{"id":8391,"date":"2013-10-11T11:15:04","date_gmt":"2013-10-11T09:15:04","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=8391"},"modified":"2016-11-13T17:17:21","modified_gmt":"2016-11-13T16:17:21","slug":"carla-bley-andy-sheppard-steve-swallow-trios-ecm-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/carla-bley-andy-sheppard-steve-swallow-trios-ecm-2013\/","title":{"rendered":"Carla Bley &#8211; Andy Sheppard &#8211; Steve Swallow: <i>Trios<\/i> (ECM, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 13px; line-height: 19px;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8392\" rel=\"attachment wp-att-8392\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-8392\" alt=\"Bley Sheppard Swallow Trios\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios.jpg 708w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios-300x298.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios-600x596.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios-55x55.jpg 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Escuchando <em>Trios<\/em>, el nuevo disco de Carla Bley (autora de todas las composiciones) a quien acompa\u00f1an sus viejos colegas Andy Sheppard y Steve Swallow no puedo evitar pensar en la rese\u00f1a que Yahv\u00e9 M. de la Cavada hizo en el n\u00famero 104 de la revista Cuadernos de Jazz all\u00e1 por enero de 2008 del CD de Bley titulado <em>The Lost Chords Find Paolo Fresu<\/em>. En dicha rese\u00f1a Yahv\u00e9 hablaba de la cohesi\u00f3n del grupo, de la cuasi perfecci\u00f3n del disco, de un quinteto fant\u00e1stico, de la importancia de las composiciones&#8230; unos elementos que se repiten en esta grabaci\u00f3n seis a\u00f1os despu\u00e9s.<\/span><\/p>\n<p style=\"text-align: justify;\">En esta ocasi\u00f3n tres composiciones (\u00abLes Trois Lagons (d&#8217;apr\u00e8s Henri Matisse)\u00bb, \u00abWildlife\u00bb, \u00abThe Girl Who Cried Champagne\u00bb) aparecen divididas cada una de ellas en tres partes, extendi\u00e9ndose entre diez minutos y un cuarto de hora. En contraposici\u00f3n, las dos que abren el disco (\u00abUtviklingssang\u00bb y \u00abVashkar\u00bb) duran algo m\u00e1s de siete minutos cada una. Tanto Sheppard a los saxos soprano y tenor, como Swallow con el particular sonido espeso de su bajo el\u00e9ctrico, y Carla Bley est\u00e1n fant\u00e1sticos. Sin embargo no son ni las bondades de las composiciones (m\u00e1s que notables obras de Bley), ni las habilidades de los m\u00fasicos, sino el conjunto lo que resalta por encima de todo lo dem\u00e1s. El resultado es una m\u00fasica de car\u00e1cter nocturno (durante todo el disco casi hasta el final), perfectamente ensamblada, con una l\u00f3gica aplastante en su desarrollo. Tal y como hac\u00eda Yahv\u00e9 en su rese\u00f1a, en esta ocasi\u00f3n no queda otra que darle cinco estrellas.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0Pachi Tapiz, 2013<\/p>\n<p>Carla Bley &#8211; Andy Sheppard &#8211; Steve Swallow: <em>Trios<\/em><\/p>\n<p>Carla Bley (piano y composiciones), Andy Sheppard (saxos tenor y soprano), Steve Swallow (bajo)<\/p>\n<p>\u00abUtviklingssang\u00bb, \u00abVashkar\u00bb, \u00abLes Trois Lagons (d&#8217;apr\u00e8s Henri Matisse)\u00bb, \u00abWildlife\u00bb, \u00abThe Girl Who Cried Champagne\u00bb<\/p>\n<p>Grabado en abril de 2013 en Auditorio Radiotelevisione svizzera, Lugano, Suiza. Publicado en 2013 por ECM Records<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Escuchando Trios, el nuevo disco de Carla Bley (autora de todas las composiciones) a quien acompa\u00f1an sus viejos colegas Andy Sheppard y Steve Swallow no puedo evitar pensar en la rese\u00f1a que Yahv\u00e9 M. de la Cavada hizo en el n\u00famero 104 de la revista Cuadernos de Jazz all\u00e1 por<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/carla-bley-andy-sheppard-steve-swallow-trios-ecm-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8392,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[7513,7512,12651,1663,12696,13,12415,15295,31,2241,16099,77,16100],"class_list":["entry","author-pachi","post-8391","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-andy-sheppard","tag-carla-bley","tag-cd","tag-ecm","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-pachi-tapiz","tag-steve-swallow","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":50936,"url":"https:\/\/tomajazz.com\/web\/life-goes-on-de-carla-bley-trio-cuando-menos-es-mas-ecm-2020-grabacion\/","url_meta":{"origin":8391,"position":0},"title":"Life Goes On, de Carla Bley Trio. Cuando menos es m\u00e1s (ECM, 2020) [Grabaci\u00f3n]","author":"Tomajazz","date":"26 junio, 2020","format":false,"excerpt":"Juan F. Trillo repasa la nueva grabaci\u00f3n de Carla Bley, Life Goes On, publicada en el sello ECM.