{"id":59603,"date":"2021-12-19T18:00:05","date_gmt":"2021-12-19T17:00:05","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=59603"},"modified":"2021-12-19T17:56:45","modified_gmt":"2021-12-19T16:56:45","slug":"jazzx5368-abbey-lincoln-max-roach-coleman-hawkins-driva-man-we-insist-freedom-now-suite-candid-1960-minipodcast-de-jazz-por-pachi-tapiz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazzx5368-abbey-lincoln-max-roach-coleman-hawkins-driva-man-we-insist-freedom-now-suite-candid-1960-minipodcast-de-jazz-por-pachi-tapiz\/","title":{"rendered":"JazzX5#368. Abbey Lincoln, Max Roach, Coleman Hawkins&#8230;: \u00abDriva&#8217; Man\u00bb [We Insist! Freedom Now Suite (Candid, 1960)] [Minipodcast de jazz] Por Pachi Tapiz"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-31768 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960-200x197.jpg\" alt=\"We Insist! Max Roach Freedom Now Suite\" width=\"200\" height=\"197\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960-200x197.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960-56x55.jpg 56w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Max-Roach_We-Insist_Candid_1960.jpg 567w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>\u00abDriva&#8217; Man\u00bb<br \/>\n<strong>Max Roach<\/strong>: <em>We Insist! Freedom Now Suite\u00a0<\/em>(Candid, 1965)<br \/>\nMax Roach, Abbey Lincoln, Coleman Hawkins, Booker Little, Julian Priester, Walter Benton, James Schenk. La obra es composici\u00f3n de Max Roach y Oscar Brown.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0<strong>Pachi Tapiz<\/strong>, 2021<\/p>\n<p>En la grabaci\u00f3n, una obra maestra del jazz, los participantes dejan buena muestra de su maestr\u00eda, comenzando con la voz de Abbey Lincoln y siguiendo con el magn\u00edfico solo de Coleman Hawkins en este tema que abre este disco imprescindible.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe id=\"audio_79805853\" style=\"width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_79805853_6_1.html\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>En anteriores episodios de JazzX5\/HDO\/LODLMA\/Maltidos Jazztardos&#8230;<\/h4>\n<blockquote class=\"wp-embedded-content\" data-secret=\"ql9R8xNGk0\"><p><a href=\"https:\/\/tomajazz.com\/web\/hdo-528-charla-jazz-con-nombre-de-mujer-grandes-voces-las-musicas-podcast\/\">HDO 528. Charla Jazz con nombre de mujer: grandes voces: las m\u00fasicas [Podcast]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00abHDO 528. Charla Jazz con nombre de mujer: grandes voces: las m\u00fasicas [Podcast]\u00bb \u2014 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/hdo-528-charla-jazz-con-nombre-de-mujer-grandes-voces-las-musicas-podcast\/embed\/#?secret=vocfzpYtPB#?secret=ql9R8xNGk0\" data-secret=\"ql9R8xNGk0\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<h4>M\u00e1s informaci\u00f3n sobre Max Roach y \u00abDriva&#8217; Man\u00bb en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=driva+man&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=driva+man&amp;submit=Search<\/a><\/p>\n<h4>M\u00e1s informaci\u00f3n sobre JazzX5<\/h4>\n<p><strong>JazzX5<\/strong> es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><strong>JazzX5<\/strong> comenz\u00f3 su andadura el 24 de junio de 2019.<\/p>\n<p>Todas las entregas de <strong>JazzX5<\/strong> est\u00e1n disponibles en <strong><a href=\"https:\/\/tomajazz.com\/web\/?cat=23120\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=23120<\/a> \/ <a href=\"https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html<\/a><\/strong>.<\/p>\n<h4>JazzX5 y los podcast de Tomajazz en Telegram<\/h4>\n<p>En Tomajazz hemos abierto un canal de <strong>Telegram<\/strong> para que est\u00e9s al tanto, al instante, de los nuevos podcast. Puedes suscribirte en <a href=\"https:\/\/t.me\/TomajazzPodcast\" target=\"_blank\" rel=\"noopener\">https:\/\/t.me\/TomajazzPodcast<\/a>.<\/p>\n<h4>Pachi Tapiz en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17847\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17847<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El tema \u00abDriva&#8217; Man\u00bb que abre la grabaci\u00f3n Freedom Now Suite (Candid, 1960) de Max Roach, es el tema que suena en la edici\u00f3n dominical de JazzX5. La voz de Abbey Lincoln o el saxo de Coleman Hawkins son algunos de los componentes de esta obra maestra. <\/p>\n<p>JazzX5 es un podcast de Pachi Tapiz. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazzx5368-abbey-lincoln-max-roach-coleman-hawkins-driva-man-we-insist-freedom-now-suite-candid-1960-minipodcast-de-jazz-por-pachi-tapiz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":59609,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23120,17847,12814,15518,1038],"tags":[21539,12853,1790,26312,23118,8954,1978,25573,26313,31,15310,26311],"class_list":["entry","author-pachi","has-excerpt","post-59603","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jazzx5","category-pachi-tapiz","category-podcast","category-sonidos","category-contenidos","tag-abbey-lincoln","tag-booker-little","tag-hawkins-coleman","tag-james-schenk","tag-jazzx5","tag-julian-priester","tag-max-roach","tag-minipodcast","tag-oscar-brown","tag-pachi-tapiz","tag-podcast-de-jazz","tag-walter-benton"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_368_ok.