{"id":76870,"date":"2023-08-01T12:30:23","date_gmt":"2023-08-01T10:30:23","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=76870"},"modified":"2023-07-31T22:19:23","modified_gmt":"2023-07-31T20:19:23","slug":"pete-oxley-mercurial-indigo-2023","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/pete-oxley-mercurial-indigo-2023\/","title":{"rendered":"Pete Oxley &#038; Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-76872 size-medium\" title=\"Pete Oxley &amp; Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] Tomajazz 9.0 Pete Oxley Nicolas Meier Mercurial Indigo MGP Records 2023\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--300x268.jpg\" alt=\"Pete Oxley &amp; Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Pete Oxley y Nicolas Meier han publicado Mercurial Indigo (MGP Records; 2023). Enrique Farelo repasa la grabaci\u00f3n.\" width=\"300\" height=\"268\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--300x268.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--600x536.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--768x686.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--465x415.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--560x500.jpg 560w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Con <em>Travels to the West<\/em> (MGP Records 2012) se inicia la fruct\u00edfera relaci\u00f3n entre Pete Oxley y Nicolas Meier, uno brit\u00e1nico y el otro suizo, que dura ya 11 a\u00f1os y cinco colaboraciones con \u00e9ste \u00faltimo <em>Mercurial Indigo<\/em>.<\/p>\n<p>Aunque componen individualmente, reparti\u00e9ndose la autor\u00eda del repertorio, Nicolas Meier y Pete Oxley practican un maridaje de profundas ra\u00edces, que interact\u00faa con suave fluidez y que corre como el rumor del agua en el arroyo o como la hipn\u00f3tica brisa de las olas marinas del Mediterr\u00e1neo desde la inicial \u201cThe Silver Surface of the Sea\u201d.<\/p>\n<p><em>Mercurial Indigo<\/em>, ha sido elogiado por el guitarrista de Oregon, Ralph Towner, comentando su faceta virtuosa, su profundidad, ingenio y alegr\u00eda.<\/p>\n<p>Su estilo es innegociable y ambos tienen las ideas muy definidas, <em>Jazz\/World Music <\/em>aderezado con ciertas dosis de <em>pop<\/em> o <em>New Age<\/em>, esa es su tarjeta de presentaci\u00f3n y, la forma escogida es la amabilidad y el bienestar sonoro, convirtiendo su m\u00fasica en algo totalmente identificable y muy reconocible.<\/p>\n<p>Sus paisajes sonoros son ricos en matices coloristas y cristalinos en la bella \u201cMercurial Views\u201d y recorren el mundo como si fuera parte de una sola regi\u00f3n.<\/p>\n<p>En ese recorrer el planeta, en esa globalizaci\u00f3n, no falta la obligada visita al embrujo oriental de Turqu\u00eda, en piezas como \u201cSpice Bazaar\u201d o \u201cCrossroads\u201d, compuestas ambas por Nicolas Meier.<\/p>\n<p>Parece innegable la relaci\u00f3n existente entre el sonido de ese Pat Metheny, alegre y distendido y Nicolas Meier y Pete Oxley que se plasma en \u201cRainbows\u201d o \u201cThe Surging Waves\u201d.<\/p>\n<p>En la turbadora, \u201cA Visit to Heave\u201d, Pete Oxley y Nicolas Meier, nos elevan al cielo en una alfombra m\u00e1gica sonora de tintes <em>jazzy<\/em> muy bien apoyado con el contrabajo de Raph Mizraki y las sedosas baquetas de Paul Cavaciuti.<\/p>\n<p>En otras ocasiones, en su caminar, visitan Andaluc\u00eda en la aflamencada \u201cThe dance of Light\u201d.<\/p>\n<p>Un \u00e1lbum de f\u00e1cil digesti\u00f3n que entra f\u00e1cil y te sienta mejor.<\/p>\n<p>\u00a1Disfr\u00fatalo!<\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 <strong><a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Enrique Farelo<\/a><\/strong>, 2023<\/p>\n<h3>Pete Oxley &amp; Nicolas Meier: <em>Mercurial Indigo<\/em> (Edici\u00f3n digital <em>MGP Records <\/em>2023)<\/h3>\n<p>Nicolas Meier (guitarras ac\u00fasticas y el\u00e9ctricas de 6 y 12 cuerdas y <em>glissentar<\/em>), Pete Oxley (guitarra el\u00e9ctrica, cl\u00e1sica, ac\u00fastica, sitar, guitarra el\u00e9ctrica de 12 cuerdas, <em>e-bow<\/em> guitarra, compositor y producci\u00f3n), Raph Mizraki (bajo el\u00e9ctrico, bajo sin trastes, contrabajo) y Paul Cavaciuti (bater\u00eda)<\/p>\n<p>1 \u201cThe Silver Surface of the Sea\u201d, 2 \u201cRainbows\u201d, 3 \u201cSpice Bazaar\u201d, 4 \u201cMercurial Views\u201d, 5 \u201cThe Surging Waves\u201d, 6 \u201cA Visit to Heave\u201d, 7 \u201cThe Pulse\u201d y 8 \u201cCrossroads\u201d, 9 \u201cThe dance of Light\u201d y 10 \u201cTimeless\u201d<br \/>\nTodas las composiciones de Nicolas Meier y Pete Oxley.<\/p>\n<p>Grabado en MGP estudios en 2023.