{"id":6271,"date":"2013-05-09T11:00:54","date_gmt":"2013-05-09T09:00:54","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6271"},"modified":"2016-11-13T17:19:53","modified_gmt":"2016-11-13T16:19:53","slug":"dominic-lash-ricardo-tejero-southville-summer-clamshell-records-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/dominic-lash-ricardo-tejero-southville-summer-clamshell-records-2013\/","title":{"rendered":"Dominic Lash, Ricardo Tejero: Southville, Summer (Clamshell Records, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/lash-tejero-Southville-Summer1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6272\" alt=\"lash-tejero-Southville-Summer1\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/lash-tejero-Southville-Summer1.jpg\" width=\"200\" height=\"201\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/lash-tejero-Southville-Summer1.jpg 406w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/lash-tejero-Southville-Summer1-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/lash-tejero-Southville-Summer1-297x300.jpg 297w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/lash-tejero-Southville-Summer1-54x55.jpg 54w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>No es muy habitual (por no decir que es una rara avis) que en Espa\u00f1a los sellos discogr\u00e1ficos apuesten por la libre improvisaci\u00f3n. Por tanto, podr\u00eda parecer arriesgado por parte de Clamshell Records la publicaci\u00f3n de <em>Southville, Summer<\/em>, una grabaci\u00f3n mano a mano entre el contrabajista brit\u00e1nico <strong>Dominic<\/strong> <strong>Lash<\/strong> y el saxofonista y clarinetista <strong>Ricardo<\/strong> <strong>Tejero<\/strong>. Sin embargo, conociendo las trayectorias de ambos m\u00fasicos (establecidos en Londres y compa\u00f1eros en distintos proyectos relacionados con la libre improvisaci\u00f3n), la apuesta de este inquieto sello con sede en Albacete es jug\u00e1rsela sobre seguro.<\/p>\n<p style=\"text-align: justify;\">El encuentro musical entre ambos sirve para que exploren diferentes sonidos (\u00abGrittleton\u00bb), transiten por la abstracci\u00f3n y la experimentaci\u00f3n (\u00abFernleaze\u00bb, \u00abBangrove\u00bb); se permitan trabajar con la intensidad (\u00abAllfoxton\u00bb) y tambi\u00e9n con la tranquilidad (\u00abEstoril\u00bb). Todo ello, tal y como es habitual, dentro de las amplias posibilidades que permite la libertad que proporciona la libre improvisaci\u00f3n. En el caso de esta grabaci\u00f3n, el resultado consigue superar la dificultad de conseguir que la grabaci\u00f3n mantenga el inter\u00e9s de principio a fin.<\/p>\n<p>\u00a9 Pachi Tapiz, 2013<\/p>\n<p>Dominic Lash, Ricardo Tejero:<em> Southville, Summer<\/em> (Clamshell Records, 2013) ****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>No es muy habitual (por no decir que es una rara avis) que en Espa\u00f1a los sellos discogr\u00e1ficos apuesten por la libre improvisaci\u00f3n. Por tanto, podr\u00eda parecer arriesgado por parte de Clamshell Records la publicaci\u00f3n de Southville, Summer, una grabaci\u00f3n mano a mano entre el contrabajista brit\u00e1nico Dominic Lash y<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/dominic-lash-ricardo-tejero-southville-summer-clamshell-records-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":6272,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[4934,12651,6415,6413,12696,13,12415,15295,31,6414,16099,77,16100],"class_list":["entry","author-pachi","post-6271","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-4934","tag-cd","tag-clamshell-records","tag-dominic-lash","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-pachi-tapiz","tag-ricardo-tejero","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/lash-tejero-Southville-Summer1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21080,"url":"https:\/\/tomajazz.com\/web\/ricardo-tejero-su-voz-y-su-musica-entrevista-por-pachi-tapiz-hdo-0043-audioblog\/","url_meta":{"origin":6271,"position":0},"title":"Ricardo Tejero: su voz y su m\u00fasica. Entrevista por Pachi Tapiz. HDO (0043) [Audioblog]","author":"Tomajazz","date":"1 diciembre, 2015","format":"audio","excerpt":"Dicho y hecho... unos cuantos meses despu\u00e9s, que conste. Finalmente traemos a Tomajazz la voz y la m\u00fasica del saxofonista y clarinetista Ricardo Tejero. Tras una extensa charla, suenan\u00a0a\u00a0lo largo de 56 minutos temas