{"id":8384,"date":"2013-10-10T11:15:18","date_gmt":"2013-10-10T09:15:18","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=8384"},"modified":"2016-11-13T17:17:22","modified_gmt":"2016-11-13T16:17:22","slug":"frank-wess-magic-101-ipo-recordings-2013-aka-veteranos-en-la-brecha-lvii-en-la-casa-del-mundo-lvii","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/frank-wess-magic-101-ipo-recordings-2013-aka-veteranos-en-la-brecha-lvii-en-la-casa-del-mundo-lvii\/","title":{"rendered":"Frank Wess: <i>Magic 101<\/i> (IPO Recordings, 2013) [AKA Veteranos en la brecha LVII] [En \u00abLa Casa del Mundo\u00bb (LVII)]"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8385\" rel=\"attachment wp-att-8385\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-8385\" alt=\"Frank Wess Magic 101\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Frank-Wess-Magic-101.jpg\" width=\"200\" height=\"179\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Frank-Wess-Magic-101.jpg 342w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Frank-Wess-Magic-101-150x133.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Frank-Wess-Magic-101-61x55.jpg 61w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>En 2011, con casi 90 inviernos a sus espaldas, el saxofonista y flautista Frank Wess (1922) grab\u00f3 <em>Magic 101<\/em>, acompa\u00f1ado por tres m\u00fasicos pertenecientes a dos generaciones distintas: el veterano Kenny Barron (piano, 1943) y los \u00abj\u00f3venes\u00bb Kenny Davis (contrabajo, 1961) y Winard Harper (bater\u00eda, 1962).<\/p>\n<p style=\"text-align: justify;\">Los cuatro m\u00fasicos afrontan un repertorio mayoritariamente compuesto por cl\u00e1sicos (\u00abSay It Isn&#8217;t So\u00bb, \u00abEasy Living\u00bb, \u00abCome Rain Or Come Shine\u00bb, \u00abBlue Monk\u00bb) afrontados a medio tiempo y a tempo de balada. Este hecho, que en otros m\u00fasicos y en otros casos es una dificultad insalvable para mantener el inter\u00e9s a lo largo de toda la grabaci\u00f3n, en esta ocasi\u00f3n es superada con nota por el magn\u00edfico sonido aterciopelado de Wess al saxo tenor (en esta ocasi\u00f3n no toca la flauta, que es su otro instrumento), y por la forma magistral en que sus compa\u00f1eros lo arropan.<\/p>\n<p style=\"text-align: justify;\">Uno de los puntos cumbre de la grabaci\u00f3n es el homenaje de Wess en solitario a Duke Ellington que cierra el disco por medio de su versi\u00f3n de \u00abAll Too Soon\u00bb. Toda una lecci\u00f3n de jazz a la cl\u00e1sica por un veterano ante el que no queda otra que quitarse el sombrero en se\u00f1al de respeto y admiraci\u00f3n. Lo suyo es jazz para todos los p\u00fablicos, sin caer en banalidades, ni hacer concesiones.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0Pachi Tapiz, 2013<\/p>\n<p>Frank Wess: <em>Magic 101<\/em><\/p>\n<p>Frank Wess (saxo tenor), Kenny Barron (piano), Kenny Davis (contrabajo), Winard Harper (bater\u00eda)<\/p>\n<p>\u00abSay It Isn&#8217;t So\u00bb (Berlin), \u00abThe Very Thought Of You\u00bb (Noble), \u00abPretty Lady\u00bb (Wess), \u00abCome Rain Or Come Shine\u00bb (Mercer &amp; Arlen), \u00abEasy Living\u00bb (Robin &amp; Rainger), \u00abBlue Monk\u00bb (Thelonious Monk), \u00abAll Too Soon\u00bb (Ellington)<\/p>\n<p>Grabado el 2 y el 8 de junio de 2011 en Avatar Studios, Nueva York, USA. Publicado en 2013 por IPO Recordings.