Duke At The Roadhouse<\/em> (grabado en directo), Eddie Daniels (clarinete y saxo tenor) y Roger Kellaway (piano) se enfrentan a unos temas que son palabras mayores no s\u00f3lo en el repertorio de Duke Ellington (eje central de este disco), sino en la historia del jazz. La lista impresiona: \u00abI’m Beginning To See the Light\u00bb, \u00abCreole Love Call\u00bb, \u00abPerdido\u00bb, \u00abIn A Mellow Tone\u00bb, \u00abIn A Sentimental Mood\u00bb, \u00abSophisticated Lady\u00bb, \u00abMood Indigo\u00bb, \u00abIt Don’t Mean A Thing\u00bb. Los dos \u00fanicos temas que no est\u00e1n en esta lista son sendas composiciones de los dos int\u00e9rpretes compuestas ex-profeso para los conciertos que dieron lugar a esta grabaci\u00f3n: \u00abDuke At The Roadhouse\u00bb del primero, \u00abDuke in Ojai\u00bb del segundo.<\/p>\nA lo largo de todo el disco ambos m\u00fasicos muestran, desde la admiraci\u00f3n, un enorme respeto al legado de Duke Ellington. Desde esa posici\u00f3n van recreando unos temas de tal modo que en ellos permanecen tanto las melod\u00edas, como distintos elementos presentes en la m\u00fasica del gran Duke a lo largo de toda su carrera: su omnipresente sentido del swing<\/em>; las influencias del blues y tambi\u00e9n de la m\u00fasica cl\u00e1sica. El diferente enfoque de cada una de las versiones, el reparto equilibrado de los solos y una muy buena interacci\u00f3n del soplador y pianista, complementados con la participaci\u00f3n puntual del chelista James Holland, lograron hacer de estos conciertos (ahora grabaci\u00f3n), una colecci\u00f3n de momentos muy afortunados.<\/p>\n\u00a9\u00a0Pachi Tapiz, 2013<\/p>\n
Roger Kellaway – Eddie Daniels: Duke At The Roadhouse. Live In Santa Fe<\/em><\/p>\nRoger Kellaway (piano), Eddie Daniesl (saxo tenor y clarinete), James Holland (violonchelo)<\/p>\n
\u00abI’m Beginning To See the Light\u00bb (Ellington, George, Hodges, James), \u00abCreole Love Call\u00bb (Ellington), \u00abPerdido\u00bb (Tizol, Drake, Lengsfelder), \u00abDuke At The Roadhouse\u00bb (Eddie Daniels), \u00abIn A Mellow Tone\u00bb (Ellington, Gabler), \u00abIn A Sentimental Mood\u00bb (Ellington, Kurtz, Mills), \u00abSophisticated Lady\u00bb (Ellington, Mills, Parish), \u00abDuke in Ojai\u00bb (Roger Kellaway), \u00abMood Indigo\u00bb (Bigard, Ellington, Mills), \u00abIt Don’t Mean A Thing\u00bb (Ellington, Mills)<\/p>\n
Grabado en directo en Lensic Theater, Santa Fe, New Mexico, USA. Publicado en 2013 por IPO Recordings. IPOC 1024<\/p>\n","protected":false},"excerpt":{"rendered":"
En d\u00fao durante la mayor parte de Duke At The Roadhouse (grabado en directo), Eddie Daniels (clarinete y saxo tenor) y Roger Kellaway (piano) se enfrentan a unos temas que son palabras mayores no s\u00f3lo en el repertorio de Duke Ellington (eje central de este disco), sino en la historiaContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8294,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,6637,7457,12696,7458,7459,13,12415,15295,31,7456,16099,77,16100],"class_list":["entry","author-pachi","post-8293","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-duke-ellington","tag-eddie-daniels","tag-grabaciones","tag-ipo-recordings","tag-james-holland","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-pachi-tapiz","tag-roger-kellaway","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/daniels-kellaway_duke-at-the-roadhouse.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":48348,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-55-7-de-enero-de-2020-jpt-t3-08-podcast\/","url_meta":{"origin":8293,"position":0},"title":"Jazz Para Ti #55 (7 de enero de 2020). JPT.T3.08 [Podcast]","author":"Tomajazz","date":"10 enero, 2020","format":false,"excerpt":"Disponible una nueva edici\u00f3n del programa de radio Jazz Para Ti. En la edici\u00f3n del 7 de enero de 2020, suenan Dave Liebman - Richie Beirach, Youn Sun Nah, Roger Kellaway o Johnny Griffin junto a Eddie \"Lockjaw\" Davis.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzParaTi_55.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzParaTi_55.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzParaTi_55.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzParaTi_55.