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1891,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-we-insist-freedom-now-suite-max-roach-1960\/","url_meta":{"origin":59603,"position":0},"title":"Tomajazz recomienda&#8230; un disco: We Insist! Freedom Now Suite (Max Roach, 1960)","author":"Adolphus van Tenzing","date":"17 agosto, 2010","format":false,"excerpt":"El 31 de agosto y 6 de septiembre de 2010 se cumpli\u00f3 el 50\u00ba aniversario de las dos sesiones de grabaci\u00f3n de We Insist! Freedom Now Suite del bater\u00eda Max Roach. Adolphus van Tenzing realiz\u00f3 un repaso a esta obra imprescindible en la historia del jazz, un fabuloso canto a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Max Roach We Insist! Freedom Now Suite","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/we-insist-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18236,"url":"https:\/\/tomajazz.com\/web\/max-roach-y-abbey-lincoln-rezo-protesta-y-jazz-por-jesus-gonzalo\/","url_meta":{"origin":59603,"position":1},"title":"Max Roach y Abbey Lincoln: Rezo, protesta y jazz. Por Jes\u00fas Gonzalo","author":"Jes\u00fas Gonzalo","date":"12 mayo, 2015","format":"imagen","excerpt":"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A\u00f1o 0 \u00a0abriendo la d\u00e9cada de 1960 Los acontecimientos recientes de violencia racial en Baltimore nos llevan a recuperar dos obras que a principios de\u00a0los convulsos a\u00f1os 60 del pasado siglo tambi\u00e9n eran noticia. \u201cUn artista es un secretario\u2026 tomo nota de lo que\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/bc__6_.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2458,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-xxvi-driva-man-max-roach-1960\/","url_meta":{"origin":59603,"position":2},"title":"En &quot;La casa del Mundo&quot; (XXVI): &quot;Driva&#8217; Man&quot; (Max Roach, 1960)","author":"Tomajazz","date":"21 diciembre, 2011","format":false,"excerpt":"En el \u00faltimo programa del a\u00f1o 2011 en La Casa del Mundo es el turno de\u00a0\"Driva' Man\": la joya que abr\u00eda un disco cl\u00e1sico (We Insist! Freedom Now Suite), obra de un maestro de la bater\u00eda (Max Roach), y en el que tambi\u00e9n colaboraban la maravillosa cantante Abbey Lincoln, Coleman\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-nejyYbLuYOg\/TvI0ICo9OzI\/AAAAAAAAD0c\/zpeXIuEZSnI\/s200\/Max_Roach-We_Insist%2521_Max_Roach%2527s_Freedom_Now_Suite_%2528album_cover%2529.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":63133,"url":"https:\/\/tomajazz.com\/web\/mingus-roach-a-lincoln-l-hopnis-o-spann-candid-records-reediciones-2022-por-pachi-tapiz-hdo-545-podcast-de-jazz\/","url_meta":{"origin":59603,"position":3},"title":"Mingus, Roach, A.Lincoln, L.Hopkins, O.Spann&#8230; Candid Records. Reediciones 2022. Por Pachi Tapiz. HDO 545 [Podcast de jazz]","author":"Tomajazz","date":"27 abril, 2022","format":false,"excerpt":"En 2022 el sello Candid Records ha comenzado a reeditar, remasterizadas, algunas de las perlas de su sello por pesos pesados del jazz y el blues como Charles Mingus, Max Roach, Abbey Lincoln, Otis Spann y Lightnin' Hopkins. En HDO 545 repasamos la historia del sello y escuchamos temas de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Mingus, Roach, A.Lincoln, L.Hopnis, O.Spann... Candid Records. Reediciones 2022. Por Pachi Tapiz. HDO 545 [Podcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/Collage_programa0545_Reediciones-Candid.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/Collage_programa0545_Reediciones-Candid.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/Collage_programa0545_Reediciones-Candid.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/Collage_programa0545_Reediciones-Candid.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":67691,"url":"https:\/\/tomajazz.com\/web\/candid-records-2-hdo-551\/","url_meta":{"origin":59603,"position":4},"title":"Candid Records #2: reeditando joyas. Por Pachi Tapiz. HDO 551 [Podcast]","author":"Tomajazz","date":"25 octubre, 2022","format":false,"excerpt":"En HDO 551 escuchamos diez temas, dos por cada una de las grabaciones del segundo lote de reediciones del cat\u00e1logo hist\u00f3rico de Candid Records con discos liderados por Cecil Taylor, Pee Wee Russell - Coleman Hawkins, Clark Terry, Booker Ervin y Booker Little.\u00a0 HDO es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abHDO\u00bb","block_context":{"text":"HDO","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/hablando-de-oidas-hdo\/"},"img":{"alt_text":"Candid Records #2: reeditando joyas. Por Pachi Tapiz. HDO 551 [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Collage_programa0551_Candid-Records-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2350,"url":"https:\/\/tomajazz.com\/web\/ran-blake-christine-correa-down-here-below-red-piano-records-2012\/","url_meta":{"origin":59603,"position":5},"title":"Ran Blake &#8211; Christine Correa: Down Here Below (Red Piano Records, 2012)","author":"Tomajazz","date":"23 abril, 2012","format":false,"excerpt":"Durante los \u00faltimos meses el pianista Ran Blake ha publicado discos en d\u00fao con varias cantantes: Sara Serpa (Camera Obscura), Dominique Eade (Whirlpool) y Christine Correa (Out of the Shadows). Si bien tanto las obras con Eade como con Correa eran m\u00e1s que notables, es con esta \u00faltima con la\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-A_XLSnVrGjM\/T5XRo0I9MqI\/AAAAAAAAEgw\/-f48DIDtC-Y\/s200\/ranblakechristinecorrea1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/59603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=59603"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/59603\/revisions"}],"predecessor-version":[{"id":59608,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/59603\/revisions\/59608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/59609"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=59603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=59603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=59603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}