{"id":67643,"date":"2022-10-21T20:03:48","date_gmt":"2022-10-21T18:03:48","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=67643"},"modified":"2023-01-21T08:20:06","modified_gmt":"2023-01-21T07:20:06","slug":"intakt-2022-10","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/intakt-2022-10\/","title":{"rendered":"Intakt: OM, Niggli-Loibner, Ydivide, James Brandon Lewis. Por Pachi Tapiz [Grabaciones de jazz]"},"content":{"rendered":"<p>Como de habitual, las propuestas del sello Intakt son bien variadas, a la vez que interesantes. Es lo que ocurre, una vez m\u00e1s, con las grabaciones publicadas en los \u00faltimos meses.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-67673 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/OM-with-Urs-Leimgruber-Christy-Doran-Bobby-Burri-and-Fredy-Studer-50-Intakt-2022WEB-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/OM-with-Urs-Leimgruber-Christy-Doran-Bobby-Burri-and-Fredy-Studer-50-Intakt-2022WEB-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/OM-with-Urs-Leimgruber-Christy-Doran-Bobby-Burri-and-Fredy-Studer-50-Intakt-2022WEB-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/OM-with-Urs-Leimgruber-Christy-Doran-Bobby-Burri-and-Fredy-Studer-50-Intakt-2022WEB.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El cuarteto <strong>OM<\/strong> (Urs Leimgruber, Christy Doran, Bobby Burri, Fredy Studer) es un veterano de la fusi\u00f3n del jazz con el rock. En activo con intermitencia, en septiembre de 2022 ha publicado el disco <em>50<\/em> (su t\u00edtulo es absolutamente expl\u00edcito), en el que vuelven a mostrar que a pesar de todos esos a\u00f1os de carrera, siguen en plena forma.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-67674 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Lucas-Niggli-Matthias-Loibner-Still-Storm-Intakt-2022WEB-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Lucas-Niggli-Matthias-Loibner-Still-Storm-Intakt-2022WEB-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Lucas-Niggli-Matthias-Loibner-Still-Storm-Intakt-2022WEB-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Lucas-Niggli-Matthias-Loibner-Still-Storm-Intakt-2022WEB.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>\u00bfY c\u00f3mo suena un d\u00fao de bater\u00eda &#8211; percusi\u00f3n, zanfo\u00f1a &#8211; electr\u00f3nica? Muy bien en el caso de<em> Still Storm<\/em>, d\u00fao entre el baterista <strong>Lucas Niggli<\/strong> y el zanfonista <strong>Matthias Loibner<\/strong>. El disco, que dura en torno a 50 minutos, incluye 15 improvisaciones y un tema compuesto por Loibner. Improvisaciones idiom\u00e1ticas, que por momentos parecen peque\u00f1as composiciones, y que consiguen que el disco est\u00e9 lleno de grandes momentos.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-67675 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Clemens-Kuratle-Ydivide-Lumumba-Intakt-2022WEB-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Clemens-Kuratle-Ydivide-Lumumba-Intakt-2022WEB-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Clemens-Kuratle-Ydivide-Lumumba-Intakt-2022WEB-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Clemens-Kuratle-Ydivide-Lumumba-Intakt-2022WEB.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Clemens Kuratle<\/strong> es un m\u00fasico suizo, relativamente joven, que se mueve por los terrenos del jazz y del pop, y que en el grupo <strong>Ydivide<\/strong> ha juntado a m\u00fascos j\u00f3venes de la escena brit\u00e1nica y suiza. El baterista es el compositor de todos los temas de <em>Lumumba<\/em>, que se mueven por terrenos de lo m\u00e1s variado.<\/p>\n<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-67676 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/James-Brandon-Lewis-MSM-Molecular-Systematic-Music-Live-2CD.-Intakt-2022WEB-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/James-Brandon-Lewis-MSM-Molecular-Systematic-Music-Live-2CD.-Intakt-2022WEB-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/James-Brandon-Lewis-MSM-Molecular-Systematic-Music-Live-2CD.-Intakt-2022WEB-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/James-Brandon-Lewis-MSM-Molecular-Systematic-Music-Live-2CD.-Intakt-2022WEB.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>James Brandon Lewis<\/strong> es uno de los saxofonistas de nueva hornada m\u00e1s interesante entre los que han surgido en la escena internacional en los \u00faltimos a\u00f1os. El sello suizo le ha publicado varias grabaciones en los \u00faltimos tiempos, y ahora es el turno de <em>msm live<\/em>, un CD doble grabado en directo en 2021.