{"id":6946,"date":"2013-06-17T11:00:03","date_gmt":"2013-06-17T09:00:03","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6946"},"modified":"2016-11-13T19:06:37","modified_gmt":"2016-11-13T18:06:37","slug":"tomajazz-recomienda-un-tema-one-by-one-wayne-shorter","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-one-by-one-wayne-shorter\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abOne By One\u00bb (Wayne Shorter)"},"content":{"rendered":"<p dir=\"ltr\" style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6947\" rel=\"attachment wp-att-6947\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-6947\" alt=\"art blakye jazz messengers at birdland ugetsu\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/art-blakye-jazz-messengers-at-birdland-ugetsu.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/art-blakye-jazz-messengers-at-birdland-ugetsu.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/art-blakye-jazz-messengers-at-birdland-ugetsu-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/art-blakye-jazz-messengers-at-birdland-ugetsu-55x55.jpg 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Melod\u00eda bien conducida, armon\u00eda jugosa, acentos r\u00edtmicos, funciona bien en <em>swing<\/em>, en <em>latin<\/em>&#8230; \u00abOne By One\u00bb es una de esas composiciones redondas fruto de uno de los grandes maestros: <strong>Wayne<\/strong> <strong>Shorter<\/strong>. El de Newark no solo cre\u00f3 una pieza que aglutina la facilidad de escucha con el inter\u00e9s t\u00e9cnico; adem\u00e1s aprovech\u00f3 para trabajar con distintos valores de din\u00e1mica en la exposici\u00f3n de la melod\u00eda. El tema es conocido principalmente por formar parte del repertorio de <strong>Art<\/strong> <strong>Blakey<\/strong>, cuya bater\u00eda en iremarcaba el car\u00e1cter festivo habitual en las interpretaciones de sus <strong>Jazz<\/strong> <strong>Messengers<\/strong>. Imprescindible para m\u00fasicos y para p\u00fablico.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0Adolphus van Tenzing, 2013<\/p>\n<p style=\"text-align: left;\">\u201cOne By One\u201d (Wayne Shorter). Disponible en <em>Ugetsu<\/em> (Art Blakey and the Jazz Messengers, 1963)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Melod\u00eda bien conducida, armon\u00eda jugosa, acentos r\u00edtmicos, funciona bien en swing, en latin&#8230; \u00abOne By One\u00bb es una de esas composiciones redondas fruto de uno de los grandes maestros: Wayne Shorter. El de Newark no solo cre\u00f3 una pieza que aglutina la facilidad de escucha con el inter\u00e9s t\u00e9cnico; adem\u00e1s<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-one-by-one-wayne-shorter\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[5366,6755,16099,16100,2337],"class_list":["entry","author-arturo-mora","post-6946","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-art-blakey-and-the-jazz-messengers","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wayne-shorter"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1465,"url":"https:\/\/tomajazz.com\/web\/art-blakeys-jazz-messengers-live-in-san-remo-1963\/","url_meta":{"origin":6946,"position":0},"title":"Art Blakey&#8217;s Jazz Messengers &#8211; Live In San Remo 1963","author":"Autor1","date":"20 mayo, 2011","format":false,"excerpt":"A estas alturas no hace falta insistir en la importancia de los Jazz Messengers de Art Blakey en la historia del jazz. Por esta formaci\u00f3n, activa durante unos treinta a\u00f1os y variable en cuanto a sus componentes, pasaron unos cuantos m\u00fasicos de primer orden: Jackie McLean, Lee Morgan, Wayne Shorter,\u2026","rel":"","context":"En \u00abDVD...\u00bb","block_context":{"text":"DVD...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/dvds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/blakey_san_remo.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":71712,"url":"https:\/\/tomajazz.com\/web\/wayne-shorter-in-memoriam\/","url_meta":{"origin":6946,"position":1},"title":"Wayne Shorter In Memoriam","author":"Tomajazz","date":"3 marzo, 2023","format":false,"excerpt":"El pasado 2 de marzo de 2023 fallec\u00eda Wayne Shorter. En Tomajazz le dedicamos un recuerdo con una reflexi\u00f3n en una entrevista con Ethan Iverson y una imagen de Joan Cort\u00e8s.","rel":"","context":"En \u00abArt\u00edculos...