{"id":76870,"date":"2023-08-01T12:30:23","date_gmt":"2023-08-01T10:30:23","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=76870"},"modified":"2023-07-31T22:19:23","modified_gmt":"2023-07-31T20:19:23","slug":"pete-oxley-mercurial-indigo-2023","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/pete-oxley-mercurial-indigo-2023\/","title":{"rendered":"Pete Oxley &#038; Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-76872 size-medium\" title=\"Pete Oxley &amp; Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] Tomajazz 9.0 Pete Oxley Nicolas Meier Mercurial Indigo MGP Records 2023\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--300x268.jpg\" alt=\"Pete Oxley &amp; Nicolas Meier: Mercurial Indigo (MGP Records; 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Pete Oxley y Nicolas Meier han publicado Mercurial Indigo (MGP Records; 2023). Enrique Farelo repasa la grabaci\u00f3n.\" width=\"300\" height=\"268\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--300x268.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--600x536.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--768x686.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--465x415.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023--560x500.jpg 560w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Con <em>Travels to the West<\/em> (MGP Records 2012) se inicia la fruct\u00edfera relaci\u00f3n entre Pete Oxley y Nicolas Meier, uno brit\u00e1nico y el otro suizo, que dura ya 11 a\u00f1os y cinco colaboraciones con \u00e9ste \u00faltimo <em>Mercurial Indigo<\/em>.<\/p>\n<p>Aunque componen individualmente, reparti\u00e9ndose la autor\u00eda del repertorio, Nicolas Meier y Pete Oxley practican un maridaje de profundas ra\u00edces, que interact\u00faa con suave fluidez y que corre como el rumor del agua en el arroyo o como la hipn\u00f3tica brisa de las olas marinas del Mediterr\u00e1neo desde la inicial \u201cThe Silver Surface of the Sea\u201d.<\/p>\n<p><em>Mercurial Indigo<\/em>, ha sido elogiado por el guitarrista de Oregon, Ralph Towner, comentando su faceta virtuosa, su profundidad, ingenio y alegr\u00eda.<\/p>\n<p>Su estilo es innegociable y ambos tienen las ideas muy definidas, <em>Jazz\/World Music <\/em>aderezado con ciertas dosis de <em>pop<\/em> o <em>New Age<\/em>, esa es su tarjeta de presentaci\u00f3n y, la forma escogida es la amabilidad y el bienestar sonoro, convirtiendo su m\u00fasica en algo totalmente identificable y muy reconocible.<\/p>\n<p>Sus paisajes sonoros son ricos en matices coloristas y cristalinos en la bella \u201cMercurial Views\u201d y recorren el mundo como si fuera parte de una sola regi\u00f3n.<\/p>\n<p>En ese recorrer el planeta, en esa globalizaci\u00f3n, no falta la obligada visita al embrujo oriental de Turqu\u00eda, en piezas como \u201cSpice Bazaar\u201d o \u201cCrossroads\u201d, compuestas ambas por Nicolas Meier.<\/p>\n<p>Parece innegable la relaci\u00f3n existente entre el sonido de ese Pat Metheny, alegre y distendido y Nicolas Meier y Pete Oxley que se plasma en \u201cRainbows\u201d o \u201cThe Surging Waves\u201d.<\/p>\n<p>En la turbadora, \u201cA Visit to Heave\u201d, Pete Oxley y Nicolas Meier, nos elevan al cielo en una alfombra m\u00e1gica sonora de tintes <em>jazzy<\/em> muy bien apoyado con el contrabajo de Raph Mizraki y las sedosas baquetas de Paul Cavaciuti.<\/p>\n<p>En otras ocasiones, en su caminar, visitan Andaluc\u00eda en la aflamencada \u201cThe dance of Light\u201d.<\/p>\n<p>Un \u00e1lbum de f\u00e1cil digesti\u00f3n que entra f\u00e1cil y te sienta mejor.<\/p>\n<p>\u00a1Disfr\u00fatalo!