{"id":7855,"date":"2013-08-21T11:30:01","date_gmt":"2013-08-21T09:30:01","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=7855"},"modified":"2016-11-13T16:33:19","modified_gmt":"2016-11-13T15:33:19","slug":"1-tetes-de-jazz-i-bonacina-benita-simcock-emile-perisien-quartet-das-kapital-ajmi-la-manutention-avignon-francia-2013-07-16","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/1-tetes-de-jazz-i-bonacina-benita-simcock-emile-perisien-quartet-das-kapital-ajmi-la-manutention-avignon-francia-2013-07-16\/","title":{"rendered":"#1 T\u00e8tes De Jazz! (I): Bonacina \u2013 Benita \u2013 Simcock \/ \u00c9mile Parisien Quartet \/ Das Kapital (AJMI La Manutention, Avignon, Francia, 2013-07-16)"},"content":{"rendered":"<ul>\n<li><strong>Fecha<\/strong>: Martes, 16 de julio de 2013<\/li>\n<li><span style=\"font-size: 13px; line-height: 19px;\"><strong>Lugar<\/strong>: Ajmi La Manutention \/ Avignon<\/span><\/li>\n<li><strong><span style=\"font-size: 13px; line-height: 19px;\">Grupos y componentes:<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Bonacina \u2013 Benita \u2013 Simcock (14:45)<br \/>\n<\/span><\/span><\/strong><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\">C\u00e9line Bonacina: saxos soprano y bar\u00edtono<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Michel Benita: contrabajo<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Gwilym Simcock: piano<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\"><br \/>\n<strong>\u00c9mile Parisien Quartet (16:30)<\/strong><br \/>\n<\/span><\/span><\/span><\/span><\/span><\/span><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\"><span style=\"font-size: 13px; line-height: 19px;\">Julien Tou\u00e9ry: piano y objetos<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">\u00c9mile Parisien: saxos tenor y soprano<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Ivan G\u00e9lugne: contrabajo<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Sylvain Darrifourcq: bater\u00eda y percusi\u00f3n<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\"><br \/>\n<strong>Das Kapital (18:45)<\/strong><br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Daniel Erdmann: saxo tenor<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Edward Perraud: bateria y percusi\u00f3n<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Hasse Poulsen: guitarra ac\u00fastica<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/li>\n<\/ul>\n<p><strong>Comentario:<\/strong><\/p>\n<p style=\"text-align: justify;\">La ciudad francesa de Avignon se encontraba en plena ebullici\u00f3n por su reconocido festival de teatro. En la parte vieja, la m\u00e1s pr\u00f3xima al \u201cPalais des Papes\u201d se pod\u00edan ver una profusi\u00f3n de carteles colgando por las paredes, rejas y ventanales, ninguno de ellos pegado, incluso repartidos a mano, con alguna que otra peque\u00f1a <em>performance<\/em>, anunciando algunas de las m\u00faltiples propuestas para el d\u00eda.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><i><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7841\" rel=\"attachment wp-att-7841\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7841 aligncenter\" alt=\"00_EXTERIOR D&#039;AVIGNON  (Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/00_EXTERIOR-DAVIGNON-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"277\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/00_EXTERIOR-DAVIGNON-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/00_EXTERIOR-DAVIGNON-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x69.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/00_EXTERIOR-DAVIGNON-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x138.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/00_EXTERIOR-DAVIGNON-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-119x55.jpg 119w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><br \/>\n<\/i><\/p>\n<p style=\"text-align: justify;\">La asociaci\u00f3n de jazz y m\u00fasicas improvisadas, AJMI,\u00a0 tuvo el acierto de programar su primer festival de m\u00fasicas hom\u00f3logas, titulado <i>T\u00eates de jazz!