{"id":6971,"date":"2013-06-19T11:00:33","date_gmt":"2013-06-19T09:00:33","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=6971"},"modified":"2016-11-13T17:17:43","modified_gmt":"2016-11-13T16:17:43","slug":"gary-peacock-marilyn-crispell-azure-ecm-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/gary-peacock-marilyn-crispell-azure-ecm-2013\/","title":{"rendered":"Gary Peacock, Marilyn Crispell: Azure (ECM, 2013)"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=6972\" rel=\"attachment wp-att-6972\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-6972\" alt=\"gary peacock marilyn crispell azure\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/gary-peacock-marilyn-crispell-azure-54x55.jpg 54w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Marilyn<\/strong> <strong>Crispell<\/strong> y <strong>Gary<\/strong> <strong>Peacock<\/strong> <a title=\"Marilyn Crispell. Entrevista por Nobu Stowe\" href=\"http:\/\/www.tomajazz.com\/web\/?p=6902\" target=\"_blank\">tienen una trayectoria musical que en forma de grabaciones<\/a> (a la que habr\u00eda que a\u00f1adir los conciertos), es m\u00e1s que notable con hitos como <em>Amaryllis<\/em> o <em>Nothing Ever Was, Anyway<\/em> (ambos en tr\u00edo y en ECM con la participaci\u00f3n del baterista recientemente fallecido <a title=\"Paul Motian In Memoriam\" href=\"http:\/\/www.tomajazz.com\/perfiles\/motian_paul_memoriam.htm\" target=\"_blank\"><strong>Paul Motian<\/strong><\/a>). En <em>Azure<\/em>\u00a0(tambi\u00e9n en ECM) ambos se enfrentan mano con mano a cuatro temas de la pianista, otros cuatro del contrabajista y tres improvisaciones. Ese equilibrio en el repertorio se transmite a su vez a la m\u00fasica en forma de una interacci\u00f3n al m\u00e1ximo nivel. Su m\u00fasica est\u00e1 llena de un lirismo que invade de belleza la grabaci\u00f3n de principio a fin. Esta se desarrolla con una m\u00fasica llena de espacios que invita a pasearse entre las notas en parte de los temas, lo que contrasta con la intensidad y la abstracci\u00f3n -un complemento perfecto- del resto. Los temas forman una sucesi\u00f3n perfecta, en la que cada paso mejora el anterior, aunque si por obligaci\u00f3n hubiera que elegir un \u00fanico tema, la sublimaci\u00f3n de las bondades del disco se concentrar\u00eda en los menos de tres minutos de \u00abThe Lea\u00bb, bell\u00edsima composici\u00f3n de <strong>Gary<\/strong> <strong>Peacock<\/strong>.<\/p>\n<p>\u00a9 Pachi Tapiz, 2013<\/p>\n<p>Gary Peacock, Marilyn Crispell: <em>Azure<\/em> (ECM, 2013) *****<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marilyn Crispell y Gary Peacock tienen una trayectoria musical que en forma de grabaciones (a la que habr\u00eda que a\u00f1adir los conciertos), es m\u00e1s que notable con hitos como Amaryllis o Nothing Ever Was, Anyway (ambos en tr\u00edo y en ECM con la participaci\u00f3n del baterista recientemente fallecido Paul Motian).<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/gary-peacock-marilyn-crispell-azure-ecm-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17847,4313,5,1038,4758],"tags":[12651,1663,6781,12696,13,12415,15295,6744,31,16099,77,16100],"class_list":["entry","author-pachi","post-6971","post","type-post","status-publish","format-standard","category-pachi-tapiz","category-bun","category-grabaciones","category-contenidos","category-blogs","tag-cd","tag-ecm","tag-gary-peacock","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-marilyn-crispell","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6971","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=6971"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6971\/revisions"}],"predecessor-version":[{"id":23434,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/6971\/revisions\/23434"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=6971"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=6971"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=6971"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}