{"id":6446,"date":"2013-06-12T11:00:23","date_gmt":"2013-06-12T09:00:23","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6446"},"modified":"2016-11-13T17:17:46","modified_gmt":"2016-11-13T16:17:46","slug":"okkyung-lee-ghil-editions-mergo-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/okkyung-lee-ghil-editions-mergo-2013\/","title":{"rendered":"Okkyung Lee: Ghil (Ideologic Organ, 2013)"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6447\" rel=\"attachment wp-att-6447\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-6447 alignleft\" alt=\"okkyung lee ghil\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/okkyung-lee-ghil.png\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/okkyung-lee-ghil.png 350w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/okkyung-lee-ghil-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/okkyung-lee-ghil-300x300.png 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/okkyung-lee-ghil-55x55.png 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">El sonido de <em>Ghil<\/em>, el nuevo disco de la coreana <strong>Okkyung<\/strong> <strong>Lee<\/strong>, no es el que uno esperar\u00eda de una grabaci\u00f3n a violonchelo solo. Una gran parte de esta responsabilidad es de <a title=\"Lasse Marhaug en Tomajazz 2.1\" href=\"http:\/\/www.tomajazz.com\/web\/?s=marhaug&amp;x=-1213&amp;y=-198\" target=\"_blank\"><strong>Lasse Marhaug<\/strong><\/a>, en esta ocasi\u00f3n actuando como productor, que desarroll\u00f3 su labor buscando recoger la crudeza que la coreana es capaz de generar con su instrumento situando micr\u00f3fonos en lugares poco habituales y recogiendo el sonido con una grabadora de <em>cassette<\/em> port\u00e1til de segunda mano de 1976.<\/p>\n<p style=\"text-align: justify;\"><strong>Lee<\/strong> utiliza diferentes recursos para crear unos temas sumamente r\u00edtmicos, utilizando el arco, pulsando las cuerdas o combinando ambas t\u00e9cnicas. Trabajando con la intensidad sobre las cuerdas, consigue extraer de su instrumento sonidos similares a los de una guitarra el\u00e9ctrica, saturados y\u00a0distorsionados. Su logro m\u00e1s notable es conseguir que una obra de car\u00e1cter experimental suene con gran naturalidad e inmediatez.<\/p>\n<p>\u00a9 Pachi Tapiz, 2013<\/p>\n<p>Okkyung Lee: <em>Ghil<\/em> (Ideologic Organ, 2013; LP) *****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El sonido de Ghil, el nuevo disco de la coreana Okkyung Lee, no es el que uno esperar\u00eda de una grabaci\u00f3n a violonchelo solo. Una gran parte de esta responsabilidad es de Lasse Marhaug, en esta ocasi\u00f3n actuando como productor, que desarroll\u00f3 su labor buscando recoger la crudeza que la<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/okkyung-lee-ghil-editions-mergo-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":6447,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[12651,6578,12696,13,12415,15295,5478,6729,5312,31,16099,77,16100],"class_list":["entry","author-pachi","post-6446","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-cd","tag-editions-mergo","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-lasse-marhaug","tag-lp","tag-okkyung-lee","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/okkyung-lee-ghil.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5061,"url":"https:\/\/tomajazz.com\/web\/okkyung-lee-57-answers-art-in-releases-2013\/","url_meta":{"origin":6446,"position":0},"title":"Okkyung Lee: 57 answers (Art In Releases, 2013)","author":"Tomajazz","date":"19 febrero, 2013","format":false,"excerpt":"A pesar de la crisis econ\u00f3mica en general, y de la de la industria musical en particular, la irrupci\u00f3n de nuevas formas de distribuci\u00f3n est\u00e1n permitiendo que se vuelva a pensar acerca del concepto de grabaci\u00f3n. La posibilidad de adquirir la m\u00fasica en distintos formatos est\u00e1 permitiendo que aparezcan grabaciones\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/art004a.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/art004a.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/art004a.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/art004a.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2287,"url":"https:\/\/tomajazz.com\/web\/6ix-almost-even-further-leo-records-2012\/","url_meta":{"origin":6446,"position":1},"title":"6IX: almost even further (Leo Records, 2012)","author":"Tomajazz","date":"5 julio, 2012","format":false,"excerpt":"Casi algo m\u00e1s all\u00e1:\u00a0Intensidad, Lisura, Ruido, Escucha, Separacci\u00f3n, Heterodoxia, Dependencia, Brusquedad, Suavidad, Aleatoriedad, Susurro, Di\u00e1logo, Silencio, Grito, Amplitud, Rugosidad, Causalidad, Independencia, M\u00fasica, Concreci\u00f3n, Acci\u00f3n, Silencio, Estrechura, Orden, Sonido, Uni\u00f3n, Ortodoxia, Caos, Melod\u00eda. \u00a9 Pachi Tapiz, 2012 6IX: almost even further\u00a0 ***** Jacques Demierre (piano), Okkyung Lee (chelo), Thomas Lehn (sintetizador\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"6IX-almost even further","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/6IX-almost-even-further.