{"id":6033,"date":"2013-04-23T11:00:55","date_gmt":"2013-04-23T09:00:55","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6033"},"modified":"2016-11-13T19:35:02","modified_gmt":"2016-11-13T18:35:02","slug":"entrevista-a-ethan-iverson-the-bad-plus-por-arturo-mora","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/entrevista-a-ethan-iverson-the-bad-plus-por-arturo-mora\/","title":{"rendered":"Entrevista a Ethan Iverson (The Bad Plus). Por Arturo Mora"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/The_Bad_Plus-Made_Possible-peq.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-5987\" alt=\"thebadplus_Digipak_eOne_Cover_Fin\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/The_Bad_Plus-Made_Possible-peq.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/The_Bad_Plus-Made_Possible-peq.jpg 448w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/The_Bad_Plus-Made_Possible-peq-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/The_Bad_Plus-Made_Possible-peq-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/The_Bad_Plus-Made_Possible-peq-55x55.jpg 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Arturo Mora entrevist\u00f3 por correo electr\u00f3nico, cuestionario mediante, a Ethan Iverson, integrante del tr\u00edo The Bad Plus con motivo de la publicaci\u00f3n de <a title=\"The Bad Plus: Made Possible (Universal, 2013)\" href=\"http:\/\/www.tomajazz.com\/web\/?p=5986\"><em>Made Possible<\/em><\/a>. Esto es lo m\u00e1s interesante entre lo comentando por este pianista.<\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: El tema que cierra vuestro \u00faltimo disco es de Paul Motian. \u00bfQu\u00e9\u00a0representa este m\u00fasico para The Bad Plus?<\/span><\/p>\n<p>Ethan Iverson: Reid y yo hemos tocado un poco con Paul. En mi blog publiqu\u00e9\u00a0un post sobre Motian:\u00a0\u00a0<a href=\"http:\/\/dothemath.typepad.com\/dtm\/the-paradox-of-continuity.html\" target=\"_blank\" rel=\"noopener\">http:\/\/dothemath.typepad.com\/dtm\/the-paradox-of-continuity.html<\/a><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora:\u00a0\u00bfQu\u00e9 otros tr\u00edos de piano os han influenciado?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson: Nosotros nos denominamos un \u00abtr\u00edo de bajo, piano y bater\u00eda\u00bb. Entre los nombres de referencia est\u00e1n Duke [Ellington], [Charles] Mingus y Max [Roach] en <\/span><i style=\"font-size: 13px; line-height: 19px;\">Money Jungle<\/i><span style=\"font-size: 13px; line-height: 19px;\">.\u00a0<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: \u00bfC\u00f3mo trabaj\u00e1is las din\u00e1micas como grupo?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0\u00a1D\u00eda a d\u00eda!<\/span><\/p>\n<p style=\"text-align: center;\">\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss_300CMYK.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6035 aligncenter\" alt=\"Photo_Made Poss_300CMYK\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss_300CMYK.jpg\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss_300CMYK-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss_300CMYK-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss_300CMYK-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora:\u00a0Vuestra antigua costumbre de hacer versiones de temas de pop y <\/span><i style=\"font-size: 13px; line-height: 19px;\">rock<\/i><span style=\"font-size: 13px; line-height: 19px;\">, \u00bfestaba relacionada con los primeros m\u00fasicos de jazz que tocaban temas de musicales de Broadway?