{"id":6380,"date":"2013-05-16T18:00:49","date_gmt":"2013-05-16T16:00:49","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6380"},"modified":"2016-11-13T17:19:50","modified_gmt":"2016-11-13T16:19:50","slug":"stephan-crump-mary-halvorson-super-eight-intakt-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/stephan-crump-mary-halvorson-super-eight-intakt-2013\/","title":{"rendered":"Stephan Crump &#8211; Mary Halvorson: Super Eight (Intakt, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6381\" rel=\"attachment wp-att-6381\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6381\" alt=\"cover_216_a.indd\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/stephan-crump-mary-halvorson_super-eight-Intakt-Records-2013.jpg\" width=\"200\" height=\"200\" title=\"\"><\/a><em>Super Eight<\/em> es un disco de improvisaciones libres que se podr\u00eda calificar como diferente. No tanto por su contenido, sino por su distribuci\u00f3n. Grabado en julio y noviembre de 2011, el disco est\u00e1 estructurado en torno a tres partes: \u00abMarging\u00bb, \u00abAlight\u00bb y \u00abBegin\u00bb. A su vez, cada una de estas partes est\u00e1 integrada por distintas improvisaciones libres de la guitarrista <strong>Mary Halvorson<\/strong> y el contrabajista <strong>Stephan Crump<\/strong>.<\/p>\n<p style=\"text-align: justify;\">De un modo poco habitual, algunas de las improvisaciones de ambos m\u00fasicos (tantas como seis) apenas duran un minuto. A pesar de su brevedad, son bastante m\u00e1s que unos meros bosquejos. Lo que para otros pudiera ser apenas un respiro, en esta ocasi\u00f3n sirve para establecer di\u00e1logos bonitos, tensos, o partir de un inicio centrado en la melod\u00eda para finalizar a los cincuenta segundos en un tema de car\u00e1cter exploratorio. Asimilable en cierto modo a los misterios que plantea algo aparentemente poco esot\u00e9rico como es la f\u00edsica cu\u00e1ntica, en esta grabaci\u00f3n hay mundos muy diversos que caben en espacios diminutos. Frente a esta brevedad aparecen otros temas con una duraci\u00f3n de entre tres y seis minutos (el pen\u00faltimo es el \u00fanico que sale de este rango temporal y llega hasta casi los diez), en los que ambos m\u00fasicos llevan a cabo su conversaci\u00f3n con planteamientos que aunque distintos,\u00a0siempre se muestran llenos de libertad.<\/p>\n<p style=\"text-align: justify;\">El tema final, \u00abSecret Keeper\u00bb, resulta una clausura perfecta. Es la pieza m\u00e1s jazz\u00edstica de todas (no tanto en su inicio como en su final). De alg\u00fan modo se puede interpretar como un gui\u00f1o travieso, como una reivindicaci\u00f3n de lo que podr\u00eda haber sido (un disco de jazz) y que sin embargo los m\u00fasicos decidieron que no fuera.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2013<\/p>\n<p>Stephan Crump &#8211; Mary Halvorson: <em>Super Eight<\/em> (Intakt, 2013) *****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Super Eight es un disco de improvisaciones libres que se podr\u00eda calificar como diferente. No tanto por su contenido, sino por su distribuci\u00f3n. Grabado en julio y noviembre de 2011, el disco est\u00e1 estructurado en torno a tres partes: \u00abMarging\u00bb, \u00abAlight\u00bb y \u00abBegin\u00bb. A su vez, cada una de estas<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/stephan-crump-mary-halvorson-super-eight-intakt-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":6381,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[12651,12696,5084,13,12415,15295,5584,31,1231,16099,77,16100],"class_list":["entry","author-pachi","post-6380","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-cd","tag-grabaciones","tag-intakt","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-mary-halvorson","tag-pachi-tapiz","tag-stephan-crump","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/stephan-crump-mary-halvorson_super-eight-Intakt-Records-2013.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":18633,"url":"https:\/\/tomajazz.com\/web\/secret-keeper-stephan-crump-mary-halvorson-emerge-intakt-2015-cd\/","url_meta":{"origin":6380,"position":0},"title":"Secret Keeper (Stephan Crump, Mary Halvorson): Emerge (Intakt, 2015; CD)","author":"Tomajazz","date":"2 junio, 2015","format":"image","excerpt":"Emerge es la continuaci\u00f3n (en Intakt nuevamente), de Super Eight. En 2013 la guitarrista Mary Halvorson y el contrabajista Stephan Crump dieron el banderazo de salida al proyecto Secrect Keeper con un CD constituido por improvisaciones. Un par de a\u00f1os despu\u00e9s el proyecto da un paso adelante. Lo que en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Stephan Crump - Mary Halvorson_Secret Keeper_Intakt_2015","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Stephan-Crump-Mary-Halvorson_Secret-Keeper_Intakt_2015-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101056,"url":"https:\/\/tomajazz.com\/web\/otherlands-trio-star-mountain-intakt-2025\/","url_meta":{"origin":6380,"position":1},"title":"Otherlands