{"id":7640,"date":"2013-08-06T11:00:56","date_gmt":"2013-08-06T09:00:56","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=7640"},"modified":"2016-05-21T20:27:51","modified_gmt":"2016-05-21T18:27:51","slug":"who-the-fuck-erice-y-lopez-lopez-y-erice-especial-agosto-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/who-the-fuck-erice-y-lopez-lopez-y-erice-especial-agosto-2013\/","title":{"rendered":"Who The Fuck?: Erice y L\u00f3pez, L\u00f3pez y Erice [Especial agosto 2013]"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7641\" rel=\"attachment wp-att-7641\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7641 alignnone\" alt=\"membrillo\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/membrillo.jpg\" width=\"200\" height=\"278\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/membrillo.jpg 681w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/membrillo-108x150.jpg 108w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/membrillo-216x300.jpg 216w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/membrillo-600x832.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/membrillo-39x55.jpg 39w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p>Por Gonzalo Ar\u00f3stegui Lasarte: novelista y autor del\u00a0<i>blog\u00a0<\/i><a href=\"http:\/\/raggedglory.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener\">Ragged Glory<\/a><\/p>\n<p><em>Erice y L\u00f3pez, L\u00f3pez y Erice<\/em><\/p>\n<p>Quiere captar<br \/>\nla luz imposible<br \/>\nAntonio L\u00f3pez,<br \/>\nbajo la atenta mirada<br \/>\nde V\u00edctor Erice,<br \/>\nmirada de orfebre<br \/>\nque parece ocultarse<br \/>\nen cada plano,<br \/>\nconvirtiendo el documental<br \/>\nen ficci\u00f3n,<br \/>\nla ficci\u00f3n en documental,<br \/>\nsin ser lo uno ni lo otro,<br \/>\nsino novedad at\u00e1vica<br \/>\nque se alimenta de<br \/>\nlos hermanos Lumi\u00e8re,<br \/>\nde Flaherty, de Murnau,<br \/>\nde Renoir, de Ozu.<br \/>\nDe Rossellini.<br \/>\nLa tradici\u00f3n<br \/>\nse hace vanguardia<br \/>\n\u2014vanguardia agradecida,<br \/>\nno genuflexa: sabia\u2014<br \/>\ncon Antonio L\u00f3pez<br \/>\n\u2014que era el observado\u2014<br \/>\ncomo testigo y protagonista<br \/>\nde la creaci\u00f3n de una obra<br \/>\ngenuina,<br \/>\ncumbre,<br \/>\nmaestra.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por Gonzalo Ar\u00f3stegui Lasarte: novelista y autor del\u00a0blog\u00a0Ragged Glory Erice y L\u00f3pez, L\u00f3pez y Erice Quiere captar la luz imposible Antonio L\u00f3pez, bajo la atenta mirada de V\u00edctor Erice, mirada de orfebre que parece ocultarse en cada plano, convirtiendo el documental en ficci\u00f3n, la ficci\u00f3n en documental, sin ser lo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/who-the-fuck-erice-y-lopez-lopez-y-erice-especial-agosto-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4313,1038,2386,7056,4758],"tags":[7075,4957,16099,16100,7074],"class_list":["entry","author-pachi","post-7640","post","type-post","status-publish","format-standard","category-bun","category-contenidos","category-who-the-fuck","category-who-the-fuck-especial-agosto-2013","category-blogs","tag-antonio-lopez","tag-gonzalo-arostegui-lasarte","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-victor-erice"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2256,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-la-madre-de-whistler-gonzalo-arostegui-lasarte-especial-agosto-2012\/","url_meta":{"origin":7640,"position":0},"title":"Who The Fuck?: La madre de Whistler (Gonzalo Ar\u00f3stegui Lasarte) [Especial agosto 2012]","author":"Tomajazz","date":"14 agosto, 2012","format":false,"excerpt":"La madre de Whistler Por Gonzalo Ar\u00f3stegui Lasarte: novelista y autor del blog Ragged GloryHas posado sentadapara que tu hijo te pinte,sin saber que vas a prefigurara Mondrian, a Mal\u00e9vich,a todo el arte abstracto que surgir\u00e1\u2014violento y extraordinario\u2014el siglo que viene.Tu mirada, tu postura y tu ropason una abstracci\u00f3n de\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4324,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-1280-almas-jim-thompson-1964-0172-26012013\/","url_meta":{"origin":7640,"position":1},"title":"Who the Fuck?: 1280 almas (Jim Thompson, 1964) [0172, 26\/01\/2013]","author":"Tomajazz","date":"26 enero, 2013","format":false,"excerpt":"1280 almas Jim Thompson Roca Editorial (2010; publicado 1964) Agradecimiento a Gonzalo Ar\u00f3stegui Lasarte de\u00a0Ragged Glory.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/1280-almas.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2556,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-violin-concertos-nos-1-and-2-nocturne-and-tarantella-karol-szymanowski-especial-agosto-2011-el-retorno\/","url_meta":{"origin":7640,"position":2},"title":"Who the fuck?: Violin concertos nos. 1 and 2. Nocturne and Tarantella (Karol Szymanowski) [Especial agosto 2011. El retorno]","author":"Tomajazz","date":"9 agosto, 2011","format":false,"excerpt":"Karol SzymanowskiViolin concertos nos. 1 and 2. Nocturne and TarantellaIlya Kaler (viol\u00edn). Warsaw Philarmonic Orchestra (dirigida por Antoni Wit)Naxos (2007)Seleccionado por Quinito L\u00f3pez Mourelle","rel":"","context":"En \u00ab*_Quinito L\u00f3pez Mourelle\u00bb","block_context":{"text":"*_Quinito L\u00f3pez Mourelle","link":"https:\/\/tomajazz.com\/web\/category\/quinito-lopez-mourelle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-7xnyKLJHn8M\/TjKZN1GfEII\/AAAAAAAADPk\/Qh2cXn5_6N0\/s200\/szymanowski_violinconcertos.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2206,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-forever-changes-love-1967-0140-6102012\/","url_meta":{"origin":7640,"position":3},"title":"Who the Fuck?: Forever Changes (Love, 1967) [0140, 6\/10\/2012]","author":"Tomajazz","date":"6 octubre, 2012","format":false,"excerpt":"Forever ChangesLoveElektra (1967)Nota: como es costumbre, en la entrada de la secci\u00f3n \"Who the Fuck?\" no se a\u00f1ade comentario alguno. 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