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0Tocar versiones nos ayud\u00f3\u00a0a conseguir presencia en la prensa en nuestros inicios. Tambi\u00e9n caus\u00f3\u00a0consternaci\u00f3n en ciertas esquinas polvorientas de la comunidad del jazz que tienen poco aprecio al <\/span><i style=\"font-size: 13px; line-height: 19px;\">rock<\/i><span style=\"font-size: 13px; line-height: 19px;\">. En otras esquinas polvorientas la gente pens\u00f3\u00a0 que \u00e9ramos unos jazzeros idiotas que se burlaban de Blondie (tocamos \u00abHeart Of Glass\u00bb en <\/span><i style=\"font-size: 13px; line-height: 19px;\">These Are The Vistas<\/i><span style=\"font-size: 13px; line-height: 19px;\">), Black Sabbath (\u00abIron Man\u00bb est\u00e1\u00a0en <\/span><i style=\"font-size: 13px; line-height: 19px;\">Give<\/i><span style=\"font-size: 13px; line-height: 19px;\">) o Rush (en el siguiente \u00e1lbum). La verdad acerca de esas versiones de The Bad Plus es esta: \u00a1Nos encanta tocar esas canciones! Las hubi\u00e9ramos tocado incluso si no hubieran tenido presencia en la prensa, y no se trata de parodias. Despu\u00e9s de todo, desde el principio de los tiempos los improvisadores han disfrutado desmontando m\u00fasica famosa para ver qu\u00e9\u00a0nuevas emociones pod\u00edan encontrar.<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: \u00bfPor qu\u00e9 hab\u00e9is dejado de hacer esas versiones de temas de pop-<\/span><i style=\"font-size: 13px; line-height: 19px;\">rock<\/i><span style=\"font-size: 13px; line-height: 19px;\">?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0Todav\u00eda hacemos algunas.<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: Los tres integrantes de The Bad Plus habitualmente aport\u00e1is temas originales. \u00bfHab\u00e9is pensado en escribir juntos m\u00e1s a menudo?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0No, el compositor es el compositor.<\/span><\/p>\n<p><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss2_300CMYK_peq.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-6036\" alt=\"Photo_Made Poss2_300CMYK_peq\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss2_300CMYK_peq.jpg\" width=\"600\" height=\"389\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss2_300CMYK_peq.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss2_300CMYK_peq-300x194.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss2_300CMYK_peq-84x55.jpg 84w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss2_300CMYK_peq-60x40.jpg 60w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: \u00bfQu\u00e9 ten\u00e9is en mente cuando mezcl\u00e1is el sonido ac\u00fastico del tr\u00edo con otros sonidos el\u00e9ctricos y electr\u00f3nicos?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0\u00a1Se lo tendr\u00e1s que preguntar a Reid [Anderson]! A m\u00ed me gusta lo que hace.<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: \u00bfSol\u00e9is grabar la m\u00fasica justo despu\u00e9s de escribirla o la prob\u00e1is primero en directo?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0Es mejor cuando la podemos probar en directo.<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: Despu\u00e9s de m\u00e1s de diez a\u00f1os juntos, \u00bfhab\u00e9is alcanzado el punto al que aspirabais cuando comenz\u00f3\u00a0el grupo?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0Hemos ido mucho m\u00e1s all\u00e1\u00a0de mis expectativas personales.<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Arturo Mora: \u00bfQu\u00e9 le deparar\u00e1 el futuro a The Bad Plus?<\/span><\/p>\n<p><span style=\"font-size: 13px; line-height: 19px;\">Ethan Iverson:\u00a0\u00a1Esperemos que m\u00e1s m\u00fasica! \u00a1Gracias!<\/span><\/p>\n<p style=\"text-align: right;\">Entrevista:\u00a0\u00a9\u00a0Arturo Mora, 2013<br \/>\nFotograf\u00edas promocionales<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Arturo Mora entrevist\u00f3 por correo electr\u00f3nico, cuestionario mediante, a Ethan Iverson, integrante del tr\u00edo The Bad Plus con motivo de la publicaci\u00f3n de Made Possible. Esto es lo m\u00e1s interesante entre lo comentando por este pianista. Arturo Mora: El tema que cierra vuestro \u00faltimo disco es de Paul Motian. \u00bfQu\u00e9\u00a0representa<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/entrevista-a-ethan-iverson-the-bad-plus-por-arturo-mora\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":6035,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,78,15537,9,15517,1038],"tags":[260,6637,12790,6252,12791,13,6251,16099,77,16100],"class_list":["entry","author-arturo-mora","post-6033","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","tag-arturo-mora-rioja","tag-duke-ellington","tag-entrevista","tag-ethan-iverson","tag-interview","tag-jazz","tag-the-bad-plus","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Photo_Made-Poss_300CMYK.