Trio: Star Mountain (Intakt; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"28 octubre, 2025","format":false,"excerpt":"Star Mountain (Intakt; 2025) es el estreno de Otherlands Trio. Carlos Lara repasa la grabaci\u00f3n. Otherlands Trio son Darius Jones, Stephan Crump, Eric McPherson","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Otherlands Trio: Star Mountain (Intakt; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Star Mountain (Intakt; 2025) es el estreno de  Otherlands Trio. Carlos Lara repasa la grabaci\u00f3n. Otherlands Trio son Darius Jones, Stephan Crump, Eric McPherson","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Otherlands-Trio-Star-Mountain-2025-Intakt-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Otherlands-Trio-Star-Mountain-2025-Intakt-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Otherlands-Trio-Star-Mountain-2025-Intakt-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Otherlands-Trio-Star-Mountain-2025-Intakt-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2388,"url":"https:\/\/tomajazz.com\/web\/tom-rainey-trio-camino-cielo-echo-intakt-2012\/","url_meta":{"origin":6380,"position":2},"title":"Tom Rainey Trio: Camino Cielo Echo (Intakt, 2012)","author":"Tomajazz","date":"9 marzo, 2012","format":false,"excerpt":"Camino Cielo Echo es la continuaci\u00f3n de Pool School, el disco con el que el tr\u00edo de Tom Rainey se estrenaba en Clean Feed en 2010. En esta ocasi\u00f3n si bien el inter\u00e9s de su propuesta no var\u00eda, y tampoco la categor\u00eda como instrumentistas de sus tres integrantes (la guitarrista\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-HCaZQoZ4dVc\/T1kF2LOBewI\/AAAAAAAAENw\/quLJDUDtjDc\/s200\/rainey_trio_camino.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5470,"url":"https:\/\/tomajazz.com\/web\/ingrid-laubrock-anti-house-strong-place-intakt-2013\/","url_meta":{"origin":6380,"position":3},"title":"Ingrid Laubrock Anti-House: Strong Place (Intakt, 2013)","author":"Tomajazz","date":"15 marzo, 2013","format":false,"excerpt":"En 2010 Ingrid Laubrock, saxofonista alemana residente en Nueva York, estrenaba discogr\u00e1ficamente su formaci\u00f3n Anti-House con la grabaci\u00f3n hom\u00f3nima en el sello suizo\u00a0Intakt. En ese momento este grupo era un cuarteto de altos vuelos (Mary Halvorson -guitarra-, John H\u00e9bert -contrabajo-, Tom Rainey -bater\u00eda), que contaba en la grabaci\u00f3n con la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Ingrid Laubrock Anti-House. Strong Place (Intakt, 2013)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Ingrid-Laubrock-Anti-House.-Strong-Place-Intakt-2013.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Ingrid-Laubrock-Anti-House.-Strong-Place-Intakt-2013.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Ingrid-Laubrock-Anti-House.-Strong-Place-Intakt-2013.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29753,"url":"https:\/\/tomajazz.com\/web\/hdo-247-improvisacion-podcast\/","url_meta":{"origin":6380,"position":4},"title":"HDO 247. Improvisaci\u00f3n [Podcast]","author":"Tomajazz","date":"17 marzo, 2017","format":false,"excerpt":"HDO 247 est\u00e1 centrado en cinco propuestas\u00a0de improvisaci\u00f3n libre:\u00a0Trandans\u00a0(Stitching Wig, 2017), con Ab Baars, Ig Henneman y Dave Burrell;\u00a0Waterscapes\u00a0(Creative Sources Recordings, 2017) de Blaise Siwula y Jorge Nuno;\u00a0Planktonic Finales\u00a0(Intakt, 2017) de Stephan Crump, Ingrid Laubrock y Cory Smythe;\u00a0A Square Meal\u00a0(Atrito Afeito, 2017) de Karoline Leblanc, Luis Vicente, Hugo Antunes y\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Duo-Baars-Henneman-and-Dave-Burrell_Trandans_Stitching-Wig_2017.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2728,"url":"https:\/\/tomajazz.com\/web\/stephan-crump-james-carney-echo-run-pry-clean-feed-2010\/","url_meta":{"origin":6380,"position":5},"title":"Stephan Crump \/ James Carney: Echo Run Pry (Clean Feed, 2010)","author":"Tomajazz","date":"23 diciembre, 2010","format":false,"excerpt":"Stephan Crump \/ James CarneyEcho Run PryClean Feed2010 Echo Run Pry de Stephan Crump (contrabajo) y James Carney (piano) incluye dos improvisaciones de en torno a 25 minutos que manejan muy bien la din\u00e1mica de la m\u00fasica, incluyendo pasajes en los que ambos m\u00fasicos se dan a la b\u00fasqueda de\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6380","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6380"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6380\/revisions"}],"predecessor-version":[{"id":6430,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6380\/revisions\/6430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/6381"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}