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":47392,"url":"https:\/\/tomajazz.com\/web\/jazzx5142-roger-kellaway-trio-have-you-met-miss-jones-the-many-open-minds-of-roger-kellaway-minipodcast\/","url_meta":{"origin":8293,"position":1},"title":"JazzX5#142. Roger Kellaway Trio: Have You Met Miss Jones (The Many Open Minds Of Roger Kellaway) [Minipodcast]","author":"Tomajazz","date":"25 noviembre, 2019","format":false,"excerpt":"El pianista Roger Kellaway y su tr\u00edo son los protagonistas de JazzX5 142 con su recreaci\u00f3n del cl\u00e1sico \"Have You Met Miss Jones\" que aparece en el disco The Many Open Minds Of Roger Kellaway (IPO Recordings).","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_142.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_142.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_142.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_142.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":8293,"position":2},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. Pachi Tapiz repasa la grabaci\u00f3n. Actuaron Charles Mingus, Jaki Byard, Dannie Richmond, Charles McPherson, John Handy III, Jack Nimitz, Buddy Collette, Lonnie Hillyer, Bobby Bryant, Melvin Moore, Lou\u2026","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8384,"url":"https:\/\/tomajazz.com\/web\/frank-wess-magic-101-ipo-recordings-2013-aka-veteranos-en-la-brecha-lvii-en-la-casa-del-mundo-lvii\/","url_meta":{"origin":8293,"position":3},"title":"Frank Wess: Magic 101 (IPO Recordings, 2013) [AKA Veteranos en la brecha LVII] [En \u00abLa Casa del Mundo\u00bb (LVII)]","author":"Tomajazz","date":"10 octubre, 2013","format":false,"excerpt":"En 2011, con casi 90 inviernos a sus espaldas, el saxofonista y flautista Frank Wess (1922) grab\u00f3 Magic 101, acompa\u00f1ado por tres m\u00fasicos pertenecientes a dos generaciones distintas: el veterano Kenny Barron (piano, 1943) y los \"j\u00f3venes\" Kenny Davis (contrabajo, 1961) y Winard Harper (bater\u00eda, 1962). Los cuatro m\u00fasicos afrontan\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Frank Wess Magic 101","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Frank-Wess-Magic-101.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":8293,"position":4},"title":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":47195,"url":"https:\/\/tomajazz.com\/web\/jazzx5134-anne-phillips-born-to-be-blue-live-at-the-jazz-bakery-minipodcast\/","url_meta":{"origin":8293,"position":5},"title":"JazzX5#134. Anne Phillips: Born to be Blue (Live At The Jazz Bakery) [Minipodcast]","author":"Tomajazz","date":"16 noviembre, 2019","format":false,"excerpt":"\"Born to be Blue\" de Anne Phillips suena en la entrega 134 del podcast JazzX5 de Pachi Tapiz.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_134.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_134.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_134.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzX5_134.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8293","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8293"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8293\/revisions"}],"predecessor-version":[{"id":8295,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8293\/revisions\/8295"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8294"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8293"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8293"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8293"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"daniels](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/daniels-kellaway_duke-at-the-roadhouse.jpg\" "\\"\\"")
<\/a>En d\u00fao durante la mayor parte de Duke At The Roadhouse<\/em> (grabado en directo), Eddie Daniels (clarinete y saxo tenor) y Roger Kellaway (piano) se enfrentan a unos temas que son palabras mayores no s\u00f3lo en el repertorio de Duke Ellington (eje central de este disco), sino en la historia del jazz. La lista impresiona: \u00abI’m Beginning To See the Light\u00bb, \u00abCreole Love Call\u00bb, \u00abPerdido\u00bb, \u00abIn A Mellow Tone\u00bb, \u00abIn A Sentimental Mood\u00bb, \u00abSophisticated Lady\u00bb, \u00abMood Indigo\u00bb, \u00abIt Don’t Mean A Thing\u00bb. Los dos \u00fanicos temas que no est\u00e1n en esta lista son sendas composiciones de los dos int\u00e9rpretes compuestas ex-profeso para los conciertos que dieron lugar a esta grabaci\u00f3n: \u00abDuke At The Roadhouse\u00bb del primero, \u00abDuke in Ojai\u00bb del segundo.<\/p>\n