{"id":6549,"date":"2013-05-27T11:00:34","date_gmt":"2013-05-27T09:00:34","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6549"},"modified":"2016-11-13T19:06:38","modified_gmt":"2016-11-13T18:06:38","slug":"tomajazz-recomienda-un-dvd-the-big-bands-harlem-roots-vol-i-duke-ellington-count-basie-cab-calloway-lucky-millinder-storyville-films","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dvd-the-big-bands-harlem-roots-vol-i-duke-ellington-count-basie-cab-calloway-lucky-millinder-storyville-films\/","title":{"rendered":"Tomajazz recomienda&#8230; un DVD: The Big Bands. Harlem Roots Vol.I (Duke Ellington, Count Basie, Cab Calloway, Lucky Millinder; Storyville Films)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6550\" rel=\"attachment wp-att-6550\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6550\" alt=\"harlem roots the big bands vol I\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/harlem-roots-the-big-bands-vol-I.jpg\" width=\"200\" height=\"286\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/harlem-roots-the-big-bands-vol-I.jpg 250w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/harlem-roots-the-big-bands-vol-I-104x150.jpg 104w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/harlem-roots-the-big-bands-vol-I-209x300.jpg 209w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/harlem-roots-the-big-bands-vol-I-38x55.jpg 38w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Entre 1941 y 1947 se grabaron en torno a dos millares de <em>Soundies<\/em>. Estas peque\u00f1as pel\u00edculas musicales, con una duraci\u00f3n de tres minutos, son las precursoras de los modernos <em>video clips<\/em>. Estos se exhib\u00edan en unos aparatos llamados <em>Panoram<\/em>, que funcionaban con monedas el estilo de los <em>jukebox,<\/em> y que como ocurr\u00eda con estos, estaban situados en bares, restaurantes, clubs y centros de entretenimiento.<\/p>\n<p style=\"text-align: justify;\">Los artistas m\u00e1s populares de esa \u00e9poca grabaron\u00a0<em>Soundies<\/em>. En la recopilaci\u00f3n<em> The Big Bands. Harlem Roots Vol.I<\/em> se recogen v\u00eddeos de <strong>Duke Ellington<\/strong>, <strong>Count Basie<\/strong>, <strong>Cab Calloway<\/strong> y <strong>Lucky Millinder<\/strong>. Entre lo m\u00e1s recomendable de los veinte incluidos est\u00e1n <strong>Cab Calloway<\/strong> al frente de su orquesta interpretando su gran cl\u00e1sico \u00abMinnie The Moocher\u00bb; a <strong>Duke Ellington<\/strong> y su orquesta interpretando \u00abC Jam Blues\u00bb, que aqu\u00ed titularon \u00abJam Session\u00bb; finalmente un divertido y tramposo concurso de baile que protagoniza <strong>Count Basie <\/strong>dirigiendo a su orquesta mientras interpreta \u00abAir Mail Special\u00bb.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2013<\/p>\n<p style=\"text-align: left;\">Duke Ellington, Count Basie, Cab Calloway, Lucky Millinder:\u00a0<em>The Big Bands. Harlem Roots Vol.I<\/em> (Storyville Films, 2004)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Entre 1941 y 1947 se grabaron en torno a dos millares de Soundies. Estas peque\u00f1as pel\u00edculas musicales, con una duraci\u00f3n de tres minutos, son las precursoras de los modernos video clips. Estos se exhib\u00edan en unos aparatos llamados Panoram, que funcionaban con monedas el estilo de los jukebox, y que<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-dvd-the-big-bands-harlem-roots-vol-i-duke-ellington-count-basie-cab-calloway-lucky-millinder-storyville-films\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,6634,11,1038,1273],"tags":[6638,6639,6637,6640,2245,16099,16100],"class_list":["entry","author-pachi","post-6549","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-dvd","category-dvds","category-contenidos","category-tomajazz-recomienda","tag-cab-calloway","tag-count-basie","tag-duke-ellington","tag-lucky-millinder","tag-storyville-films","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":15737,"url":"https:\/\/tomajazz.com\/web\/count-basie-and-his-orchestra-basic-basie-mps-1969-edit-orig-2014-reed-digitalcd\/","url_meta":{"origin":6549,"position":0},"title":"Count Basie and his Orchestra: Basic Basie (MPS, 1969 \u2013edit.orig.-, 2014 \u2013reed.digital\/CD)","author":"Tomajazz","date":"28 noviembre, 2014","format":false,"excerpt":"Las dos big bands m\u00e1s engrasadas de la historia fueron las de Duke Ellington y la de Count Basie. En la discograf\u00eda del gran pianista de Nueva Jersey podemos encontrar aut\u00e9nticos diamantes, tanto a nivel de composici\u00f3n como de orquestaci\u00f3n. Por sus filas pasaron los m\u00e1s importantes m\u00fasicos de todos\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Count-Basie-and-his-Orchestra_Basic-Basie_MPS_1969.