<\/i>, en su sede frente al Th\u00e9\u00e2tre des Domes. Una programaci\u00f3n de alto nivel con propuestas sumamente interesantes, realizadas con criterio y gusto, por programadores que saben y conocen lo que programan. Destacar\u00eda un inconveniente, la duraci\u00f3n de cada concierto, muy estricta, de s\u00f3lo sesenta minutos, al tener que compartir el edificio, la puerta y la escalera de acceso, con algunas propuestas teatrales en horarios alternados. La excelente sonorizaci\u00f3n de cada propuesta, en las seis que pudimos disfrutar, contrast\u00f3 con su p\u00e9sima iluminaci\u00f3n. Los horarios de las actuaciones resultaron totalmente francesas y de agradecer, 14:45, 16:30 y 18:45.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7842\" rel=\"attachment wp-att-7842\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7842 aligncenter\" alt=\"01_C\u00c9LINE BONACINA TRIO  (Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/01_C\u00c9LINE-BONACINA-TRIO-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/01_C\u00c9LINE-BONACINA-TRIO-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/01_C\u00c9LINE-BONACINA-TRIO-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/01_C\u00c9LINE-BONACINA-TRIO-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/01_C\u00c9LINE-BONACINA-TRIO-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/01_C\u00c9LINE-BONACINA-TRIO-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/01_C\u00c9LINE-BONACINA-TRIO-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Las interpretaciones que nos ofreci\u00f3 el tr\u00edo sin bater\u00eda, Bonacina \u2013 Benita &#8211; Simcok, caminan con naturalidad, poseen un andar din\u00e1mico as\u00ed como un discurso compacto. Est\u00e1n m\u00e1s pr\u00f3ximos a las l\u00edneas sinuosas que a las quebradas, son m\u00e1s l\u00edricas que estruendosas, sin desmerecer, cuando el derrotero de la improvisaci\u00f3n lo requiere, alguna r\u00e1faga que otra pr\u00f3xima al <i>free<\/i>.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7843\" rel=\"attachment wp-att-7843\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7843\" alt=\"02_C\u00c9LINE BONACINA (Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avigno\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/02_C\u00c9LINE-BONACINA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno.jpg\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/02_C\u00c9LINE-BONACINA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/02_C\u00c9LINE-BONACINA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno-99x150.jpg 99w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/02_C\u00c9LINE-BONACINA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno-199x300.jpg 199w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/02_C\u00c9LINE-BONACINA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno-36x55.jpg 36w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Michel Benita, posee un toque preciso, limpio y seguro, un sonido abierto y bello, con su aspecto de yo pasaba por aqu\u00ed y ya puestos nos marcamos unos toques. Desprendi\u00f3 tranquilidad, firmeza y gusto. Uno lo recuerda en el exquisito dueto con el guitarrista Manu Codjia y el temario del singular\u00a0 y recomendable <i>Ramblin\u2019<\/i> (2007).<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7844\" rel=\"attachment wp-att-7844\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7844\" alt=\"03_GWILYM SIMCOK (Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_GWILYM-SIMCOK-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_GWILYM-SIMCOK-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_GWILYM-SIMCOK-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_GWILYM-SIMCOK-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_GWILYM-SIMCOK-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_GWILYM-SIMCOK-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_GWILYM-SIMCOK-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">El juego entre el saxo soprano y el bar\u00edtono nos hizo retrotraer al mago escoc\u00e9s de esta combinaci\u00f3n, John Surman, mucho m\u00e1s brumoso y et\u00e9reo que la propuesta de Bonacina, m\u00e1s visceral y urbana, mostrando un buen gusto para el fraseo colorista y algunos contundentes chispazos distorsionadores. Sorprende la aparente fragilidad de la saxofonista y el aplomo con que sujeta los casi seis kilogramos de su bar\u00edtono.