<\/p>\n<h3>Y adem\u00e1s&#8230;<\/h3>\n<blockquote class=\"wp-embedded-content\" data-secret=\"zwd0mIhCL4\"><p><a href=\"https:\/\/tomajazz.com\/web\/pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion\/\">Pete Oxley &#8211; Nicolas Meier:The alluring Ascent (MGP Records 2019) [Grabaci\u00f3n]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00abPete Oxley &#8211; Nicolas Meier:The alluring Ascent (MGP Records 2019) [Grabaci\u00f3n]\u00bb \u2014 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion\/embed\/#?secret=ujFMFr6bkd#?secret=zwd0mIhCL4\" data-secret=\"zwd0mIhCL4\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"OnnkYF13Eu\"><p><a href=\"https:\/\/tomajazz.com\/web\/pete-oxley-y-nicolas-meier-the-colours-of-time-mgp-records-2016\/\">Pete Oxley &#038; Nicolas Meier: The Colours Of Time (MGP Records 2016) Por Enrique Farelo [Grabaci\u00f3n de jazz]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00abPete Oxley &#038; Nicolas Meier: The Colours Of Time (MGP Records 2016) Por Enrique Farelo [Grabaci\u00f3n de jazz]\u00bb \u2014 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/pete-oxley-y-nicolas-meier-the-colours-of-time-mgp-records-2016\/embed\/#?secret=SRFu3MTlzF#?secret=OnnkYF13Eu\" data-secret=\"OnnkYF13Eu\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<h3>M\u00e1s informaci\u00f3n<\/h3>\n<p><a href=\"https:\/\/www.meiergroup.com\/oxley-meier\" target=\"_blank\" rel=\"noopener\">https:\/\/www.meiergroup.com\/oxley-meier<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=oxley+meier&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=oxley+meier&amp;submit=Search<\/a><\/p>\n<h4>Enrique Farelo en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pete Oxley  y Nicolas Meier han publicado Mercurial Indigo (MGP Records; 2023). Enrique Farelo repasa la grabaci\u00f3n.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/pete-oxley-mercurial-indigo-2023\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":76872,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5,17848,15517,1038],"tags":[304,18892,17546,18891,18889,18890],"class_list":["entry","author-pachi","has-excerpt","post-76870","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","category-contenidos","tag-enrique-farelo","tag-mgp-records","tag-nicolas-meier","tag-paul-cavaciuti","tag-pete-oxley","tag-raph-mizraki"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29219,"url":"https:\/\/tomajazz.com\/web\/pete-oxley-y-nicolas-meier-the-colours-of-time-mgp-records-2016\/","url_meta":{"origin":76870,"position":0},"title":"Pete Oxley &#038; Nicolas Meier: The Colours Of Time (MGP Records 2016) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 febrero, 2017","format":false,"excerpt":"Diez piezas componen el primero de los CD de The Colours Of Time, dos guitarristas y multitud de guitarras ac\u00fasticas, el\u00e9ctricas, sintetizadas o con cuerdas de nailon que sirven de pretexto para alcanzar un fin bello en s\u00ed mismo a trav\u00e9s de un recorrido colorista y ameno como pocos, no\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Pete Oxley & Nicolas Meier: The Colours Of Time (MGP Records 2016) [CD] - Tomajazz 9.0","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Pete-Oxley-Nicolas-Meier_The-Colours-of-Time_MGP-Records_2016-e1486500293808.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Pete-Oxley-Nicolas-Meier_The-Colours-of-Time_MGP-Records_2016-e1486500293808.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Pete-Oxley-Nicolas-Meier_The-Colours-of-Time_MGP-Records_2016-e1486500293808.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":42759,"url":"https:\/\/tomajazz.com\/web\/pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion\/","url_meta":{"origin":76870,"position":1},"title":"Pete Oxley &#8211; Nicolas Meier:The alluring Ascent (MGP Records 2019) [Grabaci\u00f3n]","author":"Tomajazz","date":"3 abril, 2019","format":false,"excerpt":"Por\u00a0Enrique Farelo. The alluring Ascent es un viaje por un mundo amable y armonioso, tranquilo, bello y optimista que el mismo Pat Metheny aprobar\u00eda sin pesta\u00f1ear. No faltan las pinceladas \u00e9tnicas siempre acompa\u00f1adas de las estructuras jazz de mayor solidez y virtuosismo aderezadas de texturas coloristas y paisajes sonoros ricos\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/04\/Pete-Oxley-y-Nicolas-Meier-%E2%80%93The-alluring-ascent-MGP-Records-2019.