{"id":60784,"date":"2022-02-02T11:00:45","date_gmt":"2022-02-02T10:00:45","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=60784"},"modified":"2022-02-02T10:16:24","modified_gmt":"2022-02-02T09:16:24","slug":"kevin-kastning-soheil-peyghambari-the-first-realm-greydisc-records-2021-grabacion-de-jazz-por-enrique-farelo","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/kevin-kastning-soheil-peyghambari-the-first-realm-greydisc-records-2021-grabacion-de-jazz-por-enrique-farelo\/","title":{"rendered":"Kevin Kastning &#8211; Soheil Peyghambari: The First Realm (Greydisc Records 2021) [Grabaci\u00f3n de jazz] Por Enrique Farelo"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-60786 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Kevin-Kastning-Soheil-Peyghambari-The-First-Realm-21-200x200.png\" alt=\"Kevin Kastning Soheil Peyghambari-The First Realm 21\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Kevin-Kastning-Soheil-Peyghambari-The-First-Realm-21-200x200.png 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Kevin-Kastning-Soheil-Peyghambari-The-First-Realm-21-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Kevin-Kastning-Soheil-Peyghambari-The-First-Realm-21.png 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Kevin Kastning estudi\u00f3 en <em>Berklee College of Music<\/em> (Boston) y con el guitarrista Pat Metheny.<\/p>\n<p>Compositor de m\u00e1s de 200 obras para diversas instrumentaciones solistas y de grupos de c\u00e1mara adem\u00e1s de grabar junto a Michael Manring, Alex de Grassi, Carl Clements, Mark Wingfield o Sandor Szabo.<\/p>\n<p>Inventor de la contraguitarra doble de 36 cuerdas, la cl\u00e1sica h\u00edbrida extendida de 17 cuerdas, la guitarra contraalto de 30 cuerdas, la guitarra cl\u00e1sica extendida de 15 cuerdas, las contraguitarras de 16 y 17 cuerdas.<\/p>\n<figure id=\"attachment_60785\" aria-describedby=\"caption-attachment-60785\" style=\"width: 152px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-60785 size-full\" style=\"text-align: start;\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/image002.png\" alt=\"Kevin Kastning\" width=\"152\" height=\"205\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/image002.png 152w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/image002-148x200.png 148w\" sizes=\"auto, (max-width: 152px) 100vw, 152px\" \/><figcaption id=\"caption-attachment-60785\" class=\"wp-caption-text\">Kevin Kastning. Fotograf\u00eda promocional.<\/figcaption><\/figure>\n<p>En<em> The First Realm<\/em> se hace acompa\u00f1ar del clarinetista Soheil Peyghambari. Ambos se funden en un abrazo sonoro donde la m\u00fasica de c\u00e1mara contempor\u00e1nea destaca por encima de cualquier otra definici\u00f3n.<\/p>\n<p>En cierto sentido podr\u00edamos se\u00f1alar ciertas semejanzas con la m\u00fasica practicada por el grupo Oregon (Ralph Towner, Paul McCandless, Glen Moore y Collin Walcott) y su faceta m\u00e1s improvisativa de su etapa en sello <em>Vanguard Records<\/em> de los a\u00f1os 70 del pasado siglo.<\/p>\n<p>Kevin Kastning y Soheil Peyghambari desarrollan sonidos oscuros, dram\u00e1ticos y profundos, investigando y experimentando la composici\u00f3n y la improvisaci\u00f3n a partes iguales. Sus di\u00e1logos son fluidos e interact\u00faan con naturalidad a lo largo de las 5 piezas que componen el \u00e1lbum apoy\u00e1ndose en un abanico de texturas t\u00edmbricas tan sugerentes como elegantes que exploran la psique con profusi\u00f3n; no en vano, es el propio Soheil Peyghambari quien se\u00f1ala y define un sue\u00f1o l\u00facido como: \u201cun sue\u00f1o durante el cual el so\u00f1ante es consciente de que est\u00e1 so\u00f1ando\u201d. \u201cNo es un estado de sue\u00f1o, sino de breve vigilia o un estado de observaci\u00f3n consciente\u201d.<\/p>\n<p>Exactamente eso es lo que define a la perfecci\u00f3n <em>The First Realm<\/em>, un ejercicio de conciencia y observaci\u00f3n mutua y l\u00facida. Un estado de vigilia entre Kevin Kastning y Soheil Peyghambari que elevada su m\u00fasica a la categor\u00eda de arte contempor\u00e1neo e inclasificable.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Enrique Farelo<\/strong><\/a>, 2022<\/p>\n<h4>Kevin Kastning &#8211; Soheil Peyghambari: The First Realm<\/h4>\n<p>Kevin Kastning (contraguitarra doble de 36 cuerdas, guitarra cl\u00e1sica extendida h\u00edbrida de 17 cuerdas) y Soheil Peyghambari (clarinete bajo y Bb clarinete en Si Bemol)<\/p>\n<p>\u201cSleep memory walking\u201d, \u201cAs stranded declination tendrils\u201d, \u201cBeside shadows calling forward\u201d, \u201cTo fathom caliginous gesture\u201d y \u201cPerduring toward obsidian transferal\u201d.<\/p>\n<p>Grabado en Traumwald North; York County; Maine, US Sorb Studio; Tehran (Ir\u00e1n) en enero 2021. Publicado en 2021 en Greydisc Records.<\/p>\n<h4>Kevin Kastning en Tomajazz&#8230;<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=kevin+kastning&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=kevin+kastning&amp;submit=Search<\/a><\/p>\n<h4>M\u00e1s informaci\u00f3n sobre Kevin Kastning<\/h4>\n<p><a href=\"http:\/\/www.kevinkastning.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.kevinkastning.com\/<\/a><\/p>\n<h4>Enrique Farelo en Tomajazz<\/h4>\n<p>Enrique Farelo: <a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kevin Kastning estudi\u00f3 en Berklee College of Music (Boston) y con el guitarrista Pat Metheny. Compositor de m\u00e1s de 200 obras para diversas instrumentaciones solistas y de grupos de c\u00e1mara adem\u00e1s de grabar junto a Michael Manring, Alex de Grassi, Carl Clements, Mark Wingfield o Sandor Szabo. Inventor de la<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/kevin-kastning-soheil-peyghambari-the-first-realm-greydisc-records-2021-grabacion-de-jazz-por-enrique-farelo\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":60786,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,17848,15517,1038],"tags":[304,26538,26539,26540],"class_list":["entry","author-pachi","post-60784","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","category-contenidos","tag-enrique-farelo","tag-greydisc-records","tag-kevin-kastning","tag-soheil-peyghambari"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Kevin-Kastning-Soheil-Peyghambari-The-First-Realm-21.png","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=60784"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60784\/revisions"}],"predecessor-version":[{"id":60790,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/60784\/revisions\/60790"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/60786"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=60784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=60784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=60784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}