{"id":6971,"date":"2013-06-19T11:00:33","date_gmt":"2013-06-19T09:00:33","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6971"},"modified":"2016-11-13T17:17:43","modified_gmt":"2016-11-13T16:17:43","slug":"gary-peacock-marilyn-crispell-azure-ecm-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/gary-peacock-marilyn-crispell-azure-ecm-2013\/","title":{"rendered":"Gary Peacock, Marilyn Crispell: Azure (ECM, 2013)"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6972\" rel=\"attachment wp-att-6972\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6972\" alt=\"gary peacock marilyn crispell azure\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure-54x55.jpg 54w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Marilyn<\/strong> <strong>Crispell<\/strong> y <strong>Gary<\/strong> <strong>Peacock<\/strong> <a title=\"Marilyn Crispell. Entrevista por Nobu Stowe\" href=\"http:\/\/www.tomajazz.com\/web\/?p=6902\" target=\"_blank\">tienen una trayectoria musical que en forma de grabaciones<\/a> (a la que habr\u00eda que a\u00f1adir los conciertos), es m\u00e1s que notable con hitos como <em>Amaryllis<\/em> o <em>Nothing Ever Was, Anyway<\/em> (ambos en tr\u00edo y en ECM con la participaci\u00f3n del baterista recientemente fallecido <a title=\"Paul Motian In Memoriam\" href=\"http:\/\/www.tomajazz.com\/perfiles\/motian_paul_memoriam.htm\" target=\"_blank\"><strong>Paul Motian<\/strong><\/a>). En <em>Azure<\/em>\u00a0(tambi\u00e9n en ECM) ambos se enfrentan mano con mano a cuatro temas de la pianista, otros cuatro del contrabajista y tres improvisaciones. Ese equilibrio en el repertorio se transmite a su vez a la m\u00fasica en forma de una interacci\u00f3n al m\u00e1ximo nivel. Su m\u00fasica est\u00e1 llena de un lirismo que invade de belleza la grabaci\u00f3n de principio a fin. Esta se desarrolla con una m\u00fasica llena de espacios que invita a pasearse entre las notas en parte de los temas, lo que contrasta con la intensidad y la abstracci\u00f3n -un complemento perfecto- del resto. Los temas forman una sucesi\u00f3n perfecta, en la que cada paso mejora el anterior, aunque si por obligaci\u00f3n hubiera que elegir un \u00fanico tema, la sublimaci\u00f3n de las bondades del disco se concentrar\u00eda en los menos de tres minutos de \u00abThe Lea\u00bb, bell\u00edsima composici\u00f3n de <strong>Gary<\/strong> <strong>Peacock<\/strong>.<\/p>\n<p>\u00a9 Pachi Tapiz, 2013<\/p>\n<p>Gary Peacock, Marilyn Crispell: <em>Azure<\/em> (ECM, 2013) *****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marilyn Crispell y Gary Peacock tienen una trayectoria musical que en forma de grabaciones (a la que habr\u00eda que a\u00f1adir los conciertos), es m\u00e1s que notable con hitos como Amaryllis o Nothing Ever Was, Anyway (ambos en tr\u00edo y en ECM con la participaci\u00f3n del baterista recientemente fallecido Paul Motian).<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/gary-peacock-marilyn-crispell-azure-ecm-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,5,1038,4758],"tags":[12651,1663,6781,12696,13,12415,15295,6744,31,16099,77,16100],"class_list":["entry","author-pachi","post-6971","post","type-post","status-publish","format-standard","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-cd","tag-ecm","tag-gary-peacock","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-marilyn-crispell","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6902,"url":"https:\/\/tomajazz.com\/web\/marilyn-crispell-entrevista-por-nobu-stowe\/","url_meta":{"origin":6971,"position":0},"title":"Marilyn Crispell. Entrevista por Nobu Stowe","author":"Tomajazz","date":"13 diciembre, 2008","format":false,"excerpt":"Entrevista con\u00a0Marilyn Crispell Lugar:\u00a0apartamento de la madre de Marilyn (Owings Mills, Maryland, EE UU) Fecha:\u00a015 de mayo de 2008 Entrevista realizada por\u00a0Nobu Stowe (Jazz Tokyo) Con preguntas de\u00a0Kenny Inaoka (Jazz Tokyo), Nobu Stowe y\u00a0Pachi Tapiz (Tomajazz). Fotograf\u00edas de\u00a0Hirohiko Kamiyama, Roberto Masotti Ilustraci\u00f3n de\u00a0Diego Ortega Alonso Un agradecimiento especial a\u00a0Frances Braune\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/crispell\/crispell_02.