{"id":61238,"date":"2022-02-19T20:17:31","date_gmt":"2022-02-19T19:17:31","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=61238"},"modified":"2022-02-19T20:20:13","modified_gmt":"2022-02-19T19:20:13","slug":"jazzx5-especial-work-song-por-pachi-tapiz-jazzx5426-427-428-429-minipodcast-de-jazz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jazzx5-especial-work-song-por-pachi-tapiz-jazzx5426-427-428-429-minipodcast-de-jazz\/","title":{"rendered":"JazzX5 especial \u00abWork Song\u00bb Por Pachi Tapiz. JazzX5#426 &#8211; 427 &#8211; 428 &#8211; 429 [Minipodcast de jazz]"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-61239 size-medium alignnone\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nat-Adderley-Work-Song-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nat-Adderley-Work-Song-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nat-Adderley-Work-Song-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nat-Adderley-Work-Song-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nat-Adderley-Work-Song.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-61240 size-medium alignnone\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Oscar-Brown-Jr.-Sin-and-Soul-197x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-61241 size-medium alignnone\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Cannonball-Adderley-Live-300X300-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Cannonball-Adderley-Live-300X300-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Cannonball-Adderley-Live-300X300-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Cannonball-Adderley-Live-300X300.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-61242 size-medium alignnone\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/Nina_Simone_Feeling-Good-800x800-1.jpg 800w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p>\u00abWork Song\u00bb<br \/>\n<strong>Nat Adderley<\/strong>: <em>Work Song<\/em> (Riverside, 1960)<br \/>\n<strong>Oscar Brown Jr.<\/strong>: <em>Sin &amp; Soul&#8230; and then some<\/em> (Columbia, 1960)<br \/>\n<strong>Cannonball Adderley<\/strong>: <em>Live!<\/em> (1964, Capitol)<br \/>\n<strong>Nina Simone<\/strong>: <em>Feeling Good. Her Greatest Hits &amp; Remixes<\/em> (Verve Records, 2022)<\/p>\n<p style=\"text-align: right;\"><span style=\"text-align: right;\">Tomajazz: \u00a9 <\/span><strong style=\"text-align: right;\">Pachi Tapiz<\/strong><span style=\"text-align: right;\">, 2022<\/span><strong><br \/>\n<\/strong><\/p>\n<h4>\u00bfSab\u00edas que?<\/h4>\n<ul>\n<li>En 2022 se ha publicado el doble CD recopilatorio de Nina Simone\u00a0<em>Feeling Good. Her Greatest Hits &amp; Remixes<\/em>. Entre los grandes \u00e9xitos de esta cantante, algunos de los cuales se han remezclado para darles un toque de modernidad, se encuentra \u00abWork Song\u00bb. Nina Simone grab\u00f3 el tema en varias ocasiones a lo largo de su carrera: en 1961, un a\u00f1o despu\u00e9s de publicarse, apareci\u00f3 en su disco <em>Forbidden Fruit<\/em>; tambi\u00e9n lo grab\u00f3 en <em>Nina&#8217;s Choice <\/em>(1963), <em>Nina Simone with Strings <\/em>(1963) y <em>High Priestess of Soul\u00a0<\/em>(1967).<\/li>\n<li>Nat Adderley y Oscar Brown Jr. fueron los autores de este tema, que se convirti\u00f3 r\u00e1pidamente en un est\u00e1ndar. En primer lugar lo grab\u00f3 Nat Adderley en su disco <em>Work Song<\/em> (1960), y un poco m\u00e1s tarde lo hizo Oscar Brown Jr., incluyendo la letra, en su disco <em>Sin &amp; Soul&#8230; and then some<\/em>.<\/li>\n<li>Nat Adderley fue integrante de los grupos de Cannonball Adderley, su hermano. Este saxofonista grab\u00f3 el tema en m\u00faltiples ocasiones, tanto en estudio como en directo. En el disco\u00a0<em>Live!\u00a0<\/em>cont\u00f3 con una formaci\u00f3n de lujo: adem\u00e1s de contar con Nat Adderley, le acompa\u00f1aron Charles Lloyd y Joe Zawinul; los otros dos miembros restantes del grupo fueron Sam Jones y Louis Hayes. Este disco se grab\u00f3 en Los Angeles, en el Shelly&#8217;s Manne-Hole, el local del famoso baterista.<\/li>\n<li>En esta edici\u00f3n especial de JazzX5 escuchamos estas cuatro versiones de \u00abWork Song\u00bb&#8230; \u00a1pero podr\u00edan haber sido una cuantas m\u00e1s!<\/li>\n<li>Y s\u00ed, en JazzX5 ya estamos a la par. \u00a1Por fin!<\/li>\n<\/ul>\n<h4>Escuchar cuatro versiones de \u00abWork Song\u00bb<\/h4>\n<p><strong>Nat Adderley<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.ivoox.com\/player_ej_82469601_6_1.html?c1=444444\" width=\"100%\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Oscar Brown Jr.