{"id":6560,"date":"2013-05-28T11:00:25","date_gmt":"2013-05-28T09:00:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6560"},"modified":"2016-11-13T17:19:46","modified_gmt":"2016-11-13T16:19:46","slug":"the-rempis-percussion-quartet-phalanx-aerophonic-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/the-rempis-percussion-quartet-phalanx-aerophonic-2013\/","title":{"rendered":"The Rempis Percussion Quartet: Phalanx (Aerophonic, 2013)"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6561\" rel=\"attachment wp-att-6561\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6561\" alt=\"rempis percussion quartet phalanx\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/rempis-percussion-quartet-phalanx.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/rempis-percussion-quartet-phalanx.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/rempis-percussion-quartet-phalanx-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/rempis-percussion-quartet-phalanx-54x55.jpg 54w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">El saxofonista de Chicago\u00a0<strong>Dave Rempis<\/strong> (<strong>Vandermark<\/strong> <strong>Five<\/strong>, <strong>Ballister<\/strong>, <strong>The<\/strong> <strong>Engines<\/strong>), ha puesto en marcha su discogr\u00e1fica <strong>Aerophonic<\/strong> con la publicaci\u00f3n de dos grabaciones: <em>Boss Of The Plain<\/em>s del tr\u00edo <strong>Wheelhouse<\/strong> (<strong>Rempis<\/strong>, <strong>Jason<\/strong> <strong>Adasiewicz<\/strong> y <strong>Nate<\/strong> <strong>McBride<\/strong>) y el CD doble <em>Phalanx<\/em> de <strong>The Rempis Percussion Quartet<\/strong>.<\/p>\n<p style=\"text-align: justify;\">En activo desde 2004, <em>Phalanx<\/em> es la sexta grabaci\u00f3n de <strong>The Rempis Percussion Quartet<\/strong>, y segunda con el contrabajista n\u00f3rdico -residente en Texas-\u00a0<strong>Ingebrigt Haker Flaten<\/strong>. Completan la formaci\u00f3n los bateristas <strong>Tim Daisy<\/strong> y <strong>Frank Rosaly<\/strong>. Durante todos estos a\u00f1os estos cuatro m\u00fasicos han tejido una red de intereses e interconexiones musicales que ha dejado un reguero de proyectos y grabaciones ciertamente interesantes. Sin ir muy lejos, <strong>Rempis<\/strong> y <strong>Rosaly<\/strong> son miembros del <a title=\"Ingebrigt H\u00e5ker Flaten Chicago Sextet (Jazz Em Agosto 2012, Lisboa, Portugal, 12-VIII-2012)\" href=\"http:\/\/www.tomajazz.com\/web\/?p=4283\"><strong>Ingebrigt Haker Flaten Chicago Sextet<\/strong><\/a>. Por tanto, no son s\u00f3lo las giras y grabaciones de <strong>The Rempis Percussion Quartet<\/strong>, sino que su relaci\u00f3n est\u00e1 asentada en distintos grupos que presentan unos intereses art\u00edsticos y est\u00e9ticos comunes. Todo ello redunda en el resultado de este doble directo, grabado en sendos conciertos en junio y abril de 2012. Cada uno de ellos incluye dos temas extensos(\u00abAlgonquins\u00bb, \u00abCream City Stomp\u00bb -en el CD <em>Live In Milwaukee<\/em>-, \u00abCroatalus Adamantooths\u00bb -en el CD <em>Live In Antwerp<\/em>) en torno a los 25 minutos, con la excepci\u00f3n de la primera parte del directo de Antwerp (Amberes) titulada \u00abAnti-Goons\u00bb que se extiende hasta los 48.<\/p>\n<p style=\"text-align: justify;\">Diferentes entre s\u00ed estructuralmente puesto que toda la m\u00fasica son improvisaciones, desde un punto de vista formal su propuesta entronca con el <em>free jazz<\/em>\u00a0en el que se da un di\u00e1logo constante y proactivo entre los cuatro m\u00fasicos. Los diferentes proyectos y conciertos de estos cuatro m\u00fasicos cementan su entendimiento y capacidad de dialogar creativamente. Cada uno de los cuatro se encarga de apoyar a sus compa\u00f1eros, mostrando la intensidad e inmediatez de una m\u00fasica creada instant\u00e1neamente, pero que no por ello ni resulta carente de melod\u00edas, ni renuncia a reconocer que es heredera de una tradici\u00f3n que va m\u00e1s all\u00e1 del propio <em>free jazz<\/em>.