{"id":6392,"date":"2013-05-17T18:00:15","date_gmt":"2013-05-17T16:00:15","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6392"},"modified":"2016-11-13T17:19:49","modified_gmt":"2016-11-13T16:19:49","slug":"konstrukt-feat-peter-brotzmann-huseyin-ertunc-dogan-dogusel-barlas-tan-ozemek-eklisia-sunday-not-two-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/konstrukt-feat-peter-brotzmann-huseyin-ertunc-dogan-dogusel-barlas-tan-ozemek-eklisia-sunday-not-two-2013\/","title":{"rendered":"konstruKt feat. Peter Br\u00f6tzmann, H\u00fcseyin Ertun\u00e7, Do\u011fan Do\u011fusel, Barlas Tan \u00d6zemek: Eklisia Sunday (Not Two, 2013)"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6394\" rel=\"attachment wp-att-6394\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6394\" alt=\"konstruKt feat. Peter Br\u00f6tzmann Eklisia Sunday\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/konstruKt-feat.-Peter-Br\u00f6tzmann-Eklisia-Sunday.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/konstruKt-feat.-Peter-Br\u00f6tzmann-Eklisia-Sunday.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/konstruKt-feat.-Peter-Br\u00f6tzmann-Eklisia-Sunday-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/konstruKt-feat.-Peter-Br\u00f6tzmann-Eklisia-Sunday-54x55.jpg 54w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Peter Br\u00f6tzmann<\/strong>, que ya hab\u00eda grabado con el cuarteto\u00a0<strong>Konstrukt<\/strong> el CD <em>Dolunay<\/em> en 2008, repite en 2011 en\u00a0<em>Eklisia Sunday<\/em>. Para dicha ocasi\u00f3n el grupo turco cont\u00f3 adem\u00e1s de con el alem\u00e1n, con la participaci\u00f3n de\u00a0<strong>H\u00fcseyin<\/strong> <strong>Ertun\u00e7<\/strong> (piano, gong), <strong>Do\u011fan<\/strong> <strong>Do\u011fusel<\/strong> (contrabajo) y <strong>Barlas<\/strong> <strong>Tan<\/strong> <strong>\u00d6zemek<\/strong> (guitarra el\u00e9ctrica). Una formaci\u00f3n de octeto para afrontar una grabaci\u00f3n de <em>free jazz<\/em> repartida en cuatro partes (los t\u00edtulos de los temas son \u00abPart I\u00bb y sucesivos) con duraciones de 14, 9, 22 y 14 minutos.<\/p>\n<p style=\"text-align: justify;\"><strong>Br\u00f6tzmann<\/strong>, el cuarteto <strong>Konstrukt<\/strong> (<strong>Korhan<\/strong> <strong>Futaci<\/strong> -saxos-, <strong>Umut<\/strong> <strong>\u00c7a\u011flar<\/strong> -guitarra el\u00e9ctrica-, <strong>\u00d6z\u00fcn<\/strong> <strong>Usta<\/strong> -contrabajo, <em>djembe<\/em>, percusiones- y <strong>Korhan<\/strong> <strong>Arg\u00fcden<\/strong> -bater\u00eda) y los tres invitados restantes se entienden a la perfecci\u00f3n. Como es casi obligatorio en todo buen disco de <strong>Br\u00f6tzmann<\/strong> que se precie, su sonido potente y crudo se hace presente casi desde el mismo inicio. Sin embargo el octeto no sigue el camino relativamente trillado -aunque no sencillo- de mantener la energ\u00eda de la m\u00fasica en un nivel alto (hiper-expresionismo <em>free<\/em> mediante) durante toda la grabaci\u00f3n. A lo largo de las distintas improvisaciones muestra en varias fases un aspecto espiritual y ofrece una m\u00fasica m\u00e1s espaciada y tranquila, sobre la que va construyendo una propuesta que va incrementando la intensidad progresivamente. Otro aspecto importante en la grabaci\u00f3n es que sirve para mostrar el trabajo de unos muy m\u00fasicos muy competentes. Estos no s\u00f3lo responden a la perfecci\u00f3n en su labor de acompa\u00f1antes, sino que demuestran que las ideas no les faltan, tanto en sus solos como en sus sucesivas interacciones.