{"id":59742,"date":"2021-12-27T11:00:02","date_gmt":"2021-12-27T10:00:02","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=59742"},"modified":"2021-12-28T21:39:55","modified_gmt":"2021-12-28T20:39:55","slug":"jon-irabagon-bird-with-streams-irabbagast-records2021-grabacion-de-jazz-por-carlos-lara","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jon-irabagon-bird-with-streams-irabbagast-records2021-grabacion-de-jazz-por-carlos-lara\/","title":{"rendered":"Jon Irabagon: Bird with Streams (Irabbagast Records,2021) [Grabaci\u00f3n de jazz] Por Carlos Lara"},"content":{"rendered":"

\"JonEl \u00faltimo disco del saxofonista norteamericano de ascendencia filipina, Jon Irabagon<\/strong>. Bird with Streams<\/em> supone su trabajo n\u00famero 13 como l\u00edder en su carrera mete\u00f3rica, que comenz\u00f3 a ascender en 2008 cuando gan\u00f3 el primer premio de la Thelonius Monk Jazz Competition. Desde entonces sus creaciones como l\u00edder, colider o sideman en otros grupos no han dejado de crecer.<\/p>\n

Forma parte de grupos como Mostly Other People Do the Killing<\/strong>, y acompa\u00f1a asiduamente a Mary<\/strong> Halvorson<\/strong>, Dave<\/strong> Douglas<\/strong>, Barry<\/strong> Altschul<\/strong>, Peter<\/strong> Evans<\/strong>, Tyshawn<\/strong> Sorey<\/strong>, Ingrid<\/strong> Laubrock<\/strong>, Kris<\/strong> Davis<\/strong>, Tom<\/strong> Rainey<\/strong> o Moppa<\/strong> Elliott<\/strong>. Actualmente, Irabagon goza de un merecido prestigio en los medios jazz\u00edsticos norteamericanos entre los aficionados al avant-garde jazz, free jazz, post-bop, avant-metal<\/em> y la m\u00fasica experimental.<\/p>\n

Este \u00e1lbum, donde solo se oye un saxof\u00f3n tenor, est\u00e1 compuesto principalmente por canciones de Charlie Parker, con inclusi\u00f3n de alguna pieza de Miles Davis y Dizzy Gillespie, adem\u00e1s de otros m\u00fasicos de la era del be bop.<\/em> Hasta ahora nunca hab\u00eda grabado un disco lleno de est\u00e1ndares.<\/p>\n

Bird with Streams<\/em> es un homenaje a Charlie Parker<\/strong>, cuyo centenario de su nacimiento se celebr\u00f3 el a\u00f1o pasado. Los temas fueron grabados en un ca\u00f1\u00f3n de Dakota del Sur a finales del verano y principios del oto\u00f1o mientras guardaba la cuarentena con su familia. De hecho, seg\u00fan confiesa, se trata de un \u00e1lbum que nunca tuvo la intenci\u00f3n de hacer. Las circunstancias lo propiciaron y gracias a un equipo port\u00e1til pudo registrar los temas. Antes pas\u00f3 varias horas todos los d\u00edas componiendo, improvisando y experimentando sonidos.<\/p>\n

Est\u00e1 integrado por 15 temas cortos, donde Irabagon improvisa claramente sobre las composiciones en diferentes tonalidades, a veces de una manera \u00e1spera y otras tempestuosa. Unas versiones muy particulares que siempre rompen las melod\u00edas tradicionales.<\/p>\n

Hay cl\u00e1sicos como \u201cAnthropology\u201d, una versi\u00f3n muy sui g\u00e9neris; una c\u00e1lida versi\u00f3n de una balada como \u201cSippin’ At Bells\u201d de Miles Davis. En \u201cBebop\u201d y \u201cOrnithology\u201dde Parker, se aprecia una gran finura estil\u00edstica. En \u201cNow’s The Time\u201d hace un extraordinario aprovechamiento sonoro del instrumento, que se acelera en la versi\u00f3n de \u201cDonna Lee\u201d y se hace lento en \u201cHot House\u201d. Con el sonido de agua al fondo, Irabagon improvisa al m\u00e1ximo la pieza \u201cB. Schwifty\u201d. La m\u00fasica invade la naturaleza en unas bellas combinaciones.<\/p>\n

