{"id":7143,"date":"2013-07-01T11:30:49","date_gmt":"2013-07-01T09:30:49","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=7143"},"modified":"2022-08-25T18:02:17","modified_gmt":"2022-08-25T16:02:17","slug":"terri-lyne-carrington-money-jungle-provocative-in-blue-concord-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/terri-lyne-carrington-money-jungle-provocative-in-blue-concord-2013\/","title":{"rendered":"Terri Lyne Carrington: Money Jungle. Provocative In Blue (Concord, 2013) [Grabaci\u00f3n]"},"content":{"rendered":"

\"\"\u00bfMoney Jungle<\/i>? Pues s\u00ed. Cincuenta a\u00f1os despu\u00e9s la baterista Terri Lyne Carrington<\/strong> rinde homenaje a uno de los discos m\u00e1s conocidos de la historia del jazz, el que aun\u00f3 a Duke Ellington<\/strong>, Charles Mingus<\/strong> y Max Roach<\/strong> all\u00e1 por 1962<\/a>. Pero con un lavado de cara considerable.<\/p>\n

En esta versi\u00f3n 2.0 el tr\u00edo lo forman Gerald Clayton<\/strong>, Christian McBride<\/strong> y la l\u00edder. Nadie imita (ni siquiera emula) a nadie. Toman los originales de Ellington<\/strong>, les a\u00f1aden alguna composici\u00f3n propia y actualizan el concepto con sinceridad, descaro y sonoridades actuales, sin efectismos ni gui\u00f1os forzados. Ya lo dejan claro desde el inicial \u201cMoney Jungle\u201d, donde el contrabajo de McBride<\/strong> es incluso m\u00e1s agresivo que el de Mingus<\/strong> en la versi\u00f3n original. Mezclan un swing <\/i>contagioso (\u201cVery Special\u201d) con ritmos cercanos al funk<\/i>, basan su discurso en el blues<\/i> pero no dudan en tirar de cualquier detalle estil\u00edstico del gusto contempor\u00e1neo, basando varias interpretaciones en patrones ejecutados al un\u00edsono entre piano y contrabajo. Y encima ampl\u00edan el tr\u00edo con colaboraciones de brillo, a destacar la del trompetista Clark Terry<\/strong> (\u00a192 a\u00f1os ya!) en \u201cFleurette Africain\u201d y la del trombonista Robin Eubanks<\/strong>. \u00bfY la Carrington<\/strong>? Pues discreta y centrada en el sonido del grupo, trabajando en equipo y sin destacar m\u00e1s que en las fotos de la carpetilla. Por cierto, que en la contraportada interior el tr\u00edo Clayon-McBride-Carrington<\/strong> recrea con bastante fidelidad la foto de portada del Money Jungle <\/i>original.<\/p>\n

Dos detalles impagables: en el \u00faltimo corte Shea Rose<\/strong> interpreta el poema \u201cMusic\u201d, tambi\u00e9n de Ellington<\/strong>. En ese mismo tema Herbie Hancock<\/strong> imita la voz del m\u00edtico pianista y compositor. Broche de oro para un disco sin complejos.<\/p>\n

\u00a9\u00a0\u00a0Arturo Mora Rioja<\/a>, 2013<\/p>\n

\u201cMoney Jungle\u201d, \u201cFleurette Africain\u201d, \u201cBackward Country Boy Blues\u201d, \u201cVery Special\u201d, \u201cWig Wise\u201d, \u201cGrass Roots\u201d (Terri Lyne Carrington), \u201cNo Boxes (Nor Words)\u201d (Terri Lyne Carrington), \u201cA Little Max (Parfait)\u201d, \u201cSwitch Blade\u201d, \u201cCut Off\u201d (Gerald Clayton), \u201cRem Blues\/Music\u201d<\/p>\n

