Joan Cort\u00e8s<\/a>, 2022<\/p>\n","protected":false},"excerpt":{"rendered":"Desde Tomajazz realizamos un peque\u00f1o homenaje al baterista Montez Coleman. La fotograf\u00eda fue tomada por Joan Cort\u00e8s. Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":60271,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[24822,17853,31927,15517,1038],"tags":[5188,1041,141,26469,188,138],"class_list":["entry","author-pachi","has-excerpt","post-60270","post","type-post","status-publish","format-standard","has-post-thumbnail","category-articulos","category-joan-cortes","category-in-memoriam","category-textos","category-contenidos","tag-bruce-barth","tag-joan-cortes","tag-montez-coleman","tag-montez-e-coleman","tag-roberta-gambarini","tag-roy-hargrove"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Ob_22_4_Mntz-Clmn-Joan-Cortes_28mrc10_Nv-Jzz-Cv_Trrss.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6171,"url":"https:\/\/tomajazz.com\/web\/gmf-london-jazz-workshops-music-festival-by-sergio-cabanillas\/","url_meta":{"origin":60270,"position":0},"title":"GMF London Jazz Workshops & Music Festival 2013 By Sergio Cabanillas","author":"Sergio Cabanillas","date":"3 mayo, 2013","format":false,"excerpt":"A few minutes\u2019 walk from Kings Cross and St. Pancras stations stands Kings Place. Opened in 2008, it\u2019s the first concert hall built in London after the Barbican was finished in 1982. Its developer and director Peter Millican has achieved a splendid environment for arts fully loaded with state-of-the-art facilities\u2026","rel":"","context":"En \u00ab*_Sergio Cabanillas\u00bb","block_context":{"text":"*_Sergio Cabanillas","link":"https:\/\/tomajazz.com\/web\/category\/sergio-cabanillas\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/watson_toussaint_quintet_0260.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":7800,"url":"https:\/\/tomajazz.com\/web\/wolfgang-haffner-straight-to-the-point-interview-by-arturo-mora-rioja\/","url_meta":{"origin":60270,"position":1},"title":"Wolfgang Haffner: Straight to the point. Interview by Arturo Mora Rioja","author":"Arturo Mora","date":"7 octubre, 2013","format":false,"excerpt":"One of the most important figures of European jazz, drummer Wolfgang Haffner is now a resident of Ibiza, a Spanish island in the Mediterranean Sea. Right after publishing his new work, Heart Of The Matter, on the German ACT label, and on the first stages of an European tour, Haffner\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/wolfgang_haffner_8751_cabanijazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":55949,"url":"https:\/\/tomajazz.com\/web\/pete-laroca-sims-the-voice-of-experience-jazz-interview-by-pachi-tapiz-published-in-2004\/","url_meta":{"origin":60270,"position":2},"title":"Pete \u00abLaRoca\u00bb Sims: the voice of experience [Jazz Interview] By Pachi Tapiz [Published in 2004]","author":"Tomajazz","date":"26 julio, 2021","format":false,"excerpt":"Pete \"LaRoca\" Sims\u00a0is a legendary drummer. Not very well known among jazz fans, very few musicians can boast of having their jazz first concert recorded in one of\u00a0Sonny Rollins\u2019 masterpieces (A Night At The Village Vanguard, Blue Note), of having been a member of the\u00a0John Coltrane Quartet\u00a0and have recorded in\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/Pete-LaRoca-Sims_SwingTime.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8678,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-21st-century-guitar\/","url_meta":{"origin":60270,"position":3},"title":"Scott DuBois: 21st century guitar","author":"Sergio Cabanillas","date":"2 abril, 2005","format":false,"excerpt":"Scott DuBois is a performer from the Chicago and New York area that has played and recorded for 8 or 9 years with top jazzmen like Chris Potter, Bob Mintzer, Donny McCaslin or Dave Liebman (\u201cMonsoon\u201d, Soul Note, 2004). He\u2019s a Manhattan School of Music Graduate who has been acclaimed\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":9019,"url":"https:\/\/tomajazz.com\/web\/chuck-loeb-mitchel-forman-interview-by-arturo-mora-rioja\/","url_meta":{"origin":60270,"position":4},"title":"Chuck Loeb & Mitchel Forman interview by Arturo Mora Rioja","author":"Sergio Cabanillas","date":"2 marzo, 2009","format":false,"excerpt":"The jazz fusion band Metro did a Spanish tour in early February 2009, introducing their most recent CD, Express. Arturo Mora interviewed former members guitarist Chuck Loeb and keyboard player Mitchel Forman in a loose, fun, almost informal talk. ARTURO MORA: Chuck, in the last two years you\u2019ve \u00a0done the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Foto \u00a9 Sergio Cabanillas, 2009","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/chuck_loeb_mitchel_forman_3718.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2224,"url":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-orrin-keepnews-acerca-de-ornette-coleman-y-el-jazz\/","url_meta":{"origin":60270,"position":5},"title":"Le\u00eddo, visto o escuchado: Orrin Keepnews acerca de Ornette Coleman y el jazz","author":"Tomajazz","date":"14 septiembre, 2012","format":false,"excerpt":"\"There can be no neat summing-up at this point, for which one should be thankful. If there could be, it would have to mean that jazz was complete; or, in other words, dead. But that is far from the case...\" Those words opened the final paragraph of the first (1955)\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-r1kuxNU5ZyU\/UE8PjRPsAcI\/AAAAAAAAFYg\/eRwhUn7_ALo\/s200\/keepnews-grauer-a-pictorial-history-of-jazz.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=60270"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60270\/revisions"}],"predecessor-version":[{"id":60273,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60270\/revisions\/60273"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/60271"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=60270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=60270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=60270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Montez](\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/Ob_22_4_Mntz-Clmn-Joan-Cortes_28mrc10_Nv-Jzz-Cv_Trrss.jpg\" "\\"\\"")
<\/p>\n