{"id":8274,"date":"2013-12-02T11:10:05","date_gmt":"2013-12-02T10:10:05","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=8274"},"modified":"2016-11-13T20:10:09","modified_gmt":"2016-11-13T19:10:09","slug":"tomajazz-recomienda-un-arreglo-donna-lee-en-buleria-gil-goldstein-2006","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-arreglo-donna-lee-en-buleria-gil-goldstein-2006\/","title":{"rendered":"Tomajazz recomienda\u2026 un arreglo: \u201cDonna Lee\u201d en buler\u00eda (Gil Goldstein, 2006)"},"content":{"rendered":"

\"Gil<\/a>Un-DOS-un-dos-TRES-cuatro-cinco-SEIS-siete-O-chonueve-DIEZ. As\u00ed cuentan los flamencos los doce tiempos del ritmo de buler\u00eda, y as\u00ed lo interpreta la secci\u00f3n r\u00edtmica de Gil Goldstein en su inspirad\u00edsimo arreglo del \u201cDonna Lee\u201d de Charlie Parker, para llev\u00e1rselo despu\u00e9s a terrenos cubanos. Don Alias y Richard Bona sustentan una melod\u00eda m\u00e1s polirr\u00edtimica que nunca. Grabado en directo en el Blue Note de Nueva York, en Under Rousseau\u2019s Moon <\/i>Goldstein capitanea una banda de lo m\u00e1s variado (trompeta, tenor y tr\u00edo de cuerda junto a vibr\u00e1fono, bajo el\u00e9ctrico, percusi\u00f3n y el acorde\u00f3n y piano del l\u00edder), con Chris Potter, Randy Brecker y Mike Mainieri dando cach\u00e9 a una sesi\u00f3n redonda. Goldstein se gusta de lo lindo dando la vuelta como un calcet\u00edn a temas del repertorio de Jaco Pastorius. Curios\u00edsimo el un\u00edsono viol\u00edn-vibr\u00e1fono en un \u201cDonna Lee\u201d para recordar. Y eso que tanto Parker como Jaco ya lo pusieron dif\u00edcil.<\/p>\n

\u00a9 Adolphus van Tenzing, 2013<\/p>\n

Gil Goldstein: Under Rousseau\u2019s Moon. Live At The Blue Note<\/i> (Half Note 4527)<\/p>\n","protected":false},"excerpt":{"rendered":"