Todos los temas escritos por Duke Ellington, excepto donde se indica.<\/p>\n

Gerald Clayton (piano, Fender Rhodes<\/i>), Christian McBride (contrabajo) y Terri Lyne Carrington (bater\u00eda), con Clark Terry (trompeta, voz), Robin Eubanks (tromb\u00f3n), Tia Fuller (saxo alto, flauta), Antonio Hart (flauta), Nir Felder (guitarra), Shea Rose, Lizz Wright, Herbie Hancock (voz) y Gabriela Jimeno Caldas (programaci\u00f3n)<\/p>\n

Grabado en Systems Two, Brooklyn (Nueva York, Estados Unidos).
\nConcord 34026-02<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00bfMoney Jungle? Pues s\u00ed. Cincuenta a\u00f1os despu\u00e9s la baterista Terri Lyne Carrington rinde homenaje a uno de los discos m\u00e1s conocidos de la historia del jazz, el que aun\u00f3 a Duke Ellington, Charles Mingus y Max Roach all\u00e1 por 1962. Pero con un lavado de cara considerable. En esta versi\u00f3nContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":50608,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,5,15517,1038],"tags":[260,12651,1556,1566,6845,1590,6637,6821,12696,253,13,12415,15295,1978,6844,6846,5013,5001,16099,77,16100],"class_list":["entry","author-arturo-mora","post-7143","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-grabaciones","category-textos","category-contenidos","tag-arturo-mora-rioja","tag-cd","tag-charles-mingus","tag-christian-mcbride","tag-clark-terry","tag-concord","tag-duke-ellington","tag-gerald-clayton","tag-grabaciones","tag-herbie-hancock","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-max-roach","tag-money-jungle","tag-robin-eubanks","tag-shea-rose","tag-terri-lyne-carrington","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/Terri-Lyne-Carrington_Money-Jungle-Provocative-In-Blue.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19687,"url":"https:\/\/tomajazz.com\/web\/terri-lyne-carrington-xxviii-jazz-en-la-costa-almunecar-granada-2015-07-18\/","url_meta":{"origin":7143,"position":0},"title":"Terri Lyne Carrington (XXVIII Jazz en la Costa. Almu\u00f1\u00e9car, Granada. 2015-07-19)","author":"Tomajazz","date":"16 septiembre, 2015","format":"image","excerpt":"Jazz en la Costa. Almu\u00f1\u00e9car XXVIII edici\u00f3n. Fecha: 19 de julio de 2015. Lugar: Almu\u00f1\u00e9car, Granada. 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M\u00e1s all\u00e1 de ser\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/ellington-mingus-roach-Money-Jungle.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":18612,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-money-jungle-duke-ellington-charles-mingus-max-roach\/","url_meta":{"origin":7143,"position":2},"title":"La m\u00fasica de LODLMA: Money Jungle (Duke Ellington, Charles Mingus, Max Roach)","author":"Tomajazz","date":"1 junio, 2015","format":false,"excerpt":"En el tercer cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana\u00a0(LODLMA) suena... \"Caravan\" Deseo de Duke Ellington de grabar junto a Max Roach y Charles\u00a0Mingus, o idea de la discogr\u00e1fica United Artists, Money Jungle reuni\u00f3 por primera y \u00fanica vez en el estudio a estos tres m\u00fasicos. 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Interpretado por mujeres. Lo chocante no es la calidad y cantidad de f\u00e9minas que desfila por esteMosaic, sino lo poco habitual que es encontrar m\u00e1s discos grabados en su totalidad por representantes del mal llamado sexo d\u00e9bil. La idea surge de la bater\u00eda Terri Lyne Carrington. Las\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/tlc_m.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":67009,"url":"https:\/\/tomajazz.com\/web\/terri-lyne-carrington-2022\/","url_meta":{"origin":7143,"position":5},"title":"Terri Lyne Carrington New Standards Vol. 1 (Candid Records, 2022) Por Juan F. Trillo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"26 septiembre, 2022","format":false,"excerpt":"Juan F. 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