<\/p>\n<p>Al potente soplador le acompa\u00f1an el pianista Aru\u00e1n Ortiz (otro habitual en el sello Intakt en el que ha publicado cinco grabaciones como l\u00edder o co-l\u00edder), el contrabajista Brad Jones y el baterista Chad Taylor que ponen en pie, magn\u00edficamente, el concepto musical msm (Molecular Systematic Music) que promueve el l\u00edder de la formaci\u00f3n.<\/p>\n<p>Este verano de 2022 ha estado tocando en Vitoria, y hubo quien qued\u00f3 muy gratamente sorprendido, mientras que a otros les confirm\u00f3 lo que uno se puede encontrar en sus grabaciones. \u00a1Que repita!<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0<strong>Pachi Tapiz<\/strong>, 2022<\/p>\n<h4><strong>Clemens Kuratle Ydivide<\/strong>: <em>Lumumba<\/em> (Intakt, 2022)<\/h4>\n<p>Dee Byrne (sa), Elliot Galvin (p, elec), Chris Guilfoyle (g), Lukas Traxel (b), Clemens Kuratle (comp, bat. elec)<br \/>\n<a href=\"https:\/\/www.clemenskuratle.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.clemenskuratle.com\/<\/a><\/p>\n<h4><strong>OM with Urs Leimgruber, Christy Doran, Bobby Burri and Fredy Studer<\/strong>: <em>50<\/em> (Intakt, 2022)<\/h4>\n<p>Urs Leimgruber (ss), Christy Doran (g, aparatos), Bobby Burri (cb, aparatos), Fredy Studer (bat, perc, gong, cr\u00f3talos)<br \/>\n<a href=\"https:\/\/jazzgroup-om.ch\/\" target=\"_blank\" rel=\"noopener\">https:\/\/jazzgroup-om.ch\/<\/a><\/p>\n<h4><strong>James Brandon Lewis<\/strong>: <em>MSM Molecular Systematic Music &#8211; Live<\/em> (2CD. Intakt; 2022)<\/h4>\n<p>James Brandon Lewis (st, comp), Aru\u00e1n Ortiz (p), Brad Jones (b), Chad Taylor (bat)<br \/>\n<a href=\"https:\/\/www.jblewis.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.jblewis.com\/<\/a><\/p>\n<h4><strong>Lucas Niggli &#8211; Matthias Loibner<\/strong>: <em>Still Storm<\/em> (Intakt, 2022)<\/h4>\n<p>Matthias Loibner (zanfo\u00f1a, electr\u00f3nica), Lucas Niggli (bater\u00eda, percusi\u00f3n)<br \/>\n<a href=\"https:\/\/lucasniggli.com\/de\/\" target=\"_blank\" rel=\"noopener\">https:\/\/lucasniggli.com\/de\/<\/a><\/p>\n<h4>M\u00e1s informaci\u00f3n<\/h4>\n<p><a href=\"https:\/\/www.intaktrec.ch\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.intaktrec.ch\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=intakt&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=intakt&amp;submit=Search<\/a><\/p>\n<h4>Pachi Tapiz en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17847\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17847<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El sello suizo Intakt contin\u00faa construyendo un cat\u00e1logo jazz\u00edstico consistente con cada una de sus nuevas entregas mensuales. Pachi Tapiz repasa cuatro referencias publicadas en los \u00faltimos meses: 50 de OM, MSM Molecular Systematic Music &#8211; Live de James Brandon Lewis, Still Storm de Lucas Niggli &#8211; Matthias Loibner, y Lumumba de Clemens Kuratle Ydivide.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/intakt-2022-10\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":67677,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[10218,8931,5239,6892,27922,7488,27924,27919,27920,27921,8932,5084,9314,693,27927,27923,27928,27925,8934,5314],"class_list":["entry","author-pachi","has-excerpt","post-67643","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-aruan-ortiz","tag-bobby-burri","tag-brad-jones","tag-chad-taylor","tag-chris-guilfoyle","tag-christy-doran","tag-clemens-kuratle","tag-clemens-kuratle-ydivide","tag-dee-byrne","tag-elliot-galvin","tag-fredy-studer","tag-intakt","tag-james-brandon-lewis","tag-lucas-niggli","tag-lucas-niggli-matthias-loibner","tag-lukas-traxel","tag-matthias-loibner","tag-msm-molecular-systematic-music","tag-om","tag-urs-leimgruber"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/intakt_2022_01WEB.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2815,"url":"https:\/\/tomajazz.com\/web\/om-willisau-2010\/","url_meta":{"origin":67643,"position":0},"title":"OM: Willisau (2010)","author":"Tomajazz","date":"31 agosto, 2010","format":false,"excerpt":"El cuarteto suizo OM, en activo entre 1972 y 1982, retom\u00f3 su actividad en el a\u00f1o 2008 con un concierto en el m\u00edtico festival suizo de Willisau. Al contrario de otras reuniones, dicho reencuentro tuvo poco de nost\u00e1lgico. M\u00e1s bien sirvi\u00f3 para demostrar que esos m\u00e1s de 25 a\u00f1os simplemente\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11540,"url":"https:\/\/tomajazz.com\/web\/halbheer-doran-andersen-por-sergio-cabanillas\/","url_meta":{"origin":67643,"position":1},"title":"Halbheer, Doran, Andersen, por