{"id":66405,"date":"2022-09-07T12:30:51","date_gmt":"2022-09-07T10:30:51","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=66405"},"modified":"2023-01-21T08:42:05","modified_gmt":"2023-01-21T07:42:05","slug":"october-equus-noches-blancas-luces-rojas","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/october-equus-noches-blancas-luces-rojas\/","title":{"rendered":"October Equus: Noches Blancas, Luces Rojas (octoberXart Records, 2022) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-66409 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB-500x500.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Noches Blancas, Luces Rojas<\/em> , el s\u00e9ptimo trabajo en estudio de <strong>October Equus<\/strong> se abre con la pieza que da t\u00edtulo a la grabaci\u00f3n.<\/p>\n<p>\u201cNoches Blancas, Luces Rojas\u201d es un tema de dram\u00e1ticas y densas atm\u00f3sferas que languidecen de oscuridad <em>Canterbury<\/em> en el reino carmes\u00ed. G\u00f3tica, ca\u00f3tica e intensa de tensionada est\u00e9tica que visita lugares l\u00fagubres y bosques sonoros insondables y enigm\u00e1ticos. Que vive en el infierno en el <em>Jard\u00edn de las Delicias<\/em> del Bosco, que llega y navega por la laguna Estigia a remos de Henry Cow desembarcando en la orilla del sue\u00f1o l\u00facido.<\/p>\n<p>Entre lamentos y quejidos de los guitarreos de \u00c1ngel Ontalva, el \u00f3rgano barroco de V\u00edctor Rodr\u00edguez y el s\u00f3rdido sonido del fagot de John Falcone, los tambores de Avelino Saavedra redoblan en la regi\u00f3n Canterbury de la mano de <em>National Health<\/em> en \u201cArrecia Tempestad\u201d.<\/p>\n<p>Lenguas inc\u00f3gnitas y lenguaje ininteligible, el verbo es de todos en \u201cEntre Rostros y Sombras\u201d.<\/p>\n<p>Lucha angustiosa y obsesiva que se pierde en mil formas y texturas inc\u00f3gnitas que buscan lo imposible vali\u00e9ndose del intelecto, solo quieres ver la luz en \u201cRara Avis\u201d.<\/p>\n<p>Te debates por dentro, t\u00fa cabeza no te deja decidir, luchas por vencer a quien te oprime en \u201cUn Viejo Conflicto\u201d.<\/p>\n<p>De densidad gris y plomiza, de enigm\u00e1tica sonoridad y sincretismo libre donde se unen el jazz, el <em>rock<\/em> y la m\u00fasica de c\u00e1mara contempor\u00e1nea, instrumentos parlantes interactuando con los esp\u00edritus opresivos del M\u00e1s All\u00e1, tan perversos como la oscuridad en \u201cHasta el Fin del Tiempo\u201d.<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Enrique Farelo<\/strong><\/a>, 2022<\/p>\n<p>&nbsp;<\/p>\n<h4>October Equus <em>Noches Blancas, Luces Rojas<\/em><\/h4>\n<p>M\u00fasicos: John Falcone (fagot); V\u00edctor Rodr\u00edguez (piano y teclados); Avelino Saavedra (bater\u00eda); \u00c1ngel Ontalva (guitarras, bajo, mezclas, dise\u00f1o de portada y producci\u00f3n).<\/p>\n<p>Composiciones:\u00a01-\u201cNoches Blancas, Luces Rojas\u201d, 2- \u201cArrecia Tempestad\u201d, 3- \u201cEntre Rostros y Sombras\u201d, 4-\u201cRara Avis\u201d, 5- \u201cUn Viejo Conflicto\u201d y 6- \u201cHasta el Fin del Tiempo\u201d. Todos los temas compuestos por V\u00edctor Rodr\u00edguez, excepto \u201cNoches Blancas, Luces Rojas\u201d por \u00c1ngel Ontalva.<\/p>\n<p>Grabado en \u201c<em>home studio<\/em>\u201d en el a\u00f1o 2022. Publicado en 2022 por octoberXart Records.<\/p>\n<h4>M\u00e1s informaci\u00f3n sobre\u00a0October Equus<\/h4>\n<p><a href=\"https:\/\/angelontalva.com\/october-equus\" target=\"_blank\" rel=\"noopener\">https:\/\/angelontalva.com\/october-equus<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=OCTOBER+EQUUS&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=OCTOBER+EQUUS&amp;submit=Search<\/a><\/p>\n<h4>Enrique Farelo en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enrique Farelo repasa la nueva grabaci\u00f3n de October Equus titulada Noches Blancas, Luces Rojas (octoberXart Records, 2022). <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/october-equus-noches-blancas-luces-rojas\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":66409,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17848,15517,1038],"tags":[8719,11600,304,23836,27653,18314,27652,8722],"class_list":["entry","author-pachi","has-excerpt","post-66405","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","category-contenidos","tag-angel-ontalva","tag-avelino-saavedra","tag-enrique-farelo","tag-john-falcone","tag-october-equus-noches-blancas-luces-rojas","tag-octoberxart-records","tag-octuber-equus","tag-victor-rodriguez"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":46980,"url":"https:\/\/tomajazz.com\/web\/https-www-tomajazz-com-web-p46980\/","url_meta":{"origin":66405,"position":0},"title":"October Equus: Presagios (OctoberXart Records, 2019) [Grabaci\u00f3n]","author":"Tomajazz","date":"7 noviembre, 2019","format":false,"excerpt":"Enrique Farelo repasa la nueva grabaci\u00f3n de October Equus, titulada Presagios (OctoberXart Records)","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/October-Equus_Presagios.