{"id":8394,"date":"2013-10-11T11:00:44","date_gmt":"2013-10-11T09:00:44","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=8394"},"modified":"2016-11-13T17:17:21","modified_gmt":"2016-11-13T16:17:21","slug":"harris-eisenstadt-september-trio-destructive-element-clean-feed-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-september-trio-destructive-element-clean-feed-2013\/","title":{"rendered":"Harris Eisenstadt September Trio: <i>Destructive Element<\/i> (Clean Feed, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8395\" rel=\"attachment wp-att-8395\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-8395\" alt=\"Harris Eisenstadt september trio destructive elements\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Harris-Eisenstadt-september-trio-destructive-elements.png\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Harris-Eisenstadt-september-trio-destructive-elements.png 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Harris-Eisenstadt-september-trio-destructive-elements-150x150.png 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Harris-Eisenstadt-september-trio-destructive-elements-54x55.png 54w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>El baterista Harris Eisenstadt publica <em>The Destructive Element<\/em> con su formaci\u00f3n September Trio. El saxofonista Ellery Eskelin y la pianista Angelica Sanchez son sus acompa\u00f1antes nuevamente. Eisenstadt, que durante los \u00faltimos a\u00f1os est\u00e1 mostrando ser un gran compositor, es el autor de los nueve temas. Estos resultan muy variados en su suavidad (\u201cSwimming, then Rained Out\u201d), su car\u00e1cter melanc\u00f3lico (el precioso \u201cCascadia\u201d), su oscuridad (\u201cOrdinary Weirdness\u201d), su crispaci\u00f3n (\u201cHere Are the Samurai\u201d) o su aproximaci\u00f3n a la cl\u00e1sica contempor\u00e1nea (\u201cFrom Schoenberg\u201d). Ellery Eskelin, y sobre todo Angelica Sanchez son unos magn\u00edficos compa\u00f1eros de viaje.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0Pachi Tapiz, 2013<\/p>\n<p>Harris Eisenstadt September Trio: <em>Destructive Element<\/em> ****<\/p>\n<p>Publicado en el n\u00famero de verano de 2013 de la revista M\u00e1s Jazz en la rese\u00f1a conjunta Clean Feed: en tr\u00edo y en cuarteto<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El baterista Harris Eisenstadt publica The Destructive Element con su formaci\u00f3n September Trio. El saxofonista Ellery Eskelin y la pianista Angelica Sanchez son sus acompa\u00f1antes nuevamente. Eisenstadt, que durante los \u00faltimos a\u00f1os est\u00e1 mostrando ser un gran compositor, es el autor de los nueve temas. Estos resultan muy variados en<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/harris-eisenstadt-september-trio-destructive-element-clean-feed-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8395,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[7515,12651,1577,6609,12696,5334,7514,13,12415,15295,31,16099,77,16100],"class_list":["entry","author-pachi","post-8394","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-angelica-sanchez","tag-cd","tag-clean-feed","tag-ellery-eskelin","tag-grabaciones","tag-harris-eisenstadt","tag-harris-eisenstadt-septenber-trio","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Harris-Eisenstadt-september-trio-destructive-elements.png","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10035,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-september-trio-the-destructive-element-clean-feed-2013\/","url_meta":{"origin":8394,"position":0},"title":"Harris Eisenstadt September Trio: The Destructive Element (Clean Feed, 2013)","author":"Tomajazz","date":"23 enero, 2014","format":false,"excerpt":"El baterista Harris Eisenstadt publica The Destructive Element con su formaci\u00f3n September Trio. El saxofonista Ellery Eskelin y la pianista Angelica Sanchez son sus acompa\u00f1antes nuevamente. Eisenstadt, que durante los \u00faltimos a\u00f1os est\u00e1 mostrando ser un gran compositor, es el autor de los nueve temas. Estos resultan muy variados en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Harris Eisenstadt The Desctrutive