{"id":84150,"date":"2024-02-24T12:30:42","date_gmt":"2024-02-24T11:30:42","guid":{"rendered":"https:\/\/www.tomajazz.com\/web\/?p=84150"},"modified":"2024-02-23T21:31:14","modified_gmt":"2024-02-23T20:31:14","slug":"paolo-angeli-nijar-rer-megacorp-2023","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/paolo-angeli-nijar-rer-megacorp-2023\/","title":{"rendered":"Paolo Angeli: N\u00edjar (ReR MEGACORP, 2023) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"Paolo
Paolo Angeli: N\u00edjar an imaginary soundtrack for Bodas de Sangre (ReR MEGACORP, 2023)<\/figcaption><\/figure>Ya lo hemos comentado con anterioridad desde estas p\u00e1ginas: la guitarra de Paolo Angeli<\/strong> es una m\u00e1quina m\u00e1gica de generar sonidos<\/a>. Con ella, con su voz, con la electr\u00f3nica e incluso la guitarra flamenca, en N\u00edjar. An imaginary soundtrack for Bodas de Sangre<\/em>, el m\u00fasico italiano residente en Barcelona, le da una nueva vuelta de tuerca a su universo musical y construye una banda sonora imaginaria para la que es una de las obras por antonomasia de Federico Garc\u00eda Lorca<\/strong>.<\/p>\n

De ese modo, pone al servicio del flamenco su imaginaci\u00f3n, y en este caso el resultado, que en ocasiones anteriores se han centrado en la m\u00fasica de su Cerde\u00f1a natal o en la de Bjork<\/strong> (por poner un par de ejemplos), se fija en la Andaluc\u00eda de Lorca, y por ende, se inspira en el flamenco.<\/p>\n

Una nota importante: es inspiraci\u00f3n, que no un intento de imitaci\u00f3n de los grandes artistas que cita en las notas del disco. De ese modo, aparecen ciertos apuntes aqu\u00ed y all\u00e1, pero sin que la grabaci\u00f3n en su conjunto (que de hecho est\u00e1 estructurada en tres actos m\u00e1s los temas finales \u00abA Federico\u00bb y \u00abTel\u00f3n\u00bb, que hacen que la m\u00fasica vaya sonando sin soluci\u00f3n de continuidad), sea plenamente reconocible como una grabaci\u00f3n de Paolo Angeli.<\/p>\n

Tomajazz: \u00a9 Pachi Tapiz<\/strong>, 2024<\/p>\n

Paolo Angeli: N\u00edjar an imaginary soundtrack for Bodas de Sangre<\/em><\/h3>\n

Paolo Angeli (guitarra sarda preparada, voz, electr\u00f3nica y guitarra flamenca)<\/p>\n

Acto Primero
\nI \u00abCardos\u00bb II \u00abLa Nana\u00bb III \u00abRamas de sue\u00f1os\u00bb
\nActo Segundo
\nIV \u00abAljibe\u00bb V \u00abJinete\u00bb
\nActo Terzero
\nVI \u00abRama oscura\u00bb VII \u00abMon\u00f3logo de la luna\u00bb VIII \u00abN\u00edjar (Sidra)\u00bb IX \u00abSucia Arena\u00bb<\/p>\n

X \u00abA Federico\u00bb XI \u00abTel\u00f3n\u00bb
\nM\u00fasica compuesta y arreglada por Paolo Angeli. Textos de Bodas de sangre<\/em> de Federico Garc\u00eda Lorca.<\/p>\n

