{"id":8118,"date":"2013-09-09T11:15:43","date_gmt":"2013-09-09T09:15:43","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=8118"},"modified":"2016-11-13T16:33:17","modified_gmt":"2016-11-13T15:33:17","slug":"opus-5-11e-festival-mas-i-mas-jamboree-barcelona-2013-08-16","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/opus-5-11e-festival-mas-i-mas-jamboree-barcelona-2013-08-16\/","title":{"rendered":"Opus 5 (11\u00e8 Festival Mas i Mas, Jamboree, Barcelona, 2013-08-16)"},"content":{"rendered":"<p>11\u00e8 Festival Mas i Mas<\/p>\n<ul>\n<li>Fecha: Viernes, 16 de agosto de 2013<\/li>\n<li>Lugar: Jamboree (Barcelona)<\/li>\n<li>Componentes:<br \/>\nSeamus Blake: saxo tenor<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Alex Sipiagin: trompeta y compositor<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">David Kikoski: piano<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Boris Kozlov: contrabajo y compositor<br \/>\n<span style=\"font-size: 13px; line-height: 19px;\">Donald Edwards: bater\u00eda y compositor<\/span><\/span><\/span><\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Comentario:<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8107\" rel=\"attachment wp-att-8107\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8107\" alt=\"01_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/01_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/01_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/01_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/01_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/01_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/01_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/01_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Quienes los vieron el pasado marzo en Terrassa, coincid\u00edan mayoritariamente en comentar que Opus 5 fue la revelaci\u00f3n del festival de jazz, as\u00ed como una de las mejores actuaciones, cuando no la mejor. Cinco meses despu\u00e9s han recalado en el subterr\u00e1neo barcelon\u00e9s del Jamboree, y posiblemente por lo escuchado sea uno de los mejores conciertos, en la vertiente jazz\u00edstica, de la \u00faltima edici\u00f3n del festival Mas i Mas.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8108\" rel=\"attachment wp-att-8108\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8108\" alt=\"02_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/02_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/02_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/02_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/02_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/02_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/02_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/02_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Festival que lleva once veranos consecutivos cubriendo el inmenso vac\u00edo musical que se produc\u00eda durante el mes de agosto en Barcelona. Lo hace desde varios campos (jazz, cl\u00e1sica, flamenco, entre otros), duraciones (desde fragmentos de treinta minutos a actuaciones completas de una sola tirada o de dos pases)\u00a0 y espacios (Jamboree, Tarantos, Apolo, Palau de la M\u00fasica Catalana, L\u2019Auditori y el MUHBA -Museu d\u2019Hist\u00f2ria de Barcelona-).<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8109\" rel=\"attachment wp-att-8109\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8109\" alt=\"03_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Opus 5, de entrada contravienen una de la m\u00e1ximas del mundo jazz\u00edstico, donde lo normal, por predominante, consiste en anteponer a los t\u00e9rminos, tr\u00edo, cuarteto, etc., el nombre del m\u00fasico m\u00e1s medi\u00e1tico, en este caso hubiera podido ser David Kikoski Quintet.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8110\" rel=\"attachment wp-att-8110\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8110\" alt=\"04_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/04_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/04_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/04_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/04_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/04_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/04_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/04_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Todo sea dicho, viendo, despu\u00e9s de los dos pases, la din\u00e1mica del grupo, donde los miembros del quinteto hicieron, como m\u00ednimo, una\u00a0 presentaci\u00f3n cada uno, y que la casi totalidad de los temas interpretados fueron composiciones originales de distintos miembros de la banda y que se respiraba un aire de grupo con muy buena camarader\u00eda, parece, m\u00e1s que obvio, que gocen de un nombre propio.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8111\" rel=\"attachment wp-att-8111\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8111\" alt=\"05_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Posiblemente el grupo de mayor longevidad, todav\u00eda en activo, sea el estadounidense Oregon (creado por Ralph Towner en el 1971 y con casi treinta grabaciones), una aut\u00e9ntica rara avis del entorno del jazz. Otra formaci\u00f3n, todav\u00eda m\u00e1s a\u00f1eja, \u00e9sta en el campo de las grandes formaciones, es The Sun Ra Arkestra, con m\u00e1s de cincuenta y cinco a\u00f1os de actividad (orquesta que tambi\u00e9n hemos podido escuchar en este festival).