<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.ivoox.com\/player_ej_82469644_6_1.html?c1=444444\" width=\"100%\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Cannonball Adderley<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.ivoox.com\/player_ej_82469665_6_1.html?c1=444444\" width=\"100%\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Nina Simone<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.ivoox.com\/player_ej_82469709_6_1.html?c1=444444\" width=\"100%\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>M\u00e1s informaci\u00f3n sobre JazzX5<\/h4>\n<p><strong>JazzX5<\/strong>\u00a0es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><strong>JazzX5<\/strong>\u00a0comenz\u00f3 su andadura el 24 de junio de 2019.<\/p>\n<p>Todas las entregas de\u00a0<strong>JazzX5<\/strong>\u00a0est\u00e1n disponibles en\u00a0<strong><a href=\"https:\/\/tomajazz.com\/web\/?cat=23120\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=23120<\/a>\u00a0\/\u00a0<a href=\"https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html<\/a><\/strong>.<\/p>\n<h4>JazzX5 y los podcast de Tomajazz en Telegram<\/h4>\n<p>En Tomajazz hemos abierto un canal de\u00a0<strong>Telegram<\/strong>\u00a0para que est\u00e9s al tanto, al instante, de los nuevos podcast. Puedes suscribirte en\u00a0<a href=\"https:\/\/t.me\/TomajazzPodcast\" target=\"_blank\" rel=\"noopener\">https:\/\/t.me\/TomajazzPodcast<\/a>.<\/p>\n<h4>Pachi Tapiz en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17847\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17847<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El tema \u00abWork Song\u00bb es uno de los que aparece en el recopilatorio de Nina Simone Feeling Good. Her Greatest Hits &#038; Remixes (Verve Records, 2022). Es la excusa perfecta para escuchar en JazzX5 varias versiones de este tema compuesto por Nat Adderley (suena la versi\u00f3n que aparec\u00eda en Work Song -Riverside, 1960) y Oscar Brown Jr. (Sin &#038; Soul, 1960). Como no podr\u00eda ser de otra manera, suena una versi\u00f3n por Cannonball Adderley (con quien colabor\u00f3 Nat Adderley): en concreto, la incluida en Live! (Capitol, 1964), con una formaci\u00f3n de lujo que inclu\u00eda a Charles Lloyd y Joe Zawinul.   <\/p>\n<p>JazzX5 es un podcast de Pachi Tapiz.   <\/p>\n<p><span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jazzx5-especial-work-song-por-pachi-tapiz-jazzx5426-427-428-429-minipodcast-de-jazz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":61246,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23120,17847,12814,15518,1038],"tags":[1534,1535,1587,23118,25573,7526,7940,26606,31,15310,2138,2316],"class_list":["entry","author-pachi","has-excerpt","post-61238","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jazzx5","category-pachi-tapiz","category-podcast","category-sonidos","category-contenidos","tag-cannonball-adderley","tag-capitol","tag-columbia","tag-jazzx5","tag-minipodcast","tag-nat-adderley","tag-nina-simone","tag-oscar-brown-jr","tag-pachi-tapiz","tag-podcast-de-jazz","tag-riverside","tag-verve"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0426-427-428-429.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":58264,"url":"https:\/\/tomajazz.com\/web\/jazzx5319-miles-davis-so-what-kind-of-blue-columbia-1959-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":61238,"position":0},"title":"JazzX5#319. Miles Davis: \u00abSo What\u00bb [Kind Of Blue (Columbia, 1959)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"31 octubre, 2021","format":false,"excerpt":"En el JazzX5 dominical del 31 de octubre, el cl\u00e1sico \"So What\" que aparec\u00eda en Kind Of Blue (Columbia, 1959), el tema que abr\u00eda el que se dice que es el disco de jazz m\u00e1s vendido de toda la historia. Su autor fue el enorme Miles Davis.","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_319.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29870,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-interpretacion-mercy-mercy-mercy-cannonball-adderley-86\/","url_meta":{"origin":61238,"position":1},"title":"365 razones para amar el jazz: una interpretaci\u00f3n. \u201cMercy, Mercy, Mercy\u201d (Cannonball Adderley) [86]","author":"Tomajazz","date":"27 marzo, 2017","format":false,"excerpt":"Una interpretaci\u00f3n. \"Mercy, Mercy, Mercy\" The Cannonball Adderley Quintet:\u00a0Mercy, Mercy, Mercy! Live at \"The Club\"\u00a0(Capitol, 1966) Con\u00a0Cannonball Adderley, Nat Adderley, Joe Zawinul, Victor Gaskin , Roy McCurdy Seleccionado por Mariche Huertas de la C\u00e1mara. \u00a0 \u00a0","rel":"","context":"En \u00ab*_Mariche Huertas de la C\u00e1mara\u00bb","block_context":{"text":"*_Mariche Huertas de la C\u00e1mara","link":"https:\/\/tomajazz.com\/web\/category\/mariche-huertas-de-la-camara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Cannonball-Adderley-Quintet_Mercy-Mercy-Mercy-Live-At-The-Club_Capitol_1966.