<\/p>\n<p>Escuchar \u00abAll Too Soon\u00bb en La Casa del Mundo:<br \/>\n\u00abAll Too Soon\u00bb<br \/>\nFrank Wess<br \/>\n<i>Magic 101<\/i><br \/>\nIPO Recordings (2013)<\/p>\n<p><object id=\"player2431417\" width=\"240\" height=\"133\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"AllowScriptAccess\" value=\"always\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"wmode\" value=\"transparent\" \/><param name=\"src\" value=\"http:\/\/www.ivoox.com\/playerivoox_ee_2431417_1.html\" \/><param name=\"allowfullscreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 2011, con casi 90 inviernos a sus espaldas, el saxofonista y flautista Frank Wess (1922) grab\u00f3 Magic 101, acompa\u00f1ado por tres m\u00fasicos pertenecientes a dos generaciones distintas: el veterano Kenny Barron (piano, 1943) y los \u00abj\u00f3venes\u00bb Kenny Davis (contrabajo, 1961) y Winard Harper (bater\u00eda, 1962). Los cuatro m\u00fasicos afrontan<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/frank-wess-magic-101-ipo-recordings-2013-aka-veteranos-en-la-brecha-lvii-en-la-casa-del-mundo-lvii\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8385,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,6637,4797,7507,12696,7458,13,12415,15295,7508,7509,6100,31,5083,16099,77,16100,6379,7510],"class_list":["entry","author-pachi","post-8384","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-duke-ellington","tag-en-la-casa-del-mundo","tag-frank-wess","tag-grabaciones","tag-ipo-recordings","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-kenny-barron","tag-kenny-davis","tag-la-casa-del-mundo","tag-pachi-tapiz","tag-thelonious-monk","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-veteranos-en-la-brecha","tag-winard-harper"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Frank-Wess-Magic-101.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10110,"url":"https:\/\/tomajazz.com\/web\/frank-wess-magic-201-ipo-recordings-2014-en-la-casa-del-mundo-lxviii\/","url_meta":{"origin":8384,"position":0},"title":"Frank Wess: Magic 201 (IPO Recordings, 2014) [En \u00abLa Casa del Mundo\u00bb (LXVIII)]","author":"Tomajazz","date":"30 enero, 2014","format":false,"excerpt":"Magic 201*, grabaci\u00f3n p\u00f3stuma de Frank Wess, podr\u00eda llegar a verse como una estrategia comercial. Un lanzamiento a la sombra de su fallecimiento el pasado mes de octubre de 2013, o quiz\u00e1s como la continuaci\u00f3n del magn\u00edfico Magic 101. Sin embargo, hay al menos diez razones que contradicen este planteamiento.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"frankwess_magic201_dm","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/frankwess_magic201_dm-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":59944,"url":"https:\/\/tomajazz.com\/web\/jazzx5-centennial-384-frank-wess-all-too-soon-magic-101-ipo-recordings-2013-minipodcast-de-jazz-por-pachi-tapiz-jazzx5-centennial-001\/","url_meta":{"origin":8384,"position":1},"title":"JazzX5 Centennial #384: Frank Wess. \u00abAll Too Soon\u00bb [Magic 101 (IPO Recordings, 2013)] [Minipodcast de jazz] Por Pachi Tapiz [JazzX5 Centennial 001]","author":"Tomajazz","date":"4 enero, 2022","format":false,"excerpt":"En 2022 se cumple el centenario del nacimiento de Frank Wess. En JazzX5 el tema \"All Too Soon\" que se publicaba en Magic 101 (IPO Recordings, 2013). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5 Centennial #384: Frank Wess. \"All Too Soon\" [Magic 101 (IPO Recordings, 2013)] [Minipodcast de jazz] Por Pachi Tapiz [JazzX5 Centennial 001]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_384.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_384.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_384.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/01\/JazzX5_384.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9119,"url":"https:\/\/tomajazz.com\/web\/frank-wess-in-memorian\/","url_meta":{"origin":8384,"position":2},"title":"Frank Wess: In Memoriam","author":"Tomajazz","date":"7 noviembre, 2013","format":false,"excerpt":"\u00a0 His nickname: you know, all the guys of his generation, Jimmy Heath and them, they call him 'Magic...' and when he plays that's what it's like: there's nothing wasted; all the notes mean someting, and he has that thing that I really think a lof of the younger players\u2026","rel":"","context":"En \u00abA Fondo\u00bb","block_context":{"text":"A Fondo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/afondo\/"},"img":{"alt_text":"Frank Wess","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Frank-Wess.