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":45247,"url":"https:\/\/tomajazz.com\/web\/nicolas-meier-world-group-peaceful-mgp-records-2019-grabacion\/","url_meta":{"origin":76870,"position":2},"title":"Nicolas Meier World Group: Peaceful (MGP Records, 2019) [Grabaci\u00f3n]","author":"Tomajazz","date":"6 septiembre, 2019","format":false,"excerpt":"Por\u00a0Enrique Farelo. Nicolas Meier es sin duda un ciudadano del mundo, as\u00ed lo expresa en su m\u00fasica y lo lleva impreso en la denominaci\u00f3n de su grupo. Nicolas Meier recorre el mundo a trav\u00e9s de su m\u00fasica y sus diferentes guitarras. Ecl\u00e9ctico en su concepci\u00f3n musical no deja de lado\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Nicolas Meier World Group: Peaceful (MGP Records, 2019) [Grabaci\u00f3n]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/08\/Nicolas-Meier-World-Group-Peaceful-2019.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":26888,"url":"https:\/\/tomajazz.com\/web\/nicolas-meier-infinity-favored-nations-records-2016-cd\/","url_meta":{"origin":76870,"position":3},"title":"Nicolas Meier: Infinity (Favored Nations Records, 2016) [CD]","author":"Tomajazz","date":"14 octubre, 2016","format":false,"excerpt":"Composiciones como \u201cRiversides\u201d, \u201cTales\u201d o \u201cSerene\u201d formaron parte de su anterior trabajo Chasing Tales (MGP Records 2015) grabado al alim\u00f3n entre el propio Nicolas Meier y el tambi\u00e9n guitarrista Pete Oxley. De Nicolas Meier se pueden decir muchas cosas ya que \u00e9l no es un m\u00fasico al uso, es m\u00e1s\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nicolas-Meier_Infinity_X_2016-e1476380920660.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nicolas-Meier_Infinity_X_2016-e1476380920660.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Nicolas-Meier_Infinity_X_2016-e1476380920660.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":26994,"url":"https:\/\/tomajazz.com\/web\/dwiki-dharmawan-pasar-klewer-moonjune-records-2016-2cd-cd\/","url_meta":{"origin":76870,"position":4},"title":"Dwiki Dharmawan: Pasar Klewer (Moonjune records, 2016. 2CD) [CD]","author":"Tomajazz","date":"21 octubre, 2016","format":false,"excerpt":"Pasar Klewer es el segundo trabajo del pianista y compositor indonesio Dwiki Dharmawan para moonjune records y pasa por ser una de sus obras m\u00e1s importantes por originalidad y creatividad, donde es dif\u00edcil encontrar una definici\u00f3n que encaje a la perfecci\u00f3n con lo que se ofrece en el mismo. De\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Dwiki-Dharmawan_Pasar-Klewer_Moonjune_2016_2CD-e1476992279186.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Dwiki-Dharmawan_Pasar-Klewer_Moonjune_2016_2CD-e1476992279186.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Dwiki-Dharmawan_Pasar-Klewer_Moonjune_2016_2CD-e1476992279186.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":105678,"url":"https:\/\/tomajazz.com\/web\/stephan-thelen-fractal-guitar-4-2025\/","url_meta":{"origin":76870,"position":5},"title":"Stephan Thelen: Fractal Guitar 4 (MoonJune records 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"31 mayo, 2026","format":false,"excerpt":"Fractal Guitar 4 (MoonJune records 2025) es la nueva grabaci\u00f3n de Stephan Thelen. Enrique Farelo repasa esta obra. Con Stephan Thelen, Markus Reuter, Eivind Aarset, Jon Durant, Stefan Huth, Yogev Gabay, Giri Subramaniam, Andi Pupato, Fabio Anile","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Stephan Thelen: Fractal Guitar 4 (MoonJune records 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Fractal Guitar 4 (MoonJune records 2025) es la nueva grabaci\u00f3n de Stephan Thelen. Enrique Farelo repasa esta obra. Con Stephan Thelen, Markus Reuter, Eivind Aarset, Jon Durant, Stefan Huth, Yogev Gabay, Giri Subramaniam, Andi Pupato, Fabio Anile","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/stephan-thelen-fractal-guitar-4-Moonjune-Records-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/stephan-thelen-fractal-guitar-4-Moonjune-Records-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/stephan-thelen-fractal-guitar-4-Moonjune-Records-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/stephan-thelen-fractal-guitar-4-Moonjune-Records-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/76870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=76870"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/76870\/revisions"}],"predecessor-version":[{"id":76876,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/76870\/revisions\/76876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/76872"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=76870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=76870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=76870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}