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7845\" rel=\"attachment wp-att-7845\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7845\" alt=\"04_MICHEL BENITA (Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avigno\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/04_MICHEL-BENITA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno.jpg\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/04_MICHEL-BENITA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/04_MICHEL-BENITA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno-99x150.jpg 99w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/04_MICHEL-BENITA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno-199x300.jpg 199w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/04_MICHEL-BENITA-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avigno-36x55.jpg 36w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">El brit\u00e1nico Gwilym Simcock, pianista que simultanea los mundos del jazz y de la m\u00fasica cl\u00e1sica, extravertido y dicharachero como presentador, result\u00f3 m\u00e1s comedido e introvertido frente al piano, con un discurso elegante y a juego con los tiempos actuales, result\u00f3 ser un perfecto v\u00e9rtice de este tri\u00e1ngulo, cien por cien ac\u00fastico.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7846\" rel=\"attachment wp-att-7846\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7846\" alt=\"05_EMILE PARISIEN 4t (\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/05_EMILE-PARISIEN-4t-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/05_EMILE-PARISIEN-4t-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/05_EMILE-PARISIEN-4t-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/05_EMILE-PARISIEN-4t-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/05_EMILE-PARISIEN-4t-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/05_EMILE-PARISIEN-4t-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/05_EMILE-PARISIEN-4t-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Eran poco m\u00e1s de las cuatro y media de la tarde cuando se iniciaba la propuesta del cuarteto de \u00c9mile Parisien. Desde el primer momento dejaba claro que se mueven en otra divisi\u00f3n, la juventud y desparpajo, as\u00ed como la seriedad, hondura y frescura de su trabajo, bien asumido, bien trazado, es de los que te dejan clavado en el asiento, aunque sea de madera y tijera.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7847\" rel=\"attachment wp-att-7847\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7847\" alt=\"06_JULIEN TOUERY &amp; EMILE PARISIEN (\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/06_JULIEN-TOUERY-EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/06_JULIEN-TOUERY-EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/06_JULIEN-TOUERY-EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/06_JULIEN-TOUERY-EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/06_JULIEN-TOUERY-EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/06_JULIEN-TOUERY-EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/06_JULIEN-TOUERY-EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"text-align: justify; font-size: 13px; line-height: 19px;\">Tres temas, s\u00f3lo tres temas, la hora no ten\u00eda m\u00e1s minutos y los l\u00edmites del gui\u00f3n del festival eran muy r\u00edgidos. Tres temas que nos hab\u00edan llenado, pero aun quer\u00edamos m\u00e1s, nuestras percepciones hab\u00edan estado alteradas, estimuladas, en plena noria de puro v\u00e9rtigo, nos qued\u00e1bamos todav\u00eda con hambre, y con el apetito no resuelto nos quedamos.<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7848\" rel=\"attachment wp-att-7848\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7848\" alt=\"07_EMILE PARISIEN (\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/07_EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/07_EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/07_EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/07_EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/07_EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/07_EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/07_EMILE-PARISIEN-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 13px; line-height: 19px;\">Los temas, todos originales del grupo, \u201cDieu m\u2019a bross\u00e9 les dents\u201d, \u201cChocolat-Citron\u201d y \u201cHarricot-Guide\u201d. Los dos primeros pertenecientes al tercer y \u00faltimo trabajo del grupo, <\/span><i style=\"font-size: 13px; line-height: 19px;\">Chien Gu\u00e9pe <\/i><span style=\"font-size: 13px; line-height: 19px;\">(2012). Un disco recomendable muy especialmente por la propuesta musical as\u00ed como por su grafismo.