{"id":60502,"date":"2022-01-23T13:45:46","date_gmt":"2022-01-23T12:45:46","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=60502"},"modified":"2022-01-23T13:42:42","modified_gmt":"2022-01-23T12:42:42","slug":"instantzz-yevhen-riechkalov-estanque-grande-del-buen-retiro-junto-al-monumento-a-alfonso-xii-madrid-2022-01-10-y-11-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas-por-enriq","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/instantzz-yevhen-riechkalov-estanque-grande-del-buen-retiro-junto-al-monumento-a-alfonso-xii-madrid-2022-01-10-y-11-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas-por-enriq\/","title":{"rendered":"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo"},"content":{"rendered":"<ul>\n<li>Fecha: 10 y 11 de enero de 2022. Hora: 13 h<\/li>\n<li>Lugar: Estanque Grande del Buen Retiro junto al monumento a Alfonso XII (Madrid)<\/li>\n<li>Grupo:<br \/>\n<strong>Yevhen Riechkalov<\/strong><br \/>\nYevhen Riechkalov: <em>pocket trumpet<\/em><\/li>\n<\/ul>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60503 size-large\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-I-600x400.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-I-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-I-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-I-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-I-465x310.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-I-695x463.jpg 695w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-I.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60504 size-large\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-II-600x400.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-II-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-II-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-II-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-II-465x310.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-II-695x463.jpg 695w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-II.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60505 size-large\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-III-455x600.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"455\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-III-455x600.jpg 455w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-III-152x200.jpg 152w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-III-417x550.jpg 417w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-III-379x500.jpg 379w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-III.jpg 758w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60506\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IV.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"455\" height=\"583\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IV.jpg 781w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IV-156x200.jpg 156w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IV-469x600.jpg 469w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IV-768x983.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IV-430x550.jpg 430w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IV-391x500.jpg 391w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60507\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IX.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"455\" height=\"591\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IX.jpg 770w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IX-154x200.jpg 154w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IX-462x600.jpg 462w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IX-768x997.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IX-424x550.jpg 424w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-IX-385x500.jpg 385w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60508\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-V.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"455\" height=\"591\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-V.jpg 664w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-V-154x200.jpg 154w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-V-462x600.jpg 462w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-V-423x550.jpg 423w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-V-385x500.jpg 385w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60509\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VI.jpg\" alt=\"INSTANTZZ: Antonio Serrano - Ignasi Terraza (Fundaci\u00f3n Juan March, Madrid. 2021-11-27) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"455\" height=\"601\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VI.jpg 757w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VI-151x200.jpg 151w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VI-454x600.jpg 454w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VI-416x550.jpg 416w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VI-379x500.jpg 379w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60510\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VII.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"455\" height=\"628\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VII.jpg 724w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VII-145x200.jpg 145w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VII-434x600.jpg 434w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VII-398x550.jpg 398w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VII-362x500.jpg 362w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60511\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VIII.