{"id":66950,"date":"2022-09-24T14:00:58","date_gmt":"2022-09-24T12:00:58","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=66950"},"modified":"2022-09-24T13:45:16","modified_gmt":"2022-09-24T11:45:16","slug":"charles-lloyd-trios-chapel-jazzx5","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/charles-lloyd-trios-chapel-jazzx5\/","title":{"rendered":"\u201cBloodcount\u201d [Charles Lloyd Trios Chapel (Blue Note, 2022)] Por Pachi Tapiz. JazzX5 #523 [Minipodcast de jazz]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-66951 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/Charles-Lloyd-Trios-Chapel-with-Bill-Frisell-and-Thomas-Morgan-Blue-Note-2022-200x200.jpg\" alt=\"Charles Lloyd Trios Chapel with Bill Frisell and Thomas Morgan (Blue Note 2022).jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/Charles-Lloyd-Trios-Chapel-with-Bill-Frisell-and-Thomas-Morgan-Blue-Note-2022-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/Charles-Lloyd-Trios-Chapel-with-Bill-Frisell-and-Thomas-Morgan-Blue-Note-2022.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/Charles-Lloyd-Trios-Chapel-with-Bill-Frisell-and-Thomas-Morgan-Blue-Note-2022-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/Charles-Lloyd-Trios-Chapel-with-Bill-Frisell-and-Thomas-Morgan-Blue-Note-2022-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/Charles-Lloyd-Trios-Chapel-with-Bill-Frisell-and-Thomas-Morgan-Blue-Note-2022-500x500.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/> \u201cBloodcount\u201d<br \/>\n<strong>Charles Lloyd <em>Trios: Chapel <\/em><\/strong>(Blue Note, 2022)<br \/>\nCharles Lloyd, Bill Frisell, Thomas Morgan<\/p>\n<p style=\"text-align: right;\">Tomajazz: \u00a9 <strong>Pachi Tapiz<\/strong>, 2022<\/p>\n<p>Entre junio y octubre de 2022 el flautista y saxofonista Charles Lloyd va a publicar una tresena de grabaciones a tr\u00edo en el sello Blue Note. La primera de ella, Charles Lloyd <em>Trios Chapel<\/em>, se public\u00f3 a finales de junio y al veterano m\u00fasico le acompa\u00f1an el guitarrista Bill Frisell y el contrabajista Thomas Morgan. El tr\u00edo de m\u00fasicos rindi\u00f3 homenaje al gran Billy Strayhorn con una versi\u00f3n de \u00abBloodcount\u00bb<\/p>\n<h4>Escuchar <strong>Charles Lloyd <em>Trios Chapel<\/em><\/strong>\u00a0\u00abBloodcount\u00bb<\/h4>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.ivoox.com\/player_ej_92846264_6_1.html?c1=9e7133\" width=\"100%\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h4>En anteriores episodios de JazzX5 \/ HDO \/ LODLMA \/ Maltidos Jazztardos \/ Tomajazz Remembers \/JazzX5 Centennial\u2026<\/h4>\n<blockquote class=\"wp-embedded-content\" data-secret=\"RrSIBWdSof\"><p><a href=\"https:\/\/tomajazz.com\/web\/jazzx5292-charles-lloyd-the-marvels-ramblin-tone-poem-blue-note-2021-minipodcast-de-jazz-por-pachi-tapiz\/\">JazzX5#292. Charles Lloyd &#038; The Marvels: \u00abRamblin&#8217;\u00bb [Tone Poem (Blue Note, 2021)] [Minipodcast de jazz] Por Pachi Tapiz<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00abJazzX5#292. Charles Lloyd &#038; The Marvels: \u00abRamblin&#039;\u00bb [Tone Poem (Blue Note, 2021)] [Minipodcast de jazz] Por Pachi Tapiz\u00bb \u2014 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/jazzx5292-charles-lloyd-the-marvels-ramblin-tone-poem-blue-note-2021-minipodcast-de-jazz-por-pachi-tapiz\/embed\/#?secret=yEgtBvoxhV#?secret=RrSIBWdSof\" data-secret=\"RrSIBWdSof\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<h4>M\u00e1s informaci\u00f3n sobre\u00a0Charles Lloyd<\/h4>\n<p><a href=\"https:\/\/charleslloyd.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/charleslloyd.