<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7849\" rel=\"attachment wp-att-7849\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7849\" alt=\"08_SYLVAIN DARRIFOURCQ (\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/08_SYLVAIN-DARRIFOURCQ-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/08_SYLVAIN-DARRIFOURCQ-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/08_SYLVAIN-DARRIFOURCQ-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/08_SYLVAIN-DARRIFOURCQ-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/08_SYLVAIN-DARRIFOURCQ-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/08_SYLVAIN-DARRIFOURCQ-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/08_SYLVAIN-DARRIFOURCQ-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 13px; line-height: 19px;\">Las coordenadas de este cuarteto (con m\u00e1s de seis a\u00f1os rodando juntos, algo casi inaudito en el mundo del jazz), unas de las m\u00e1s interesantes del momento m\u00e1s all\u00e1 de nacionalidades y \u201cdrapeaux\u201d, discurren por las del jazz contempor\u00e1neo. Escritura e improvisaci\u00f3n, tensi\u00f3n y contenci\u00f3n, ruido y delicadeza. Cabeza, v\u00edsceras y mucho m\u00e1s. Un trabajo de grupo de los que cautivan, de los que fluyen como un todo org\u00e1nico.<\/span><\/p>\n<p style=\"text-align: center;\">\u00a0<a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7850\" rel=\"attachment wp-att-7850\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7850\" alt=\"09_IVAN G\u00c9LUGNE (\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/09_IVAN-G\u00c9LUGNE-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/09_IVAN-G\u00c9LUGNE-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/09_IVAN-G\u00c9LUGNE-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/09_IVAN-G\u00c9LUGNE-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/09_IVAN-G\u00c9LUGNE-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/09_IVAN-G\u00c9LUGNE-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/09_IVAN-G\u00c9LUGNE-\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\" align=\"center\"><span style=\"font-size: 13px; line-height: 19px;\">\u00c9mile Parisien (1982), el pasado enero, recibi\u00f3 el premio Django Reinhardt -como mejor m\u00fasico franc\u00e9s del 2012- de la Academia Francesa de Jazz, la misma, y en el mismo acto, que galardon\u00f3 a Jorge Pardo como mejor m\u00fasico de jazz europeo del a\u00f1o, y a Jordi Pujol (no confundir con el pol\u00edtico y ex-presidente de la Generalitat) por sus reediciones al frente del sello catal\u00e1n Fresh Sound.<\/span><\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7851\" rel=\"attachment wp-att-7851\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7851\" alt=\"10_HASSE POULSEN(\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/10_HASSE-POULSEN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/10_HASSE-POULSEN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/10_HASSE-POULSEN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/10_HASSE-POULSEN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/10_HASSE-POULSEN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/10_HASSE-POULSEN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/10_HASSE-POULSEN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 13px; line-height: 19px;\">El\u00a0 tercer grupo de nuestra primera jornada fue, Das Kapital, con un nombre claramente evidente, es un tr\u00edo con guitarra ac\u00fastica, sin contrabajo, iconoclasta y heterodoxo. Mezclan el pop, el jazz, el rock, el <\/span><i style=\"font-size: 13px; line-height: 19px;\">free<\/i><span style=\"font-size: 13px; line-height: 19px;\"> con el cabaret, todo bien batido como les pasa, literalmente, por las narices y servido como les da la gana.