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"455\" height=\"599\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VIII.jpg 760w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VIII-152x200.jpg 152w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VIII-456x600.jpg 456w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VIII-418x550.jpg 418w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-VIII-380x500.jpg 380w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60512 size-large\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-X-600x400.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-X-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-X-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-X-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-X-465x310.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-X-695x463.jpg 695w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-X.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60513 size-large\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI-600x459.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"600\" height=\"459\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI-600x459.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI-200x153.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI-768x588.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI-465x356.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI-654x500.jpg 654w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-60514 size-large\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XII-600x400.jpg\" alt=\"INSTANTZZ: Yevhen Riechkalov (Estanque Grande del Buen Retiro junto al monumento a Alfonso XII, Madrid. 2022-01-10 y 11) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Enrique Farelo\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XII-600x400.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XII-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XII-768x511.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XII-465x310.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XII-695x463.jpg 695w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XII.jpg 1000w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\">Fotograf\u00edas: \u00a9 <strong><a href=\"https:\/\/www.flickr.com\/people\/alkimista58\/\" target=\"_blank\" rel=\"noopener\">Enrique Farelo<\/a><\/strong>, 2022<\/p>\n<h4>M\u00e1s informaci\u00f3n acerca de Yevhen Riechkalov<\/h4>\n<p><a href=\"https:\/\/www.facebook.com\/Yevhen-Riechkalov-2044579489143487\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.facebook.com\/Yevhen-Riechkalov-2044579489143487\/<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/riechkalov\/?hl=es\" target=\"_blank\" rel=\"noopener\">https:\/\/www.instagram.com\/riechkalov\/?hl=es<\/a><\/p>\n<h4>Enrique Farelo en Tomajazz<\/h4>\n<p>Enrique Farelo: <a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En INSTANTZZ una galer\u00eda fotogr\u00e1fica de Yevhen Riechkalov realizada por Enrique Farelo.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/instantzz-yevhen-riechkalov-estanque-grande-del-buen-retiro-junto-al-monumento-a-alfonso-xii-madrid-2022-01-10-y-11-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas-por-enriq\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":60513,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11261,17848,11262,15516,1038],"tags":[304,11263,26502],"class_list":["entry","author-pachi","has-excerpt","post-60502","post","type-post","status-publish","format-standard","has-post-thumbnail","category-instantzz","category-enrique-farelo","category-photoblogs","category-imagenes","category-contenidos","tag-enrique-farelo","tag-instantzz-2","tag-yevhen-riechkalov"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/YEVHEN-RIECHKALOV-XI.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100769,"url":"https:\/\/tomajazz.com\/web\/david-hernando-vitores-sandro-bakhuashvili-ccvaldebernardo-2025\/","url_meta":{"origin":60502,"position":0},"title":"David Hernando V\u00edtores &#8211; Sandro Bakhuashvili \u00abHorizontes sonoros\u00bb (Centro Cultural Valdebernardo, Madrid. 2025-10-04) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" actuaron en el Centro Cultural Valdebernardo de Madrid, el 4 de octubre de 2025. Enrique Farelo los retrata en INSTANTZZ","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" (Centro Cultural Valdebernardo, Madrid. 2025-10-04) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" actuaron en el Centro Cultural Valdebernardo de Madrid, el 4 de octubre de 2025. Enrique Farelo los retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102360,"url":"https:\/\/tomajazz.com\/web\/folkloreando-colina-gaviria-aching-jazzmadrid-2025\/","url_meta":{"origin":60502,"position":1},"title":"Folkloreando: Javier Colina, Amy Gaviria y Brian Aching (Jazz en los distritos. Festival Internacional JazzMadrid 2025. Centro Cultural \u00abEl Torito\u00bb. 2025-11-28) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]]","author":"Tomajazz","date":"1 diciembre, 2025","format":false,"excerpt":"Folkloreando: Javier Colina, Amy Gaviria y Brian Aching actu\u00f3 en Jazz en los distritos dentro del Festival Internacional JazzMadrid 2025. El concierto fue en el Centro Cultural \u00abEl Torito\u00bb de Madrid, el 28 de noviembre de 2025. Enrique Farelo lo retrata en INSTANTZZ","rel":"","context":"En \u00abFestival Internacional JazzMadrid 2025\u00bb","block_context":{"text":"Festival Internacional JazzMadrid 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/festival-internacional-jazzmadrid-2025\/"},"img":{"alt_text":"Folkloreando: Javier Colina, Amy Gaviria y Brian Aching (Jazz en los distritos. Festival Internacional JazzMadrid 2025. Centro Cultural \u00abEl Torito\u00bb. 2025-11-28) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]] - Tomajazz - Folkloreando: Javier Colina, Amy Gaviria y Brian Aching actu\u00f3 en Jazz en los distritos dentro del Festival Internacional JazzMadrid 2025. El concierto fue en el Centro Cultural \u00abEl Torito\u00bb de Madrid, el 28 de noviembre de 2025. Enrique Farelo lo retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Amy-Gaviria-4.