{"id":58855,"date":"2021-11-23T11:45:02","date_gmt":"2021-11-23T10:45:02","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=58855"},"modified":"2021-11-22T22:48:25","modified_gmt":"2021-11-22T21:48:25","slug":"cuarteto-fuerte-ultimeit-sentencia-records-2021-grabacion-de-jazz-por-enrique-farelo","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/cuarteto-fuerte-ultimeit-sentencia-records-2021-grabacion-de-jazz-por-enrique-farelo\/","title":{"rendered":"Cuarteto Fuerte: \u00daltimeit (Sentencia Records, 2021) [Grabaci\u00f3n de jazz] Por Enrique Farelo"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-58857 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit-200x188.jpg\" alt=\"Cuarteto Fuerte \u00daltimeit\" width=\"200\" height=\"188\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit-200x188.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit-600x563.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit-768x720.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit-465x436.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit-533x500.jpg 533w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit.jpg 1200w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Segundo trabajo de <a href=\"https:\/\/cuartetofuerte.bandcamp.com\/\" target=\"_blank\" rel=\"noopener\">Cuarteto Fuerte<\/a> bajo el auspicio de su creador y l\u00edder Juan M. Mart\u00edn, el cual, le ha dotado de alma y car\u00e1cter a pesar de haber cambiado todos los m\u00fasicos e incluso los instrumentos respecto de su grabaci\u00f3n anterior.<\/p>\n<p>El guitarrista \u00c1lvaro Vieito es sustituido por Bernardo Parrilla al saxo alto, a Nacho Megina lo cambia por el tambi\u00e9n bater\u00eda Fernando Caro y al clarinetista bajo, Gustavo Dom\u00ednguez lo reemplaza por Javier Ort\u00ed.<\/p>\n<p><em>\u00daltimeit<\/em> es un trabajo lleno de fuerza y energ\u00eda positiva, s\u00f3lido, maduro e internacional y adem\u00e1s grabado en directo.<\/p>\n<p>Nada que envidiar a otros grupos de probada solvencia y cuya coherencia y frescura alcanza niveles sonoridad superior.<\/p>\n<p>Piezas breves e intensas, piezas ricas en matices y texturas, cambios imaginativos que no permiten la relajaci\u00f3n sin perder de vista cierta iron\u00eda humor\u00edstica como en \u201cBorbones bolivarianos\u201d o <em>swingueantes <\/em>y siempre potentes y discursivos en \u201cExcrecencia de la evidencia\u201d.<\/p>\n<p>En \u201cMalpartido otra vez\u201d, entretenida y democr\u00e1tica conversaci\u00f3n a cuatro.<\/p>\n<p>Sonidos lastimeros y discurso a cuatro en \u201cSedimentos de pena\u201d. \u00a1C\u00f3mo no pod\u00eda ser de otra manera!<\/p>\n<p>Mucho m\u00e1s festivo y de amigable di\u00e1logo es \u201cCornucopia\u201d; en contraposici\u00f3n a \u201cCastle Bravo\u201d donde todo se torna gris y melanc\u00f3lico.<\/p>\n<p>Cuarteto Fuerte abraza con fuerza inusitada todo lo que tenga que ver con el <em>free-jazz<\/em>, <em>R.I.O<\/em>., <em>jazz-hardcore<\/em> o el <em>avant garde<\/em> y adem\u00e1s no quito ni una coma de lo expresado en su primer trabajo de t\u00edtulo hom\u00f3nimo en cuanto a influencias del cuarteto se refiere.<\/p>\n<p>S\u00ed, ah\u00ed est\u00e1n los canadienses Miriodor, Henry Cow o John Zorn y por supuesto Ornette Coleman y por si fuera poco (al igual que en el primero de sus trabajos) Ennio Morricone con \u201cIl Giardino Delle Delizie\u201d una pieza a ritmo de marcha que parece detenerse para reflexionar antes de concluir el disco.<\/p>\n<p>Cuarteto Fuerte posee una virtud muy especial que es la hablar a trav\u00e9s de sus instrumentos por lo que cada nueva entrega se convierte en un relato donde cada solista tiene algo que contar.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <a href=\"https:\/\/tomajazz.com\/web\/?tag=enrique-farelo\" target=\"_blank\" rel=\"noopener\"><strong>Enrique Farelo<\/strong><\/a>, 2021<\/p>\n<h4><strong>Cuarteto Fuerte: <em>\u00daltimeit<\/em> (Sentencia Records, 2021)<\/strong><\/h4>\n<p>M\u00fasicos: Bernardo Parrilla (saxo alto), Fernando Caro (bater\u00eda), Javier Ort\u00ed (saxo tenor) y Juan M. Mart\u00edn (bajo)<\/p>\n<p>Composiciones: \u201cExcrecencia de la evidencia\u201d, \u201cBorbones bolivarianos\u201d, \u201cMalpartido otra vez\u201d, \u201cSedimentos de pena\u201d, \u201cCornucopia\u201d, \u201cCastle Bravo\u201d y \u201cIl Giardino Delle Delizie\u201d.<\/p>\n<p>Todas las temas compuestos y producidos por Juan M. Mart\u00edn excepto \u201cIl Giardino Delle Delizie\u201d compuesto por Ennio Morricone.<\/p>\n<p>Grabado en directo en Assejazz en el 2021(Asociaci\u00f3n Sevillana de Jazz).<\/p>\n<h4>Enrique Farelo en Tomajazz<\/h4>\n<p>Enrique Farelo: <a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enrique Farelo repasa \u00daltimeit (Sentencia Records, 2021), la nueva grabaci\u00f3n de Cuarteto Fuerte. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/cuarteto-fuerte-ultimeit-sentencia-records-2021-grabacion-de-jazz-por-enrique-farelo\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":58857,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17848,15517,1038],"tags":[25886,23690,304,25888,25518,11641,13,23691,16791],"class_list":["entry","author-pachi","has-excerpt","post-58855","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","category-contenidos","tag-bernardo-parrilla","tag-cuarteto-fuerte","tag-enrique-farelo","tag-fernando-caro","tag-grabacion-de-jazz","tag-javier-orti","tag-jazz","tag-juan-m-martin","tag-sentencia-records"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/Cuarteto-Fuerte-Ultimeit.