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5986,"url":"https:\/\/tomajazz.com\/web\/the-bad-plus-made-possible-universal-2013\/","url_meta":{"origin":6033,"position":0},"title":"The Bad Plus: Made Possible (Universal, 2013)","author":"Tomajazz","date":"19 abril, 2013","format":false,"excerpt":"Nuevo cap\u00edtulo en la historia de The Bad Plus. Fieles a un estilo amasado durante a\u00f1os, en este Made Possible reafirman su propuesta, si bien abandonan las versiones de temas comerciales que tanta fama les dieron en sus comienzos. A los ocho originales se suma el \u201cVictoria\u201d de Paul Motian,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/The_Bad_Plus-Made_Possible-peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35359,"url":"https:\/\/tomajazz.com\/web\/instantzz-the-bad-plus-conservatori-del-liceu-48e-voll-damm-festival-internacional-de-jazz-de-barcelona-barcelona-2017-11-28-galeria-fotografica\/","url_meta":{"origin":6033,"position":1},"title":"INSTANTZZ: The Bad Plus (Conservatori del Liceu, 49\u00e8 Voll-Damm Festival Internacional de Jazz de Barcelona, Barcelona. 2017-11-28) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"2 marzo, 2018","format":false,"excerpt":"Fecha: Martes, 28 de noviembre de 2017 Lugar: Conservatori del Liceu (Barcelona) Grupo: The Bad Plus Ethan Iverson, piano Reid Anderson, contrabajo David King, bater\u00eda Tomajazz:\u00a0\u00a9\u00a0Joan Cort\u00e8s, 2018","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/05_ThBdPls-%C2%A9Joan-Cort%C3%A8s_28nvm_Cnsrvtr-dl-Lc_39FIJBcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/05_ThBdPls-%C2%A9Joan-Cort%C3%A8s_28nvm_Cnsrvtr-dl-Lc_39FIJBcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/05_ThBdPls-%C2%A9Joan-Cort%C3%A8s_28nvm_Cnsrvtr-dl-Lc_39FIJBcn.jpg?resize=525%2C300&ssl=1 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Jos\u00e9 Miguel Guti\u00e9rrez retrata y relata el concierto. Actuaron Reid Anderson, Dave King, Ben Monder, Chris Speed","rel":"","context":"En \u00abJazz en Italia\u00bb","block_context":{"text":"Jazz en Italia","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/jazz-en-italia\/"},"img":{"alt_text":"The Bad Plus (Blue Note Milano, Milano. 2024-03-26) Por Jos\u00e9 Miguel Guti\u00e9rrez [Concierto de jazz] - Tomajazz - The Bad Plus actu\u00f3 en Blue Note Milano, el 26 de marzo de 2024. Jos\u00e9 Miguel Guti\u00e9rrez retrata y relata el concierto. Actuaron Reid Anderson, Dave King, Ben Monder, Chris Speed","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/05\/destacada-The-Bad-Plus-Milano-2024-Tomajazz-Photo-by-Jose-Miguel-Gutierrez-2024-001-copia.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/05\/destacada-The-Bad-Plus-Milano-2024-Tomajazz-Photo-by-Jose-Miguel-Gutierrez-2024-001-copia.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/05\/destacada-The-Bad-Plus-Milano-2024-Tomajazz-Photo-by-Jose-Miguel-Gutierrez-2024-001-copia.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6033","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6033"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6033\/revisions"}],"predecessor-version":[{"id":6060,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6033\/revisions\/6060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/6035"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6033"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6033"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6033"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}