<\/p>\n<p>\u00a9 Pachi Tapiz, 2013<\/p>\n<p>The Rempis Percussion Quartet: <em>Phalanx<\/em> (Aerophonic, 2013) ****<br \/>\nCD1: Live In Milwaukee<br \/>\nCD2: Live In Antwerp<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El saxofonista de Chicago\u00a0Dave Rempis (Vandermark Five, Ballister, The Engines), ha puesto en marcha su discogr\u00e1fica Aerophonic con la publicaci\u00f3n de dos grabaciones: Boss Of The Plains del tr\u00edo Wheelhouse (Rempis, Jason Adasiewicz y Nate McBride) y el CD doble Phalanx de The Rempis Percussion Quartet. En activo desde 2004,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/the-rempis-percussion-quartet-phalanx-aerophonic-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":6561,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[4934,6642,12651,451,636,12696,4919,13,12415,15295,31,634,453,16099,77,16100],"class_list":["entry","author-pachi","post-6560","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-4934","tag-aeorophonic","tag-cd","tag-dave-rempis","tag-frank-rosaly","tag-grabaciones","tag-ingebrigt-haker-flaten","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-pachi-tapiz","tag-the-dave-rempis-percussion-quartet","tag-tim-daisy","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/rempis-percussion-quartet-phalanx.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19074,"url":"https:\/\/tomajazz.com\/web\/hdo-presentacion-con-the-rempis-percussion-quartet-entrega-0001-podcast\/","url_meta":{"origin":6560,"position":0},"title":"The Rempis Percussion Quartet. HDO: presentaci\u00f3n (entrega 0001) [Podcast]","author":"Tomajazz","date":"16 julio, 2015","format":"audio","excerpt":"Primera entrega de HDO. A lo largo casi una hora, hay espacio para dos bloques bien diferenciados. En primer lugar la presentaci\u00f3n de este nuevo audioblog: qu\u00e9, d\u00f3nde, cu\u00e1ndo, por qu\u00e9, qui\u00e9n y c\u00f3mo (no necesariamente en este orden) surge esta nueva propuesta. 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Tal y como ocurre con otros peque\u00f1os sellos, su objetivo es documentar su trabajo teniendo un control total sobre el resultado final. A\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Ballister_Worse For The Wear_Aerophonic_2015","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/Ballister_Worse-For-The-Wear_Aerophonic_2015-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":32705,"url":"https:\/\/tomajazz.com\/web\/hdo-323-dave-rempis-por-partida-doble-lattice-cochonnerie-the-rempis-percussion-quartet-podcast\/","url_meta":{"origin":6560,"position":2},"title":"HDO 323. Dave Rempis por partida doble: Lattice &#8211; Cochonnerie (The Rempis Percussion Quartet) [Podcast]","author":"Tomajazz","date":"11 octubre, 2017","format":false,"excerpt":"El saxofonista\u00a0Dave Rempis publica en su sello Aerophonic dos nuevas grabaciones.\u00a0Lattice\u00a0(en solitario, con temas propios y versiones de Eric Dolphy y Billy Strayhorn), y\u00a0Cochonnerie\u00a0al frente de The Rempis Percussion Quartet (junto a Ingebrigt Haker Flaten, Frank Rosaly y Tim Daisy). 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Archer son Dave Rempis, Terrie Ex, Jon Rune Str\u00f8m, Tollef \u00d8stvang","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Rempis-Ex-Strom-Ostvang-Sudden-Dusk-Aerophonic-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Rempis-Ex-Strom-Ostvang-Sudden-Dusk-Aerophonic-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Rempis-Ex-Strom-Ostvang-Sudden-Dusk-Aerophonic-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Rempis-Ex-Strom-Ostvang-Sudden-Dusk-Aerophonic-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36426,"url":"https:\/\/tomajazz.com\/web\/hdo-402-the-rempis-daisy-duo-guests-empty-castles-rempis-ochs-jonhston-aerophonic-records-podcast\/","url_meta":{"origin":6560,"position":4},"title":"HDO 402. 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Una sesi\u00f3n con regusto a esos cl\u00e1sicos del free musculoso y lleno de vigor de los 60 y 70, pero realizada con convicci\u00f3n y fuerza, sin tratar de emular y\u2026","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/rempis_parsley.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6560"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6560\/revisions"}],"predecessor-version":[{"id":10930,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6560\/revisions\/10930"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/6561"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}