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10125,"url":"https:\/\/tomajazz.com\/web\/jojo-hiroshige-paal-nilssen-love-lasse-marhaug-pika-osaka-fortune-premier-sang-2014\/","url_meta":{"origin":6446,"position":2},"title":"Jojo Hiroshige, Paal Nilssen-Love, Lasse Marhaug, Pika: Osaka Fortune (Premier Sang, 2014)","author":"Tomajazz","date":"30 enero, 2014","format":false,"excerpt":"Coincidiendo casi en el tiempo con la publicaci\u00f3n del art\u00edculo \"Qu\u00e9 (no) es jazz\"\u00a0de Yahv\u00e9 M. de la Cavada con motivo de una entrevista en el blog Muro de Sonido de David Bizarro a Luis Boullosa, y las sentencias de \u00e9ste \u00faltimo acerca del jazz, anda dando vueltas por mi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Jojo Hiroshige, Paal Nilssen-Love, Lasse Marhaug, Pika_Osaka Fortune (Premier Sang, 2014)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Jojo-Hiroshige-Paal-Nilssen-Love-Lasse-Marhaug-Pika_Osaka-Fortune-Premier-Sang-2014-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29616,"url":"https:\/\/tomajazz.com\/web\/hdo-243-trouble-kaze-sult-marhaug-govaert-reis-vicente-martinsson-podcast\/","url_meta":{"origin":6446,"position":3},"title":"HDO 243. Trouble Kaze, Sult \/ Marhaug, Govaert &#8211; Reis &#8211; Vicente &#8211; Martinsson [Podcast]","author":"Tomajazz","date":"7 marzo, 2017","format":false,"excerpt":"Improvisaciones que en su libertad pueden rozar distintos estilos. Las del tr\u00edo\u00a0Sult (Havard Skaset, Jacob Felix Heule, Guro Skumsnes Moe), con\u00a0Lasse Marhaug\u00a0desestructurando y llevando al l\u00edmite el sonido del tr\u00edo en el LP - download\u00a0titulado\u00a0Harpoon\u00a0(Conrad Sound \/ Pica Disk, 2017); la del doble tr\u00edo Trouble Kaze (Natsuki Tamura, Christian Pruvost\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Onno-Govaert-Marcelo-dos-Reis-Luis-Vicente-Kristjan-Martinsson_In-Layers_FMR_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Onno-Govaert-Marcelo-dos-Reis-Luis-Vicente-Kristjan-Martinsson_In-Layers_FMR_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Onno-Govaert-Marcelo-dos-Reis-Luis-Vicente-Kristjan-Martinsson_In-Layers_FMR_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Onno-Govaert-Marcelo-dos-Reis-Luis-Vicente-Kristjan-Martinsson_In-Layers_FMR_2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Onno-Govaert-Marcelo-dos-Reis-Luis-Vicente-Kristjan-Martinsson_In-Layers_FMR_2016.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":23706,"url":"https:\/\/tomajazz.com\/web\/hdo-paal-nilssen-love-his-voice-and-his-music-0100-podcast\/","url_meta":{"origin":6446,"position":4},"title":"HDO 100. Paal Nilssen-Love: his voice and his music [Podcast]","author":"Tomajazz","date":"21 abril, 2016","format":false,"excerpt":"Drummer Paal Nilssen-Love introduces three of his last recordings --Ana, Soul Stream, and Angular Mass-- in the HDO Tomajazz podcast. And after his voice, his music: we will listen to some pieces from each of these albums. Text: \u00a9 Pachi Tapiz, 2016 Photography:\u00a0\u00a9 Sera Mart\u00edn, 2016 \u00a0 Today in HDO:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10967,"url":"https:\/\/tomajazz.com\/web\/en-la-casa-del-mundo-lxxiii-dream-of-an-ex-ranger-william-newton-ma-vijay-iyer-mike-ladd-2013\/","url_meta":{"origin":6446,"position":5},"title":"En La Casa del Mundo (LXXIII): \u201cDream Of An Ex-Ranger (William, Newton, MA)\u201d (Vijay Iyer &#038; Mike Ladd, 2013)","author":"Tomajazz","date":"11 marzo, 2014","format":false,"excerpt":"En Holding It Down: The Veteran's Dreams Project (Pi Recordings, 2013), la tercera entrega de la colaboraci\u00f3n entre el artista de hip-hop y poeta Mike Ladd, y el pianista y compositor Vijay Iyer, el leit-motiv son los sue\u00f1os (en muchos casos pesadillas debido al s\u00edndrome de stress post-traum\u00e1tico) de los\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Vijay Iyer - Mike Ladd_Holding It Down","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Vijay-Iyer-Mike-Ladd_Holding-It-Down-200x182.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6446","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6446"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6446\/revisions"}],"predecessor-version":[{"id":23436,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6446\/revisions\/23436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/6447"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}