<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7852\" rel=\"attachment wp-att-7852\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7852\" alt=\"11_DANIEL ERDMANN(\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/11_DANIEL-ERDMANN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/11_DANIEL-ERDMANN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/11_DANIEL-ERDMANN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-99x150.jpg 99w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/11_DANIEL-ERDMANN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-199x300.jpg 199w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/11_DANIEL-ERDMANN\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-36x55.jpg 36w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 13px; line-height: 19px;\">La desproporci\u00f3n est\u00e1 perfectamente encajada en los derroteros de este grupo franco-alem\u00e1n-dan\u00e9s (bater\u00eda-saxo-guitarra). Tres m\u00fasicos notables que no huyen de la extravagancia, ni el coqueteo con el <\/span><i style=\"font-size: 13px; line-height: 19px;\">kitsch<\/i><span style=\"font-size: 13px; line-height: 19px;\">, ni el talante circense.<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7853\" rel=\"attachment wp-att-7853\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7853\" alt=\"12_EDWARD PERRAUD(\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/12_EDWARD-PERRAUD\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/12_EDWARD-PERRAUD\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/12_EDWARD-PERRAUD\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/12_EDWARD-PERRAUD\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/12_EDWARD-PERRAUD\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/12_EDWARD-PERRAUD\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/12_EDWARD-PERRAUD\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 13px; line-height: 19px;\">En esta ocasi\u00f3n interpretaron piezas del alem\u00e1n Hanns Eisler (alumno favorito de Arnold Sch\u00f6nberg con qui\u00e9n terminar\u00eda rompiendo. Compositor de la m\u00fasica de diversas producciones teatrales de Bertold Brecth, con quien mantuvo una estrecha amistad. Acusado de ser el Karl Marx de la m\u00fasica y agente sovi\u00e9tico, durante la \u00e9poca de la caza de brujas de Hollywood, donde compuso var\u00edas bandas sonoras, algunas de ellas nominadas a los <\/span><i style=\"font-size: 13px; line-height: 19px;\">Oscars<\/i><span style=\"font-size: 13px; line-height: 19px;\">. Compositor dodecaf\u00f3nico y no, fue el autor del himno de la desaparecida RDA, posteriormente terminar\u00eda siendo mal visto por el propio r\u00e9gimen comunista).<\/span><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=7854\" rel=\"attachment wp-att-7854\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-7854\" alt=\"13_DAS KAPITAL(\u00a9Joan Cort\u00e8s)_#1T\u00eates de Jazz!_Avignon\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/13_DAS-KAPITAL\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/13_DAS-KAPITAL\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/13_DAS-KAPITAL\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/13_DAS-KAPITAL\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/13_DAS-KAPITAL\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/13_DAS-KAPITAL\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/13_DAS-KAPITAL\u00a9Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 13px; line-height: 19px;\">Das Kapital tienen dos trabajos grabados sobre la obra de Eisler, <\/span><i style=\"font-size: 13px; line-height: 19px;\">Ballads &amp; Barricades<\/i><span style=\"font-size: 13px; line-height: 19px;\"> (2009) y <\/span><i style=\"font-size: 13px; line-height: 19px;\">Conflicts &amp; Conclusions<\/i><span style=\"font-size: 13px; line-height: 19px;\"> (2011). La propuesta, por momentos cant\u00e1bile y festiva, resulta compleja, incluso en ocasiones \u00e1rida, y un poco excesiva, en parte por las teatralidades del hiperactivo y excelente bater\u00eda, pero totalmente interesante.