<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8112\" rel=\"attachment wp-att-8112\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8112\" alt=\"06_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/06_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/06_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/06_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/06_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/06_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/06_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/06_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Opus 5, formado por dos rusos \u2013trompeta y contrabajo-, un canadiense-saxo- y dos estadounidenses-piano y bater\u00eda-, practican un <i>hard bop<\/i>, pre y post <i>free<\/i> jazz, sin nada de este, muy fraseado, ultra din\u00e1mico, musculado, energ\u00e9tico y en algunos momentos de puro <i>heavy jazz<\/i>, muy especialmente en su directo, en los discos todo queda m\u00e1s tamizado y tranquilo. En algunos pasajes del directo, por la contundencia r\u00edtmica, velocidad vertiginosa, as\u00ed como su perfecto empaste, nos pod\u00eda evocar al quinteto VSOP. Una nueva muestra, bien fehaciente, de que el jazz se ha de escuchar en directo, parafraseando a los avi\u00f1onenses de la Ajmi, \u201cLe meilleur moyen d\u2019\u00e9couter du jazz c\u2019est d\u2019en voir!\u201d.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8113\" rel=\"attachment wp-att-8113\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8113\" alt=\"07_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/07_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/07_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/07_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/07_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/07_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/07_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/07_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">En el primer pase se ci\u00f1eron al gui\u00f3n de los temas pre-seleccionados, donde desgranaron una peque\u00f1a porci\u00f3n de su segundo disco, <i>Pentasonic<\/i> (2012), entre ellos los temas, \u201cThe Saboteur\u201d, \u201cDucktones\u201d o \u201cLittle Dancer\u201d, con solos de un desarrollo y velocidad de cortar el hipo a cualquiera, en la mejor l\u00ednea jazzista norte-americana, donde la contundencia y la espectacularidad van a la par, de las que dejan sin aliento, tanto al int\u00e9rprete como al oyente que los sigue con atenci\u00f3n. Una primera parte, de hora y media, a la que si le tuvi\u00e9ramos que encontrar alguna pega ser\u00eda la de su monolitismo; alg\u00fan \u00e1rea de descanso hubiera sido de agradecer, si m\u00e1s no para el que suscribe.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8114\" rel=\"attachment wp-att-8114\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8114\" alt=\"08_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/08_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/08_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/08_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/08_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/08_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/08_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/08_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">El segundo pase, con el p\u00fablico renovado, sin perder un \u00e1pice de la contundencia del pase anterior, result\u00f3 un poco m\u00e1s distendido y de aire m\u00e1s familiar. Kikoski, a piano solo, encaro el primer tema, un <i>blues-rock<\/i> de estructura muy simple, que fue cambiando, haci\u00e9ndolo m\u00e1s complejo, acerc\u00e1ndose al mundo de la cl\u00e1sica para dejarlo, ya en compa\u00f1\u00eda de los miembros restantes de la banda, en un musculado hard bop. Despu\u00e9s vendr\u00edan dos interesantes temas, \u201cAsami\u2019s playland\u201d y \u201cNostalgiain time (one for Fambrough)\u201d, ambos correspondientes al primer trabajo del quinteto, <i>Introducing<\/i> (2011), para terminar, en el bis, con el est\u00e1ndar \u201cInvitation\u201d. Tanto el primer tema de este pase, como en el bis, crearon una atm\u00f3sfera pr\u00f3xima a la de una <i>jam session<\/i> de gran calidad y desarrollo, donde el saxofonista y el trompetista, Seamus Blake y Alex Sipiagin, dejaban temporalmente el escenario, para descansar de sus exhaustas descargas, y aposentarse en los bancos laterales del escenario junto al p\u00fablico.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8115\" rel=\"attachment wp-att-8115\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8115\" alt=\"09_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/09_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/09_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/09_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/09_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/09_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/09_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/09_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Al final de los dos pases, con los rostros extenuados de los dos vientos, la cara impasible m\u00e1s all\u00e1 de una sutil, pero evidente, l\u00ednea de satisfacci\u00f3n del contrabajista y compositor, Boris Koslov, destacaban los rostros sonrientes del bater\u00eda y tambi\u00e9n compositor Donald Edwards, as\u00ed como el del incasable, David Kikoski, puro derroche de alegr\u00eda y vitalidad, plenamente contagiosa. Kikoski parece aunar a la vez hiperactividad y tranquilidad.