Publicado en 2023 por ReR MEGACORP<\/p>\n

M\u00e1s informaci\u00f3n<\/h4>\n

https:\/\/www.paoloangeli.com\/<\/a><\/p>\n

Paolo Angeli en Instagram<\/a><\/p>\n

Canal oficial de Paolo Angeli en Youtube<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=paolo+angeli&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h4>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00edjar (ReR MEGACORP, 2023) es la nueva grabaci\u00f3n de Paolo Angeli. Pachi Tapiz repasa la grabaci\u00f3n del guitarrista. Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":84151,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[5562,8730],"class_list":["entry","author-pachi","has-excerpt","post-84150","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-paolo-angeli","tag-rer-megacorp"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2024\/02\/Paolo-Angeli-Nijar-ReR-MEGACORP-2023-Tomajazz-Grabaciones.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":64165,"url":"https:\/\/tomajazz.com\/web\/paolo-angeli-rade-rer-megacorp-2022-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":84150,"position":0},"title":"Paolo Angeli Rade (ReR MEGACORP, 2022) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"22 junio, 2022","format":false,"excerpt":"Pachi Tapiz repasa la grabaci\u00f3n de Paolo Angeli Rade (ReR MEGACORP, 2022).","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Paolo Angeli Rade (ReR MEGACORP, 2022) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/Paolo-Angeli-RadeWEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/Paolo-Angeli-RadeWEB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/06\/Paolo-Angeli-RadeWEB.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2753,"url":"https:\/\/tomajazz.com\/web\/hoy-no-puedo-dejar-de-escuchar-tessuti-paolo-angeli-plays-frith-bjork-rer-2009\/","url_meta":{"origin":84150,"position":1},"title":"Hoy no puedo dejar de escuchar… Tessuti. Paolo Angeli plays frith & bj\u00f6rk (Rer, 2009)","author":"Tomajazz","date":"23 noviembre, 2010","format":false,"excerpt":"Tessuti: una combinaci\u00f3n aparentemente extra\u00f1a de dos creadores como Fred Frith y Bj\u00f6rk, junto con algunas piezas del propio Angeli. Casi podr\u00eda haber hablado de alg\u00fan otro disco como Nita o Uotha, su maravilloso d\u00fao con Hamid Drake. Sin embargo el que suena y suena durante estos \u00faltimos dos d\u00edas\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/paolo-angeli_tessutti_-e1427666420853.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":17811,"url":"https:\/\/tomajazz.com\/web\/paolo-angeli-sale-quanto-basta-rer-megacorp-2013-paolo-angeli-hamid-drake-deghe-rer-megacorp-2014\/","url_meta":{"origin":84150,"position":2},"title":"Paolo Angeli: Sale quanto basta (ReR Megacorp, 2013) \/ Paolo Angeli – Hamid Drake: Deghe (Rer Megacorp, 2014)","author":"Tomajazz","date":"31 marzo, 2015","format":false,"excerpt":"El m\u00fasico y music\u00f3logo sardo Paolo Angeli es uno de los instrumentistas m\u00e1s originales de la escena jazz\u00edstica actual. Su guitarra sarda preparada, a la que ha incorporado partes de otros instrumentos como el violonchelo, elementos el\u00e9ctricos como un peque\u00f1o ventilador, diversos elementos como muelles, o la utilizaci\u00f3n del arco\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Paolo-Angeli-Hamid-Drake-Deghe.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Paolo-Angeli-Hamid-Drake-Deghe.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Paolo-Angeli-Hamid-Drake-Deghe.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48213,"url":"https:\/\/tomajazz.com\/web\/jazzx5163-iva-bittova-paolo-angeli-attese-sul-filo-minipodcast\/","url_meta":{"origin":84150,"position":3},"title":"JazzX5#163. Iva Bittov\u00e1 – Paolo Angeli: Attese (Sul Filo) [Minipodcast]","author":"Tomajazz","date":"4 enero, 2020","format":false,"excerpt":"En JazzX5 163 suena \"Attese\", uno de los temas incluidos en Sul Filo (ReR Megacorp), de Iva Bittov\u00e1 y Paolo Angeli.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_163.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_163.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_163.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_163.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31112,"url":"https:\/\/tomajazz.com\/web\/hdo-276-paolo-angeli-renaud-garcia-fons-dos-magos-de-las-cuerdas-podcast\/","url_meta":{"origin":84150,"position":4},"title":"HDO 276. Paolo Angeli – Renaud Garcia-Fons: dos magos de las cuerdas [Podcast]","author":"Tomajazz","date":"23 junio, 2017","format":false,"excerpt":"En el programa 276 de HDO, escuchamos temas de las nuevas grabaciones de Renaud Garcia-Fons (la vie devant soi -e-motive records, 2017-, junto a David Venitucci y Stephan Caracci), y Paolo Angeli (Talea -Anma ReR Megacorp, 2017- 2CD), dos magos de las cuerdas de sus peculiares instrumentos. Tomajazz: \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Paolo-Angeli_Talea_AnMa-ReR-Megacorp_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Paolo-Angeli_Talea_AnMa-ReR-Megacorp_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Paolo-Angeli_Talea_AnMa-ReR-Megacorp_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Paolo-Angeli_Talea_AnMa-ReR-Megacorp_2017.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Paolo-Angeli_Talea_AnMa-ReR-Megacorp_2017.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":68012,"url":"https:\/\/tomajazz.com\/web\/paolo-angeli-rade-la-merce-2022\/","url_meta":{"origin":84150,"position":5},"title":"Paolo Angeli \u201cRade\u201d (La Merc\u00e8 \u00e9s M\u00fasica \/ Jardins del doctor Pla i Armengol, Barcelona. 2022-09-25) Por Joan Cort\u00e8s [INSTANTZZ]","author":"Tomajazz","date":"3 noviembre, 2022","format":false,"excerpt":"En INSTANTZZ Joan Cort\u00e8s retrata al guitarrista sardo Paolo Angeli con su nuevo proyecto \u201cRade\u201d en el concierto que tuvo lugar en el ciclo La Merc\u00e8 \u00e9s M\u00fasica celebrado en Barcelona.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Paolo Angeli \u201cRade\u201d (La Merc\u00e8 \u00e9s M\u00fasica \/ Jardins del doctor Pla i Armengol, Barcelona. 2022-09-25) Por Joan Cort\u00e8s [INSTANTZZ]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/10_Pl-ngl-Rd-Joan-Cortes_25set22_FdlM_Jrdns-Pl-rmengl_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/10_Pl-ngl-Rd-Joan-Cortes_25set22_FdlM_Jrdns-Pl-rmengl_Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/11\/10_Pl-ngl-Rd-Joan-Cortes_25set22_FdlM_Jrdns-Pl-rmengl_Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/84150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=84150"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/84150\/revisions"}],"predecessor-version":[{"id":84153,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/84150\/revisions\/84153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/84151"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=84150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=84150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=84150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}