<\/span><\/p>\n<p align=\"center\"><i>\u00a0<\/i><\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas:\u00a0\u00a9 Joan Cort\u00e8s, 2013<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fecha: Martes, 16 de julio de 2013 Lugar: Ajmi La Manutention \/ Avignon Grupos y componentes: Bonacina \u2013 Benita \u2013 Simcock (14:45) C\u00e9line Bonacina: saxos soprano y bar\u00edtono Michel Benita: contrabajo Gwilym Simcock: piano \u00c9mile Parisien Quartet (16:30) Julien Tou\u00e9ry: piano y objetos \u00c9mile Parisien: saxos tenor y soprano Ivan<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/1-tetes-de-jazz-i-bonacina-benita-simcock-emile-perisien-quartet-das-kapital-ajmi-la-manutention-avignon-francia-2013-07-16\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":7841,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,1038],"tags":[7185,7184,7181,7186,7192,7183,7193,7125,7217,7188,7194,7190,1041,7189,7187,7191,16099,16100],"class_list":["entry","author-pachi","post-7855","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-contenidos","tag-ajmi","tag-avignon","tag-bonacina-benita-simcock","tag-celine-bonacina","tag-daniel-erdmann","tag-das-kapital","tag-edward-perraud","tag-emile-parisien","tag-emile-parisien-quartet","tag-gwilym-simcock","tag-hasse-poulssen","tag-ivan-gelugne","tag-joan-cortes","tag-julien-touery","tag-michel-benita","tag-sylvain-darrifourcq","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/00_EXTERIOR-DAVIGNON-Joan-Cort\u00e8s_1T\u00eates-de-Jazz_Avignon.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":7882,"url":"https:\/\/tomajazz.com\/web\/1-tetes-de-jazz-ii-stephane-kerecki-john-taylor-duo-vicent-peirani-trio-emile-parisien-luis-vina-mobile-ajmi-la-manutention-avignon-francia-2013-07-17\/","url_meta":{"origin":7855,"position":0},"title":"#1 T\u00e8tes De Jazz! (II): St\u00e9phane Kerecki \u2013 John Taylor Duo \/ Vicent Peirani Trio + Emile Parisien \/ Luis Vina \u201cMobile\u201d (AJMI La Manutention, Avignon, Francia, 2013-07-17)","author":"Tomajazz","date":"26 agosto, 2013","format":false,"excerpt":"Fecha: Mi\u00e9rcoles, 17 de julio de 2013 Lugar: AJMI La Manutention, Avi\u00f1\u00f3n (Francia) Grupos y componentes: St\u00e9phane Kerecki \u2013 John Taylor Duo (14:45) John Taylor: piano St\u00e9phabe Kerecki: contrabajoVicent Peirani Trio + Emile Parisien (16:30) Tony Paeleman: piano Simon Tailleu: contrabajo Vicent Peirani: acorde\u00f3n y acordina \u00c9mile Parisien: saxo soprano\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_TAYLORKERECKI%C2%A9Joan-Cort%C3%A8s_17jul13_1T%C3%AAtes-de-Jazz_Avignon.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_TAYLORKERECKI%C2%A9Joan-Cort%C3%A8s_17jul13_1T%C3%AAtes-de-Jazz_Avignon.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/03_TAYLORKERECKI%C2%A9Joan-Cort%C3%A8s_17jul13_1T%C3%AAtes-de-Jazz_Avignon.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":51293,"url":"https:\/\/tomajazz.com\/web\/instantzz-emile-parisien-monografico-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas\/","url_meta":{"origin":7855,"position":1},"title":"INSTANTZZ: Emile Parisien (monogr\u00e1fico) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro&#8230; y algo m\u00e1s]","author":"Tomajazz","date":"30 julio, 2020","format":false,"excerpt":"Emile Parisien es el protagonista del monongr\u00e1fico en INSTANTZZ. Joan Cort\u00e8s recopila quince fotograf\u00edas del m\u00fasico frances (tres son in\u00e9ditas), tomadas entre 2010 y 2018 en distintas formaciones.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/07\/03_EMILE-PARISIEN-%C2%A9Joan-Cort%C3%A8s_05oct13_Espace-Gavroche_25Jazz%C3%A8bre_Elne.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/07\/03_EMILE-PARISIEN-%C2%A9Joan-Cort%C3%A8s_05oct13_Espace-Gavroche_25Jazz%C3%A8bre_Elne.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/07\/03_EMILE-PARISIEN-%C2%A9Joan-Cort%C3%A8s_05oct13_Espace-Gavroche_25Jazz%C3%A8bre_Elne.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":56634,"url":"https:\/\/tomajazz.com\/web\/instantzz-celine-bonacina-fly-fly-28eme-jazz-a-junas-place-de-lavenir-junas-occitanie-france-2021-07-22-galeria-fotografica-aka-fotoblog-de-jazz-impro\/","url_meta":{"origin":7855,"position":2},"title":"INSTANTZZ: C\u00e9line Bonacina \u201cFly Fly\u201d (28\u00e8me Jazz \u00e0 Junas \/ Place de l\u2019Avenir, Junas, Occitanie -France-.  