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":100117,"url":"https:\/\/tomajazz.com\/web\/kenny-barron-trio-vitoria-2025\/","url_meta":{"origin":8384,"position":3},"title":"Kenny Barron Trio (48 Festival de Jazz de Vitoria. 2025-07-18) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"6 octubre, 2025","format":false,"excerpt":"Kenny Barron Trio actu\u00f3 en el 48 Festival de Jazz de Vitoria. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Actuaron Kenny Barron, Kiyoshi Kitagawa, Jonathan Blake","rel":"","context":"En \u00ab48 Festival de Jazz de Vitoria 2025\u00bb","block_context":{"text":"48 Festival de Jazz de Vitoria 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/48-festival-de-jazz-de-vitoria-2025\/"},"img":{"alt_text":"Kenny Barron Trio (48 Festival de Jazz de Vitoria. 2025-07-18) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Kenny Barron Trio actu\u00f3 en el 48 Festival de Jazz de Vitoria. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Actuaron Kenny Barron, Kiyoshi Kitagawa, Jonathan Blake","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/015-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/015-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/015-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":99022,"url":"https:\/\/tomajazz.com\/web\/vvaa-jazz-dispensary-night-lights-2025\/","url_meta":{"origin":8384,"position":4},"title":"Various Artists: Jazz Dispensary Night Lights (Craft Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"19 octubre, 2025","format":false,"excerpt":"Jazz Dispensary Night Lights (Craft Recordings; 2025) es un recopilatorio del sello Moodsville publicado con motivo del Records Store Day. Pachi Tapiz repasa la grabaci\u00f3n. Con Frank Wess, Coleman Hawkins, Kenny Burrell y otros...","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Various Artists: Jazz Dispensary Night Lights (Craft Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Jazz Dispensary \u2013 Night Lights (Craft Recordings; 2025) es un recopilatorio del sello Moodsville publicado con motivo del Records Store Day. Pachi Tapiz repasa la grabaci\u00f3n. Con Frank Wess, Coleman Hawkins, Kenny Burrell y otros...","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/vvaa-Jazz-Dispensary-Night-Lights-Tomajazz-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/vvaa-Jazz-Dispensary-Night-Lights-Tomajazz-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/vvaa-Jazz-Dispensary-Night-Lights-Tomajazz-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/vvaa-Jazz-Dispensary-Night-Lights-Tomajazz-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31696,"url":"https:\/\/tomajazz.com\/web\/hdo-295-una-hora-con-frank-wess-podcast\/","url_meta":{"origin":8384,"position":5},"title":"HDO 295. Una hora con\u2026 Frank Wess [Podcast]","author":"Tomajazz","date":"29 julio, 2017","format":false,"excerpt":"Frank Wess\u00a0(1922 - 2013) es un flautista y saxofonista bien conocido por su pertenencia durante m\u00e1s de una d\u00e9cada a la orquesta de\u00a0Count Basie, con una larga carrera como\u00a0sideman\u00a0y acompa\u00f1ante de otros artistas. En\u00a0HDO 295 dedicamos una nueva entrega de\u00a0Una hora con...\u00a0a sus grabaciones de mediados de los a\u00f1os 50\u00a0Jazz\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"HDO 295. Una hora con\u2026 Frank Wess [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Frank-Wess_Steamin_Prestige_1963.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8384"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8384\/revisions"}],"predecessor-version":[{"id":8388,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8384\/revisions\/8388"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8385"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}