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/October-Equus_Presagios.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/October-Equus_Presagios.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11226,"url":"https:\/\/tomajazz.com\/web\/october-equus-el-triunfante-caballo-progresivo-del-dios-romano-de-la-guerra-por-enrique-farelo-y-carlos-lara\/","url_meta":{"origin":66405,"position":1},"title":"October Equus: \u201cEl triunfante caballo progresivo\u201d del Dios romano de la guerra. Por Enrique Farelo y Carlos Lara","author":"Tomajazz","date":"27 marzo, 2014","format":false,"excerpt":"October Equus es una banda instrumental espa\u00f1ola de rock progresivo cuyas influencias van desde el RIO (Rock en oposici\u00f3n) hasta el jazz-rock pasando por el avant-rock, el rock de c\u00e1mara, el Canterbury o incluso la m\u00fasica contempor\u00e1nea. Influenciados por grupos como King Crimson, Present, Henry Cow, Art Zoyd, National Health,\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/FreakShow-919.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/FreakShow-919.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/FreakShow-919.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20943,"url":"https:\/\/tomajazz.com\/web\/angel-ontalva-tierra-quemada-octoberxart-records-2015-cd\/","url_meta":{"origin":66405,"position":2},"title":"\u00c1ngel Ontalva: Tierra Quemada (OctoberXart Records, 2015; CD)","author":"Tomajazz","date":"25 noviembre, 2015","format":false,"excerpt":"\u00c1ngel Ontalva lidera el grupo progresivo, RIO, avant-rock y jazz-rock, October Equus desde aproximadamente el a\u00f1o 2006 con cinco trabajos publicados: October Equus, Charybdis, Saturnal, Permafrost e Isla Purgatorio. Al margen de este proyecto su carrera en solitario comprende Land of Rain and Steel, Mundo Flotante y algunas colaboraciones con\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Angel-Ontalva-Tierra-Quemada-2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":16537,"url":"https:\/\/tomajazz.com\/web\/angel-ontalva-k-faces-suite-guitar-sketches-octoberxart-2014-orig-2015-reed-digital\/","url_meta":{"origin":66405,"position":3},"title":"\u00c1ngel Ontalva: K-Faces Suite &#8211; guitar sketches (octoberXart 2014 -orig-, 2015 -reed.digital)","author":"Tomajazz","date":"23 enero, 2015","format":false,"excerpt":"\u00c1ngel Ontalva lidera el grupo progresivo, RIO, avant-rock y jazz-rock, October Equus desde aproximadamente el a\u00f1o 2006 con cinco trabajos publicados: October Equus, Charybdis, Saturnal, Permafrost y Isla Purgatorio. 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Enrique Farelo repasa la grabaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":94220,"url":"https:\/\/tomajazz.com\/web\/angel-ontalva-persian-courtyard-2024\/","url_meta":{"origin":66405,"position":5},"title":"\u00c1ngel Ontalva: Persian Courtyard (OctoberXart Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"27 enero, 2025","format":false,"excerpt":"Enrique Farelo repasa la grabaci\u00f3n de \u00c1ngel Ontalva, Persian Courtyard (OctoberXart Records, 2024). Participan Anna Anshakova, V\u00edctor Rodr\u00edguez, Avelino Saavedra, \u00c1ngel Ontalva","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"\u00c1ngel Ontalva: Persian Courtyard (OctoberXart Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Enrique Farelo repasa la grabaci\u00f3n de \u00c1ngel Ontalva, Persian Courtyard (OctoberXart Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/66405","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=66405"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/66405\/revisions"}],"predecessor-version":[{"id":66411,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/66405\/revisions\/66411"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/66409"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=66405"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=66405"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=66405"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}