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2013<\/p>\n<p>konstruKt feat. Peter Br\u00f6tzmann, H\u00fcseyin Ertun\u00e7, Do\u011fan Do\u011fusel, Barlas Tan \u00d6zemek: <em>Eklisia Sunday<\/em> (Not Two, 2013) ****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peter Br\u00f6tzmann, que ya hab\u00eda grabado con el cuarteto\u00a0Konstrukt el CD Dolunay en 2008, repite en 2011 en\u00a0Eklisia Sunday. Para dicha ocasi\u00f3n el grupo turco cont\u00f3 adem\u00e1s de con el alem\u00e1n, con la participaci\u00f3n de\u00a0H\u00fcseyin Ertun\u00e7 (piano, gong), Do\u011fan Do\u011fusel (contrabajo) y Barlas Tan \u00d6zemek (guitarra el\u00e9ctrica). Una formaci\u00f3n de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/konstrukt-feat-peter-brotzmann-huseyin-ertunc-dogan-dogusel-barlas-tan-ozemek-eklisia-sunday-not-two-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[4934,6508,12651,6507,12696,6506,13,12415,15295,6505,6512,6509,5472,6511,31,5470,16099,77,16100,6510],"class_list":["entry","author-pachi","post-6392","post","type-post","status-publish","format-standard","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-4934","tag-barlas-tan-ozemek","tag-cd","tag-dogan-dogusel","tag-grabaciones","tag-huseyin-ertunc","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-konstrukt","tag-korhan-arguden","tag-korhan-futaci","tag-not-two-records","tag-ozun-usta","tag-pachi-tapiz","tag-peter-brotzmann","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-umut-caglar"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":23996,"url":"https:\/\/tomajazz.com\/web\/hdo-brotzmania-0105-podcast\/","url_meta":{"origin":6392,"position":0},"title":"HDO 105. Br\u00f6tzmania [Podcast]","author":"Tomajazz","date":"4 mayo, 2016","format":false,"excerpt":"En HDO repasamos las tres \u00faltimas grabaciones de Peter Br\u00f6tzmann en el sello polaco Not Two: Br\u00f6tzmann \/ Swell \/ Nilssen-Love: Krakow Nights (Not Two, 2016); Peter Br\u00f6tzmann \u2013 Heather Leigh: Ears Are Filled With Wonder (Not Two, 2016); Bergman \/ Br\u00f6tzmann \/ Gjerstad: Left (Not Two, 2016). \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/IMG_4003_BROSMAN_LISBOA2011_recorte.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":23990,"url":"https:\/\/tomajazz.com\/web\/peter-brotzmann-en-buena-compania-por-triplicado-en-not-two-cd\/","url_meta":{"origin":6392,"position":1},"title":"Peter Br\u00f6tzmann: en buena compa\u00f1\u00eda por triplicado en Not Two [CD]","author":"Tomajazz","date":"4 mayo, 2016","format":false,"excerpt":"A sus 75 primaveras, el tremendo soplador alem\u00e1n Peter Br\u00f6tzmann sigue mostrando una m\u00e1s que notable actividad tanto en directo como en forma de grabaciones discogr\u00e1ficas. El sello polaco Not Two pone en circulaci\u00f3n tres grabaciones del padre del seminal Machine Gun (Bro \u2013 FMP, 1968) en tres formatos distintos.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Br%C3%B6tzmann-Swell-Nilssen-Love_Krakow-Nights_Not-Two_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2300,"url":"https:\/\/tomajazz.com\/web\/peter-brotzmann-jorg-fischer-live-in-wiesbaden-not-two-records-2011\/","url_meta":{"origin":6392,"position":2},"title":"Peter Br\u00f6tzmann &#8211; J\u00f6rg Fischer: Live In Wiesbaden (Not Two Records, 2011)","author":"Tomajazz","date":"22 junio, 2012","format":false,"excerpt":"Peter Br\u00f6tzmann sigue siendo, a pesar de sus a\u00f1os, una erupci\u00f3n de energ\u00eda que habitualmente sirve para dar un valor a\u00f1adido a sus acompa\u00f1antes. En la grabaci\u00f3n con un t\u00edtulo tan expl\u00edcito como Live In Wiesbaden este aguerrido soplador arranca como un torbellino, alcanzando casi nada m\u00e1s empezar \u201cProductive Cough\u201d\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"brotzmann-fischer_PEQ","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/brotzmann-fischer_PEQ.