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":22587,"url":"https:\/\/tomajazz.com\/web\/los-gigantes-del-swing-vi-count-basie-y-su-ritmica-la-odisea-de-la-musica-afroamericana-041-podcast\/","url_meta":{"origin":6549,"position":1},"title":"Los gigantes del Swing (VI): Count Basie y su r\u00edtmica. La Odisea de la M\u00fasica Afroamericana (041) [Podcast]","author":"Tomajazz","date":"14 marzo, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Count Basie\u00a0sigue siendo el protagonista de la entrega n\u00famero 41 de La Odisea de la M\u00fasica Afroamericana, tras aparecer\u00a0en el\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22583,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-ella-dvd\/","url_meta":{"origin":6549,"position":2},"title":"La m\u00fasica de LODLMA: Ella &#038; Basie The Perfect Match &#8217;79 (Eagle Vision, 2004; DVD)","author":"Tomajazz","date":"14 marzo, 2016","format":false,"excerpt":"Ella & Basie The Perfect Match '79 recoge un concierto en el festival de Jazz de Montreaux cuyos protagonistas principales fueron la cantante Ella Fitzgerald y Count Basie al frente de su orquesta. El show\u00a0-producido por Norman Granz y grabado en v\u00eddeo pero posiblemente sin la intenci\u00f3n de editarlo comercialmente\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Ella-Fitzgerald-Count-Basie_The-Perfect-Match79_Eagle-Vision_2004_DVD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24052,"url":"https:\/\/tomajazz.com\/web\/los-locales-miticos-savoy-ballroom-cotton-club-la-odisea-de-la-musica-afroamericana-049-podcast\/","url_meta":{"origin":6549,"position":3},"title":"Lugares m\u00edticos en la historia del jazz (I): Savoy Ballroom &#8211; Cotton Club. La Odisea de la M\u00fasica Afroamericana (049) [Podcast]","author":"Tomajazz","date":"9 mayo, 2016","format":false,"excerpt":"La entrega n\u00famero 49 de La Odisea de la M\u00fasica Afroamericana realiza un recorrido por un local m\u00edtico en la historia del jazz. El neoyorkino Savoy Ballroom abri\u00f3 sus puertas en el a\u00f1o 1926 en pleno Harlem. Fue testigo de la actuaci\u00f3n de grandes bandas como las de Chick Webb\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Savoy-Ballroom.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":22695,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-count-basie-live-in-62-jazz-icons-2006-dvd\/","url_meta":{"origin":6549,"position":4},"title":"La m\u00fasica de LODLMA: Count Basie. Live In &#8217;62 (Jazz Icons, 2006; DVD)","author":"Tomajazz","date":"21 marzo, 2016","format":false,"excerpt":"El volumen que la serie\u00a0Jazz Icons dedic\u00f3 a\u00a0Count Basie\u00a0recoge\u00a0un concierto grabado para la televisi\u00f3n sueca en el a\u00f1o 1962. En su orquesta se puede ver y escuchar a\u00a0algunos nombres cl\u00e1sicos como Freddie Green, Frank Wess, Sonny Payne, Marshall Royall\u00a0o\u00a0Thad Jones, que aparec\u00edan en el c\u00e9lebre The Atomic Mr. Basie (que\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie_Live-In-62_Jazz-Icons_2006_DVD-e1458498285258.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie_Live-In-62_Jazz-Icons_2006_DVD-e1458498285258.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie_Live-In-62_Jazz-Icons_2006_DVD-e1458498285258.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":22281,"url":"https:\/\/tomajazz.com\/web\/los-grandes-del-swing-ii-jimmy-rushing-037-podcast\/","url_meta":{"origin":6549,"position":5},"title":"Los grandes del swing (II): Jimmy Rushing. La Odisea de la M\u00fasica Afroamericana (037) [Podcast]","author":"Tomajazz","date":"15 febrero, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El programa n\u00famero 37 de La Odisea de la M\u00fasica Afroamericana est\u00e1 centrado en el cantante\u00a0Jimmy Rushing, \"Mr. Five by\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Jimmy_Rushing_1946_Gottlieb_07551-e1455485952191.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Jimmy_Rushing_1946_Gottlieb_07551-e1455485952191.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Jimmy_Rushing_1946_Gottlieb_07551-e1455485952191.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/Jimmy_Rushing_1946_Gottlieb_07551-e1455485952191.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6549"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6549\/revisions"}],"predecessor-version":[{"id":6559,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6549\/revisions\/6559"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}