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Amy-Gaviria-4.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Amy-Gaviria-4.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Amy-Gaviria-4.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":92374,"url":"https:\/\/tomajazz.com\/web\/egberto-gismonti-madrid-2024\/","url_meta":{"origin":60502,"position":2},"title":"Egberto Gismonti (Summum Concert Series. Teatro San Pol, Madrid. 2024-11-21) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"27 noviembre, 2024","format":false,"excerpt":"Egberto Gismonti actu\u00f3 en Summum Concert Series de Madrid, el 21 de noviembre de 2024. Enrique Farelo lo retrata en INSTANTZZ. Junto a Egberto Gismonti actu\u00f3 Daniel Murray","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Egberto Gismonti (Summum Concert Series. Teatro San Pol, Madrid. 2024-11-21) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Egberto Gismonti actu\u00f3 en Summum Concert Series de Madrid, el 21 de noviembre de 2024. Enrique Farelo lo retrata en INSTANTZZ. Junto a Egberto Gismonti actu\u00f3 Daniel Murray","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2024\/11\/Destacada-Egberto-Gismonti.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":61160,"url":"https:\/\/tomajazz.com\/web\/pedro-barboza-trio-la-gran-brisa-centro-cultural-valdebernardo-vicalvaro-madrid-2022-02-11-por-enrique-farelo-instantzz-aka-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas\/","url_meta":{"origin":60502,"position":3},"title":"Pedro Barboza tr\u00edo-La Gran Brisa (Centro Cultural Valdebernardo, Vic\u00e1lvaro, Madrid. 2022-02-11) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"16 febrero, 2022","format":false,"excerpt":"En INSTANTZZ una galer\u00eda fotogr\u00e1fica de Pedro Barboza Tr\u00edo en el Centro Cultural Valdebernardo, Vic\u00e1lvaro, Madrid. Enrique Farelo es el autor de las fotograf\u00edas.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/07_Pedro-Barboza-IV.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/07_Pedro-Barboza-IV.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/07_Pedro-Barboza-IV.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/07_Pedro-Barboza-IV.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":61878,"url":"https:\/\/tomajazz.com\/web\/mariana-accinelli-diego-capa-duo-tiempo-en-el-tiempo-centro-cultural-valdebernardo-vicalvaro-madrid-2022-03-11-por-enrique-farelo-instantzz-aka-galeria-fotografica-aka-fotoblog-de-jazz-i\/","url_meta":{"origin":60502,"position":4},"title":"Mariana Accinelli &#8211; Diego Capa D\u00fao \u00abTiempo en el tiempo\u00bb (Centro Cultural Valdebernardo, Vic\u00e1lvaro, Madrid. 2022-03-11)  Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"13 marzo, 2022","format":false,"excerpt":"En INSTANTZZ una galer\u00eda fotogr\u00e1fica de Enrique Farelo con la actuaci\u00f3n de Mariana Accinelli - Diego Capa D\u00fao con su proyecto \"Tiempo en el tiempo\", en el Centro Cultural Valdebernardo (Vic\u00e1lvaro, Madrid).","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Mariana Accinelli - Diego Capa D\u00fao \"Tiempo en el tiempo\" (Centro Cultural Valdebernardo, Vic\u00e1lvaro, Madrid. 2022-03-11) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/05_Mariana-Accinelli-II.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/05_Mariana-Accinelli-II.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/05_Mariana-Accinelli-II.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/05_Mariana-Accinelli-II.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":63059,"url":"https:\/\/tomajazz.com\/web\/blanca-altable-somos-polvo-centro-cultural-valdebernardo-vicalvaro-madrid-2022-04-22-por-enrique-farelo-instantzz-aka-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas\/","url_meta":{"origin":60502,"position":5},"title":"Blanca Altable \u00abSomos Polvo\u00bb (Centro Cultural Valdebernardo, Vic\u00e1lvaro, Madrid. 2022-04-22) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"24 abril, 2022","format":false,"excerpt":"En INSTANTZZ una galer\u00eda fotogr\u00e1fica de Enrique Farelo con la actuaci\u00f3n de Blanca Altable y su proyecto \"Somos Polvo\" en el Centro Cultural Valdebernardo de Vic\u00e1lvaro, Madrid.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Blanca Altable \"Somos Polvo\" (Centro Cultural Valdebernardo, Vic\u00e1lvaro, Madrid. 2022-04-22) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/BLANCA-ALTABLE03.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/BLANCA-ALTABLE03.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/BLANCA-ALTABLE03.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/04\/BLANCA-ALTABLE03.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60502","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=60502"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60502\/revisions"}],"predecessor-version":[{"id":60515,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60502\/revisions\/60515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/60513"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=60502"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=60502"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=60502"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}