de algunas de las \u00faltimas grabaciones en las que este m\u00fasico aparece: Hesitancy (Ensemble Progresivo), Sputnik\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Picture-at-Adrians-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20592,"url":"https:\/\/tomajazz.com\/web\/vector-sounds-y-sus-combinaciones-lineales-hdo-0028-audioblog\/","url_meta":{"origin":6271,"position":1},"title":"Vector Sounds y sus combinaciones lineales. HDO (0028) [Audioblog]","author":"Tomajazz","date":"3 noviembre, 2015","format":"audio","excerpt":"No son muchos los d\u00edas en que se puede celebrar en Espa\u00f1a la puesta en marcha de un proyecto discogr\u00e1fico como Vector Sounds. Sus primeras referencias (un d\u00fao de Dominic Lash y Alex Ward es la primera, mientras que la segunda es el proyecto Molimo de Chefa Alonso), est\u00e1n enmarcadas\u00a0en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/VectorSound-LogoSymbol-500px.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10066,"url":"https:\/\/tomajazz.com\/web\/the-convergence-quartet-slow-and-steady-nobusiness-records-2013-aka-bun-en-bad-music-jazz\/","url_meta":{"origin":6271,"position":2},"title":"The Convergence Quartet: Slow And Steady (NoBusiness Records, 2013) aka BUN en Bad Music Jazz","author":"Tomajazz","date":"27 enero, 2014","format":false,"excerpt":"The Convergence Quartet sigue adelante sin prisa, pero sin pausa. 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HDO (0014) [Audioblog]","author":"Tomajazz","date":"1 octubre, 2015","format":"image","excerpt":"En Espa\u00f1a, tanto en verano como en oto\u00f1o, hay unos cuantos\u00a0festivales de jazz. Pero tan cierto como es esto, no es menos cierto que aunque un m\u00fasico grabe en uno de los sellos de jazz m\u00e1s prestigioso\u00a0y sea un reputado m\u00fasico de estudio\u00a0(David Torn), o que tenga un grupo con\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Roscoe-Mitchell-Quartet_Celebrating-Fred-Anderson.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":33435,"url":"https:\/\/tomajazz.com\/web\/hdo-349-musicianer-stray-caratti-musson-beresford-iluso-records-podcast\/","url_meta":{"origin":6271,"position":4},"title":"HDO 349. Musicianer, Stray, Caratti &#8211; Musson &#8211; Beresford: Iluso Records [Podcast]","author":"Tomajazz","date":"21 noviembre, 2017","format":false,"excerpt":"Tres novedades del sello Iluso Records en la entrega 349 del podcast HDO. Musicianer es el tr\u00edo de Josh Sinton (saxo bar\u00edtono y composiciones), a quien acompa\u00f1an Jason Ajemian (contrabajo) y Chad Taylor (bater\u00eda y percusi\u00f3n). Su \u00faltima grabaci\u00f3n, slowlearner (Iluso Records, 2017), est\u00e1 repleta de melod\u00edas y temas contagiosos.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/musicianer_slowlearner_iluso-records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/musicianer_slowlearner_iluso-records_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/musicianer_slowlearner_iluso-records_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/musicianer_slowlearner_iluso-records_2017.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":13031,"url":"https:\/\/tomajazz.com\/web\/tejero-serrato-diaz-sputnik-trio-rawtonk-records-2014\/","url_meta":{"origin":6271,"position":5},"title":"Tejero \/ Serrato \/ D\u00edaz: Sputnik Trio (Rawtonk Records, 2014)","author":"Tomajazz","date":"16 julio, 2014","format":false,"excerpt":"El saxofonista Ricardo Tejero se une a Marco Serrato y Borja D\u00edaz (r\u00edtmica y dos tercios del Hidden Forces Trio) para formar Sputnik Trio, que debuta con el CD hom\u00f3nimo en el sello londinense (en cuya escena tiene una intensa actividad Ricardo Tejero) Rawtonk Records. Tejero, Serrato y D\u00edaz van\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/tejero-serrato-diaz_sputnik-Trio-e1405460130262.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/tejero-serrato-diaz_sputnik-Trio-e1405460130262.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/tejero-serrato-diaz_sputnik-Trio-e1405460130262.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6271"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6271\/revisions"}],"predecessor-version":[{"id":6302,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6271\/revisions\/6302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/6272"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}