Una mezcla de bebop y swing<\/em> rodea al tenor en \u201cKC Blues\u201d, con una elegante extravagancia. En \u201cSegment\u201d son los p\u00e1jaros los que acompa\u00f1an de fondo a la improvisaci\u00f3n. \u201cMoose the Mooche\u201d supone todo un ejercicio de respiraci\u00f3n. \u201cBlues for Alice\u201d muestra un discurso que resume muy bien todo el disco. \u201cQuasimodo\u201d es una singular balada que pone un brillante final a este gran disco de Irabagon.<\/p>\n

Con un estilo asombroso, Irabagon logra crear unos paisajes sonoros muy originales y unas exploraciones que parecen no encontrar salida, pero su arrolladora t\u00e9cnica siempre le lleva a buen puerto.<\/p>\n

Tomajazz: \u00a9 Carlos Lara<\/strong>, 2021<\/p>\n

Jon Irabagon: Bird with Streams (Irabbagast Records,2021)<\/h4>\n

Jon Irabagon (saxo tenor)<\/p>\n

\u201cAnthropology\u201d, \u201cSippin’ at Bells, \u201cBebop\u201d, \u201cOrnithology\u201d, \u201cNow’s the Time\u201d, \u201cDonna Lee\u201d, \u201cHot House\u201d, \u201cB. Schwifty\u201d, \u201cMohawk\u201d, \u201cKC Blues\u201d, \u201cGet Schwifty\u201d, \u201cSegment\u201d, \u201cMoose the Mooche\u201d, \u201cBlues for Alice\u201d y \u201cQuasimodo\u201d.
\nTodos los temas de Charlie Parker, a excepci\u00f3n de \u201cSippin’ at Bells\u201d de Miles Davis, \u201cBebop\u201d de Dizzy Gillespie, \u201cAnthropology\u201d de Charlie Parker y Dizzy Gillespie, \u201cOrnithology\u201d de Charlie Parker y Benny Harris, \u201cHot House\u201d de Tadd Dameron, y \u201cB. Schwifty\u201d y \u201cGet Schwifty\u201d de Jon Irabagon.<\/p>\n

Grabado en diferentes lugares de Falling Rock, Dakota del Sur, en el l\u00edmite con Black Hills National Forest, a finales del verano de 2020.<\/p>\n

Producido, grabado y editado por Jon Irabagon.<\/p>\n

Editado en 2021 por Irabbagast Records<\/p>\n

M\u00e1s informaci\u00f3n sobre Jon Irabagon<\/h4>\n

https:\/\/www.jonirabagon.com\/<\/a><\/p>\n

https:\/\/jonirabagon.bandcamp.com\/album\/bird-with-streams<\/a><\/p>\n

Jon Irabagon en Tomajazz<\/h4>\n

https:\/\/tomajazz.com\/web\/?s=irabagon&submit=Search<\/a><\/p>\n

Carlos Lara en Tomajazz<\/h4>\n

https:\/\/tomajazz.com\/web\/?cat=17849<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Carlos Lara rese\u00f1a Jon Irabagon: Bird with Streams (Irabbagast Records,2021), la \u00faltima grabaci\u00f3n, muy peculiar, del saxofonista Jon Irabagon.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":59743,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849,5,15517,1038],"tags":[84,21420,196],"class_list":["entry","author-pachi","has-excerpt","post-59742","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-grabaciones","category-textos","category-contenidos","tag-carlos-lara","tag-irabagast-records","tag-jon-irabagon"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/Jon-Irabagon_Bird-With-Streams.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":59822,"url":"https:\/\/tomajazz.com\/web\/jazzx5378-jon-irabagon-b-schwifty-bird-with-streams-irabagast-2021-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":59742,"position":0},"title":"JazzX5#378. Jon Irabagon: \u201cB. Schwifty\u201d [Bird With Streams (Irabagast, 2021)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"29 diciembre, 2021","format":false,"excerpt":"En JazzX5 suena \"B. Swifty\", un tema de Jon Irabagon que aparece en Bird With Streams (Irabagast Records, 2021). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#378. Jon Irabagon: \u201cB. 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En ambos casos son la segunda entrega de sendos proyectos: el quinteto Outright! y I Don\u2019t Hear Nothin\u2019 But The Blues (que ha pasado de ser un d\u00fao junto al baterista Mike Pride,a\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"idonthearnothin","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/idonthearnothin.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20063,"url":"https:\/\/tomajazz.com\/web\/jon-irabagon-solo-y-en-buenas-companias-especial-hdo-0015-audioblog\/","url_meta":{"origin":59742,"position":2},"title":"Jon Irabagon: solo y en buenas compa\u00f1\u00edas. 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