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3025,"url":"https:\/\/tomajazz.com\/web\/brotzmann-kondo-pupillo-nilssen-love-hairy-bones\/","url_meta":{"origin":6392,"position":3},"title":"Br\u00f6tzmann &#8211; Kondo &#8211; Pupillo &#8211; Nilssen-Love: Hairy Bones (Okka Disk, 2009)","author":"Tomajazz","date":"1 octubre, 2009","format":false,"excerpt":"Pocas novedades en la nueva grabaci\u00f3n de Peter Br\u00f6tzmann en Okka Disk. Una vez m\u00e1s es una grabaci\u00f3n en directo, una vez m\u00e1s son unos temas extensos (dos piezas por encima de los treinta minutos cada una) y una vez m\u00e1s aparecen por all\u00ed viejos conocidos en aventuras del saxofonista:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"brotzmann-kondo-pupilo-nilssenlove_hairy-bones-739885.gif","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2009\/10\/brotzmann-kondo-pupilo-nilssenlove_hairy-bones-739885.gif.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2219,"url":"https:\/\/tomajazz.com\/web\/brotzmann-satoh-moriyama-yatagarasu-not-two-2012\/","url_meta":{"origin":6392,"position":4},"title":"Brotzmann, Satoh, Moriyama: Yatagarasu (Not Two, 2012)","author":"Tomajazz","date":"20 septiembre, 2012","format":false,"excerpt":"La m\u00fasica de Peter Br\u00f6tzmann puede sonar concreta o abstracta, pero (casi) siempre lo hace con una intensidad estructurada que est\u00e1 al alcance de pocos. En sus grabaciones de los \u00faltimos a\u00f1os ha aparecido junto a distintos acompa\u00f1antes, pero sean quienes sean, el nivel de estas obras raya a gran\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"brotzmann","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/brotzmann.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11427,"url":"https:\/\/tomajazz.com\/web\/brotzmann-kondo-pupillo-nilssen-love-hairy-bones-auditorio-al-aire-libre-fundacion-calouste-gulbenkianlisboa-portugal-2011-08-12\/","url_meta":{"origin":6392,"position":5},"title":"Br\u00f6tzmann \/ Kondo \/ Pupillo \/ Nilssen-Love Hairy Bones (Auditorio al aire libre, Fundaci\u00f3n Calouste Gulbenkian,Lisboa, Portugal. 2011-08-12)","author":"Tomajazz","date":"7 agosto, 2011","format":false,"excerpt":"Jazz em Agosto 2011 Fecha:\u00a012 de agosto de 2011. Lugar:\u00a0Auditorio al aire libre, Fundaci\u00f3n Calouste Gulbenkian (Lisboa). Componentes: Peter Br\u00f6tzmann: saxos tenor y soprano, clarinete,\u00a0tarogato Toshinori Kondo: trompeta y electr\u00f3nica Massimo Pupillo: bajo el\u00e9ctrico Paal Nilssen-Love: bater\u00eda Comentario: \u00a0 Con los cinco minutos de cortes\u00eda habituales dio comienzo el segundo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/IMG_3937_BROtzzMAN_LISBOA2011.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/IMG_3937_BROtzzMAN_LISBOA2011.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/IMG_3937_BROtzzMAN_LISBOA2011.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6392"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6392\/revisions"}],"predecessor-version":[{"id":6451,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6392\/revisions\/6451"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}