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":57763,"url":"https:\/\/tomajazz.com\/web\/jazzx5296-cuarteto-fuerte-borbones-bolivarianos-ultimeit-sentencia-records-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":58855,"position":0},"title":"JazzX5#296. Cuarteto Fuerte: \u00abBorbones Bolivarianos\u00bb [\u00daltimeit (Sentencia Records, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"8 octubre, 2021","format":false,"excerpt":"\"Borbones Bolivarianos\" de Cuarteto Fuerte en JazzX5, el podcast de Pachi Tapiz. El tema aparece en \u00daltimeit (Sentencia Records, 2021).","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_296.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_296.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_296.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_296.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":46557,"url":"https:\/\/tomajazz.com\/web\/cuarteto-fuerte-cuarteto-fuerte-titanical-records-2019-grabacion\/","url_meta":{"origin":58855,"position":1},"title":"Cuarteto Fuerte: Cuarteto Fuerte (Titanical Records 2019) [Grabaci\u00f3n] Por\u00a0Enrique Farelo","author":"Tomajazz","date":"24 octubre, 2019","format":false,"excerpt":"Cuarteto Fuerte: Cuarteto Fuerte (Titanical Records 2019)","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Cuarteto-Fuerte_Cuarteto-Fuerte.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Cuarteto-Fuerte_Cuarteto-Fuerte.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Cuarteto-Fuerte_Cuarteto-Fuerte.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Cuarteto-Fuerte_Cuarteto-Fuerte.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/10\/Cuarteto-Fuerte_Cuarteto-Fuerte.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":101193,"url":"https:\/\/tomajazz.com\/web\/seaorm-atlan-2025\/","url_meta":{"origin":58855,"position":2},"title":"Seaorm: Atlan (octoberXart Records, 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"31 octubre, 2025","format":false,"excerpt":"Atlan (octoberXart Records, 2025) es la nueva grabaci\u00f3n de Seaorm. Enrique Farelo repasa la grabaci\u00f3n. Seaormson Ark Fedotov, Ivan Fedotov, \u00c1ngel Ontalva","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Seaorm: Atlan (octoberXart Records, 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Atlan (octoberXart Records, 2025) es la nueva grabaci\u00f3n de Seaorm. Enrique Farelo repasa la grabaci\u00f3n. Seaormson Ark Fedotov, Ivan Fedotov, \u00c1ngel Ontalva","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":103993,"url":"https:\/\/tomajazz.com\/web\/dewa-budjana-praguenayama-2026\/","url_meta":{"origin":58855,"position":3},"title":"Dewa Budjana &#038; Czech Symphony Orchestra: Praguenayama (MoonJune Records; 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 febrero, 2026","format":false,"excerpt":"Praguenayama (MoonJune Records; 2026) es lo nuevo de Dewa Budjana con la Czech Symphony Orchestra. Enrique Farelo repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dewa Budjana & Czech Symphony Orchestra: Praguenayama (MoonJune Records; 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Praguenayama (MoonJune Records; 2026) es lo nuevo de Dewa Budjana con la Czech Symphony Orchestra. 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Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. Carlos Lara, Enrique Farelo y Pachi Tapiz lo entrevistan con tal ocasi\u00f3n","rel":"","context":"En \u00abEntrevistas...\u00bb","block_context":{"text":"Entrevistas...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/entrevistas-criticas\/"},"img":{"alt_text":"Entrevista con el guitarrista Rub\u00e9n Reinaldo a prop\u00f3sito de Fusi\u00f3n Ol\u00edvica. Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz] - Tomajazz - El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. Carlos Lara, Enrique Farelo y Pachi Tapiz lo entrevistan con tal ocasi\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":103238,"url":"https:\/\/tomajazz.com\/web\/markus-reuter-stephen-thelen-poabw-2025\/","url_meta":{"origin":58855,"position":5},"title":"Markus Reuter &#038; Stephen Thelen: Promise of a Better World (Iapetus Records; 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 enero, 2026","format":false,"excerpt":"Promise of a Better World (Iapetus records 2025) es lo nuevo de Markus Reuter & Stephen Thelen. Enrique Farelo repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Markus Reuter & Stephen Thelen-Promise of a Better World (Iapetus records 2025)  Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Markus-Reuter-Stephen-Thelen-Promise-of-a-Better-World-Iapetus-records-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Markus-Reuter-Stephen-Thelen-Promise-of-a-Better-World-Iapetus-records-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Markus-Reuter-Stephen-Thelen-Promise-of-a-Better-World-Iapetus-records-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Markus-Reuter-Stephen-Thelen-Promise-of-a-Better-World-Iapetus-records-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=58855"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58855\/revisions"}],"predecessor-version":[{"id":58859,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/58855\/revisions\/58859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/58857"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=58855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=58855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=58855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}