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=charles+lloyd&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=charles+lloyd&amp;submit=Search<\/a><\/p>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" title=\"\u00abCharles Lloyd, un m\u00edstico salvaje y entra\u00f1able [Art\u00edculo] Por Juli\u00e1n Ruesga Bono\u00bb \u2014 Tomajazz 8.0\" src=\"https:\/\/tomajazz.com\/web\/?p=50466&amp;embed=true#?secret=alFMltYyeT\" width=\"600\" height=\"288\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" sandbox=\"allow-scripts\" data-secret=\"alFMltYyeT\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" title=\"\u00abCharles Lloyd: palabras sobre la liberaci\u00f3n [Entrevista de jazz] Por\u00a0Christian Steulet\u00a0 \u2013\u00a0Viva La M\u00fasica\u00bb \u2014 Tomajazz 8.0\" src=\"https:\/\/tomajazz.com\/web\/?p=50489&amp;embed=true#?secret=ijfUjnIVC4\" width=\"600\" height=\"309\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" sandbox=\"allow-scripts\" data-secret=\"ijfUjnIVC4\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<h4>M\u00e1s informaci\u00f3n sobre JazzX5<\/h4>\n<p><strong>JazzX5<\/strong>\u00a0es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0<strong>Pachi Tapiz<\/strong>.<\/p>\n<p><strong>JazzX5<\/strong>\u00a0comenz\u00f3 su andadura el 24 de junio de 2019.<\/p>\n<p>Todas las entregas de\u00a0<strong>JazzX5<\/strong>\u00a0est\u00e1n disponibles en\u00a0<strong><a href=\"https:\/\/tomajazz.com\/web\/?cat=23120\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/tomajazz.com\/web\/?cat=23120<\/a>\u00a0\/\u00a0<a href=\"https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.ivoox.com\/jazzx5_bk_list_642835_1.html<\/a><\/strong>.<\/p>\n<p>Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com Tambi\u00e9n por WhatsApp en el tel\u00e9fono de contacto.<\/p>\n<h4>JazzX5 y los podcast de Tomajazz en Telegram<\/h4>\n<p>En Tomajazz hemos abierto un canal de\u00a0<strong>Telegram<\/strong>\u00a0para que est\u00e9s al tanto, al instante, de los nuevos podcast. Puedes suscribirte en\u00a0<a href=\"https:\/\/t.me\/TomajazzPodcast\" target=\"_blank\" rel=\"noopener\">https:\/\/t.me\/TomajazzPodcast<\/a>.<\/p>\n<h4>Pachi Tapiz en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17847\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17847<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En JazzX5 escuchamos \u00abBloodcount\u00bb, composici\u00f3n de Billy Strayhorn que aparece en la nueva grabaci\u00f3n de Charles Lloyd Trios Chapel (Blue Note, 2022), en la que al saxofonista le acompa\u00f1an el guitarrista Bill Frisell y el contrabajista Thomas Morgan. <\/p>\n<p>JazzX5 es un podcast de Pachi Tapiz. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/charles-lloyd-trios-chapel-jazzx5\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":66955,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23120,17847,12814,15518,1038],"tags":[1470,1487,8565,27799,23118,25554,31,15310,685],"class_list":["entry","author-pachi","has-excerpt","post-66950","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jazzx5","category-pachi-tapiz","category-podcast","category-sonidos","category-contenidos","tag-bill-frisell","tag-blue-note","tag-charles-lloyd","tag-charles-lloyd-trios-chapel","tag-jazzx5","tag-minipodcast-de-jazz","tag-pachi-tapiz","tag-podcast-de-jazz","tag-thomas-morgan"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0523.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/66950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=66950"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/66950\/revisions"}],"predecessor-version":[{"id":66959,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/66950\/revisions\/66959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/66955"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=66950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=66950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=66950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}