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":26878,"url":"https:\/\/tomajazz.com\/web\/hdo-178-guy-crispell-lytton-nicole-mitchell-dominique-pifarely-podcast\/","url_meta":{"origin":6971,"position":1},"title":"HDO 178. Guy \u2013 Crispell \u2013 Lytton. Nicole Mitchell. Dominique Pifar\u00e9ly [Podcast]","author":"Tomajazz","date":"14 octubre, 2016","format":false,"excerpt":"Los m\u00e1s que recomendables Deep Memory (Intakt, 2016) del tr\u00edo formado por Barry Guy, Marilyn Crispell y Paul Lytton; Moments of Fatherhood (RogueArt, 2016) del Nicole Mitchell Black Earth Ensemble Ensemble Laborintus; y\u00a0Trac\u00e9 Provisoire (ECM, 2016) de Dominique Pifar\u00e9ly Quartet son las tres grabaciones protagonistas de HDO 178. \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"barry-guy-marilyn-crispell-paul-lytton_deep-memory_intakt_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy-Marilyn-Crispell-Paul-Lytton_Deep-Memory_Intakt_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":32073,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-version-de-god-bless-the-child-por-keith-jarrett-trio-244\/","url_meta":{"origin":6971,"position":2},"title":"365 razones para amar el jazz: una versi\u00f3n de \u00abGod Bless The Child\u00bb por Keith Jarrett Trio [244]","author":"Tomajazz","date":"1 septiembre, 2017","format":false,"excerpt":"Una versi\u00f3n de: \"God Bless The Child\" (Arthur Herzog Jr., Billie Holiday) por Keith Jarrett Trio (Keith Jarrett, Gary Peacock, Jack DeJohnette), publicada en Standards Vol. 1 (ECM, 1983) Seleccionado por\u00a0Pachi Tapiz","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Keith-Jarrett_Standards-Vol-1_ECM_1983.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":32583,"url":"https:\/\/tomajazz.com\/web\/hdo-319-gary-peacock-chris-speed-fred-hersch-y-phil-schurger-de-jazz-y-melodias-podcast\/","url_meta":{"origin":6971,"position":3},"title":"HDO 319. Gary Peacock, Chris Speed, Fred Hersch y Phil Schurger: de jazz y melod\u00edas [Podcast]","author":"Tomajazz","date":"4 octubre, 2017","format":false,"excerpt":"Cuatro propuestas magn\u00edficas en las que lo mel\u00f3dico prima sobre lo improvisado. El veterano\u00a0Gary Peacock con un tr\u00edo de campanillas (Joey Baron y\u00a0Marc Copland) con\u00a0Tangents\u00a0(ECM, 2017);\u00a0Platinum On Tap\u00a0(Intakt, 2017) del\u00a0Chris Speed Trio\u00a0(acompa\u00f1an al saxofonistas\u00a0Dave King y\u00a0Chris Tordini);\u00a0Fred Hersch\u00a0con\u00a0Open Book\u00a0(Palmetto, 2017), en la que es su und\u00e9cima grabaci\u00f3n a piano solo;\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Gary-Peacock-Trio_Tangents_ECM_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Gary-Peacock-Trio_Tangents_ECM_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Gary-Peacock-Trio_Tangents_ECM_2017.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":3089,"url":"https:\/\/tomajazz.com\/web\/marilyn-crispell-y-louis-moholo-moholo-un-primer-encuentro-magico\/","url_meta":{"origin":6971,"position":4},"title":"Marilyn Crispell y Louis Moholo-Moholo: un primer encuentro m\u00e1gico","author":"Tomajazz","date":"6 mayo, 2009","format":false,"excerpt":"En 2008 Marilyn Crispell sorprendi\u00f3 con Vignettes. En su primer disco a piano solo en ECM se dejaba sentir el papel de Manfred Eicher, que hac\u00eda que su m\u00fasica perdiese parte de la inmediatez que ha caracterizado a la pianista a lo largo de su carrera. Afortunadamente, en su d\u00fao\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":56761,"url":"https:\/\/tomajazz.com\/web\/jazzx5256-keith-jarrett-gary-peacock-jack-dejohnette-god-bless-the-child-standards-vol-1-ecm-1983-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":6971,"position":5},"title":"JazzX5#256. Keith Jarrett &#8211; Gary Peacock &#8211; Jack DeJohnette: \u00abGod Bless The Child\u00bb [Standards, Vol. 1 (ECM, 1983)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"29 agosto, 2021","format":false,"excerpt":"Tomajazz llega a su entrada n\u00famero 8000 con una entrada de JazzX5. Por ese motivo una enorme versi\u00f3n del cl\u00e1sico \"God Bless The Child\" que grabaran Keith Jarrett, Jack DeJohnette y Gary Peacock en el disco de 1983, Standards, Vol. 1 (ECM).","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_256.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6971"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6971\/revisions"}],"predecessor-version":[{"id":23434,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6971\/revisions\/23434"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}