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8116\" rel=\"attachment wp-att-8116\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8116\" alt=\"10_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn (2)\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-2.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-2.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-2-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-2-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-2-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-2-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/10_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-2-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Lo dicho al comienzo, y en pleno meridiano del festival, el concierto de Opus 5 en el Jamboree, ser\u00e1 de los que dejar\u00e1 clara huella en esta und\u00e9cima edici\u00f3n.<\/p>\n<p style=\"text-align: center;\" align=\"center\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8117\" rel=\"attachment wp-att-8117\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-8117\" alt=\"11_130816_OPUS 5 (\u00a9Joan Cort\u00e8s)_11FM&amp;M_Jamboree_Bcn\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/11_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/11_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/11_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/11_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-300x199.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/11_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/11_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/11_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p style=\"text-align: right;\" align=\"center\">Texto y fotograf\u00edas: \u00a9\u00a0Joan Cort\u00e8s, 2013<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>11\u00e8 Festival Mas i Mas Fecha: Viernes, 16 de agosto de 2013 Lugar: Jamboree (Barcelona) Componentes: Seamus Blake: saxo tenor Alex Sipiagin: trompeta y compositor David Kikoski: piano Boris Kozlov: contrabajo y compositor Donald Edwards: bater\u00eda y compositor &nbsp; Comentario: Quienes los vieron el pasado marzo en Terrassa, coincid\u00edan mayoritariamente<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/opus-5-11e-festival-mas-i-mas-jamboree-barcelona-2013-08-16\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8109,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,1038],"tags":[7250,7289,1125,7291,7290,5219,1046,1041,7287,7288,16099,16100],"class_list":["entry","author-pachi","post-8118","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-contenidos","tag-11e-festival-mas-i-mas","tag-alex-sipiagin","tag-barcelona","tag-boris-kozlov","tag-david-kikoski","tag-donald-edwards","tag-jamboree","tag-joan-cortes","tag-opus-5","tag-seamus-blake","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/03_130816_OPUS-5-\u00a9Joan-Cort\u00e8s_11FMM_Jamboree_Bcn.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":64392,"url":"https:\/\/tomajazz.com\/web\/mas-i-mas-festival-barcelona-19a-edicio-2022-del-28-de-julio-al-10-de-setiembre-noticias-de-jazz\/","url_meta":{"origin":8118,"position":0},"title":"Mas i Mas Festival &#8211; Barcelona 19a Edici\u00f3 2022 (del 28 de julio al 10 de setiembre) [Noticias de jazz]","author":"Tomajazz","date":"3 julio, 2022","format":false,"excerpt":"El Mas i Mas Festival celebra su 19a edici\u00f3n entre los pr\u00f3ximos 28 de julio y 10 de setiembre 2022. Los conciertos, de diferentes estilos se celebrar\u00e1n en las salas del grupo Mas i Mas: Jamboree, Tarantos\/Jamboree-sala 2 y Moog. En total, ser\u00e1n m\u00e1s de 150 actuaciones.","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"Mas i Mas Festival - Barcelona 19a Edici\u00f3 2022 (del 28 de julio al 10 de setiembre) [Noticias de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/07\/Collage-Mas-I-Mas-Festival-2022.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/07\/Collage-Mas-I-Mas-Festival-2022.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/07\/Collage-Mas-I-Mas-Festival-2022.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/07\/Collage-Mas-I-Mas-Festival-2022.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/07\/Collage-Mas-I-Mas-Festival-2022.