![\"thiefs_thiefs\"](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/thiefs_thiefs-281x300.jpeg\" "\\"\\"")
<\/a>Guillermo E. Brown, bater\u00eda en el cuarteto de David S. Ware, el bajista Keith Witty y el saxofonista franc\u00e9s Christophe Panzani debutan como tr\u00edo haci\u00e9ndose llamar Thiefs.<\/p>\nEste proyecto fue creado gracias a una iniciativa cultural de colaboraci\u00f3n franco- americana. El resultado no es f\u00e1cil de catalogar. Se trata del primer disco de esta banda liderada por Brown y que conecta con los \u00faltimos proyectos de este bater\u00eda, conicido por sus colaboraciones en varias aventuras de jazz de vanguardia.<\/p>\n
Hay que avisar, por tanto, que este es un disco at\u00edpico por algunos pasajes de su contenido. En cierta manera es un disco extra\u00f1o. Por momentos nos encontramos con un \u00e1lbum de jazz-funk<\/i> electr\u00f3nico, en otros remite a una cierta deriva hacia el hip-hop<\/i> con samplers<\/i>, el rhythm and blues<\/i> <\/b>vocal, m\u00fasica de baile, m\u00fasica culta con melod\u00edas serias e instantes de improvisaci\u00f3n que nos recuerdan a la etapa de David S. Ware.<\/p>\n
El disco se abre con ritmos de bater\u00eda y bajo en clave de groove <\/i>y prosigue hasta el final con diferentes sorpresas. No hay ning\u00fan tema similar a otro en todo el \u00e1lbum. \u201cThe Actual Neef\u201d, \u201cOliver Island\u201d, \u201cSans Titre\u201d y la balada cantada \u201cThe World Without Us\u201d, son las piezas m\u00e1s destacadas y las que m\u00e1s sintonizan con una marcada l\u00ednea improvisatoria. A veces puede resultar incoherente, pero no se le puede negar a cada uno de los temas que han sido interpretados con vigor, ansias de exploraci\u00f3n y modernidad.<\/p>\n
No sabemos si es un pastiche o una puesta al d\u00eda r\u00e1pida de los sonidos m\u00e1s avanzados a los que hay que acostumbrarse. Seguro que gustar\u00e1 a los m\u00e1s modernos y puede dejar indiferentes a quienes enseguida vean que esta m\u00fasica s\u00f3lo se incursiona en el jazz en pocos momentos. En cualquier caso, estamos ante una m\u00fasica sorprendente con composiciones de jazz, pop y electr\u00f3nica, con el tr\u00edo explorando nuevas v\u00edas para lo que no hace ascos a las posibilidades que le presta la electr\u00f3nica. Viva la modernidad.<\/p>\n
\u00a9 Carlos Lara, 2013<\/p>\n
Thiefs: Thiefs<\/em><\/p>\nComposiciones: \u201cDoute\/s\u201d, \u201cAll Day\u201d, \u201cDaybaby\u201d, \u201cThe Actual Neef\u201d, \u201cOlive Island\u201d, \u201cHurricane Daze\u201d, \u201cSans Titre (huile sur toile)\u201d, \u201cThe World Without Us\u201d\u201d, \u201cTWWU (postlude)\u201d y \u201cPlay Me at Night\u201d.
\nTemas compuestos por Thiefs<\/p>\n
M\u00fasicos: Christophe Panzani (saxo y efectos electr\u00f3nicos), Keith Witty (contrabajo), Guillermo E. Brown (bater\u00eda, voz y percusi\u00f3n digital). Invitados: Shoko Nagai (teclados) y Vincent Peirani (acorde\u00f3n).<\/p>\n
Editado en 2013 por Mezanine Harmonique Recordings<\/p>\n","protected":false},"excerpt":{"rendered":"
Guillermo E. Brown, bater\u00eda en el cuarteto de David S. Ware, el bajista Keith Witty y el saxofonista franc\u00e9s Christophe Panzani debutan como tr\u00edo haci\u00e9ndose llamar Thiefs. Este proyecto fue creado gracias a una iniciativa cultural de colaboraci\u00f3n franco- americana. El resultado no es f\u00e1cil de catalogar. Se trata delContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8137,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849,5,1038],"tags":[84,12651,7310,12696,7309,13,12415,15295,6757,7311,7312,7308,16099,77,16100,6288],"class_list":["entry","author-pachi","post-8135","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-grabaciones","category-contenidos","tag-carlos-lara","tag-cd","tag-christophe-panzani","tag-grabaciones","tag-guillermo-e-brown","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-keith-witty","tag-mezanine-harmonique-recordings","tag-shoko-nagai","tag-thiefs","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vincent-peirani"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/thiefs_thiefs.jpeg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":102034,"url":"https:\/\/tomajazz.com\/web\/louis-sclavis-india-2025\/","url_meta":{"origin":8135,"position":0},"title":"Louis Sclavis: India (Yolk Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"20 noviembre, 2025","format":false,"excerpt":"India (Yolk Records; 2025) es la nueva grabaci\u00f3n de Louis Sclavis. 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