Manne); y Groovin' High (con Red Norvo, Louis\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Chamber-Music-By-The-Stan-Getz-Quintet.jpeg-200x202.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":21608,"url":"https:\/\/tomajazz.com\/web\/seattle-1956-jazz-at-the-philarmonic-hdo-0055-audioblog\/","url_meta":{"origin":58423,"position":1},"title":"Seattle 1956. Jazz At The Philharmonic. HDO (0055) [Audioblog]","author":"Tomajazz","date":"30 diciembre, 2015","format":"audio","excerpt":"El jazz como una fiesta. La fiesta de las giras y conciertos de los espect\u00e1culos Jazz At The Philharmonic promovidos por el empresario Norman Granz que tuvieron lugar entre mediados de los a\u00f1os 40 y el inicio de la d\u00e9cada de los a\u00f1os 80 del pasado siglo. En el caso\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":2142,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xli-it-dont-mean-a-thing-if-it-aint-got-that-swing-dizzy-gillespie-stan-getz-1953\/","url_meta":{"origin":58423,"position":2},"title":"En &quot;La casa del Mundo&quot; (XLI): &quot;It Don&#8217;t Mean A Thing (If It Ain&#8217;t Got That Swing)&quot; (Dizzy Gillespie &#8211; Stan Getz, 1953)","author":"Tomajazz","date":"12 enero, 2013","format":false,"excerpt":"Dizzy Gillespie y Stan Getz en una de las varias grabaciones lideradas por ambos, interpretando ese cl\u00e1sico de Duke Ellington que algunos utilizan como excusa para decidir si algo vale o no vale para entrar dentro de eso que es el jazz. Apoyaba a ambos un grupo de campanillas: Oscar\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-Nyfq33C6p0M\/UPE1M-wWVKI\/AAAAAAAAGXk\/0rwUonRvI-U\/s200\/dizandgetz.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7560,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-siboney-ernesto-lecuona-por-dizzy-gillespie-y-stan-getz-1953\/","url_meta":{"origin":58423,"position":3},"title":"Tomajazz recomienda&#8230; un tema: \u00abSiboney\u00bb (Ernesto Lecuona), por Dizzy Gillespie y Stan Getz (1953)","author":"Adolphus van Tenzing","date":"9 septiembre, 2013","format":false,"excerpt":"Ernesto Lecuona fue un compositor cubano de padre canario que cre\u00f3 innumerables zarzuelas y bandas sonoras para pel\u00edculas. Autor de \"Malague\u00f1a\" y \"La comparsa\", lleg\u00f3 a escribir una \u00f3pera. Uno de sus temas m\u00e1s conocidos es \"Siboney\". Dizzy Gillespie y Stan Getz lo interpretaron magistralmente en su Diz And Getz\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dizzy Gillespie & Stan Getz - Diz And Getz","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/recomienda2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":43668,"url":"https:\/\/tomajazz.com\/web\/los-musicos-del-bebop-ii-sonny-stitt-al-haig-la-odisea-de-la-musica-afroamericana-194-podcast\/","url_meta":{"origin":58423,"position":4},"title":"Los m\u00fasicos del BeBop (II): Sonny Stitt, Al Haig\u2026. La Odisea de la M\u00fasica Afroamericana (194) [Podcast]","author":"Tomajazz","date":"3 junio, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 194 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Sonny-Stitt-Now.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Sonny-Stitt-Now.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Sonny-Stitt-Now.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":47366,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-xv-stan-getz-ii-la-odisea-de-la-musica-afroamericana-215-podcast\/","url_meta":{"origin":58423,"position":5},"title":"Cool Jazz (XV): Stan Getz (II). La Odisea de la M\u00fasica Afroamericana (215) [Podcast]","author":"Tomajazz","date":"25 noviembre, 2019","format":false,"excerpt":"El cap\u00edtulo 215 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla contin\u00faa recorriendo la senda del Cool Jazz. El programa sigue recorriendo la historia del gran saxofonista Stan Getz. Recala\u00a0en su encuentro con la m\u00fasica brasile\u00f1a, la bossa nova, que le supuso un gran \u00e9xito y una vuelta\u2026","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Getz-Gilberto_Verve_1964.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58423","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=58423"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58423\/revisions"}],"predecessor-version":[{"id":58425,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58423\/revisions\/58425"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/58424"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=58423"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=58423"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=58423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}