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":9606,"url":"https:\/\/tomajazz.com\/web\/en-breve-all-that-jazz-ruta-66-309\/","url_meta":{"origin":8118,"position":1},"title":"En breve: All That Jazz (Ruta 66, 309)","author":"Tomajazz","date":"9 diciembre, 2013","format":false,"excerpt":"A nadie se le escapa la importancia de los conciertos (no confundir con el bolo aqu\u00ed-te-pillo-aqu\u00ed-te-mato) en el jazz. Los actuales son tiempos de autoproducciones para una gran mayor\u00eda de grabaciones, y por tanto lo ideal y lo habitual es que los grupos rueden sus repertorios previo a la grabaci\u00f3n\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Ruta 66_309 portada","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/Ruta-66_309-portada-208x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8024,"url":"https:\/\/tomajazz.com\/web\/nelson-project-11e-festival-mas-i-mas-jamboree-barcelona-2013-08-15\/","url_meta":{"origin":8118,"position":2},"title":"Nelson Project (11\u00e8 Festival Mas I Mas, Jamboree, Barcelona, 2013-08-15)","author":"Tomajazz","date":"3 septiembre, 2013","format":false,"excerpt":"11\u00e8 Festival Mas I Mas Fecha: Jueves, 15 de agosto de 2013 Lugar: Jamboree (Barcelona) Componentes: Albert Cirera: saxo tenor y maestro de ceremonias Pablo Arias: saxo alto No\u00e9 Escol\u00e0: saxo bar\u00edtono Roc Albero: trompeta Federico Mazzanti: piano Enric Peinado: guitarra Manuel Krapovickas: contrabajo Xavier Hinojosa: bater\u00eda Comentario: En m\u00e1s\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130815_NELSON-PROJECT-%C2%A9Joan-Cort%C3%A8s_Jamboree.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130815_NELSON-PROJECT-%C2%A9Joan-Cort%C3%A8s_Jamboree.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/05_130815_NELSON-PROJECT-%C2%A9Joan-Cort%C3%A8s_Jamboree.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":103144,"url":"https:\/\/tomajazz.com\/web\/paul-cornish-trio-barcelona-2025\/","url_meta":{"origin":8118,"position":3},"title":"Paul Cornish Trio \u201cYou\u2019re Exaggerating!\u201d (57\u00e8 Festival de Jazz de Barcelona \/ Jamboree, 2025-11-24 \/ Barcelona) [04] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"1 enero, 2026","format":false,"excerpt":"Paul Cornish Trio \u201cYou\u2019re Exaggerating!\u201d actu\u00f3 en el 57\u00e8 Festival de Jazz de Barcelona, en Jamboree, el 24 de noviembre de 2025. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Paul Cornish, Jermaine Paul, Jonathan Pinson","rel":"","context":"En \u00ab57 Festival de Jazz de Barcelona 2025\u00bb","block_context":{"text":"57 Festival de Jazz de Barcelona 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/57-festival-de-jazz-de-barcelona-2025\/"},"img":{"alt_text":"Paul Cornish Trio \u201cYou\u2019re Exaggerating!\u201d (57\u00e8 Festival de Jazz de Barcelona \/ Jamboree, 2025-11-24 \/ Barcelona) [04] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Paul Cornish Trio \u201cYou\u2019re Exaggerating!\u201d actu\u00f3 en el 57\u00e8 Festival de Jazz de Barcelona, en Jamboree, el 24 de noviembre de 2025. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Paul Cornish, Jermaine Paul, Jonathan Pinson\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacada-08-Pl-Crnsh-Tr-Photo-By-Joan-Cortes-24nvm25-CdL-59FJBcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacada-08-Pl-Crnsh-Tr-Photo-By-Joan-Cortes-24nvm25-CdL-59FJBcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacada-08-Pl-Crnsh-Tr-Photo-By-Joan-Cortes-24nvm25-CdL-59FJBcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":104436,"url":"https:\/\/tomajazz.com\/web\/juanma-trujillo-baldo-martinez-cdj25-2026\/","url_meta":{"origin":8118,"position":4},"title":"Juanma Trujillo &#038; Baldo Mart\u00ednez (25 aniversario Club de Jazz \/ Jamboree-01, 2026-02-14 \/ Barcelona) [I] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"17 marzo, 2026","format":false,"excerpt":"Juanma Trujillo & Baldo Mart\u00ednez actuaron en Jamboree en el 25 aniversario de Club de Jazz. Joan Cort\u00e8s lo retrata en INSTANTZZ","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Juanma Trujillo & Baldo Mart\u00ednez (25 aniversario Club de Jazz \/ Jamboree-01, 2026-02-14 \/ Barcelona) [I] Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Juanma Trujillo & Baldo Mart\u00ednez actuaron en Jamboree en el 25 aniversario de Club de Jazz. Joan Cort\u00e8s lo retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-11-Jnm-Trjll-Bld-Mrtnz-Photo-by-Joan-Cortes-14fbr26-25nCdJ-Jmbr01-Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-11-Jnm-Trjll-Bld-Mrtnz-Photo-by-Joan-Cortes-14fbr26-25nCdJ-Jmbr01-Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/destacada-11-Jnm-Trjll-Bld-Mrtnz-Photo-by-Joan-Cortes-14fbr26-25nCdJ-Jmbr01-Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":67440,"url":"https:\/\/tomajazz.com\/web\/the-wayne-escoffery-quartet-2022\/","url_meta":{"origin":8118,"position":5},"title":"The Wayne Escoffery Quartet (19\u00e8 Mas i Mas Festival \/ Jamboree, Barcelona. 2022-08-04) [III\/V] Por Joan Cort\u00e8s [INSTANTZZ]","author":"Tomajazz","date":"11 octubre, 2022","format":false,"excerpt":"En INSTANTZZ las im\u00e1genes de la actuaci\u00f3n en Jamboree de The Wayne Escoffery Quartet en el 19\u00e8 Mas i Mas Festival. Joan Cort\u00e8s es el autor de las im\u00e1genes.","rel":"","context":"En \u00abEspecial 19\u00e8 Mas i Mas Festival\u00bb","block_context":{"text":"Especial 19\u00e8 Mas i Mas Festival","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/especial-19e-mas-i-mas-festival\/"},"img":{"alt_text":"The Wayne Escoffery Quartet (19\u00e8 Mas i Mas Festival \/ Jamboree, Barcelona. 2022-08-04) [III\/V] Por Joan Cort\u00e8s [INSTANTZZ]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/08_Wyn-Scffr-4t-Joan-Cortes_05gst22_19MMF_Jmbrr_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8118"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8118\/revisions"}],"predecessor-version":[{"id":8119,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8118\/revisions\/8119"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8109"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}