blues<\/em> (composici\u00f3n del trompetista)\u00a0para acabar. No hace falta m\u00e1s. Baker interpreta los temas con notas largas y firmes, haciendo de sus solos una extensi\u00f3n de las melod\u00edas. Todos trabajan para \u00e9l, y \u00e9l les devuelve el favor brillando como nunca. Delicioso.<\/p>\n\u00a9 Adolphus van Tenzing, 2013<\/p>\n
Chet Baker –\u00a0Chet\u00a0<\/em>(Riverside RLP 12-299)<\/p>\n","protected":false},"excerpt":{"rendered":"Los que tengan a Chet Baker por un m\u00fasico facil\u00f3n y edulcorado deber\u00edan escuchar con atenci\u00f3n este Chet. En su faceta instrumental, el trompetista se re\u00fane con todo un\u00a0all-star\u00a0de m\u00fasicos para abordar\u00a0standards\u00a0con cari\u00f1o y dulzura. El flautista Herbie Mann y el bar\u00edtono Pepper Adams comparten protagonismo con el l\u00edder, oContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":7582,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1038,1273],"tags":[5366,7041,427,7042,7035,7034,7038,7043,7036,7040,7037,7039,2083,5566,2097,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-7580","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-alone-together","tag-bill-evans","tag-blue-in-green","tag-chet","tag-chet-baker","tag-connie-kay","tag-early-morning-mood","tag-herbie-mann","tag-how-high-the-moon","tag-kenny-burrell","tag-kind-of-blue","tag-paul-chambers","tag-pepper-adams","tag-philly-joe-jones","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/recomienda3.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30960,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-chet-chet-baker-164-a-new-perspective-14\/","url_meta":{"origin":7580,"position":0},"title":"365 razones para amar el jazz: una portada. Chet (Chet Baker) [164] [A New Perspective 14]","author":"Tomajazz","date":"13 junio, 2017","format":false,"excerpt":"Una portada. Chet\u00a0(Chet Baker. Riverside, 1959). Fotograf\u00eda de Melvin Sokolsky. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cimo cuarta entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Chet Baker, Pepper Adams, Herbie Mann, Kenny Burrell, Bill Evans,\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Chet-Baker_Chet_Riverside.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":48579,"url":"https:\/\/tomajazz.com\/web\/bill-evans-iv-art-pepper-la-odisea-de-la-musica-afroamericana-222-podcast\/","url_meta":{"origin":7580,"position":1},"title":"Bill Evans (IV) – Art Pepper (I). 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Trillo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 abril, 2023","format":false,"excerpt":"En 2023 se ha publicado una grabaci\u00f3n in\u00e9dita de Chet Baker: Blue Room: The 1979 VARA Studio Sessions in Holland (Jazz Detective). Juan F. Trillo repasa la grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Chet Baker: Blue Room (Jazz Detective, 2023) Por Juan F. Trillo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - En 2023 se ha publicado una grabaci\u00f3n in\u00e9dita de Chet Baker: Blue Room: The 1979 VARA Studio Sessions in Holland (Jazz Detective). Juan F. 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![\"Chet](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/recomienda3.jpg\" "\\"\\"")
<\/a>Los que tengan a Chet Baker por un m\u00fasico facil\u00f3n y edulcorado deber\u00edan escuchar con atenci\u00f3n este Chet<\/em>. En su faceta instrumental, el trompetista se re\u00fane con todo un\u00a0all-star\u00a0<\/em>de m\u00fasicos para abordar\u00a0standards\u00a0<\/em>con cari\u00f1o y dulzura. El flautista Herbie Mann y el bar\u00edtono Pepper Adams comparten protagonismo con el l\u00edder, o bien crean ligeros colchones arm\u00f3nicos para \u00e9l (\u00ab‘Tis Autumn\u00bb). Paul Chambers acaricia las cuerdas de su contrabajo en las baladas, abordando sus danzarines tresillos marca de la casa en \u00abHow High The Moon\u00bb. Bill Evans presenta, en la introducci\u00f3n a \u00abAlone Together\u00bb, un esbozo de su emergente \u00abBlue In Green\u00bb (Kind Of Blue\u00a0<\/em>se grabar\u00eda dos meses despu\u00e9s). La bater\u00eda se la reparten entre Connie Kay y Philly Joe Jones. Para colmo, el guitarrista Kenny Burrell aparece brevemente.\u00a0Nueve baladas y medios tiempos m\u00e1s un\u00a0blues<\/em> (composici\u00f3n del trompetista)\u00a0para acabar. No hace falta m\u00e1s. Baker interpreta los temas con notas largas y firmes, haciendo de sus solos una extensi\u00f3n de las melod\u00edas. Todos trabajan para \u00e9l, y \u00e9l les devuelve el favor brillando como nunca. Delicioso.<\/p>\n