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":59603,"url":"https:\/\/tomajazz.com\/web\/jazzx5368-abbey-lincoln-max-roach-coleman-hawkins-driva-man-we-insist-freedom-now-suite-candid-1960-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":61238,"position":2},"title":"JazzX5#368. Abbey Lincoln, Max Roach, Coleman Hawkins&#8230;: \u00abDriva&#8217; Man\u00bb [We Insist! Freedom Now Suite (Candid, 1960)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"19 diciembre, 2021","format":false,"excerpt":"El tema \"Driva' Man\" que abre la grabaci\u00f3n Freedom Now Suite (Candid, 1960) de Max Roach, es el tema que suena en la edici\u00f3n dominical de JazzX5. La voz de Abbey Lincoln o el saxo de Coleman Hawkins son algunos de los componentes de esta obra maestra. JazzX5 es un\u2026","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#368. Abbey Lincoln, Max Roach, Coleman Hawkins...: \"Driva' Man\" [We Insist! Freedom Now Suite (Candid, 1960)] [Minipodcast de jazz] Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_368_ok.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_368_ok.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_368_ok.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/12\/JazzX5_368_ok.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":50601,"url":"https:\/\/tomajazz.com\/web\/cannonball-adderley-ii-la-odisea-de-la-musica-afroamericana-238-podcast\/","url_meta":{"origin":61238,"position":3},"title":"Cannonball Adderley (II). La Odisea de la M\u00fasica Afroamericana (238) [Podcast]","author":"Tomajazz","date":"18 mayo, 2020","format":false,"excerpt":"Cannonball Adderley es la figura central de la entrega 238 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/Cannonballl-Adderley-Bill-Evans-Quartet_Know-What-I-Mean.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":61841,"url":"https:\/\/tomajazz.com\/web\/cecile-mclorin-salvant-wuthering-heights-ghost-song-nonesuch-2022-por-pachi-tapiz-jazzx5449-malditos-jazztardos-aka-minipodcast-de-jazz\/","url_meta":{"origin":61238,"position":4},"title":"C\u00e9cile McLorin Salvant: \u00abWuthering Heights\u00bb [Ghost Song (Nonesuch, 2022)] Por Pachi Tapiz. JazzX5#449 [Malditos jazztardos AKA Minipodcast de jazz]","author":"Tomajazz","date":"11 marzo, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"Wuthering Heights\" que abre la nueva grabaci\u00f3n de C\u00e9cile McLorin Salvant titulada Ghost Song (Nonesuch, 2022). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"C\u00e9cile McLorin Salvant: \"Wuthering Heights\" [Ghost Song (Nonesuch, 2022)] Por Pachi Tapiz. JazzX5#449 [Malditos jazztardos AKA Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0449.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0449.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0449.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0449.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":58423,"url":"https:\/\/tomajazz.com\/web\/jazzx5326-stan-getz-dizzy-gillespie-sonny-stitt-dark-eyes-for-musicians-only-verve-1958-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":61238,"position":5},"title":"JazzX5#326. Stan Getz &#8211; Dizzy Gillespie &#8211; Sonny Stitt: \u00abDark Eyes\u00bb [For Musicians Only (Verve, 1958)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"7 noviembre, 2021","format":false,"excerpt":"En JazzX5 suena la versi\u00f3n de la melod\u00eda popular \"Dark Eyes\" que aparec\u00eda en For Musicians Only (Verve, 1958), grabaci\u00f3n publicada a nombre de Stan Getz, Dizzy Gillespie y Sonny Stitt. Tambi\u00e9n participaron John Lewis, Herb Ellis, Ray Brown y Stan Levey. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_326.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_326.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_326.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_326.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/61238","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=61238"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/61238\/revisions"}],"predecessor-version":[{"id":61248,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/61238\/revisions\/61248"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/61246"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=61238"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=61238"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=61238"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}