{"id":6092,"date":"2013-04-25T11:00:00","date_gmt":"2013-04-25T09:00:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6092"},"modified":"2016-11-13T19:35:01","modified_gmt":"2016-11-13T18:35:01","slug":"asuka-kakitani-jazz-orchestra-bloom-1918-records-2012","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/asuka-kakitani-jazz-orchestra-bloom-1918-records-2012\/","title":{"rendered":"Asuka Kakitani Jazz Orchestra: Bloom (1918 Records, 2012)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/cd.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6093 alignleft\" alt=\"Asuka Kakitani Jazz Orchestra - Bloom\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/cd.png\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/cd.png 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/cd-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/cd-55x55.png 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>A juzgar por el sonido de su <i>big band<\/i>, <strong>Asuka<\/strong> <strong>Kakitani<\/strong> es una enamorada de los arreglos de <strong>Kenny<\/strong> <strong>Wheeler<\/strong>. No la culpo. Su proyecto suena agradable, preciosista e impecable, aun a costa de caer en una dulzura extrema.<\/p>\n<p style=\"text-align: justify;\">Influencias de hace pocas d\u00e9cadas sobresalen en el CD. \u201cElectric Images\u201d nos transporta a los a\u00f1os setenta, \u201cBumblebee Garden\u201d arranca con una combinaci\u00f3n de saxo soprano y guitarra ac\u00fastica que rememora al grupo <strong>Oregon<\/strong> y, volviendo al modelo de <strong>Wheeler<\/strong>, la voz de <strong>Sara<\/strong> <strong>Serpa<\/strong> recuerda a la de <strong>Norma<\/strong> <strong>Winstone<\/strong> integr\u00e1ndose en la formaci\u00f3n como un instrumento m\u00e1s. A <strong>Kakitani<\/strong> le gusta partir de un concepto sencillo e ir desarroll\u00e1ndolo con maestr\u00eda hasta conseguir una densidad arm\u00f3nica notable, ya sea repitiendo motivos que cambian constantemente de contexto o contraponiendo dos acordes, como en \u201cDance One\u201d.<\/p>\n<p style=\"text-align: justify;\">Entre las contribuciones individuales son de destacar los solos de <strong>Jason<\/strong> <strong>Rigby<\/strong> en \u201cBloom\u201d (emulando a <strong>Michael<\/strong> <strong>Brecker<\/strong>), <strong>Kenny<\/strong> <strong>Berger<\/strong> en la tradicional \u201cOpened Opened\u201d (sobre un acompa\u00f1amiento cargado de dramatismo) y <strong>Pete<\/strong> <strong>McCann<\/strong> en \u201cIslands In The Stream\u201d, acerc\u00e1ndose al <i>jazz-rock<\/i> y acabando en un <i>fade-out<\/i> roto que contrasta con la limpieza del resto del disco.<\/p>\n<p style=\"text-align: justify;\">Deliciosa como pocas, esta <i>big band<\/i> acariciar\u00e1 los o\u00eddos de los amantes del jazz elegante, moderno pero no fe\u00edsta. El resultado es formidable, pero lo ser\u00e1 a\u00fan m\u00e1s cuando <strong>Asuka<\/strong> <strong>Kakitani<\/strong> encuentre su voz propia.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0<a href=\"http:\/\/www.arturomora.com\" target=\"_blank\" rel=\"noopener\">Arturo Mora Rioja<\/a>,\u00a02013<\/p>\n<p style=\"text-align: left;\">Asuka Kakitani Jazz Orchestra: <em>Bloom<\/em><\/p>\n<p><span style=\"text-align: justify; font-size: 13px; line-height: 19px;\">\u201cBloom\u201d, \u201cElectric Images\u201d, \u201cBumblebee Garden\u201d, \u201cDance One\u201d, \u201cOpened Opened\u201d (tradicional\/Kakitani, \u201cDragonfly\u2019s Glasses\u201d (Hirai &amp; Kakitani), \u201cIslands in the Stream\u201d, \u201cSkip\u201d<\/span><\/p>\n<p style=\"text-align: justify;\">Todas las composiciones por Asuka Kakitani, excepto donde se indica.<\/p>\n<p style=\"text-align: justify;\">Asuka Kakitani (direcci\u00f3n y arreglos), John O\u2019Gallagher, Ben Kono (saxos alto y soprano, flauta), Jason Rigby, Mark Small (saxo tenor y clarinete), Kenny Berger (saxo bar\u00edtono y clarinete bajo), Jeff Wilfore, David Spier, John Bailey, Matt Holman (trompeta y fiscorno), Mark Patterson, Matt McDonald, Jacob Garchik (tromb\u00f3n), Jeff Nelson (tromb\u00f3n bajo), Pete McCann (guitarras el\u00e9ctrica y ac\u00fastica), Mike Ecroth (piano, <i>Fender Rhodes<\/i>), Dave Ambrosio (contrabajo y bajo el\u00e9ctrico), Mark Ferber (bater\u00eda) y Sara Serpa (voz).<\/p>\n<p style=\"text-align: justify;\">Grabado en Sytems Two Recording Studio (Brookly, Nueva York, Estados Unidos) el 14 y 15 de junio de 2011.\u00a019\/8 1025. 1918 Recoreds, 2012<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A juzgar por el sonido de su big band, Asuka Kakitani es una enamorada de los arreglos de Kenny Wheeler. No la culpo. Su proyecto suena agradable, preciosista e impecable, aun a costa de caer en una dulzura extrema. Influencias de hace pocas d\u00e9cadas sobresalen en el CD. \u201cElectric Images\u201d<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/asuka-kakitani-jazz-orchestra-bloom-1918-records-2012\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":6093,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17861,5,1038],"tags":[6315,260,6313,6314,12651,12696,6316,13,12415,15295,265,6212,764,6317,16099,77,16100],"class_list":["entry","author-arturo-mora","post-6092","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-grabaciones","category-contenidos","tag-1918-records","tag-arturo-mora-rioja","tag-asuka-kakitani","tag-bloom","tag-cd","tag-grabaciones","tag-jason-rigby","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-kenny-berger","tag-kenny-wheeler","tag-michael-brecker","tag-pete-mccann","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/cd.png","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6092","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6092"}],"version-history":[{"count":14,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6092\/revisions"}],"predecessor-version":[{"id":11848,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6092\/revisions\/11848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/6093"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6092"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6092"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}