<\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 <strong><a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Enrique Farelo<\/a><\/strong>, 2023<\/p>\n<h3>Pete Oxley &amp; Nicolas Meier: <em>Mercurial Indigo<\/em> (Edici\u00f3n digital <em>MGP Records <\/em>2023)<\/h3>\n<p>Nicolas Meier (guitarras ac\u00fasticas y el\u00e9ctricas de 6 y 12 cuerdas y <em>glissentar<\/em>), Pete Oxley (guitarra el\u00e9ctrica, cl\u00e1sica, ac\u00fastica, sitar, guitarra el\u00e9ctrica de 12 cuerdas, <em>e-bow<\/em> guitarra, compositor y producci\u00f3n), Raph Mizraki (bajo el\u00e9ctrico, bajo sin trastes, contrabajo) y Paul Cavaciuti (bater\u00eda)<\/p>\n<p>1 \u201cThe Silver Surface of the Sea\u201d, 2 \u201cRainbows\u201d, 3 \u201cSpice Bazaar\u201d, 4 \u201cMercurial Views\u201d, 5 \u201cThe Surging Waves\u201d, 6 \u201cA Visit to Heave\u201d, 7 \u201cThe Pulse\u201d y 8 \u201cCrossroads\u201d, 9 \u201cThe dance of Light\u201d y 10 \u201cTimeless\u201d<br \/>\nTodas las composiciones de Nicolas Meier y Pete Oxley.<\/p>\n<p>Grabado en MGP estudios en 2023.<\/p>\n<h3>Y adem\u00e1s&#8230;<\/h3>\n<blockquote class=\"wp-embedded-content\" data-secret=\"zwd0mIhCL4\"><p><a href=\"https:\/\/tomajazz.com\/web\/pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion\/\">Pete Oxley &#8211; Nicolas Meier:The alluring Ascent (MGP Records 2019) [Grabaci\u00f3n]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00abPete Oxley &#8211; Nicolas Meier:The alluring Ascent (MGP Records 2019) [Grabaci\u00f3n]\u00bb \u2014 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/pete-oxley-nicolas-meierthe-alluring-ascent-mgp-records-2019-grabacion\/embed\/#?secret=ujFMFr6bkd#?secret=zwd0mIhCL4\" data-secret=\"zwd0mIhCL4\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"OnnkYF13Eu\"><p><a href=\"https:\/\/tomajazz.com\/web\/pete-oxley-y-nicolas-meier-the-colours-of-time-mgp-records-2016\/\">Pete Oxley &#038; Nicolas Meier: The Colours Of Time (MGP Records 2016) Por Enrique Farelo [Grabaci\u00f3n de jazz]<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; visibility: hidden;\" title=\"\u00abPete Oxley &#038; Nicolas Meier: The Colours Of Time (MGP Records 2016) Por Enrique Farelo [Grabaci\u00f3n de jazz]\u00bb \u2014 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/pete-oxley-y-nicolas-meier-the-colours-of-time-mgp-records-2016\/embed\/#?secret=SRFu3MTlzF#?secret=OnnkYF13Eu\" data-secret=\"OnnkYF13Eu\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<h3>M\u00e1s informaci\u00f3n<\/h3>\n<p><a href=\"https:\/\/www.meiergroup.com\/oxley-meier\" target=\"_blank\" rel=\"noopener\">https:\/\/www.meiergroup.com\/oxley-meier<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=oxley+meier&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=oxley+meier&amp;submit=Search<\/a><\/p>\n<h4>Enrique Farelo en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pete Oxley  y Nicolas Meier han publicado Mercurial Indigo (MGP Records; 2023). Enrique Farelo repasa la grabaci\u00f3n.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/pete-oxley-mercurial-indigo-2023\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":76872,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,17848,15517,1038],"tags":[304,18892,17546,18891,18889,18890],"class_list":["entry","author-pachi","has-excerpt","post-76870","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","category-contenidos","tag-enrique-farelo","tag-mgp-records","tag-nicolas-meier","tag-paul-cavaciuti","tag-pete-oxley","tag-raph-mizraki"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Pete-Oxley-Nicolas-Meier-Mercurial-Indigo-MGP-Records-2023-.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/76870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=76870"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/76870\/revisions"}],"predecessor-version":[{"id":76876,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/76870\/revisions\/76876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/76872"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=76870"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=76870"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=76870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}