Element","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Harris-Eisenstadt-The-Desctrutive-Element-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2452,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-september-trio-clean-feed-2011\/","url_meta":{"origin":8394,"position":1},"title":"Harris Eisenstadt: September Trio (Clean Feed, 2011)","author":"Tomajazz","date":"27 diciembre, 2011","format":false,"excerpt":"El baterista Harris Eisenstadt ha irrumpido con fuerza en el jazz durante los \u00faltimos a\u00f1os, a pesar de que ni es precisamente un novato (naci\u00f3 en 1975), ni un reci\u00e9n llegado (cuenta en su haber con m\u00e1s de diez discos a su nombre, y ha participado en m\u00e1s de cuarenta\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/1.bp.blogspot.com\/-2vTJdElRn3M\/TvnlO7_GFFI\/AAAAAAAAD2Q\/8nzBSzG07Zk\/s200\/eisenstadt_CF229.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":22504,"url":"https:\/\/tomajazz.com\/web\/clean-feed-en-2016-primera-entrega-hdo-0081-podcast\/","url_meta":{"origin":8394,"position":2},"title":"Clean Feed en 2016. Primera entrega. HDO 0081 [Podcast]","author":"Tomajazz","date":"3 marzo, 2016","format":false,"excerpt":"Dos son los vectores principales de esa matriz musical y creativa que es el sello portugu\u00e9s Clean Feed. Pedro Costa, al frente de la discogr\u00e1fica lusa desde sus inicios, ha sabido a\u00fanar la publicaci\u00f3n de grabaciones de figuras ya reconocidas en la escena internacional de la m\u00fasica libre (mayormente jazz,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Harris-Einsenstadt_Old-Growth-Forest_Clean-Feed_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2992,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-canada-day\/","url_meta":{"origin":8394,"position":3},"title":"Harris Eisenstadt: Canada Day","author":"Tomajazz","date":"5 noviembre, 2009","format":false,"excerpt":"Canada Day del bater\u00eda y compositor canadiense Harris Eisenstadt es una peque\u00f1a joya, adem\u00e1s de una broma. Grabada en quinteto, entre sus componentes incluye a figuras que aunque no sean muy conocidas a nivel popular en este momento, tienen ante s\u00ed un futuro brillante, como el trompetista Nate Wooley (uno\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10101,"url":"https:\/\/tomajazz.com\/web\/nate-wooley-sextet-sit-in-the-throne-of-friendship-clean-feed-2013\/","url_meta":{"origin":8394,"position":4},"title":"Nate Wooley Sextet: (Sit In) The Throne Of Friendship (Clean Feed, 2013)","author":"Tomajazz","date":"29 enero, 2014","format":false,"excerpt":"(Sit In) The Throne Of Friendship recoge el aspecto m\u00e1s jazz\u00edstico de Nate Wooley, un complemento en cierto modo a su faceta como libre improvisador. Este m\u00fasico es quien se encarga de componer todos los temas, salvo uno, que es una sorprendente versi\u00f3n de \u201cOld Man On The Farm\u201d del\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Nate Wooley Sextet_(Sit In) The Throne Of Friendship (Clean Feed)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nate-Wooley-Sextet_Sit-In-The-Throne-Of-Friendship-Clean-Feed.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2271,"url":"https:\/\/tomajazz.com\/web\/harris-eisenstadt-canada-day-iii-songlines-2012\/","url_meta":{"origin":8394,"position":5},"title":"Harris Eisenstadt: Canada Day III (Songlines, 2012)","author":"Tomajazz","date":"26 julio, 2012","format":false,"excerpt":"Relacionado con la escucha y disfrute de la m\u00fasica de Canada Day III, no parece necesario insistir en las bondades que aportan a las grabaciones el que los grupos rueden el material con unos cuantos conciertos en directo, y especialmente el que graben tras finalizar una gira de siete conciertos.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"harriseisenstadt_harris_canada_day","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/harriseisenstadt_harris_canada_day.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8394"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8394\/revisions"}],"predecessor-version":[{"id":8396,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8394\/revisions\/8396"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8395"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}