Un-DOS-un-dos-TRES-cuatro-cinco-SEIS-siete-O-chonueve-DIEZ. As\u00ed cuentan los flamencos los doce tiempos del ritmo de buler\u00eda, y as\u00ed lo interpreta la secci\u00f3n r\u00edtmica de Gil Goldstein en su inspirad\u00edsimo arreglo del \u201cDonna Lee\u201d de Charlie Parker, para llev\u00e1rselo despu\u00e9s a terrenos cubanos. Don Alias y Richard Bona sustentan una melod\u00eda m\u00e1s polirr\u00edtimica que nunca.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":8275,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,7882,1038,1274,1273],"tags":[5366,1487,7079,7144,1119,7439,4770,7883,1101,2003,765,708,16099,16100,7440],"class_list":["entry","author-adolphus-van-tenzing","post-8274","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-arreglo","category-contenidos","category-version","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-blue-note","tag-charlie-parker","tag-chris-potter","tag-don-alias","tag-donna-lee","tag-gil-goldstein","tag-half-note","tag-jaco-pastorius","tag-mike-mainieri","tag-randy-brecker","tag-richard-bona","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-under-rousseaus-moon"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/recomienda2.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13553,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-my-foolish-heart-gil-goldstein-y-romero-lubambo-1993\/","url_meta":{"origin":8274,"position":0},"title":"Tomajazz recomienda\u2026 un tema: \u00abMy Foolish Heart\u00bb (Gil Goldstein y Romero Lubambo, 1993)","author":"Adolphus van Tenzing","date":"24 noviembre, 2014","format":false,"excerpt":"A veces uno pone m\u00fasica de fondo y, cuando esta comienza, tiene que dejar de lado cualquier tarea y sentarse a escucharla con atenci\u00f3n. As\u00ed de cautivadora es esta versi\u00f3n del cl\u00e1sico de Victor Young \"My Foolish Heart\" en clave brasile\u00f1a. Gil Goldstein y el invitado Toninho Horta hacen funcionar\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"infinite_love","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/infinite_love.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2140,"url":"https:\/\/tomajazz.com\/web\/orchestre-national-de-jazz-piazzolla-jazz-village-2012\/","url_meta":{"origin":8274,"position":1},"title":"Orchestre National de Jazz: Piazzolla! (Jazz Village, 2012)","author":"Tomajazz","date":"15 enero, 2013","format":false,"excerpt":"Bajo la direcci\u00f3n de Daniel Yvinec la Orchestre National de Jazz de Francia (conocida por las siglas ONJ) afronta en su nueva grabaci\u00f3n un repertorio en el que Astor Piazzolla es el eje central. El gran autor argentino tuvo a lo largo de su carrera algunos acercamientos al jazz. Desde\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-To6ovorIrZ4\/UPXMI9zs3mI\/AAAAAAAAGYE\/nRV1U7sGEOw\/s200\/onj_piazzolla.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1851,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-riddles-bob-berg\/","url_meta":{"origin":8274,"position":2},"title":"Tomajazz recomienda\u2026 un disco: Riddles (Bob Berg)","author":"Adolphus van Tenzing","date":"20 abril, 2009","format":false,"excerpt":"Digno heredero de Michael Brecker, conjunci\u00f3n de potencia y calidez, Bob Berg fue uno de esos saxofonistas capaces de desenvolverse como pez en el agua en los terrenos de la fusi\u00f3n y el jazz tradicional, distinci\u00f3n que compart\u00eda, entre otros, con Bob Mintzer, Ernie Watts y el mencionado Brecker. Su\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"2009_04_20_riddles","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2009\/04\/2009_04_20_riddles.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9467,"url":"https:\/\/tomajazz.com\/web\/nicky-schire-space-and-time-magenta-label-group-2013\/","url_meta":{"origin":8274,"position":3},"title":"Nicky Schire: Space and Time (Magenta Label Group, 2013)","author":"Tomajazz","date":"29 noviembre, 2013","format":false,"excerpt":"El eclecticismo que Nicky Schire mostr\u00f3 en su primer trabajo Freedom Flight vuelve en Space and Time, en el que abarca composiciones que van desde standards de George Gershwin e Irving Berlin hasta alguna canci\u00f3n de The Beatles. Cuatro de los temas son composiciones propias. 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Por otro se reabre el debate sobre las producciones musicales de bajo coste,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"jpbb_dllab82","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/12\/jpbb_dllab82.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28492,"url":"https:\/\/tomajazz.com\/web\/paco-weht-simple-underpool-2016-cd\/","url_meta":{"origin":8274,"position":5},"title":"Paco Weht: Simple (Underpool, 2016) [CD]","author":"Jes\u00fas Mateu Rossell\u00f3","date":"3 enero, 2017","format":false,"excerpt":"Parece una contradicci\u00f3n el hecho de que sean m\u00faltiples los significados de la palabra simple. Sin ir m\u00e1s lejos, seg\u00fan la RAE, \u201cconstituido por un solo elemento\u201d. Al igual que funciona esta contrariedad si trasladamos el significado a la m\u00fasica que presenta el contrabajista Paco Weht en su primer disco\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Paco-Weht_Simple_Underpool_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Paco-Weht_Simple_Underpool_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Paco-Weht_Simple_Underpool_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Paco-Weht_Simple_Underpool_2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Paco-Weht_Simple_Underpool_2016.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Paco-Weht_Simple_Underpool_2016.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8274"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8274\/revisions"}],"predecessor-version":[{"id":9507,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8274\/revisions\/9507"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8275"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}