{"id":6086,"date":"2013-05-02T18:00:32","date_gmt":"2013-05-02T16:00:32","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6086"},"modified":"2016-11-13T17:19:55","modified_gmt":"2016-11-13T16:19:55","slug":"rachel-musson-liam-noble-mark-sanders-tatterdemalion-babel-label-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/rachel-musson-liam-noble-mark-sanders-tatterdemalion-babel-label-2013\/","title":{"rendered":"Rachel Musson, Liam Noble, Mark Sanders: Tatterdemalion (Babel Label, 2013)"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Rachel-Musson-Mark-Sanders-Liam-Noble_-Tatterdemalion-Babel-Label-2013.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6089\" alt=\"Rachel Musson-Mark Sanders-Liam Noble_ Tatterdemalion (Babel Label, 2013)\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Rachel-Musson-Mark-Sanders-Liam-Noble_-Tatterdemalion-Babel-Label-2013.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Rachel-Musson-Mark-Sanders-Liam-Noble_-Tatterdemalion-Babel-Label-2013.jpg 350w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Rachel-Musson-Mark-Sanders-Liam-Noble_-Tatterdemalion-Babel-Label-2013-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Rachel-Musson-Mark-Sanders-Liam-Noble_-Tatterdemalion-Babel-Label-2013-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Rachel-Musson-Mark-Sanders-Liam-Noble_-Tatterdemalion-Babel-Label-2013-55x55.jpg 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Al contrario de lo que ocurre con el piano, los teclados no son demasiado habituales en la libre improvisaci\u00f3n. En <em>Tatterdemalion<\/em> <strong>Liam Noble<\/strong> cambia las ochenta y ocho teclas habituales en sus grabaciones por los teclados, y demuestra que estos merecen tambi\u00e9n su espacio en la creaci\u00f3n libre. Es precisamente por este motivo, que lo m\u00e1s llamativo a lo largo de las siete improvisaciones del tr\u00edo formado por <strong>Noble<\/strong>, <strong>Rachel<\/strong> <strong>Musson\u00a0<\/strong>(saxo) y <strong>Mark<\/strong> <strong>Sanders<\/strong> (bater\u00eda) sea la versatilidad que presenta su empleo. Esta variedad est\u00e1 presente tanto en las m\u00faltiples sonoridades que adopta, como en su utilizaci\u00f3n a la hora de improvisar y mimetizarse en otros instrumentos. Por momentos los teclados adoptan un comportamiento m\u00e1s propio de una guitarra el\u00e9ctrica o incluso de un saxo.<\/p>\n<p style=\"text-align: justify;\">A lo largo de todo el CD se dan los elementos que son imprescindibles para que una sesi\u00f3n de improvisaci\u00f3n libre funcione. En primer lugar, los tres m\u00fasicos no olvidan incluir elementos mel\u00f3dicos. La m\u00fasica pasa por momentos de distinta intensidad: hay momentos m\u00e1s tranquilos, junto con otros en la que <strong>Rachel<\/strong> <strong>Musson<\/strong> emplea el expresionismo propio del <em>free jazz<\/em> y sus derivados. Tambi\u00e9n es importante el uso de la din\u00e1mica. La capacidad de los m\u00fasicos de aumentar y disminuir esa intensidad con naturalidad. En \u00faltimo lugar los tres m\u00fasicos adoptan distintos roles. Primando su interacci\u00f3n, a lo largo del disco hay momentos de di\u00e1logos a tres y dos bandas, y tambi\u00e9n de charlas en solitario. Estos m\u00fasicos adoptan a su vez el papel m\u00e1s adecuado al desempe\u00f1o del grupo, de modo que adem\u00e1s de la brillantez como solista, los tres m\u00fasicos tambi\u00e9n se encargan de la tarea de mantener el entramado r\u00edtmico para permitir el lucimiento de sus compa\u00f1eros.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2013<\/p>\n<p>Rachel Musson, Liam Noble, Mark Sanders: <em>Tatterdemalion<\/em> (Babel Label, 2013) ****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Al contrario de lo que ocurre con el piano, los teclados no son demasiado habituales en la libre improvisaci\u00f3n. En Tatterdemalion Liam Noble cambia las ochenta y ocho teclas habituales en sus grabaciones por los teclados, y demuestra que estos merecen tambi\u00e9n su espacio en la creaci\u00f3n libre. Es precisamente<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/rachel-musson-liam-noble-mark-sanders-tatterdemalion-babel-label-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":6089,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[4934,6308,12651,12696,13,12415,15295,5140,6310,31,6309,16099,77,16100],"class_list":["entry","author-pachi","post-6086","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-4934","tag-babel-label","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-liam-noble","tag-mark-sanders","tag-pachi-tapiz","tag-rachel-musson","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Rachel-Musson-Mark-Sanders-Liam-Noble_-Tatterdemalion-Babel-Label-2013.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33435,"url":"https:\/\/tomajazz.com\/web\/hdo-349-musicianer-stray-caratti-musson-beresford-iluso-records-podcast\/","url_meta":{"origin":6086,"position":0},"title":"HDO 349. Musicianer, Stray, Caratti &#8211; Musson &#8211; Beresford: Iluso Records [Podcast]","author":"Tomajazz","date":"21 noviembre, 2017","format":false,"excerpt":"Tres novedades del sello Iluso Records en la entrega 349 del podcast HDO. Musicianer es el tr\u00edo de Josh Sinton (saxo bar\u00edtono y composiciones), a quien acompa\u00f1an Jason Ajemian (contrabajo) y Chad Taylor (bater\u00eda y percusi\u00f3n). 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Atmosphere 1.0 de Rober Caballero es el disco de portada. Adem\u00e1s, suena m\u00fasica de Derek Sherinian & Simon Phillips, Symbiosis 5, Liam Noble & Geoff Simkins y M\u00e1rio Costa.","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"Universos Paralelos: emisi\u00f3n 26 de octubre de 2023 (UP.T.29 P.06) [Noticias de jazz] - Tomajazz 9.0 - Ya est\u00e1 disponible la edici\u00f3n del 26 de octubre de Universos Paralelos, el programa de radio de Sergio Cabanillas. Atmosphere 1.0 de Rober Caballero es el disco de portada. 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