\u00bb","block_context":{"text":"Art\u00edculos...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/articulos\/"},"img":{"alt_text":"Wayne Shorter. Barcelona. 2014","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/03\/Ob_23_01_Wyn-Shrtr-%C2%A9Joan-Cortes_28ctb14_40BJF_Ldtr_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":18943,"url":"https:\/\/tomajazz.com\/web\/art-blakey-blues-march-le-chant-du-monde-rec-2015-3cd\/","url_meta":{"origin":6946,"position":2},"title":"Art Blakey: Blues March (Le Chant Du Monde; Rec.2015; 3CD)","author":"Tomajazz","date":"30 junio, 2015","format":"image","excerpt":"Hablar de Art Blakey\u00a0(1919-1990) es hacerlo\u00a0de uno de los grandes m\u00fasicos de la historia del\u00a0jazz. Tanto por su papel como elemento fundamental entre los bateristas de la d\u00e9cada de los cincuenta, como por su papel esencial en el desarrollo del hard-bop tras la revoluci\u00f3n que supusieron Charlie Parker y compa\u00f1\u00eda\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Art Blakey_Blues March_Jazz Characters New Series_3CD","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Art-Blakey_Blues-March_Jazz-Characters-New-Series_3CD-200x189.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29037,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-art-blakey-like-someone-in-love-reid-miles-40\/","url_meta":{"origin":6946,"position":3},"title":"365 razones para amar el jazz: una portada. Art Blakey: Like Someone In Love (Reid Miles) [40]","author":"Tomajazz","date":"9 febrero, 2017","format":false,"excerpt":"Una portada de Reid Miles. Art Blakey And The Jazz Messengers:\u00a0Like Someone In Love\u00a0(Blue Note, 1967) Seleccionado por\u00a0Kuto. Una foto borrosa y movida con \u00a02 rostros humanos \u00a0formando una mancha negra y borrosa sobre un fondo claro. \u00a0En la tipograf\u00eda del t\u00edtulo vemos \u00a0un poco de color. Tan sencilla como\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Art-Blakey-And-The-Jazz-Messengers_Like-Someone-In-Love_Blue-Note_1967.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":13559,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-yougoslavian-railroad-song-stefan-pelzl-1990\/","url_meta":{"origin":6946,"position":4},"title":"Tomajazz recomienda\u2026 un tema: \u00abYougoslavian Railroad Song\u00bb (Stefan Pelzl, 1990)","author":"Adolphus van Tenzing","date":"13 octubre, 2014","format":false,"excerpt":"Stefan Pelzl es un saxofonista y flautista austriaco que lleva veinticinco a\u00f1os liderando su grupo \"Juju\" (suponemos que el nombre es un homenaje a Wayne Shorter). El primero de los cuatro discos de la banda, que incluye al incisivo guitarrista Andy Bartosch y al s\u00f3lido contrabajista Karl Sayer, de sonoridad\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"juju","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/juju.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5269,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-black-nile-wayne-shorter-1964\/","url_meta":{"origin":6946,"position":5},"title":"Tomajazz recomienda&#8230; un tema: \u00abBlack Nile\u00bb (Wayne Shorter, 1964)","author":"Adolphus van Tenzing","date":"4 marzo, 2013","format":false,"excerpt":"En 1964 Wayne Shorter era una especie de Rey Midas del jazz: lo que tocaba lo convert\u00eda en oro. Fue a lo largo de ese a\u00f1o cuando el saxofonista escribi\u00f3 y grab\u00f3 standards modernos como \"Virgo\", \"Juju\", \"Yes Or No\", \"Witch Hunt\", \"Fee-Fi-Fo-Fum\", \"Infant Eyes\" o \"Speak No Evil\". En\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6946"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6946\/revisions"}],"predecessor-version":[{"id":6950,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6946\/revisions\/6950"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}