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Carla-Bley-Trio_Life-Goes-On.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Carla-Bley-Trio_Life-Goes-On.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Carla-Bley-Trio_Life-Goes-On.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Carla-Bley-Trio_Life-Goes-On.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Carla-Bley-Trio_Life-Goes-On.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/06\/Carla-Bley-Trio_Life-Goes-On.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":52985,"url":"https:\/\/tomajazz.com\/web\/jazz-en-espanol-emision-2020-11-18-noticias-de-jazz\/","url_meta":{"origin":8391,"position":1},"title":"Jazz en espa\u00f1ol: emisi\u00f3n 2020-11-18 [Noticias de jazz]","author":"Tomajazz","date":"18 noviembre, 2020","format":false,"excerpt":"Disponible una nueva edici\u00f3n del programa de radio Jazz en Espa\u00f1ol, que dirige Juli\u00e1n Ruesga Bono. La protagonista es Carla Bley junto a Andy Sheppard y Steve Swallow.","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"Jazz en Espa\u00f1ol","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa%C3%B1ol_LogoJunio2019-3.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa%C3%B1ol_LogoJunio2019-3.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa%C3%B1ol_LogoJunio2019-3.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/Jazz-en-espa%C3%B1ol_LogoJunio2019-3.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3146,"url":"https:\/\/tomajazz.com\/web\/maria-schneider-y-carla-bley-dos-big-band-actuales\/","url_meta":{"origin":8391,"position":2},"title":"Maria Schneider y Carla Bley: dos big band actuales","author":"Tomajazz","date":"4 noviembre, 2008","format":false,"excerpt":"Maria Schneider y Carla Bley son dos de los m\u00e1ximos exponentes de las big band en la actualidad. 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En homenaje a su figura pero especialmente a su m\u00fasica, en HDO realizamos un repaso a algunas de sus obras que sirven a su vez para mostrar distintas facetas de su manera de entender\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Paul Bley grabando a piano solo en 2006. Fotograf\u00eda por Carol Goss.","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Photo-of-Paul-Bley-recording-solo-piano-in-2006-photographed-by-Carol-Goss.-200x267.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25342,"url":"https:\/\/tomajazz.com\/web\/hdo-145-cuatro-grabaciones-clasicas-de-paul-bley-podcast\/","url_meta":{"origin":8391,"position":5},"title":"HDO 145. 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Uno de los m\u00fasicos que aparecen en esta serie es el pianista Paul Bley, que nos dej\u00f3 a principios de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Paul-Bley_Four-Classic-Albums_AvidJazz_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Paul-Bley_Four-Classic-Albums_AvidJazz_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Paul-Bley_Four-Classic-Albums_AvidJazz_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Paul-Bley_Four-Classic-Albums_AvidJazz_2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Paul-Bley_Four-Classic-Albums_AvidJazz_2016.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Paul-Bley_Four-Classic-Albums_AvidJazz_2016.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8391"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8391\/revisions"}],"predecessor-version":[{"id":8397,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8391\/revisions\/8397"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8392"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}