2021-07-22) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] Por Joan Cort\u00e8s","author":"Tomajazz","date":"24 agosto, 2021","format":false,"excerpt":"En INSTANTZZ una nueva galer\u00eda fotogr\u00e1fica de Joan Cort\u00e8s en el 28\u00e8me Jazz \u00e0 Junas. En esta ocasi\u00f3n es el turno de la saxofonista C\u00e9line Bonacina y su proyecto \u201cFly Fly\u201d.","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/04_Cln-Bncn-tr-Joan-Cortes_22jul21_Pl-d-l-vnr_28-Jzz-Jns.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/04_Cln-Bncn-tr-Joan-Cortes_22jul21_Pl-d-l-vnr_28-Jzz-Jns.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/04_Cln-Bncn-tr-Joan-Cortes_22jul21_Pl-d-l-vnr_28-Jzz-Jns.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":36885,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-emile-parisien-y-vincent-peirani-427\/","url_meta":{"origin":7855,"position":3},"title":"Razones para el jazz: Emile Parisien y Vincent Peirani [427]","author":"Tomajazz","date":"25 mayo, 2018","format":false,"excerpt":"El saxofonista, b\u00e1sicamente soprano, Emile Parisien (Caors, 1985) y el acordeonista Vincent Peirani (Nice, 1980). Un par de j\u00f3venes leones de la escena francesa y a su vez de la internacional. Tanto tocan con m\u00fasicos de su generaci\u00f3n (Manu Codjia, Michael Wollny, Andreas Schaerer, Yaron Herman, M\u00e1rio Costa, Hugo Carvalhais,\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Joan-Cort%C3%A8s_04_Rzns-pr-l-jzz_PrsnPrn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Joan-Cort%C3%A8s_04_Rzns-pr-l-jzz_PrsnPrn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Joan-Cort%C3%A8s_04_Rzns-pr-l-jzz_PrsnPrn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18121,"url":"https:\/\/tomajazz.com\/web\/instantzz-emile-parisien-quartet-saison-jazzebre-perpignan-francia-2015-03-12\/","url_meta":{"origin":7855,"position":4},"title":"INSTANTZZ : Emile Parisien Quartet (Saison Jazz\u00e8bre, Perpignan, Francia. 2015-03-12)","author":"Tomajazz","date":"22 abril, 2015","format":false,"excerpt":"Saison Jazz\u00e8bre Fecha: Jueves, 12 de marzo de 2015 Lugar: Universit\u00e9-Maison de l\u2019Etudiant (Perpignan) Componentes: Emile Parisien Quartet Emile Parisien, saxo tenor y soprano Julien Touery, piano Ivan G\u00e9lugne, contrabajo Julien Loutelier, bater\u00eda \u00a9 Joan Cort\u00e8s, 2015","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/IMJ046_EMILE-PARISIEN-%C2%A9Joan-Cort%C3%A8s_27nov13_Daniel-Humair-4t_Institut-Fran%C3%A7ais_45%C3%A8Voll-Damm-FIJazz_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/IMJ046_EMILE-PARISIEN-%C2%A9Joan-Cort%C3%A8s_27nov13_Daniel-Humair-4t_Institut-Fran%C3%A7ais_45%C3%A8Voll-Damm-FIJazz_Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/IMJ046_EMILE-PARISIEN-%C2%A9Joan-Cort%C3%A8s_27nov13_Daniel-Humair-4t_Institut-Fran%C3%A7ais_45%C3%A8Voll-Damm-FIJazz_Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":51121,"url":"https:\/\/tomajazz.com\/web\/instantzz-vincent-peirani-monografico-galeria-fotografica-aka-fotoblog-de-jazz-impro-y-algo-mas\/","url_meta":{"origin":7855,"position":5},"title":"INSTANTZZ: Vincent Peirani (monogr\u00e1fico) [Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro&#8230; y algo m\u00e1s]","author":"Tomajazz","date":"16 julio, 2020","format":false,"excerpt":"El acordeonista Vincent Peirani es el protagonista del especial en INSTANTZZ. La galer\u00eda fotogr\u00e1fica recoge quince instant\u00e1neas del m\u00fasico, incluyendo tres fotograf\u00edas in\u00e9ditas en Tomajazz.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/07\/08_Vncnt-Prn-Joan-Cort%C3%A8s_05oct13_spc-Gvrch_25Jzzbr_ln.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/07\/08_Vncnt-Prn-Joan-Cort%C3%A8s_05oct13_spc-Gvrch_25Jzzbr_ln.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/07\/08_Vncnt-Prn-Joan-Cort%C3%A8s_05oct13_spc-Gvrch_25Jzzbr_ln.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/7855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=7855"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/7855\/revisions"}],"predecessor-version":[{"id":7924,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/7855\/revisions\/7924"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/7841"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=7855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=7855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=7855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}