Sergio Cabanillas","author":"Sergio Cabanillas","date":"23 abril, 2014","format":false,"excerpt":"Marc Halbheer (bater\u00eda), Christy Doran (guitarra) y Arild Andersen (contrabajo) han sido testigos de algunos de los momentos m\u00e1s memorables de la historia del jazz europeo, desde la Vienna Art Orchestra hasta el nacimiento y florecimiento del m\u00edtico sello ECM. Pudimos tener una agradable charla con ellos en su \u00faltima\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Marc Halbheer \u00a9 Sergio Cabanillas, 2014","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/MARC_HALBHEER_7947_CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11549,"url":"https:\/\/tomajazz.com\/web\/halbheer-doran-andersen-by-sergio-cabanillas\/","url_meta":{"origin":67643,"position":2},"title":"Halbheer, Doran, Andersen, by Sergio Cabanillas","author":"Sergio Cabanillas","date":"23 abril, 2014","format":false,"excerpt":"Marc Halbheer (drums), Christy Doran (guitar) and Arild Andersen (bass) have witnessed some of the most memorable moments of European jazz history, from Vienna Art Orchestra to OM and the birth and blossom of the iconic label ECM. We could have a pleasant chat with them in their last and\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Marc Halbheer, Arild Andersen \u00a9 Sergio Cabanillas, 2014","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/HALBHEER_ANDERSEN_7974_CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":54358,"url":"https:\/\/tomajazz.com\/web\/james-brandon-lewis-chad-taylor-live-in-willisau-intakt-2020-grabacion-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":67643,"position":3},"title":"James Brandon Lewis &#8211; Chad Taylor: Live In Willisau (Intakt. 2020) [Grabaci\u00f3n de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"16 abril, 2021","format":false,"excerpt":"Fabulosa la grabaci\u00f3n \"Live In Willisau\" (Intakt. 2020) en directo, mano a mano, del baterista y percusionista Chad Taylor y del saxofonista James Brandon Lewis, registrada el 1 de septiembre de 2019 en el Jazz Festival de Willisau en Suiza, y publicada por el sello helv\u00e9tico Intakt. Rese\u00f1a por Pachi\u2026","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"James Brandon Lewis - Chad Taylor: Live In Willisau (Intakt. 2020)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/James-Brandon-Lewis-Chad-Taylor_Live-In-Willisau_Intakt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":13224,"url":"https:\/\/tomajazz.com\/web\/andreas-schaerer-lucas-niggli-arcanum-intakt-2014\/","url_meta":{"origin":67643,"position":4},"title":"Andreas Schaerer &#8211; Lucas Niggli: Arcanum (Intakt, 2014)","author":"Tomajazz","date":"25 julio, 2014","format":false,"excerpt":"Arcanum. Duo de Andreas Schaerer y Lucas Niggli. Voz y percusiones, los dos instrumentos m\u00e1s primitivos de los que pudimos disponer los seres humanos. Arcanum, a pesar de lo que pudiera llegar a sugerir su t\u00edtulo, es una obra muy bien elaborada. En ella se recogen distintas maneras de afrontar\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Andreas-Schaerer-Lucas-Niggli_Arcanum.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2269,"url":"https:\/\/tomajazz.com\/web\/paul-plimley-barry-guy-lucas-niggli-hexentrio-intakt-2012\/","url_meta":{"origin":67643,"position":5},"title":"Paul Plimley &#8211; Barry Guy &#8211; Lucas Niggli: Hexentrio (Intakt, 2012)","author":"Tomajazz","date":"27 julio, 2012","format":false,"excerpt":"Desde hace unos cuantos a\u00f1os el contrabajista Barry Guy y el baterista y percusionista Lucas Niggli est\u00e1n participando en diferentes proyectos y grabaciones liderados por uno y otro. Los dos casos m\u00e1s recientes son Polisation, la \u00faltima grabaci\u00f3n de Big Zoom\u00a0formaci\u00f3n m\u00e1s que recomendable liderada por Niggli, y el DVD\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"hexentrio","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/hexentrio.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/67643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=67643"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/67643\/revisions"}],"predecessor-version":[{"id":68026,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/67643\/revisions\/68026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/67677"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=67643"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=67643"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=67643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}